by The Duke's Prize
THE DUKE'S PRIZE.
A STORY OF ART AND HEART IN FLORENCE.
CHAPTER II. OUR
CHAPTER III. A
CHAPTER IV. THE
CHAPTER VI. THE
CHAPTER VI. THE
CHAPTER VIII. A
CHAPTER IX. THE
CHAPTER X. THE
CHAPTER XI. THE
CHAPTER XIV. THE
A TALE OF A
JAMES DE MILLE.
SHOWING HOW LOW
THE GOLD FEVER
MAY REDUCE A
CHAPTER II. HE
THE CORSAIR OF
SCIO. BY JAMES
THE scenes of the following story are laid in Italy, that land of
the sun. They are designed to impress a goodly moral, as well as to
amuse the reader—to show that patience and perseverance will conquer
all things—and that a poor coat may cover a rich heart. The reader
will find also herein, that love raises the humblest; and that true
merit, like true genius, tramples upon misfortunes; and that "some
falls are means the happier to rise."
THE DUKE'S PRIZE.
CHAPTER I. FLORENCE.
Lend thy serious hearing to what I shall unfold.
COME with me, gentle reader, on the wings of fancy into the mild
and genial latitude of the Tyrrhenian Sea. The delightful region of
the Mediterranean has been the poet's ready theme for ages; then let
us thitherward, with high hopes (and appreciating eyes) to enjoy the
storied scenery of its shores. Touch, if you will, at Gibraltar; see
how the tide flows through the straits! We go in with a flowing sail,
and now we are at Corsica, Napoleon's home. Let us stop at Sardinia,
with its wealth of tropical fruits; and we will even down to
Sicily,—for this mimic ocean teems with subjects to delight the eye
even of the most casual observer, with its majestic boundary of Alps
and Apennines, and the velvet carpet of its romantic shores, while its
broad breast is dotted with the sails of the picturesque craft whose
rig is peculiar to these seas.
It were worth the journey we have taken, if only to behold the
curious maritime scene before us now-made up of the felucca, the
polacre, and the bombard, or ketch all equally unknown in our own
Well, on with us still; let us up again and new through the canal
of Piombino, touching at the isle of Elba, the "Great Emperor's" mimic
domain; step into the town lying beneath this rocky bluff; which is
crowned by a fort-it is Porto Ferrajo. Look off for a moment from
this rocky eminence, back of the town, and see the wild beauty of
these Tuscan mountains on the main land. Now, we will over to the
Italian coast, and cross, if you will, from Leghorn to Florence.
There, we are now in the very lap of genius and of poetry; let us
pause here and breathe the dreamy, soothing, balmy air of Italy.
Florence, most favored daughter of Italy, sweet, sunny Florence,
where dwelleth the gallantry and beauty of Tuscany, with thy wealth
of architectural beauty, thy magnificent churches and palaces, thy
princely court and hoarded beauties-favorite of that genial land, we
greet thee! How peacefully dost thou lay at the very foot of the
cloud-topped Apennines, divided by the mountain-born Arno in its
course to the sea, and over whose bosom the architectural genius of
the land is displayed in arched bridges; loveliest and best beloved
art thou of sunny, vine-clad Italy.
The poetical luxury of Italian genius is nowhere more plainly
manifested than in Florence. 'Tis the artist's favorite resort and
best school; 'tis the city the traveller likes least to turn his back
upon; and the spot being consecrated by poetry and art, where the
blood flows quickest through the veins, warmed by a fervid and glowing
clime. A clime which breathes in zephyrs of aromatic sweetness, wafted
over the fragrant blossoms of the land so redolent of loveliness, that
they would seem to rival the fabled Loto tree, which springs by
Allah's throne, and whose flowers have a soul in every leaf.
There is a breathing of the arts in the very air of Florence, whose
galleries are crowded with the choicest collections of paintings and
statuary in the world. Here have ever congregated the talent and
beauty of every clime. With the painter, the poet, the sculptor, here
sleep, in the city of the silent, Michael Angelo, Alfieri, and like
spirits, rendering it hallowed ground to the lovers of art. Proud and
lovely city, with thy sylvan Casino spreading its riches of green
sward and noble trees along the banks of the silvery Arno, well may a
Florentine be proud of his birthplace!
It is in Florence, this very paradise of art, that our tale opens.
Here the poor scholar or artist, who seeks to perfect himself by
viewing the glorious works of the old masters, may live like a prince
on the most moderate and frugal means, in a bright and sunny land,
where the heart's blood leaps most swiftly to the promptings of
imagination; where the female form earliest attains its wonted beauty,
and longest holds its sway over the heart; where art and nature both
combine to entrance the soul in admiration; in that land of the
sun-genial Italy; that soft, yet wild country, whose children learn
the knowledge of poetry and art from visible things, while the rest of
the world derive them from books.
It was noonday in Florence, and a group of artists were wending
their way from the grand gallery to their midday meal. It was a
motley sight to look upon them as they gaily chatted together-for
among them were men of different countries. There was the rough,
hearty Englishman, the light, witty Frenchman, the intelligent and
manly-looking American, the dark, swarthy Spaniard side by side with
the dark Italian-fit companions, both in outward hue and their native
character-and many others, forming a group of peculiar interest to
As the troop emerged from a narrow street and came full upon the
bright and sunny piazza, near the splendid shaft of the Campanile,
the gorgeous equipage of the Grand Duke was passing the spot. The
monarch was returning from a morning drive in the Casino with a small
retinue, and accompanied by one or two strangers of distinction. The
group paused for a moment to witness the passing of the duke and his
suite, and then turned gaily towards their hotel to dine, the duke
forming a new theme of conversation to those who, conversing under the
disadvantage of but partially understanding each other, from the
variety of tongues among them, ever chose the most visible subject for
"What a brilliant turn-out," said one, in honest admiration.
"Those leaders are as proud as their master," said another.
"But he becomes his state well, if he is proud," answered a third.
"Newman couldn't get up a better four in hand," said the first
speaker, a young Londoner.
"Who is that by the side of the duke?" asked one.
"The English consul," replied his countryman; "you ought to know
"The whole affair now is wanting to my eye," said a young,
"And what does it want, pray, Mister Critic?" asked the Englishman.
"Egad, that's true! There should be a woman in the picture, if it
was to be painted, if only to introduce color."
"Don't be so mercenary," added the other.
And the group thus idly conversing lounged on their way to dine.
But see, one of their number still lingers near the base of the shaft,
apparently absorbed in admiring its beautiful proportions; his pale
but fine intellectual features overspread by a spirit of admiration
as he beholds the column. But still there is some other motive than
mere curiosity that engages him thus; he seems to have thus
designedly dropped the company of the party he was just with. Now
suddenly turning and satisfying himself that his late companions were
out of sight, the young artist-for so his appearance evidently bespoke
him-slowly and sadly retraced his steps toward the grand gallery.
The expression of his countenance was that of suffering and
physical pain, as well as of mental inquietude; but his late
companions had none of them noticed or cared for this. They could take
especial cognizance of the points of excellence in the duke's horses,
but not of the grief that shaded a fellow-being's countenance. No, the
single artist, who now retraced his steps from the base of the
Campanile, let his cause for sadness arise from whatever source it
might, was alone in his sufferings, and without any one to share his
Once or twice he seemed to hesitate and half turn round again, as
if to join the party he had left; but some inward prompting appeared
to prevent him from doing so, and once more he walked on by the same
street which he had just came. A sigh now and then heaved his breast,
as though some mental or physical suffering moved him, but his form
was erect, and his step not that of one weakened by physical disease.
And yet in looking upon him, an instinctive desire would have
possessed the careful observer to offer him aid in some form.
CHAPTER II. OUR HERO AND HEROINE.
But love is blind, and lovers cannot see.
-Merchant of Venice.
AT the close of a long summer's day under the skies of Italy, the
shades of twilight were deepening on a verdant and vine-clad hillside
of the Val d'Arno, when two lovers, who had evidently been strolling
together, sat down side by side under a natural trellis of vines. The
twilight hour of midsummer will lend enchantment to almost any scene;
but this is peculiarly the case in Italy, where every shadow seems
poetic-every view fit for the painter's canvass.
The gentleman was of frank and manly bearing, and as he had
approached the spot where they now sat, with the graceful figure of
his fair companion leaning upon his arm, he evinced that soft and
persuasive mien, that easy elegance of manner and polish in his
address, which travel and good society can alone impart. Around his
noble forehead, now bared to the gentle breeze, his long auburn hair
hung in waving ringlets, after the style of the period, while his
countenance was of that intelligent and thoughtful cast, tinted by a
shade of sorrow, which rarely fails to captivate the eye.
In person, he was rather tall, erect and well-proportioned, though
perhaps he was rather thin in flesh to appear to so good advantage as
he might have done, yet altogether he was of handsome form and
pleasant mien. His dress bespoke the hollowness of his purse,
notwithstanding he bore about him the indelible marks of a gentleman;
and the careful observer would have recognized in him the artist that
had separated from his companions on the Plaza at noonday near the
shaft of the Campanile.
His companion was manifestly a lady of rank and a most lovely
female, satisfying the eye at the first glance, and constantly
pleasing the longer it dwelt upon her. When we describe an Italian
lady as being beautiful, she must be so indeed; for there is no half
way between beauty and the opposite extreme here. There are but few
really handsome women in Tuscany, but these few are of a class of
beauty that may well have ravished the rest of their sex in this fair
clime. Her countenance was radiant with thought and feeling, and her
large and dewy eyes of blue—nature's own sweet tint—rested fondly on
him by her side.
Her rich and abundant dark hair was parted smoothly across her
unblemished forehead, which might have been marble, so smooth and
pure, but for the warm blood that flowed through those delicate blue
channels. The mouth and features were of the Grecian model, and when
she smiled she showed a ravishing sweetness of expression, and teeth
that rivalled those of an Indian. In form, her person was slightly
voluptuous, though strictly within the most true female delicacy.
Such is a sketch of the two whom we at the outset denominated as
lovers; and such they were, as the progress of our story will
"There is much between thee and me, Florinda," said her companion,
sighing heavily; "and of a metal worse than all others-pride and
gold! jailors both of the daring heart!"
"Nay, dear Carlton, thou art ever foreboding ills," said the lady
persuasively, and in a voice as sweet as that of the idolized Pagoda
Thrush of India.
"Perhaps so; and yet full well I know that I am no favorite of
fortune, by stern experience."
"She will smile on thee yet, believe me, Carlton; and the more
sweetly for this seeming neglect. She's a fickle goddess, and often
plays the coquette, but, like others of this class, she seldom chides
but she smiles again the more winningly."
"She has already done so through thee, Florinda."
Florinda answered with her eyes.
"Ah, I am blessed indeed in thee; and poorly do I appreciate the
blessing of thy love, when I forget myself and complain."
"Now thou art content."
"In thy smiles, dearest, ever."
And Carlton pressed the hand with fervor to his lip that was
smilingly extended towards him.
"Ah, how long it may be, before I can call this little hand mine."
"It is thine already, Carlton."
"Thy heart is, I trust; but the hand, Florinda, is quite another
"My means are so humble."
"You would make them so."
"But are they not, Florinda?"
"Not in my eyes."
"The future looks dark to me."
"The great proficiency you have attained in your profession, as an
artist, dear Carlton, argues well for our hopes. Already has thy name
reached the Grand Duke as one of remarkable ability in thy noble art;
and such constant attention and unwearied industry must ensure
"True, dearest, I may in time hope to be counted, a worthy follower
of those whose noble efforts grace the grand gallery, and the halls
of the Palazzo Pitti; but alas, many years of toil might not place me
in the pecuniary eye of the duke, as a fitting suitor for thy peerless
portion. And then, Florinda, the pride of birth! Alas! I have little
hopes of ever attaining my most earnest wish-that which would render
me the envy of all Florence-thy hand, Florinda."
"Have I not possessions enough for both of us, dear Carlton?
Indeed, I am told that my rightful property bears a goodly proportion
to that of the Grand Duke himself, who has the reputation here in
Florence of possessing unbounded wealth-actually unequalled in amount
by that of any European monarch. Until the prospect of aiding you by
this amplitude of fortune occurred to my mind, I saw no value in this
boasted wealth; but now that I know that you will be benefited by it,
Carlton, I rejoice at its possession and its magnitude."
"Dearest," said the artist, as he listened to her generous
"There will be no want, no question of necessity; all shall be
"In your love and kindness of heart, you do not consider these
things as does the world, Florinda. The greater the amount of thy
riches, the farther art thou removed from me; thus reasoneth the
world-the cold and calculating world."
"Nay, Carlton, thou art again foreboding," said the lady in the
sweet, honeyed tongue of her land. "All will yet be as our hearts
could wish, I am confident."
"Love sees with blind eyes, dearest."
"I know the proverb; but each case is a peculiar one, and this-is
not this more so than any other?"
"So thy gentle heart would make it," he answered tenderly.
"And will not yours assent?"
"In one respect-yes."
"And that is—"
"Never was one so loved as thou art; and yet who could look upon
those eyes, and hear thee speak thus, and know the goodness and
gentleness of thy kind heart, and not love thee, Florinda?"
"Dost thou mean that?" said Carlton, earnestly and quickly.
"Nay, forgive me, Carlton," said his fair companion.
"Always but when thou shalt question my sincerity; and yet," he
continued, after a moment's pause, "there are ample grounds for such
"Say not so, Carlton."
"Behold thy large fortune; am I not penniless?-thy noble birth; am
I not an humble citizen? O, Florinda, there are few in this cold and
mercenary world that would accord to me, under these circumstances,
the meed of sincerity."
"There is one who will never doubt thee," said the lovely girl,
placing a hand affectionately within his.
"Dear Florinda, I have thought of another tie to bind us to each
other still more dearly, if possible."
"Pray, what is that, Carlton?"
"We are both orphans, Florinda; both stand, as it were, alone in
the world, without any natural protectors even from childhood."
"True," said Florinda, "my parents died while I was yet too young
to know or love them and thine, Carlton?"
"While I was an infant."
"How pleasant it must be to have parents to love and advise one. I
have often envied my companions."
"Ay, it must indeed be a source of happiness; and none would seem
to deserve them more than so gentle a spirit as thine."
"It is indeed an enviable blessing."
"Father and mother are sweet words," said the artist,
thoughtfully,—and drawing her gently to his side.
"They are sweet words," said Florinda; while a sympathetic tear
trembled for a moment beneath those long eyelashes, proving the
poet's words, "that beauty's tears are lovelier than her smiles."
Carlton saw and marked the truant jewel as it glided down her fair
And thus they talked on of love, of griefs and hopes, Carlton
pressing the hand of his lovely companion affectionately to his lips
at times, with a gentle and affectionate tenderness far more eloquent
than words; while the response that met this token from her expressive
face might have told the most casual observer how dearly and how
deeply she loved the young artist, and how the simplest token of
tenderness from him was cherished by her.
La Signora Florinda was a grand-daughter of the house of Carrati,
one of the oldest and proudest of all Italy. Having been placed in a
convent in the environs of Florence for her education, the Grand Duke
by chance met her while quite young, and learning her name, he at once
knew her to be an orphan, and now under the care of her uncle Signor
Latrezzi. By his own request he became her guardian, and from that
time Florinda became an inmate of the palace of the duke, and the
constant companion of the duchess.
Her parents deceased, as the reader has already gathered, while she
was yet a child, leaving her an immense property, which was now in
the hands of her protector, the monarch himself. About the time, or
rather some months previous to the commencement, of our tale, the
duchess had died of consumption. Florinda for more than a year had
been her intimate and dearly loved companion, and for this reason
alone was dearly prized by the Grand Duke, who still sincerely
mourned his wife's death.
The deep devotion and constancy of this monarch, Leopold of
Tuscany, to his wife, evinced an affection rarely found in marriages
of state. Inconsolable for her death, he shut himself from the world
for a long time, weeping in secret the affliction he had sustained in
her loss. To this day there ornaments the private apartments of the
Pitti Palace busts of the grand duchess, and portraits of her by the
first artists; on the walls of the duke's private study there is a
full length portrait of his wife done in fresco, representing her to
be what she really was, a noble and lovely woman.
Since the death of the duchess, Florinda had experienced, as we
have intimated, an increased degree of fatherly care and affection
from the duke, because of the fact of her intimacy with her whom he
had now lost. The duchess, during the period that Florinda had been
with her, had contracted for her a tender affection, and did not
forget in the trying moments of her last hours to commend her to the
continued and true guidance of the duke. This circumstance of course
rendered her an object of renewed interest and regard in the eyes of
her noble protector, with whom she dwelt as though she had been his
own well-beloved child.
In addition to this, she presented claims to his kind protection,
from the fact that she was an orphan, the last of a proud and noble
house long attached to the service of the crown-a fact that had in
the first place attracted his interest.
"Come, Carlton," said the lady, with a sweet smile, "now tell me
one of those Rhine legends which you relate with such spirit. You
promised me another."
"I will, dearest," was the reply; and her companion, drawing still
closer to her side, began as the next chapter will relate.
CHAPTER III. A RHINE LEGEND.
An honest tale speeds best being plainly told.
-King Richard III.
"THE valley of the Rhine," commenced Carlton, "is no more famous
for its classic beauty than for the romance of its historic story; and
the traveller is sure, while his eyes drink in of the beauty of its
scenery, to have his ears regaled with the tragic record of its
neighborhood. The name of Petard-the name of as bold a bandit as ever
led a company of mountain-robbers—has become classic as any historic
name of the Germanic confederacy, or the Italian states, by reason of
the influence he exerted, the boldness of his deeds, the oftentimes
chivalric character of his conduct; but, above all, for his singular
personal bravery, and his remarkable prowess in battle. Only second,
as it regarded the extent of his fame, to the renowned Schinderhannes,
he even exceeded that bold and romantic bandit in the general
character of his purposes, and the extraordinary success that attended
his plans of operation.
"Petard held one of those lofty mountain-passes," continued
Carlton, "that lead from the valley of the Rhine, and through which at
times much travel passed. Here he had so thoroughly entrenched
himself, with his band of some sixty bravadoes, at the time of our
story, that ten and twenty times his own force sent against him, in
the shape of the regular government troops, had utterly failed to
reach even the outer walls of his retreat, they being entrapped in all
manner of snares, and shot down like a herd of wild and distracted
animals. Several repetitions of these attempts with similar results
had fairly disheartened the officers and soldiery, and they utterly
refused to proceed on any such dangerous service for the future,
while the officers of the government in their weakness were quite
powerless. So that Petard remained virtually the master of the
district, and levied such tax as he pleased upon such of the better
classes as he could arrest upon the road.
"The story of Petard's generous charity to the peasantry is
preserved and related to the traveller by the grateful people; and
there is no doubt that, springing from this class, he felt a sympathy
for them that induced this honest generosity towards them on his part.
The cunning plans which he and his band adopted to obtain the
necessary information for the prosecution of their designs, it would
be tedious to relate. The peasantry, ever oppressed by those in
authority, were, of course, most faithful to the interests of this
famous outlaw, to whose open hand they often came for bread, and who
was ever ready to aid them. Thus, no bribery nor offered rewards could
induce one of these rough but true-hearted mountaineers to betray
Petard, or disclose the secret paths that led to his lofty stronghold.
"Cunning beyond what usually falls to the lot of roguery,"
continued Carlton, "Petard delighted in outwitting his enemies of the
law, and in leading those whom he desired to fleece into his net. Thus
practised in intrigue, he plumed himself in detecting any trick that
was attempted against him; and thus on the constant qui vive, he was
enabled to avoid detection and arrest. Every effort, however
ingenious, that the officers of the government made, was therefore
futile and of no advantage; and Petard was still regarded as master
of his mountain home, and leader of as brave a band as ever beset a
traveller's carriage, or broke the ranks of a treasury escort.
"Those were wild and lawless times when the feudal spirit and power
had not yet lost all its sway, and when each man's house was often
made to be his castle, and himself called upon to defend it with his
life. Might made right; the strong hand often carried it against the
law, and justice often, slept. It sounds like romance indeed to
depict those times."
"It does, indeed," said Florinda; "but go on, Carlton, do not
interrupt the story."
"On the left bank of the noble river, in whose valley this story is
laid," said Carlton, "rose the turrets and towers of Botztetz castle,
the remains only of one of the fine old strongholds of the middle
ages, which had by degrees descended through generations, until it was
now the home of a rich, retired merchant from Coblentz, who was
repairing it and removing the rubbish that age had collected about it.
Himself a man of distinguished family, Karl Etzwell had retired from
the bustle of his heavy business, purchased this place, and proposed
here to make himself home, and here to die. The old merchant had an
only child whom he idolized, and for whom alone he seemed to live
since his wife and other children had died.
"Bettina was one of those delicate, lovely-featured children of
grace and beauty that would have been chosen in "Merrie England" to
preside over a tournament, as queen of beauty, in Ivanhoe's time.
Born to bloom in a peculiar period of history, her character partook
in some measure of the characteristics of the times. To our age,
Florinda, and our appreciation, this lovely woman would have seemed
rather Amazonian. She rode her fine and dashing horse with a free
rein, and in the vigor of her robust health she could walk for miles,
if need be. Yet still Bettina lacked not for tenderness and gentleness
of spirit. She loved her father, was fond of music, and sung most
sweetly to her own accompaniment upon the guitar.
"Egbert Hosfeldt was the descendant of a proud line of ancestors,
and was himself now left alone of all his family. His castle was on
the opposite side of the Rhine, and ere Karl Etzwell's daughter had
been a twelvemonth at her father's new home among the now
half-restored towers of Botztetz Castle, Egbert Hosfeldt and Bettina
were the most tender friends. His boat was ever on the left shore at
nightfall, though his castle was on the right. No carpet knight was
he, Florinda; he pulled his own oar. He was as stout of limb as of
heart, and yet was as gentle when by Bettina's side as the tame doves
she fondled. His was indeed a knightly figure to look upon. He had
often distinguished himself upon the tented field, and in the forest
sports. He lived in an age when personal prowess was highly esteemed,
and when those high in birth failed not to mature the strong muscles
and stout limbs which Providence had vouchsafed to them.
"My story, Florinda, opens upon one of those soft summer twilights
which hang over this incomparable valley to-day, as they did
centuries gone by. Two figures rested near a soft bed of flowers in
the broad grounds of Botztez Castle. The luxuriant, curling hair of
delicate auburn that strayed so freely over the neck and shoulders of
the female figure, betrayed her to be the lovely daughter of Herr Karl
Etzwell; while the reader would have recognized at once in the person
by her side, the fine athletic figure of Egbert. They sat in tender
proximity to each other, and Bettina was listening to Egbert's
eloquent story of the olden times, and of the many chivalric deeds for
which the neighborhood of this spot was celebrated. He told her, too,
of legends connected with the very towers and battlements that now
surrounded them, until at last the lateness of the hour warned them
that they must part; and the gallant Egbert, pressing her hand
tenderly to his lips, bade her a brief farewell as he said, and would
meet her there again with the twilight hour on the following day.
"Scarcely had he left her side when a decrepit figure, dressed in
as shabby garb as ever clothed a beggar woman, tottled towards her,
and in saddest tones besought the fair girl to come a few steps from
the castle walls to aid her in carrying her sick infant, who she
feared was dying. The chords of tender sympathy were at once touched
and Bettina followed the old woman outside the walls, and beyond an
angle of the ruins a few rods, when the person who had so excited her
commiseration suddenly stopped, and tossing off the wretched rags he
wore, he stood before her the athletic leader of banditti, Petard!"
"How frightful!" said Florinda, interrupting him.
"The faint scream Bettina uttered," continued Carlton, "was
smothered by his ready adroitness; and seizing the fainting girl, as
though she was an infant, the robber bore her away to a spot
concealed by the darkness, where several of his confederates met him,
as had been preconcerted; and in a few minutes after Egbert had left
her side, Bettina, all unconscious, was being carried fair away to the
almost impregnable stronghold of the robbers.
"It would be vain to attempt a description of the consternation and
misery of her father when it was found that his child-she who was
everything to him; whom he loved better than life itself-was lost.
Whither to seek her no one knew. The most improbable places were
searched. Egbert, who was last seen with her, was sent for; but he
could give them no information. He supposed, of course, that she
returned directly home after he parted with her. Every conceivable
means were adopted to discover some trace of the missing girl, but
all in vain, and the most tantalizing anguish took possession of
every bosom. Two days had passed in this fruitless and agonizing
search, when a note was delivered at the castle which threw light
upon her disappearance. The purport of the note was to this effect:
"KARL ETZWELL:-Your daughter is safe in my possession. Her simplest
wish is strictly regarded. No harm will come to her, provided you pay
the ransom of one thousand marks of gold. You may not possess the
ready means, rich as you are, to produce this sum at once; therefore
it may be paid in four instalments, and in four months of time, if you
can do no better. red When the sum shall be paid, your daughter will
be restored to you as pure and unharmed as when she left you. You have
two days to think upon this. My messenger will then see you, and
receive the first instalment of the money. Those who know me will tell
you that you had better not harm one hair of that messenger's head,
but your best course will be to meet this demand. 'Signed,' PETARD.
"The mystery was solved, and the father knew that the robber, vile
as he was, would keep his word; that though Bettina was thus
fearfully situated, Petard would protect and restore her, if he
acceded to his demand. The sum named was far beyond his means to
raise before the expiration of a considerable period of time; for
though, as the robber chief denominated him, rich, yet the princely
sum of money demanded could hardly have been raised at once, had the
united interest of the country for miles round been brought to bear
"After consulting with Egbert and other friends, the father saw
that there was but one course left for him to pursue under the
circumstances of the case, and that was to comply with the demand as
far as was possible, and to get ready the first instalment of the
money for the following day. It would have been madness for him-his
daughter's safety, of course, being paramount to every other idea-to
have called upon the authorities to serve him. They had already, as
we have before stated, often failed in their efforts upon the robber;
and to incense Petard against him, was for the father to sacrifice the
life of his child. Thus influenced, the sum of money demanded as the
first instalment was made up by the assistance of Egbert and others,
and was quietly paid over to the robber messenger, by the anxious
father of Bettina.
"It was a fearful thought to father and lover, that there was even
a possibility of Bettina's remaining in the hands of those fierce and
lawless men for such a period of time as had been named. Yet it would
be impossible to raise the amount of the ransom in a shorter period of
time. Four months seemed to them almost as so many years, and Egbert
longed, at the head of a few faithful followers, to attack the
redoubtable brigand; but this would have been to sacrifice Bettina's
life at once. Alas! the ransom, and the ransom only, could liberate
her, all agreed.
"But I weary you, dearest, and will at another time complete my
"Nay, by no means."
"But the story is not yet half told."
"The more of interest is then in store."
"But it will keep until our next meeting."
"As you will, Carlton; and so now, indeed, good night. You will
come with the sunset, tomorrow?"
"I will, dearest."
And Carlton turned away to seek his own humble lodgings, while the
lady returned to the sumptuous apartments which she called her home,
to dream of the young artist, and the tale he had thus left but half
related. In the meantime with the reader we will turn to another
chapter in the thread of our story.
CHAPTER IV. THE DUKE'S PRIZE.
I see this hath a little dashed your spirits.
CARLTON was a young American, passionately devoted to the art he
was studying at Florence, the home of the arts. His pecuniary means,
which were of a limited character, were, at the time our story opens,
at an unusually low ebb-indeed, he was almost penniless. He had been
able, by losing much valuable time upon trifling and toyish pieces, to
procure nearly enough for subsistence, taken in connection with the
little he already possessed. But of late he had not been able to find
any spare time for the trifles he had heretofore engaged himself upon
at times, when he was obliged to obtain money for daily food, for
reasons which we shall understand as we proceed with our story.
Though of highly respectable birth, yet he was an orphan, and
dependent upon the liberality of a rich relative for the advantage he
had already received in an excellent classical education, and the
means of travelling while in the study of his art. A few months
previous to the opening of our tale, this patron, who had been a
father indeed to Carlton, died suddenly, and the news of his decease
reached the young American at the time he was just expecting a
remittance of money. The consequence was, he found himself friendless
and without means, thousands of miles from his native land. He had
incurred some small debts in anticipation of the expected remittance,
which placed him in a still more unpleasant situation.
It was a severe blow to Carlton to lose one who had been so kind to
him almost from childhood. It was hard, too, to sink at once from a
state of plenty to one of absolute want. But thus it was, and he
endeavored to bear his lot with all the philosophy and resignation he
could command; but it was a bitter stroke for him to bear,
particularly at this time, when so much depended upon his being able
to pursue his calling uninterrupted, and still make the proper
appearance in his person. He felt that at no previous moment had he
so much at stake as now; that at no previous time in the course of
his life could such an event have been more unfortunate. But Carlton
was blessed with a heart easy to keep afloat; and though his future
was hard, he looked upon its sunny side, and bore bravely up against
it, enduring not only mental but positive physical suffering in his
manliness. For months he had been almost constantly engaged in secret
upon a painting, which he designed to present to the Grand Duke, for
his private collection in the Palazzo Pitti, and on which he was to
stake his reputation as an artist. He worked in secret, we have
said-ay, and with the pains of hunger gnawing him often, his scanty
purse scarcely affording him the means of procuring sufficient to
sustain life. But still he worked on unwearied, in the hope, if not to
gain the hand of Florinda, at least to be thought more worthy of her.
Little did she he loved know of the actual want he experienced. He
was too proud to acknowledge it even to her; and often did he sit by
her side faint and hungry, while he held a hand, the jewelled
ornaments of which alone would have rendered a peasant independent
for life. He exerted every faculty to obtain the means of dressing at
least with seeming good taste; he endeavored to do this for appearance
sake, and that he might pass well with the world, which scans with
inquisitive eye the outside show, and pays homage accordingly. He did
not fear that it would make any difference with Florinda, yet he felt
some pride, of course, in that quarter. It required in his present
emergency the sacrifice of many a meal to procure him a coat, or any
other necessary article of clothing.
Carlton was not in the practice of meeting Florinda at the palace;
the manifest impropriety of the thing rendered this out of the
question. It was the practice of Florinda to call at certain periods
at the palace of a relation in the environs of the city, and here
Carlton often went to meet her; it was hard by the monastery where
she had been educated, and where they had first met. The two sat
together one twilight hour; it was their chosen time of meeting.
"Carlton," said Florinda.
"Why dost thou—" here Florinda hesitated.
"Speak freely; what would you ask?"
"You will not be offended?"
"Nor think strange of me?"
"Nay, I promise thee."
"Why dost thou wear such a threadbare coat, Carlton? You know I
care not for such things, but I would have thee appear among thy
fellow-artists as well clad as the best of them."
"You know, Florinda," said Carlton, blushing in spite of himself,
"I told you of my misfortune in losing my friend and patron."
"True, but what has that to do with thy coat, Carlton?" asked the
lady, who, never having known the want of money, could not realize
the effect of such a condition. And then, too, she did not exactly
understand the dependency of Carlton upon his patron.
"O, nothing particular, dearest; but one must dress according to
his means, you know."
Florinda mused for a moment, and at length appeared to understand
the meaning of his words, when taking a rich purse of gold from her
girdle, she endeavored to give it to him in such a manner as to spare
his feelings, but her utterance failed her, and she burst into tears!
Carlton could not accept it. He would rather have starved first; his
proud spirit could not brook the deed.
"No, Florinda," ho said, "I cannot accept the purse, or any
assistance from thee, noble lady. But if you will bear with my humble
attire for a while, I hope to be able to dress in a style to suit thy
taste, and which will render me worthy, at least in point of personal
appearance, to walk by thy side."
"Do you forgive me, Carlton, for this? It was but the impulse of
the moment. I did not mean to insult thee."
"Alas! I was but rude."
"You forgive me?"
"Florinda, I appreciate the feeling that prompted the generous act.
Forgive thee? Yes, dearest, and love thee more for it."
He pressed her hand to his lips, and they parted-Florinda to the
regal palace of the duke, and Carlton to his humble lodgings. That
night he went to his bed without having tasted food throughout the
whole day. The next morning with the first light he rose, unable to
sleep from hunger, and sought his canvass. While he could summon his
pride, and season it with his ambition, this formed food and stimulus
enough for him-a sustaining principle equal to natural nutriment. But
in his sleep, when nature asserted her power, and the physical system
claimed precedence over the brain, then the gnawings of hunger could
not be stilled; and thus he awoke, and, as we have said, sought his
canvass to drive away the demon; for it was a demon-a tormenting fiend
to him now!
Among the collection of artists at Florence-as in all Italian
cities-there were representatives from nearly every part of the
world; and much rivalry and pride often showed itself, not only among
the students of the academy, but even among the masters or teachers
themselves. This feeling at the time to which we allude, prevailed to
an unusual extent, and its pernicious effects had been the cause of
one or two duels of fatal termination. Carlton had long since been
obliged to leave the academy from want of means, and even while there,
he labored under great disadvantage in not being able to keep up the
appearance of a gentleman among his fellow-students, who were
generally well supplied with pecuniary means.
His comrades finding that he far exceeded them in point of
application, and consequently in execution and general improvement,
naturally disliked him; and strange enough, too, the teachers treated
him with marked coolness and dislike, whether from a similar sense of
his superior ability even over themselves, or otherwise, remains to be
"What a hang-dog look that Carlton has," said one artist to
"But he's a master with the brush, and bids fair to distance some
of us," was the reply.
"For my part, I hate all Americans."
"Or rather all successful rivals," suggested the other,
"Rival or not, this Carlton is a bore."
"So far I agree with you," answered the other.
"He's the poorest dressed artist in Florence."
"There you are right again."
And thus they sneered at him.
Under all these disadvantages, Carlton was by no means discouraged.
He was sustained by his ambition and love of his noble art, and,
above all, by the love he bore Florinda. He hoped, through the means
of the picture he was engaged upon, to introduce himself to the good
will of the duke; and this accomplished, one important step would be
taken towards the goal his fancy had pictured in futurity.
As we have said, Carlton left the academy through necessity, but he
still studied constantly in the grand gallery, and other places, as
his means would admit, while he worked on in secret. He had
determined that his picture should be presented without a name, that
it might thus rise or fall honestly, upon its own merits.
The duke had offered a princely prize for the favored picture, to
be selected from out a collection to be exhibited to himself and court
on a certain day. The monarch was devotedly attached to the art, and
thus each year, by a like method, strove to encourage the talent and
industry of the students assembled at Florence. There were many
competitors among the artists of the city on the occasion alluded to.
Those who had gained renown in bygone years now took up the brush
anew, and pupils and masters strove alike for the enviable goal.
And this was not so much for the mere winning of the prize-though
that was a princely object-but it was well-known that whoever
succeeded in the contest, established his fame at once in Italy, and
from that time forward could command his own terms for his pictures,
and find a ready sale, too, for as many as he chose to complete. It
was, in short, a diploma in art that was almost beyond value to the
ambitious students that had devoted themselves to art in Florence.
Carlton worked incessantly and in secret upon his picture, which
was of a most elaborate and original design. Alone in his humble
apartment he worked by himself, without any kind word of
encouragement, or skilful suggestion. The time for the exhibition was
fast approaching. Carlton was met by his former fellow-students every
morning,—pale and emaciated, returning from his frugal meal, of which
he was obliged to eat enough to serve him through the day; for with
his limited means he could afford but one! They joined him often, and
asked, insultingly, why he did not try for the rich prize offered by
the Grand Duke for the choicest painting.
Smothering the resentment he felt at these a insults, Carlton made
no answer to them, but contented himself with redoubling his
exertions with the brush; and it did seem to him after such
encounters, and every new insult, that his hand received a fresh
inspiration, and his mind renewed vigor. Perhaps he needed the
incentive of pride, as well as that of love and ambition, to lead him
on, and sustain him in the prosecution of his noble endeavors.
Thus it was, when the long expected day at last arrived-the day
which was to make or mar his hope of the future; he trembled as he
realized it. The various competitors had sent in their pieces
accompanied with their names, each confident in the excellence and
finish of his own production. All were arranged in the favorite
gallery of the Grand Duke, and among them Carlton's, simply bearing
the name of "The Unknown."
The hearts of the artists of Florence beat high on that day, and
the moments were impatiently counted by all until the hour should
arrive for the public presentation and audience in the picture
gallery. The selection having been made on the previous day by the
Grand Duke and his court, the time had now arrived for him to award
the prize he had offered.
Among the throng that crowded the gates of the palace, Carlton was
observed humbly pursuing his way, turning neither to the right nor
left, and passing unnoticed some of his brother artists, who ventured
a jeer at his expense.
"That coat of thine is not fit for the presence of the Grand Duke,"
"Carlton, you forgot to dress, today," said another, tauntingly.
"Don't bother him," added a third; "he's only a looker-on."
"That is all, gentlemen," said Carlton, as he quietly passed the
portals of the palace, secretly biting his lip with restrained
feeling. He had other business in hand than to notice these insults.
His soul was pre-occupied, and he scarcely heeded them a moment after
they had been spoken.
CHAPTER V. AWARDING THE PRIZE.
Let the end try the man.
THE beauty and the aristocracy of Florence crowded the gorgeous
apartments of the ducal palace, admiring the matchless pictures now
first exhibited to the public view-the productions of the artists of
the city for the prize of the liberal monarch.
There was not one which did not draw forth high and just encomiums
for its beauty and excellence; but all paused to admire above the
rest, one which, from originality of conception and perfection of
finish, was pronounced to surpass all its competitors, and great was
the curiosity expressed as to who was the author.-Some said that
Michael Angelo himself must have arisen from the tomb to produce so
perfect a picture. Throughout the hours of the exhibition, until the
time appointed for the awarding of the prize, the superb picture
bearing the name of "The Unknown," was the constant theme of all, and
the centre of attraction.
Among that lovely collection of beauty and fashion stood Florinda,
in all the loveliness of youth and high-born beauty, "the star of
that goodly company." How different was the expression of her face
from the majority of those about her. No pride or envy could be
traced on that beautiful brow, stamped with innocence and gentleness;
those mild deep blue eyes knew no deceit, but frankly shared the
promptings of her pure, untainted soul at every glance.
She looked more like the formation of the fancy in some fairy dream
than a reality, so angelic did she seem amid that princely throng.
She did not know that Carlton had contended for the prize; he had
kept his own secret, and she expressed her unfeigned admiration of
the picture by "The Unknown." She was the belle of the hour, if not
of the court, and her commendation alone would have served to attract
attention to the picture; but already had the duke in person pointed
out some of the most prominent beauties in the piece to those about
After a few preliminary remarks addressed by the liberal monarch to
the large assembly, which was now as still as death itself, he went
on to compliment the rare collection of art which was exhibited on
the occasion; and to prove the sincerity of his remarks, and the
compliment to all on this point, he offered a most princely price for
each and all presented for the prize. He observed that had one of the
pieces which had been sent in failed to have been received, he should
have found it absolutely impossible to designnate the best painting
from out the collection, each one of which was so excellent and
perfect in itself. He then remarked that he was unable to award the
prize he had proposed to present to the author of the painting which
would seem to himself and court to embody the greatest degree of
excellence, inasmuch as the picture which had been decided upon as
possessing the most merit, in every department of its execution, had
been sent to the gallery by unknown hands, and was the work of an
He closed his remarks by saying that the piece alluded to must be
the work of one high in his profession, for it fell little short of
the works of the old masters themselves. "And," added the duke, "if
there is any one in this assembly who can inform us as to the
authorship of the piece in question, we most earnestly hope they will
oblige us by doing so at this tine, that we may do the author the
honor his talents merit, and also avail ourselves of his unequalled
powers in his art."
After a short pause, he proceeded to designate some of the most
prominent points of excellence in the painting; and being a
connoisseur in these matters, the assembly were highly entertained by
his well-chosen remarks, and his subject being one to call forth all
his admiration, he was unusually eloquent. Indeed, his remarks were so
in unison with the appreciation of all who were present there and
heard his voice, that he seemed to carry them along with him, and to
infuse fresh enthusiasm among those who had already expressed so much
admiration of the picture.
There was another pause, the duke evidently awaiting an answer to
his query as to the authorship of the piece. Yet there was no answer
given, nor was there any perceptible movement among the group of
artists, who were assembled together in one corner of the gorgeous
apartment, and upon whom all eyes were turned. But they also stared
at one another, wondering who could be the man. Many of them had been
liberal enough to express a feeling of delight and admiration, in
beholding, as they said, so noble a production of modern times, and by
a living artist. There were those, among them who really loved the art
they followed, and thus were constrained to acknowledge their
"I hope," again repeated the duke to the assembly, "if there is any
one present who can inform us as to the authorship of this masterly
effort of genius, he will do so at once, and confer a personal favor
There was a slight movement perceptible among the group of artists
at this moment, and Carlton, the young American, was seen making his
way to the front of his companions, several of whom rebuked him for
his forwardness in so doing.
"Why do you push forward, Carlton?"
"Nay, give way but a moment," said our hero.
"What would you?"
"To speak to the duke."
"Fie, man, don't you see he's busy now?"
"Give way but a moment," was the reply.
"May it please you, excellenza," said Carlton, stepping before the
group of artists, and addressing the monarch in Italian, which he
spoke like a native, "I am the humble author of the picture it has
pleased you to compliment so highly."
All eyes were turned upon the speaker, who stood forth from his
companions with downcast eyes and burning cheeks, for well he knew
that the eyes of all Florence, or rather its nobility, were resting
upon him at that moment. The countenances of his former companions
evinced no emotions of resentment, as one might have expected who
understood their former feelings toward the American. No; they were
too much filled with surprise to entertain any other feeling for the
moment, and they looked at each other in the utmost amazement,
scarcely believing their senses.
The eyes of the assembly were bent upon him, and in wonder, too, at
the threadbare coat and emaciated countenance, which told but too
plainly the tale of hunger and want he had suffered. And so it was,
as the reader has seen. Carlton was too proud to make known his
necessities, and he had suffered most incredibly from want.
Hardly had Carlton spoken in answer to the question of the duke,
when there was a visible commotion among the high-born dames that
surrounded his seat, and one was carried by the attendants from the
apartment fainting. It was the duke's, ward, the Signora Florinda.
The surprise and delight which crowded itself upon her gentle
sensibility, was too much for her to bear, and she sank insensible
into the arms of those about her.
"What so strangely affected the Signora Florinda?" asked the duke.
"We know not, your highness," replied one of her late companions.
"She seemed regarding this young artist at the moment when she was
"Very, your highness."
"Hasten after her, and return and let me know how she is."
"Say I will join her anon."
"I will, excellenza."
It was many minutes before the Grand Duke recovered from the
surprise occasioned by the appearance of Carlton, and the confusion
consequent upon the sudden illness of his ward; but at length he put
the question inquiringly:
"And this is the work of thy hands?"
"It is, excellenza."
"It is a most masterly piece, by our lady," said the duke, looking
first upon the painting and then at Carlton, as if half in doubt as
to the truth of the young American's assertion.
"Your excellenza is pleased to honor me," said Carlton, with a
respectful inclination of the head.
"If the piece be thine, it is well merited," continued the duke.
"It shall be proved to thy satisfaction, excellenza."
Carlton thanked in his heart the long auburn hair that covered in
part his burning cheeks, while he thus stood before that gallant
assembly of the elite of the court of Florence.
"What proof, sir artist," said the duke, "shall we have of the
genuineness of this production?"
"By referring to the painting, excellenza," replied Carlton; "you
will find a peculiarity of expression, a want of finish in the
features of the third figure on the extreme left of the canvass."
"You speak truly, Signor Americano; we had before noticed the
defect, and were at loss to account for it in so perfect a picture as
this before us. But what of the flaw, signor?-the discovery of that
which any one of thy profession would have noticed does not prove the
piece to be the work of thine own hands, for we also had observed it."
"Very true, excellenza," replied Carlton, "but with your
permission, I will complete the expression of that countenance with a
touch; and when complete, it shall agree in strength of touch, style,
tone of finish, and every particular, with the rest of the piece. And,
moreover, you shall be enabled therein to recognize the likeness of
one of your own household. Is it the pleasure of your excellenza that
I add the finish before the present assembly?"
"It is our desire," said the now deeply interested monarch.
A hum of admiration arose as Carlton, after retiring for a moment,
returned with his palette and brush, and approached the picture.
While the duke's band now played to the deeply interested assembly,
Carlton, with a firm, bold touch, immediately supplied the
indescribable something that had been wanting-the je ne sais quoi
that had been referred to as being requisite to its proper finish. It
was done with such judgment and skill, that the addition, though
fresh, could not be detected unless by a very close observation. None
save the author, who had purposely left that flaw, could so have
remedied it. It was done almost instantly, yet with precision and
The duke gazed upon the canvass for a moment, and then exclaimed
"The Grand Chamberlain!-by our lady, what a likeness! Sir artist,
thou hast the pencil of a Raphael!"
"Is your excellenza satisfied?"
"We are convinced that the piece is thine own. None other than its
author could have accomplished that which we have just witnessed."
"Come hither, gentlemen," said the duke to several of his court
about him; and pointing to the canvass, and the touch it had just
received, said, "This proof is incontestable!"
"It is, indeed," was the response,
"Are you, too, satisfied, gentlemen?"
The duke then assuming his seat of state, directed the artist to
approach him. First complimenting him as a son of America, the
glorious Republic of the West, and on his extraordinary genius-as he
was pleased to express himself-he awarded him the rich prize prepared
for the occasion, at the same time offering him a sum for the painting
which would have rendered a man of moderate wishes independent for
"The prize, your excellenza," said Carlton, "I gladly accept as a
token of your liberality in advancing the interests of the noble art
I follow. But as it regards the high price you have set upon my
humble effort, I can only say, that I had designed it from the first
as a present for your excellenza, and only ask in return, that it may
find a place in your private and unrivalled collection-if, indeed, it
shall be deemed worthy of that honor."
"Signor Americano," said the duke, "it shall share the Tribune with
our best pictures, and shall be prized alike with them."
Now the Tribune, so called, was a small apartment of the duke's
gallery devoted to the gems of his collection, and so named after a
similar appropriation in the departments of the grand gallery of
Florence. The hanging of a picture in this place was of itself alone
the highest compliment the author could receive through his
production; and so did Carlton understand and appreciate the honor
thus designed him, which also was the more welcome, being entirely
He could hardly realize that his humble effort should be deemed
worthy of such preferment, or that it could possibly possess such
merit as to warrant its being placed side by side with those of the
immortal masters, whose humblest follower he had ever deemed himself.
No wonder his heart beat now so quickly, and he breathed so fast; the
goal of his ambition was before him, and almost within his grasp. It
seemed only necessary for him to reach out his hand and pluck the
garland of success and of renown. The pause that had intervened here
was but for a single moment of time, when it was once more broken by
the duke himself, who spoke, as he felt, most kindly and in
"Signor Americano," said the duke, "thy habiliments are those of
one whose purse is but narrowly lined, and we are at a loss to account
for this willingness to part with that which has cost thee labor of
months, and in which thou hast been so eminently successful. We do
much crave the picture, but will nevertheless forego its possession
unless it can be had at our own valuation."
"As the picture was painted for your excellenza, and you design for
it such honor, I could wish its free acceptance; but it must be yours
on any terms," said Carlton.
The assembly then dispersed, and our hero received a purse of gold
for his picture, exceeding in amount his wildest expectations of what
he might earn by his art in years of industry and frugality.
The scene he had successfully perfected, represented two applicants
for justice, standing before the Pope of Rome. They were priests, and
had come before him for his judgment in the matter of contention
between them. They were ushered into the presence of the pope by a
high official, and to this usher had Carlton given the features of
the duke's chamberlain. It was a superb design, and represented a
late occurrence well-known to the people of Florence, and for this
reason, aside from that of its acknowledged superiority, possessed
peculiar interest at that time.
The deep, yet natural expression of feeling depicted in each
countenance, the perfect harmony of the general conception and its
completeness of finish, rendered the picture a study requiring time
to comprehend and appreciate all its many excellences. It was
finished, and the work of half a year, pursued with the utmost
assiduity in secret, had proved successful. All his pains and
self-denials were now forgotten; he was doubly paid for all his
sufferings-he even looked back upon them with a conscientious pride,
and deemed that he had bought his preferment cheaply.
And such is ever the fate of true genius; it rarely receives the
aid of fortune in gaining fame, but struggles on, dependent upon its
own slow but sure preferment. This is self-evident; for genius may
remain ever latent, unless brought out and improved by stem
CHAPTER VI. THE MASQUERADE BALL.
Prosperity's the very bond of love.
WHAT a perfect chequer-board is this same game of life on which we
all hold so transient a lease. Time is the board, and the various
vicissitudes of life make up the chequered field, ourselves the
wooden "men;" each and all strive for preferment, and whether it be
gained or not, depends solely upon the shrewdness of him who plays
the game. The "king-row" may designate the pinnacle of earthly wishes
and hopes, while the various "moves" may show the struggle for that
desirable goal-happiness. Ah! how many of us get "penned" and
"cornered"—and many too, in their headlong course, are "jumped," and
taken off the scene of action. Truly, there is a vast similitude
between this game of chequers and the bolder one of life.
Here was poor Carlton but lately struggling along the chequered
field, now moving literally towards the king-row. In a few subsequent
weeks, with a well-filled purse, he was enjoying life and his art like
a true gentleman, and was the envy of every artist in Florence; and
yet they all strove to do him honor, at least; so it appeared, orders
for his productions crowded upon him from all the nobility, not only
of Florence, but of all Tuscany. The private palaces of the environs
of the city were thought incomplete in their collections, unless
supplied with one at least of his pictures, the patronage of the Grand
Duke, and his own work, which occupied the favored place in the Pitti
Palace, having raised him to the pinnacle of fame as an artist.
All Italy honored the productions of the fortunate American, and
scarcely could a Raphael or a Titian have been more respected or
honored. It was his own genius that had raised him and no accident of
"This young American monopolizes the market with his brush just
now," said one artist to another.
"Ay, and gets such princely prices, too, for his pictures! Funny
world, this! It is scarcely three months since he was likely to
starve for want of work."
"All the Grand Duke's doings; he can make as easily as he can mar a
man", replied the other.
"But a man must have genius to fill the place Carlton holds."
"As much as you might put on a knife's point-no more," said the
The long Italian day is past, and its shadows have died over the
neighboring mountains, giving place to the voluptuous and dewy
twilight, which lightly wraps itself with its soft mantle of studded
stars closely about the lovely breast of the Val d'Arno. But a few
hours later, and the Palazzo Pitti is one blaze of light, and the
thrilling music of the duke's favorite band resounds already among
the fountains and groves of the gardens; already have commenced to
congregate the gay courtiers and lovely dames of this land of the
sun. The diamond tiaras that sparkle on those lovely brows are less
dazzling than the lovely and soul-ravishing eyes that look out from
that mental diamond, the soul within; the jewelled stars upon those
manly breasts well become the noble bearing of the wearers. Brilliant
indeed was the soiree of the rich and liberal Grand Duke of Tuscany.
The Austrian-born monarch seemed to delight in surrounding the nobles
of his court with the most magnificent luxury and display that wealth
could procure, as if he would fain show his Italian subjects his own
"The duke spares no expense in his entertainments," said the
English consul to a friend, by whom he was standing.
"I have known him send to Rome frequently for an artifice to serve
him a single evening," was the reply.
"It may be a weakness thus to lavish expenditure, but it is a most
brilliant one," said the consul.
"And one which is dictated as much by policy as by his own personal
gratification," said the other.
"Perhaps so; but without questioning his motives, we may at all
events enjoy the feast he spreads."
"That is but proper and reasonable, and I most heartily subscribe
to the same,"
It is a masked ball that occupies the gay throng in the ducal
palace. That is to say, in accordance with a general custom of the
times, those who please are masked until midnight, when, at the sound
of the hour from the great throat of the bell, all masks are removed,
and all disguises laid aside. Carlton as the successful protege of the
Grand Duke, and Carlton the humble artist, was a very different
person. He was the observed of all observers; and many a rich belle
sought his side-nay, even leaned upon his arm, as he strolled through
the gorgeous rooms of the palace. They were sufficiently disguised by
their masks to remove any fear of personal recognition; and therefore,
those who knew him not, save by the late scene of winning the prize,
besought his escort for the dance-a piece of forwardness quite
allowable during the masked part of the ball. Many were the eyes that
were bent upon him; and more than one glance of jealousy was shot
towards him by s young nobles, as they saw the belles drawn to his
Carlton was naturally graceful, dignified and handsome, and bore
his new position as though he had ever filled it-now chatting gaily
with this lady, now with that, but all the while striving to detect
through the many disguises of dresses and masks, the one form that
was to him all in all-the queen of his heart and his love, Signorina
Florinda. He was himself unmasked, and wore a rich Grecian
head-dress, a tunic of dark velvet, trimmed with rich ermine, and
clasped close about the throat with checks of gold. His silken hose,
and velvet shoes faced with silver thread, set off his fine limbs to
perfection. A light, graceful dirk hung at his silver girdle,
finishing a costume of great simplicity and beauty. On his right arm
there now leans the peerless figure of a countess, with whom he
promenades and chats in his gay and spirited way, while she is
evidently much captivated with him-indeed, so much is this apparent,
that a figure of less height, dressed in a simple peasant's garb and
masked, steals up to his side and whispers some words into his ear;
but though the reader may easily guess who that peasant girl really
was, for the moment Carlton knew her not, and gently declining some
proposal from her lips, he turns and walks on with the countess
through the blaze of light and grandeur.
"That fellow carries it with a high hand," said one young noble to
another, referring to Carlton.
"Ay, but he has the full countenance and favor of the duke, and
none can gainsay him."
"Well, he is deuced clever," said the English consul, who was
talking with the other two.
"Is it a fact that he is American?" asked the first speaker, still
"Undoubtedly. You know he was announced as such when he won the
"How the ladies take to him," said the English consul.
"And he to them," added another.
"The Signora Florinda is said particularly to affect him, and he
may win a prize there," said one of the group.
"That would be too bad-the richest heiress in Florence to throw
herself away thus!"
"'There's many a slip 'twixt the cup and the lip,'" quoted the
English consul, and then walking away.
And thus Carlton was the unconscious theme of comment to a large
portion of the assembly. But the hour approaches when the heavy bell
of the palace strikes the midnight hour, and the masquerade will be
broken up, and each and all appear before each other in their true
characters. Peasant girls will don the attire more fitting their
station; kings and queens will descend to their true estates;
brigands will lay by the threatening paraphernalia of the
mountain-robber, and hooded monks will assume a more worldly attire.
The hour is struck, and the scene changes!
All is once more life and gayety, but the mask is discarded, and
each one is undisguised. See, as the grand chamberlain, with the
golden key of office wrought ostentatiously upon his ample velvet
mantle, aids in arranging the preliminaries of the dance, he pauses
to address with respect, and yet with a degree of familiarity, a
tall, manly person of noble bearing, and of handsome features,
opposite to whom stands, as partner for the dance, Signora Florinda,
the duke's ward. The queenly beauty of her person is the same as when
we first met her, so lovely and captivating. The few months which have
intervened since that period, have only served still more to perfect
her ripening mould; and though scarcely nineteen summers have shed
their golden wealth upon that genial land since her natal hour, yet
she is in the full bloom of lovely womanhood.
See how gracefully glides that beautiful form through the mazes of
the dance!-how fondly, as she rests within the encircling arm of her
partner, does she look up into his face, drinking from the eloquent
eyes that meet her own of the nectar of love, as the Suri rose of
Syria sips the dewy treasures of the twilight hour. That partner on
whom she rests so fondly, gentle reader, is the humble painter who
won the prize of the Grand Duke; the now rich and honored Carlton,
the protege of Leopold.
The generous monarch who ruled over that portion of Italy under his
charge with the liberal and provident hand of a father, held most
regal court-spending of his enormous revenue with a gallant and open
hand. His excellency was a connoisseur in all matters of the arts, to
which he was enthusiastically devoted, and also a most liberal patron
to their interest; consequently he lavished all honor on him whom he
thought so deserving of it, and the entire court now pointed to the
envied artist as being the favorite of the Grand Duke. Carlton's new
patron found qualities in the young American artist to admire and
love, and there grew up between him and the duke a real and earnest
friendship quite remarkable.
"No more thanks," said the duke to him one day as they were
together. "You challenge me to praise, to reward, and to love you,
and I cannot help doing all three."
"Your highness is only too lavishly kind to me," was the earnest
"But touching this affection which has sprung up between you and my
ward. I shall have plenty of opposition in that matter; but if
Florinda loves you, by our lady, she shall be yours."
"Your highness is ever adding to my indebtedness to you," said
"Say no more, say no more, Carlton, but make your own terms."
The consent of the duke was thus freely obtained to the marriage of
Florinda and Carlton, and the observant monarch discovered the
preference of his ward long before it was announced formally to him.
So far from opposing the object, he even encouraged it in every way
that propriety suggested; forwarding its interests by such delicate
promptings as his feelings would permit. He loved Florinda as though
she had been his own child. This feeling, as we have seen, was first
induced by the affection which existed between his ward and his
lamented wife, and was afterward strengthened by her many beauties of
mind and person.
Carlton and Florinda sat together in a private apartment in the
royal palace. The latter was playing a favorite air upon the guitar
to the artist, who sat at her feet watching with admiration every
movement of that beautiful and dearly loved form. He found every
attribute there worthy a heart's devotion. Like the worshippers of
the sun, who believe that God sits there on his throne, so did he, in
his homage, picture the good angel of all things in the heart of
Let us pause for a moment, to describe the apartment in the Palazzo
Pitti, devoted to the fair Signora Florinda, and where she now sat
with him she loved. It was fittingly chosen, being in a retired yet
easily accessible angle of the palace; an apartment lofty and large,
yet not so much so as to impart the vacant and lonely feeling that a
large room is wont to do over the feelings of the occupant when
It was lighted by two extensive windows, reaching nearly from the
ceiling to the floor. The magnificence of the furniture, the rich and
well chosen paintings that ornamented the walls, and in short, the air
of unostentatious richness that struck the beholder on entering it,
showed at once the good taste and general character of the occupant.
On a little table of elaborate and beautiful workmanship, were
placed with a few rare and favorite books, some curious ornaments
from the hands of the cunning artificers of the East, most
beautifully fancied, and from which a moral might be read telling the
fair occupant of the unhappy state of her own sex in that far off
The broad, heavy and richly-wrought curtains that tempered the
light admitted through the gorgeously stained glass windows, were of
Tuscan satin, blending, like the skies under which they were
manufactured, a most happy conceit of rich and rosy colors. Pendant
from the hoops in which both were gathered, hung a bunch of ostrich
feathers of showy whiteness belieing, as it were, the country of
their nativity-swarthy Africa. They were more for fancy than for use,
though they did sometimes serve to chase the flies.
The seats and couches were of stuffed and figured velvet from the
manufactories of the queen of the Adriatic, Venice. The scarcely less
soft and pliant carpet was of eastern ingenuity, and no richer served
the Turkish Sultan himself. Two opposite sides of the apartment were
ornamented each with a mirror of extensive size. About their richly
gilded frames was wound, in graceful festoons, the finest Mechlin lace
as a screen for the eye.
On one side of the room stood an American piano, and beside it a
harp of surpassing richness. Here Carlton and Florinda were seated at
this time in all the confidence and enjoyment of acknowledged love.
"Carlton, I told thee that fortune would smile upon thee; thou
rememberest that I told thee."
"It has indeed, and I am blessed."
And thus saying, he pressed the delicate, jewelled hand that he
held affectionately to his lips, while his eyes beamed with love.
"You have promised me that you will visit my native land with me
after our marriage, dear Florinda."
"O, nothing will delight me more than to see the American Republic;
the cities and towns of the New World, its people and customs. O, how
I have ever wished to travel! Only to think, Carlton, I have scarcely
been out of Italy! I once made a trip with uncle across the sea to
Malaga and back, touching at the islands; that was years gone by.
Since then I have been at times to Milan, Genoa, Leghorn and Bologna,
but never out of Italy."
"America is not like thy sunny land, Florinda."
"Ay, but it is the land of thy nativity, and I will love it for thy
sake, And then it is a free, republican government; there are no
serfs there-all are freemen. How proud you should feel to belong to
such a country."
"I do indeed feel proud, dear one; and doubly so when thy eloquent
tongue describes it so well."
He touched the guitar lightly and gaily, while he thought of the
happy tour they would make together.
"How proud I shall be of thee," he continued.
"How proud I am of thee."
"There is little pride in thee, Florinda, or thou wouldst never
have consented to marry one of my humble pretensions."
"Carlton," said the lady, reproachfully.
"And thou wilt marry the humble painter?"
"Nay, the envied artist, and protege of the duke."
"Ah, little have I coveted this advancement, but for the hope that
it has given me concerning thee, Florinda! The favored friend of the
Grand Duke has dared boldly to ask for that which the poor artist
could only hope for."
Florinda and Carlton were happy in the anticipation of future joy,
foreseeing for themselves a path of roses in the fairy future.
"But fortune is fickle, dearest, and even now I tremble."
"You are ever suspicious, Carlton."
"Not in most matters, but in those relating to thee, Florinda."
"Now, I am ever looking on the sunny side of our life-picture."
"It is good philosophy to do so, if one can but accomplish the
"And yet, Carlton, one will sometimes be reminded that there is a
shadowed side to the brightest scenes and hopes."
"We will seek its bright side, dearest."
"With all my heart.-Carlton, do you not remember that you left the
heroine of that story you were last telling me in a most critical
"True, she was carried off by the banditti. Shall I complete the
"Yes, pray do."
CHAPTER VI. THE RHINE LEGEND
They laugh that win.
"WELL, Florinda, you must go with me in imagination to the mountain
fastness, which I referred to as the robbers' stronghold in the
mountains. A month nearly had passed since the period of Bettina's
being carried away from her home, and the time I would introduce you
there. It is a wild spot, almost inaccessible, unless one knows the
secret paths which have been hewn up the sides of the rocks, and
through the otherwise impassable undergrowth of the forest, by the
perseverance and labors of the robbers. The rude castle, which I
would now describe to you, was built with consummate military skill,
and the walls and bastions, though small and low, could hold out a
long time against any strength that might be brought against it. Ever
prepared for an enemy, too, was its cautious master and his outposts
were as regularly set as are those of an advancing army in an enemy's
"Hither had the fair Bettina been conducted; and here, with a
simple peasant girl to serve her, had she been treated with all
respect, save that she was a prisoner. Rude were the inhabitants of
this uncongenial spot; fierce in aspect, but completely under the
control of the master spirit, whom they called captain. Hark! A
peculiar wild cry rings over the tree-tops, and echoes among the rocks
and hills; and observe how quickly those who have been loitering upon
the ground spring to their feet, and Petard himself comes forth from
that portion of the tower devoted to his retirement. That was some
recognized signal-that cry which, to the uninitiated, might have been
mistaken for the whoop of an owl, or some wild bird's cry of fright.
"The secret is soon disclosed. That signal betokened the taking of
a captive, and there was soon led into their midst the person of one
whom misery seemed to have laid violent hands upon, with garments
torn and soiled, with a step that indicated weakness almost to death
itself, the face disfigured by unshorn beard and hair, and eyes that
looked sunken and large from famine. Such was the bent and woe-begone
figure that was now half-supported, half-led into the midst of the
"'From whence comes this man?' asked Petard, regarding him
"'He was found lurking about our outskirts, captain, and we thought
it best to arrest and bring him in.'
"'It is well,' continued the captain of the robbers. 'What have you
to say for yourself, fellow? What brought you in these regions, away
from town and habitations?'
"'Give me food, food!' gasped the prisoner.
"'Ay, by our lady, he's famished,' said Petard, with a natural
burst of feeling. 'Here, bring bread-a flask of wine.'
"He was obeyed, and the new comer drained the flask to the bottom,
and devoured the food voraciously, until those about him interfered,
saying that he would kill himself after so long an abstinence; and
truly there seemed to be some grounds for this fear, so ravenously
hungry did he seem. Gradually, as the wine warmed his veins, and the
food, to which some dried meats had been added, began to satisfy the
cravings of hunger, the stranger rose from his bending posture, and
new life seemed infused into his system. His eyes, though somewhat
hollow, seemed to brighten and light up his rugged face. There was
manhood in him, and that pleased the bandits; he showed no signs of
fear, and looked boldly about him, like one who was accustomed to
rely on himself, and was prepared to stand forth at any moment in
defence of his rights.
"'If thou canst fight as well as thou canst eat, my man, thou art a
jewel of a fellow,' said Petard, carefully scanning the new comer,
who seemed every moment brightening up from the effects of the
"'Give me but rest and more food, and you may then try me,' was the
"'Thou art a sensible fellow,' continued Petard, who was evidently
pleased with the stranger, 'and shalt be humored.'
"A rude couch was spread by the robbers amidst their stacks of
arms, and throwing himself upon the skins thus prepared for him, the
stranger slept for hours, until the bright sun was high in the
heavens on the following morning, when, after another abundant meal,
he seemed like a new creature; he stood erect, and his fine dark eye
shone with the fire of resolution and of strength. His story was soon
told; he had outraged the laws, was seized and condemned to
punishment, had effected his escape and fled to the mountains, and
wandered about until half-starved, and nearly dead with fatigue, he
had thus been found.
"'Your story is plausible, but what shall we do with you? You know
the secret of our paths through the mountain, and it is not safe to
let thee go abroad to reveal them,' said the bandit chief.
"'Make me one of you, then,' said the stranger.
"'We make but few members,' replied Petard. 'It is not our way; and
men must possess peculiar qualities to obtain a place with us, and a
share of our prize-earnings.'
"Probably courage, strength and a ready hand are worth something
among you,' said the stranger.
"'Yes, but we all possess these,' replied Petard.
"'In a degree,' said the stranger, emphasizing the last word.
"'What mean you?' asked Petard.
"'That perhaps he who offers you his services is a better man than
you take him for,' said the other.
"'In what respects?' asked Petard.
"'In all things that constitute manhood,' was the reply. 'Yesterday
I was weak and worn; to-day I am myself again. And no man of this
band can bear the palm from me in the use of those powers which
Heaven has given us.'
"'Without weapons, you mean to say,' added Petard.
"'Without weapons I defy your best man,' said the stranger,
evidently desiring to display some prowess which should gain him
admission to the band.
"There was a consultation between Petard and a few of his officers
and men, and finally there stepped forth a large, powerful member of
the troop-the bully of the band-who offered without weapons to
contend with the new comer. The terms were properly stated by the
captain, the ground chosen, and the contest begun. The skill,
strategy and strength of the stranger were confounding to the robber,
and he was cast upon the ground totally disabled in a very few
moments. The robbers being angry at this, another stepped forward, was
vanquished as quickly, and another, and still another, until Petard
himself interfered, declaring that he who could thus fight without
weapons, and with such skill and decision, must be a strong auxiliary
in time of need. He was installed, therefore, with due ceremony, as a
member of the band.
"It was a fine, clear night," continued Carlton, "that on which it
came the turn of the new comer to guard the tower in which Bettina
Etzwell was confined. The stars shone out like mystic lamps, and the
broad turrets of the robbers' stronghold cast deep shadows upon the
open plats that had been cleared about the spot. All was still. After
an evening of revelry, the band was sleeping, and the single guard
paced to and fro, apparently not daring to sit down lest he should
fall asleep. In the lone tower above him was the fair prisoner. She
realized her true situation, and she knew that her father would use
every endeavor to raise the sum requisite for her ransom. She knew
enough about the habits and practices of the banditti, not to have any
fears for her personal safety, since it was so much for their
pecuniary advantage to protect and respect her. Indeed, Petard had
frankly told her of the communications that had taken place between
her father and himself concerning her ransom.
"But hark! What startles the fair girl so suddenly? See, she
hastens to the turret window, and listens absorbedly to the low but
musical notes of a human voice. Is it because the song is so familiar
to her ear, that she is thus moved? Perhaps there are recollections
connected with this air that are particularly affecting to her, for
her fair bosom heaves quickly, and her whole figure seems agitated,
as she gazes out upon the night, and her eyes rest upon the person of
the robber who guards her captivity, while a clear, manly voice,
though in subdued cadence, pours forth the touching notes of a Rhine
song with singular delicacy and sweetness.
"'Can there be two such voices?' she asked herself. 'Is there magic
at work? That is certainly the voice of Egbert, but yonder guard who
sings thus is one of these detested banditti!'
"In her excitement, she leaned forth from the turret-window, while
at the same moment the new member of the band drew towards it. All
was still; the revellers slept. Petard himself slept. Only this
single sentinel and the prisoner were awake!
"'Bettina, Bettina!' whispered the guard, with his hands to his
mouth, so as to direct the sound to her ears alone.
"'God be praised, Egbert! Is it indeed you?' she exclaimed aloud.
"'Hush, it is your devoted lover; be discreet!' he answered."
"I knew it was he," interrupted Florinda.
Carlton continued. "'I will, I will. But this dress-the office you
fill. What does this mean? I am amazed, Egbert.'
"'I am here under a disguise,' he replied, 'and have just joined
the robbers to liberate thee. Be careful, watchful, but never appear
to regard me let what may occur, for I may be foiled at first in my
"'My father-' lisped Bettina.
"'Is well,' said her lover. 'All will go well if thou wilt but be
cautious.' Come to the outer door-I have the key.'
"'Shall we fly?' she asked.
"'Not to-night; preparation must be made. Perhaps to-morrow night,
for I have the watch here for two nights, and shall see you then.
Come down for a few moments.'
"In an instant more the lovers were folded in each other's arms.
Egbert had never before embraced her; but their present situation was
one to break down all barriers of mere formality, and Bettina sobbed
upon his breast, blessing him for his, courage in thus seeking to
rescue her. These were precious moments, and they improved them in
arranging everything for the coming night. Egbert, as she bade him
good night, handed her a jewelled dagger, saying that let what might
occur, she had that silent friend!
"It is just four weeks since the first instalment on the robber's
demanded ransom was paid, when the agent of Petard again appeared in
the hall of Botzletz Castle, confident in his personal security, well
knowing that the old man's daughter was the hostage held for his
safety and the fulfilment of the contract, and demands a second
quarter of the ransom. He was a dark, sinister looking Jew-for this
was the class through whom the bandits universally performed all
their business arrangements with people whom they could not
personally approach-himself interested by the large percentage which
was the payment for his part of the business. The Jew was most
pertinacious in his demand.
"Karl Etzwell, the merchant, received the Jew, listened patiently
to his demand, and then calmly said:
"'Two hundred and fifty marks of gold thou hast already received
from me on this business.'
"'I have,' replied the Jew.
"'And thou now demandest an additional two hundred and fifty?' said
"'It is my business,' was the answer.
"'Canst change me a good obligatory note for five hundred?' asked
"The Jew drew forth his bag of gold, and after a brief examination,
"'If thou wilt take a few diamonds at their true valuation, I can
make up the sum on the spot, but I shall charge you goodly usury.'
"'It is well,' replied the merchant.
"'You agree to this?'
"'Count out the money,' said the old merchant.
"It was done, and the Jew deposited upon the table two hundred and
fifty marks of gold, partly made up by a score of fine diamonds.
"'We should have some witnesses to this transaction,' said the
merchant. 'I will summon them.'
"'It were better done between ourselves alone,' said the Jew.
"At the same moment the heavy folding-doors behind the seat
occupied by Karl Etzwell were thrown open, and two persons, a lady and
gentleman, advanced towards the old merchant, They were Bettina and
"'Foiled with thine own weapons!' said Egbert, advancing and
securing the money which the Jew had deposited upon the table. 'This
is the exact sum that was paid to thee four weeks since. It is now
returned, and you are a marked man. If seen again in these parts, I
will myself have thee cut in piecemeal, and hung at my castle gates.
Now, villain, get thee hence!'
"'Gentlemen, you forget that there is a captive who will pay the
penalty of all this,' said the Jew, with a demoniacal grin.
"'You are not fully informed, Sir Jew,' said Egbert. 'Your
principal could inform you that his bird has flown, and I tell you
that there she stands beside her father.'
"The Jew uttered a smothered execration, and tore his hair for a
moment in despair at the loss he had experienced. But the iron grip
of Egbert's powerful hand upon his shoulder awoke him to a sense of
pain and fear for his safety, and he hurried away.
"The descendants of Egbert and Bettina still live happily in their
ancestral home," added Carlton, "and often relate the story of the
manner in which the famous bandit Petard was foiled by the gallant
and daring stratagem of Egbert Hosfeldt."
"This is a happy ending, indeed," said Florinda.
CHAPTER VIII. A RIVAL.
Excellent! I smell a device.
EVERY picture has its dark side-no scene is all sunshine; and so it
is our duty to depict the shadow as well as the brightness of the
fortunes of those whose story we relate. Carlton had met with
opposition, circumstances which he had bravely overcome had impeded
his progress, physical suffering had been patiently endured, and yet
the dark side of his fortune might be said to have hardly been turned
upon his gate as yet. The love of Florinda had ever sustained him; her
solemn promise to be his wife, her tender love and constant
affection-all these had rendered his hardships mere pastimes. But now
matters were to assume a different aspect; a new stumbling-block was
to appear in his path, and a most serious one, indeed.
Florinda had an uncle resident at Bologna, where he had lived some
three years previous to the opening of our story, filling some post
delegated to him by the government. This uncle, Signor Latrezzi, was
very fond of Florinda, or at least he had always appeared to be so;
and up to the time the Grand Duke had become her guardian, he had
himself assumed the care of his lovely young niece. Some openly
declared that he had done this from mercenary motives; but be that as
it may, the story will divulge his character. He had not left her
surrounded by the gayety and dissipation of the court of Florence
without some misgivings, lest some untoward circumstance might befall
her, or that she might become entangled in some alliance contrary to
her own interests and his desires.
In consequence of these promptings, he had earnestly impressed upon
Florinda at the time of his parting from her, on his way to Bologna,
to be wary and careful. The truth was, that her uncle had laid out a
plan for her future, and would have been very glad to have remained
by her side in order the more surely to carry it out, but he could
not decline the office to which he was now appointed, and thus he was
obliged to leave. He had long designed her hand for an equally
favorite nephew on his wife's side, and on this match had firmly
fixed his heart. Some said that this was because he desired so
earnestly to sustain the character, name and blood of the house of
Carrati, of which Florinda was the sole survivor; others, more
shrewd, declared that the uncle had a sinister motive beneath all of
those so apparent.
Florinda was no stranger to this expectation, but had never given
it thought, either in favor or against the consummation of her uncle's
ideas. The subject was rarely alluded to, and even her uncle deemed
her still too young to entertain the idea of matrimony. In a country
and among a class where matches were so commonly mere matters of
business and mercenary calculation, such an affair did not create
much remark or interest between even the parties themselves. Aside
from the considerations of family honor, the pride of birth and noble
blood, the large, nay, unequalled fortune of Florinda-always excepting
that of the Grand Duke-was a strong inducement to this step. That her
relation had some personal ends in view, in connection with the
proposed alliance, was equally obvious to all who knew the mercenary
and selfish character of his general disposition. His treatment
towards Florinda had ever been kind and fatherly, but this course was
adopted only that he might gain the necessary ascendancy over her mind
and purpose to make sure of his plan.
This plan of procedure, artfully adopted by her uncle from her very
childhood, had completely deceived Florinda-as we shall have occasion
to see-and she was led to believe him kind and affectionate to her,
who was proud and selfish in all his dealings with the rest of the
world. His nephew, Petro Giampetti, was probably the only being he
really loved; nor was his regard for him unalloyed, but tempered with
that selfishness that formed a prominent trait in his natural
disposition. He was childless himself, and had lost his wife by death
not many years previous to the time of which we write-two
circumstances which had rather tended to augment his unhappy
At times he was moody and thoughtful, and some matter seemed to
weigh heavily upon his mind. He was, however, a peculiar man, with
few personal friends and no confidants, and there were some dark
hints thrown out touching his honesty in the matter of a sum of money
entrusted to his care and disbursement by the government. But policy
had led to this report's being hushed up on the part of government,
for he was of noble blood.
This nephew, Petro Giampetti, was a handsome youth after the style
of the Italians, possessed of all the noble and revengeful passions
so common to his countrymen, yet by no means an evil-disposed person.
His dark, swarthy countenance was rendered handsome by a remarkably
deep, piercing eye, about which there was a certain something which,
while you could not exactly describe, yet left an unpleasant effect
upon the beholder; a certain expression that seemed to say that when
an object was to be gained, the means would sometimes be disregarded.
He had been much with Florinda from childhood, and he was taught to
consider her as his future wife. As to love, he might be said to
admire her beauty of person and mind, for none knew better how to
appreciate both than Petro; and, taken in connection with his
anticipated union with her, he perhaps loved her as the world goes.
But she had never excited in his bosom that latent passion which
smoulders in every heart, and which chance, earlier or later, will
eventually fan into a flame.
He thought the matter settled, and lived accordingly, giving
himself little trouble or thought as to the affair. He had often
congratulated himself, since he had become of an age to appreciate
such things, that he was to be so nobly connected, aside from the
unbounded wealth there was in store for him. To speak more
particularly, this latter consideration was of no little weight with
one whose family coffers and private purse were sadly low and much
Petro held the office of private secretary to his uncle in his
capacity as an officer of state, and was consequently called with him
to Bologna, and there resided with him until a few months subsequent
to the awarding of the prize by the Grand Duke for the favored picture
presented at the Pitti palace, when the business which had called them
from home being completed, he followed his uncle on his return to
Florence. He came back with a light heart, little anticipating the
scenes that were to follow, or deeming that his hopes of future wealth
and distinction by means of the proposed alliance with Florinda, had
suffered in his absence.
Thus stood matters at this period of Carlton's good fortune; and
here might have commenced our tale, but that we wished to show the
reader "how love does not level the proud, but raiseth the humble."
When Signor Latrezzi learned what had occurred during his
absence-that his most darling wish was about to be frustrated, and
the work of years overthrown, as it were, in a single day—his anger
knew no bounds, nor did he attempt to control it. He threw aside the
mask, and the storm burst about the devoted head of Florinda in all
its wrath and fury.
The uncle could hardly realize the present state of affairs, so
unexpected was it to him, Was it to this end he had played the
hypocrite so many years, that he had given away to all the caprices
of a wayward girl, and humored her most annoying fancies? He could
scarcely contain himself. Here was a denouement for the proud old
noble-his niece engaged to an American artist; his Italian blood
boiled at the thought. Petro, too, as we have intimated, little
dreamed of the fire that had been kindled in Florinda's heart-a flame
that all the coldness of her uncle, ay, and his assumed authority,
too, could not possibly quench.
She was an inmate now of her uncle's household, or rather, he had
full charge of her father's house, where she resided; and though in
many respects entirely independent of him, still, in the matter of
forming so important a connection, she hardly dared to proceed openly
and at once contrary to his expressed wish, and even orders.
Immediately on her uncle's return to Florence, Florinda had removed
from the duke's palace to that of her forefathers, in order to
assume, in some degree, the direction of her own affairs. Here
Carlton was peremptorily refused admittance by the directions of her
uncle; and thus poor Florinda was little less than a prisoner, in her
own house, not daring to meet Carlton, if she could have done so. Thus
commenced a drama which was to have a tragical end; and Florinda and
Carlton found a sudden end to their late happy and joyful intercourse
which neither had anticipated.
"Signor Latrezzi," said the duke one day to Florinda's uncle, "this
young American is a noble fellow."
"Doubtless, if your highness thinks so."
"Think so-I know so, signor!"
"Your highness has much befriended him."
"No more than his merit deserves."
Signor Latrezzi bowed, but said nothing.
"Signor, you have observed his intimacy with Florinda?"
"A fine couple they would make."
"Does your excellenza think so?"
"To be sure I do; and if I mistake not, so does the lady."
"I know not that, excellenza."
"Ask her then, Signor Latrezzi. Either I cannot read the language
of her fair face, or she loves the artist."
"But he's a foreigner, excellenza."
"What of that?"
"Nothing, save that Florinda is nobly born, and bears some of the
best and oldest blood of Italy."
"Time will settle the matter," said the duke, turning away.
Signor Latrezzi having ascertained that the duke favored the
alliance of his niece with the American artist, was too good a
subject-or rather, too experienced a courtier-to attempt openly
before his master to oppose the matter, taking good care to avoid any
interference with one whose wish, when expressed, was law. His
opposition to the proposed marriage was, however, none the less
rigorous; and he determined, on such occasions as he could do so, to
exercise his spirit with impunity, and he was often heard to say that
the affair should never take place, even if he was himself obliged to
call out the young American to single combat.
The thought of the bare possibility of the connection as sanctioned
by the duke, so embittered his feelings as to render him disagreeable
to all about him. His conscious pride and self-interest both prompted
him in this emergency; for in the case of Florinda's marrying Petro,
as we have already intimated, there would be some important pecuniary
interest of his own benefited thereby-and then his old aristocratic
notions were shocked at the prospect of the plebeian match.
Now was poor Carlton cornered on the chequer-board of life, and he
must play boldly, if he would reach the desired goal. He had those to
deal with who possessed every facility and advantage successfully to
battle him in his hopes and plans. But then he was no longer the poor
painter, who did not know where his next meal was to be obtained; he
was no longer the hungry artist-the butt and jest of his old
companions. No! he was under the patronage of the Grand Duke, whose
personal friendship he could boast. His brush brought him daily-or as
often as he was pleased to exert himself-large sums of money; and his
well-lined purse was significant of his unbounded success in his
profession as an artist.
Carlton knew as well as those who had ever possessed the means, how
best to employ them when at his command. His noble person was now
garbed in the rich dress of a court favorite, while the plenty and
comfort he now enjoyed had again filled his sunken cheek, and lit up
the fire of his bright hazel eye; his hair, long and curling about
his spirited and intelligent face, was the pride of Florinda, and the
envy of the whole court.
His fellow-students of the academy were also but too happy to
receive the least attention from their late companion; he now moved
in a grade of society far above them-a circle which was as
inaccessible to them as the throne itself. What was his return to
them for the spirit they had ever manifested towards him? Did he
retaliate and put them to shame? He did not retaliate, and yet he put
them to shame-ay, his was a noble revenge; he returned them good for
Carlton's kindness to those who had so illy treated him was
unbounded; they received no such return from him-far from it. He
encouraged in every way their studies, and even condescended
gratuitously to teach them, and they were very ready and happy to
thrive under his instruction. Thus did he heap coals of fire on their
heads, showing them what sort of a spirit they had trampled on in its
"Whither away, in such haste?" asked one young artist of another in
the streets of Florence.
"To Signor Carlton's, the American artist," was the reply.
"All Florence is after him-what want you?"
"He is to give a finishing touch to a bit of canvass for me."
"That's clever of him."
"Yes, since no one can do so well as he," was the ready
Thus were the tables completely turned. Little did his former
companions and fellow-students dream of this transition of good
fortune to the share of him they had so lately scoffed at in the open
streets of Florence. One, to see their ready obeisance now, and their
earnest endeavors to please him, would hardly think they had ever
treated him with less respect.
So goes the world. If ill fortune betide us, how many stand ready
to give us a push on our downward course, and to scoff at our misery;
but let the tide turn and set favorably on our bark, and none are so
ready to do obeisance as those very curs who have barked and growled
at us the loudest. Carlton, the court favorite, the unrivalled
artist, the now liberal and wealthy Carlton, was a very different
person from the threadbare artist who turned from his companions on
the piazza at noonday.
He retraced his steps towards the grand gallery at that time, faint
and hungry, because he had not the means to procure for himself a
dinner, avoiding his fellow-artists to escape the mortification of
expressing the extent of his poverty and want.
Carlton was in doubt as to the most proper course for him to
pursue. He hardly dared to lay the matter in its present form before
the duke, lest it might seem impertinent and obtrusive in him towards
one who had already extended unprecedented kindness and protection
towards him; and yet he knew no other source upon which he might
rely. In this dilemma, Carlton grew quite dejected. He was one of
those persons who, notwithstanding he possessed a strong mind and
determination of purpose, was easily elated or depressed in his
spirits; and the present state of affairs rendered him sad enough.
He was rudely repulsed in every endeavor to gain an audience of
Florinda by the menials of Signor Latrezzi-who had been instructed to
this effect by their master-and Carlton was obliged to content himself
with an epistolary communication, having to conduct even this in
At length one day, finding the duke in a happy mood and at leisure,
he frankly stated the matter to him as it actually existed, and
begged of him to advise him what course to pursue in the case.
"Signor Carlton," said the duke, kindly, after hearing him to the
end, "I have little love for this uncle of Florinda's, and therefore
avoid any issue with him, or I would openly express my wishes on this
point. But as it is, Signor Americano, there are fleet horses in
Florence, and ready postilions about the gates of the city, who know
the route to Bologna over the mountains! Thou hast ridden in a
"A cabriolet?" repeated Carlton, inquiringly.
"Yes, there are plenty in Florence."
"Your highness is pleased to be facetious."
"Not at all."
"Then why speak of cabriolets in this connection?"
"Canst not take the hint?"
"Your excellenza speaks in riddles."
"One of thy discernment, Signor Carlton, should understand me."
"Would your excellenza have me clo—"
"I would not have you do anything but that which your own judgment
should approve," interrupted the duke.
"Thanks, excellenza, I understand you."
"You may be assured of my friendship in all cases when it can be
reasonably exercised," continued the duke.
"Your excellenza is ever kind."
A new field was opened for Carlton, and he was as much elated as he
had heretofore been depressed; and he resolved to take the hint of
the duke, and bring matters to an issue in the most summary manner.
Young Petro Giampetti immediately on his return to Florence, having
learned the state of affairs between Carlton and Florinda, had
resolved at once to challenge his rival; being an expert swordsman,
and knowing Carlton's peaceful occupation, he made no doubt that he
could easily despatch him in single combat, and thus rid himself of
one who, to say the least, was a very dangerous rival.
In this frame of mind, Petro sought some cause of difference with
Carlton other than the true one at issue-a quarrel could hardly be
raised, inasmuch as the latter remained ignorant even of the
pretensions of Petro, or the design of Florinda's uncle up to the
time of their return from Bologna.
Failing otherwise to accomplish his purpose, Petro, whose standing
and connection served him as a key to the royal presence, sought to
offer at court some slight to Carlton, so public and marked as to
render it necessary for him to demand satisfaction after the code of
Italian honor. Three times, in pursuance of this object, he had
vainly endeavored to accomplish his purpose; but each time, Carlton,
basking in the sunshine of royal favor, turned by without notice the
intended insult in such a manner as to show himself as feeling far
above an insult from such a source, and again in so cool and
diplomatic a manner, as to turn the very game upon poor Petro
himself, who found that nothing save some open and decided offense
could bring matters to an issue.
"You don't seem to get along very fast in this little matter," said
one of his friends rather tauntingly to him.
"No, it doesn't look much like a draw-game between them, either,"
said another friend, venturing a pun.
"Curse him," growled Petro, "he's a coward, and wont take offence.
What can a man do in such a case as that?"
"Carlton doesn't look to me just like a coward," said one of the
speakers; "but he doesn't want to fight you, Petro."
"Can't help it," said Petro, "he must do it."
"Well, then, give him a chance, and have it over."
"I'll improve the first opportunity, believe me."
But Petro did not further annoy Carlton that evening; the coolness
and self-possession he evinced quite nonplussed the angry Italian.
CHAPTER IX. THE DUEL.
What folly 'tis to hazard life for ill.
-Timon of Athens.
AS we have said, Petro, finding that nothing short of an open and
downright insult could bring Carlton to be the challenging party,
therefore resolved to make a bold attempt to accomplish this. He was
revolving this matter over in his mind, when an event occurred which
led him to be the challenger in fact. He was strolling home from the
weekly cordon of the Grand Duke one evening, and was just turning an
angle of his uncle's palace walls, when hearing the voice of a female
in answer to that of a man, he paused, and following the sound,
discovered Florinda leaning from a balcony in the lower range of the
palace, and in close conversation with his hated rival, Carlton. This
was sufficient, under the circumstances, to raise all his fiery
spirit, and he determined that it should serve him as a pretext for a
Placing himself hard by where he knew Carlton must pass in his
leave-taking of the palace, he patiently awaited his coming; and but
a short time elapsed before Carlton, bidding good night to Florinda,
was hastening from the spot, when he encountered Petro, whose dark
countenance was the very picture of rage, while his large, dark eyes
were wild with inward passion.
They exclaimed, on confronting each other.
Carlton for a moment was thrown off his habitual guard, and losing
his temper, was about to retort upon Petro with interest, both in
frown and, if need be, with blows also. But recalling himself, he
assumed his usual precaution, and looked upon the angry Italian
coolly, and without the least exhibition of temper.
"Well, Signor Carlton."
"Well, Signor Petro."
"Your mock me, signor."
"You mock me, signor."
"Signor, you are my enemy."
"You seem to wish me so."
"This talk will not serve for you, signor."
"If you like it not, it were best for you to step on one side, and
I will pass."
The Italian bit his lips with suppressed rage, and seemed too angry
to trust even his voice; but he did not remain long silent.
"Signor Americano," said Petro, warmly, "you have insulted my uncle
and myself by this secret interview with Signora Florinda, and I
demand of you immediate satisfaction for it."
"Signor Petro, I have no cause for contention with you," was the
reply of Carlton. "I know you love not the lady, and you are equally
aware of her feelings towards you. Why then, I ask, should there be
strife between us upon this subject? Surely, you would not seek the
hand of one who does not love you! This is inconsistent, Signor
"Do you accept my challenge, or shall I brand you as a coward in
the streets of Florence," was the abrupt and passionate rejoinder. "It
would sound bravely, by our lady, to write coward against the name
you have rendered so popular, sir artist, among the nobilita in
"I will have no contention with thee," said Carlton, his feelings
struggling warmly with his determination to avoid the course which
his early education had taught him to regard with the utmost
"Then I will brand thee as a coward!"
"Until you do that, I shall never fight you," said Carlton, calmly.
"I would rather lose my hand than draw the blood of one related by
any ties to her I love; but if it must be so, you can take your own
"This is fine language, signor."
"It is honest language."
"I should require other evidence to make me think so."
"Because you cannot appreciate the feelings that dictate it."
"In what respect?"
"As they are caused by my regard for Signora Florinda."
"It is well to assume a virtue, if we have it not," said the
"I assume nothing, Signor Petro."
"Flatter not yourself that you can escape me by this assumed tone
of feeling, Signor Americano."
"You have my answer, signor."
"I shall take an early opportunity to keep you at your word," was
the menacing reply, and they separated.
Carlton would rather have engaged with any other person in an
affair of this kind than with Petro, for obvious reasons; and, as he
said to him, besides which, he had the greatest aversion to "affairs
of honor," but from principle only, for his was as brave a heart as
ever drew sword.
Petro at length hit upon a plan which must necessarily bring on the
desired meeting. Accordingly, at the cordon of the Grand Duke, on the
following week, at the Pitti Palace, when Carlton entered the gorgeous
apartments, a murmur ran through the assembly, raised by the friends
of Petro, who had preconcerted the plan, of "Coward, coward!"
It was uttered, as we have said, in whispers, but it is a word that
can be heard a long distance. The young American did not even change
color, but turning his bright and sparkling eyes upon some of the
principal offenders, he gave them a look that touched them keenly. He
did not evince by any outward appearance how deeply his pride was
wounded, but he felt it at heart none the less severely. He even
looked more cheerful than was his wont, conversing gaily with the
ladies of the court. His fine noble countenance was lit up with
additional spirit, and his friends even complimented him on his happy
appearance. Yet it was all forced-ay, a lie that his proud heart
compelled him to.
"What a goodly outside falsehood hath!" How many there are like
Carlton at that moment! While they smile, they but hide a raging
passion within. A smile may cover up the wildest storm of the spirit,
as well as show forth its own sunshine!
The giddy dance went on, and gayety was the mistress of the hour.
Carlton mingled in the dance, and even by good chance succeeded in
gaining the hand of Florinda for a set. Her uncle, fearing the
displeasure of the duke, avoided any public opposition as we have
before said, to the attentions of Carlton; consequently in public he
enjoyed her society as one friend may enjoy that of another, while
the world are by. The hours flew by as hours only fly along the
happy, until the time had nearly arrived for the guests to depart,
when Carlton, coolly walking up to Petro, who stood in an exposed
situation, said, in a tone not to be mistaken:
"Signor Petro, follow me!"
"Si, Signor Americano," was the prompt reply.
Both left the hall together, the friends of Petro alone
understanding the probable design of the movement. The two sought a
secluded cafe in silence, and then settled the preliminaries for a
meeting, or duel, on the following morning, in which Petro declared
one of them should fall.
"I would have escaped this encounter for your sake as well as my
own," said Carlton, after the arrangements were concluded. "I know
very well that you have a reputation for being an expert swordsman,
but I fear not. Justice is stronger than art, and you will find it
so, Signor Petro, on the morrow."
"I do not wish to anticipate, Signor Americano, but I must advise
thee to prepare for death on the morrow."
"True, Signor Petro," said Carlton, earnestly, "neither of us
knows what the morrow may bring forth."
"Signor," said Petro, now in evident good humor at his anticipated
success, "you should have chosen the pistol, to have placed yourself
in any possibility on equal terms with me."
"I can use either," was the reply.
"Ay, as a child would use them. What has thy profession to do with
arms, that thou shouldst ever deign to know their use? It is not yet
too late-say, shall it be pistols? You can yet choose," said Petro,
touched with that spirit of honor which would sometimes actuate him.
"I have already spoken on that point," said Carlton.
"Very well, then, signor, with the sword. But in that case, the
game will possess but little interest, being all on one side."
"To-morrow's sun can speak more fittingly of these things than we
can do to-night," was Carlton's reply.
"You bear yourself with assurance, signor."
"We will not hold any controversy, Signor Petro."
"At the appointed time I shall be ready."
"Be sure I shall expect you."
"We understand each other on that point."
"Hold, will you bring weapons, or shall I procure them?"
"Our seconds can arrange for us."
Thus saying, the two separated to meet on the following morning at
a secluded spot in the Apennines, which rise gracefully from the very
gates of Florence, gradually attaining to an immense height, and
making their home among the clouds. To have travelled where we would
fain have taken the reader at the outset, one must have sailed in the
southern seas among the islands, have run the Gibraltar passage, and
seen the blue water that lies among the Italy mountains. He must have
looked upon the Apennines from the sea, and run down the coast that
teems with the recollections of three thousand years.
The mist was slowly creeping up the mountain's side on the
following morning, scarcely three hours from the time that the duke's
guests had departed, when Petro and his friends, closely followed by
Carlton and his companion, sought the appointed rendezvous for the
meeting. The cool, fresh breeze of the morning air, that strengthened
as they ascended the mountain, one would think should cool the
passions of any creature. Not so with Petro; for the Italian fire of
his spirit was up-the dark, deep passions of his nature-and nought but
blood could appease their cravings.
The spot was gained, and each made the usual preliminary
arrangements-all being prepared, the two approached each other.
Carlton had disrobed himself of coat and vest, and now stood before
his antagonist clothed only in his lower garments and linen. Petro
laughingly told his companions that he could punish the Americano
with his garments on, not deeming the task of sufficient weight to
compel him to remove his tight-fitting upper garments. A few moments
were passed in the usual guards and thrusts, when anon commenced the
feint, the ward, as each grew warmer in the contest.
It was evident to all at the outset that Carlton as well as Petro
was master of his weapon. This much had surprised those who had
supposed him not possessed of the least knowledge of the exercise.
But Petro found him far more than a match for all his boasted skill
and experience, but with great astonishment, he continued to exert
himself to the utmost.
It was a singular scene, that presented by the two combatants thus
arraigned before each other in mortal combat. The Italian heated, his
eyes and face swollen with excitement and passion, while his
antagonist was as calm and unmoved in temper, as though he were
fencing with the foils, and only for pleasure. It was a tragic scene,
as evincing the brute nature to which man can bring himself.
In the heat of the contest, Petro soon lost his temper, while
Carlton, cool and collected, parried his wild and headlong thrusts
with consummate skill; and at length, after showing him how fruitless
were all his efforts to wound him, Carlton by a masterly movement
disarmed his antagonist of his blade, at the same time striking the
left hand of the Italian a blow with the flat of his sword that laid
it bare to the bone!
This put a stop to the duel for a few moments, when Petro, almost
beside himself with rage, now threw from him his upper garments in
imitation of Carlton, and having had his hand properly dressed, yet
smarting under the severe wound he had received, resumed his sword—
Carlton remaining in the meantime resting upon his sword, careless,
as it were, whether the fight was resumed or not.
"Signor Petro," said Carlton, when they approached each other the
second time, "it is evident to your friends, I presume, that you are
no match for me in the weapons we hold. I advise you to withdraw from
the contest. You have already expended your blood in the vindication
of this system of honor, and wounded as you now are, can hardly do
"Stand to your defence!" said the enraged Petro, whose blood was
now completely up. And unheeding the generous proposal and language of
his antagonist, he rushed upon Carlton almost without warning, thus
essaying to take advantage of him; but the quick and practised eye of
the latter saved him, and the rain of blows and thrusts that Petro
made at him were as harmless as hail-stones upon a slated roof.
Carlton acted entirely on the defensive; had it been otherwise, he
could at any moment have drawn the heart's blood of his enemy, who,
only intent on the life of his successful rival, strove not at all to
protect himself from the sword of Carlton while they fought.
Carlton again permitted him to work thus in his wild fury for some
minutes, when at length, by another masterly effort with his weapon,
he again disarmed his antagonist, throwing his blade over the heads
of the company, and immediately, apparently with the same effort, he
wounded Petro in the sword arm with such force and earnestness, that
it fell powerless by his side. Though severely wounded in both arms,
still in his wild rage the Italian could hardly be persuaded to leave
the ground peaceably.
Thus ended the duel between Carlton and Petro.
CHAPTER X. THE ELOPEMENT.
Not vanquished, but cozened and beguiled.
THE duel described in the last chapter, it will be remembered, was
not sought by Carlton. Indeed, he would gladly have avoided it, if
possible-first and foremost, because it was diametrically contrary to
his principles and sense of moral rectitude; and secondly, because his
opponent was indirectly kin to her whom he loved above all in life.
Thus much we say to place our hero rightly before the reader, who
should not look upon him inconsistently.
The critical reader may perhaps question the propriety of Carlton's
wounding Petro at all, inasmuch as he is represented to be able to
have defended himself with comparative ease from the heated and
headstrong Italian's sword. In answer to this, we would say, that
besides there being always the possibility of his being wounded by
the enemy's sword, the very fact of his returning to the fight when
severely wounded, showed that Carlton had rightly judged of his
character, its vindictive impulses, when he deemed both wounds
necessary. He gave the second one unwillingly; and not one moment
before he thought it absolutely necessary to do so; all those on the
ground could have borne testimony that there was scarcely an instant
of time that Carlton had not Petro's life at his command, if he had
chosen to take it.
"Why, Carlton," said a merry-faced Englishman, who had been his
companion during the interview, and who was now walking with him down
the mountain's side, "I could hardly believe my eyes to see thee such
a master of thy weapon. How hast thou possibly attained to such
extraordinary proficiency with the sword?"
"You remember the little Frenchman, who lived so long with me?"
asked Carlton. "He who had his snuff-box ever in his hand?"
"That I do," said his companion; "and a merry, studious, jocund,
lazy, cowardly and brave little fellow he was. In short, I believe
there was no quality, however contradictory-good, bad, or
indifferent-that he did not possess."
"He was a bundle of inconsistencies," added Carlton, smiling at his
The truth was, he had accurately described a certain class of that
versatile nation, the French, which are often met with in every
country, wanderers or exiles from home. While we write, we have one
in our own mind, well known to our good citizens who is familiarly
designated by the sobriquet of "the Emperor."
"Well, Carlton, what of our little knight of the snuff-box, eh?"
"You remember that I was poor in those days, and the clever little
Frenchman offered to teach me the sword exercise, if I could teach
him to speak English. It was a bargain, and so did he, and so did I,
until I flatter myself both became proficients in their distinctive
branches of learning. Carnot taught the exercise in the Grand Army;
so he graduated in a good school, and was indeed an excellent master
of the weapon. It has been my only recreation and exercise for nearly
a year; and I confess I feel quite at home with a good blade in my
"You use it with wondrous skill."
"Do you think so?"
"Certainly; even his second complimented you, and said blade was
never more skilfully handled."
"This Petro Giampetti is also a good swordsman," said Carlton, "and
with a little more coolness would carry a sure point. The pistol is
the weapon for your hot-headed fellow; he does not find a chance
while using it to work himself into a passion, as with the sword."
"Yes; but then with powder and ball, the veriest dunce in
Christendom may blow out a gentleman's brain, while it takes an
artiste to run one through the body handsomely. Give me the sword,
Carlton-I've a great horror, in such cases, of 'villanous
"I have no taste in such matters; but knowing the boasted prowess
of Signor Petro with the sword, I preferred that weapon, though I
think you have seen me do some pretty things with the pistol,
Brownlow? It was a silly fancy I had when a boy to learn its use."
"An' I had carte and tierces at my fingers' ends as thou hast, I
would give a thousand pounds," said his companion.
"I'll tell thee how to gain it."
"By what means?"
"Shut thyself up as I have done for months together, with no
companion save the brush, and no money to purchase books for perusal,
and thou couldst learn it as readily as I have done; always supposing
you to have as expert a teacher as that little Frenchman, Carnot, who
in all else was anything but a companion-ay, a regular bore. But in
mastering my aversion for him, why, you see, Brownlow, I became master
of the weapon."
"Very true, but I have no Carnot to teach me; and to-day I see what
I lose by the want of one."
"I'll teach it to thee, myself, Brownlow, when both of us have
leisure," said Carlton.
"Do so, and I will repay thee at any cost."
And this, too, was one of those very artists, who but a few months
previous had scoffed and jeered at him in the open streets of
How beautiful was the prospect that spread itself out to their view
as the mist cleared away from their path down the mountain. Below
them lay, in all its beauty, the city of Florence, the pride of
Tuscany, and the Val d'Arno, crowded with white palaces, whose walls
lay sparkling in the morning sun like the trembling waves of the sea.
Carlton returned to his lodgings, which were now the best and most
capacious apartments of an ancient palace, the principal windows of
which opened fronting the tall eminence of Fiesole, crowned by the
gay old monastery where Milton passed many weeks while gathering
materials for "Paradise Lost."
Here Carlton had his studio, the daily resort of the beauty and
fashion of Florence, while his home was also the receptacle of all
that taste could suggest, or the most fastidious could desire,
contrasting strongly with his late want and suffering. Even the Grand
Duke honored his studio with an occasional visit, which rendered the
other artists of the city more jealous and envious than ever.
About a month had passed since the duel upon the mountain-side, and
during that time Carlton was only able to communicate with Florinda
through means of epistolary correspondence. For some time he had
employed a servant of the house of Carrati as his messenger; but the
fellow being bribed by the agents of Petro, intercepted the letters,
and now Carlton was forced to become his own messenger or bearer of
the letters he himself wrote. He was now urgent in his communications
to the gentle Florinda that she should elope from her home and become
united to him; and their arrangements were nearly completed, as the
following letter, written at this time, will show:
"DEAR FLORINDA:-I am more and more convinced of the propriety of
the course I have urged upon you. You say that such a plan may
jeopardize your largo property. This is a mistake, I am fully
convinced; and even were it otherwise, what need we care for wealth,
if we are sure for a sufficiency for life, and of each other's love? I
am highly gratified, dearest, that you have at length consented to
this arrangement. I will, in the meantime, make all necessary
arrangements for our journey. I count the moments until we shall meet
again. Guard your health, dear Florinda, and believe me, Devotedly
Carlton then proceeded immediately to perfect his plan, and to make
all necessary arrangements for the proposed elopement, and in another
letter to Signora Florinda, he made all preliminary arrangements with
her also, so that there might be no misunderstanding in the case.
It was night, and the pale moon, as if in a fickle mood, was
smiling and scowling by turns, as the fleecy clouds hurried swiftly
past her. The fitful and sudden glances of light appeared doubly
bright from the transient shadows made by the officious clouds. They,
deeming that the moon took too much credit to herself as queen' of
light for the hour, designed apparently to let her know that she
reigned only at their will and pleasure.
Now bursting through their veiling power, the moon would for a
moment cast long deep shadows down the narrow streets, and here and
there would light up for an instant some antique palace front with
dazzling richness, and as quickly die away again, as though it were
at play with the earth. It was difficult in this alternating of light
and darkness to use the eye so as to discern objects with certainty;
and an individual could with difficulty be recognized between the
changes, however near he might be to the observer. The character of
the night was wild and threatening-a night for evil deeds.
The gates of the city of Florence were just closing, and the
gathering clouds had entirely obscured the light of the moon, as a
caleche-and-four, with an extra postilion, dashed off from the Borg'
ognisanti, on the mountain-road towards Bologna. The inmates of the
vehicle exchanged not a word. The female seemed to be affrighted at
the headlong speed with which the double team drew the light caleche
up the mountain's side, while a postilion sat so near, and the
attendant at the lady's side, together seemed an excuse for the
silence, even if they were that which any one would have pronounced
them, a runaway couple.
Anon the gentleman would offer some polite attention to his
companion, but without the exchange of a syllable; and, indeed, words
could hardly have been heard at the rate they were driving through the
dark, on account of the loud noise of the wheels and horses' feet
among the stones and uneven soil of the rising ground. On rolled the
vehicle with the speed of the wind—every one knows how Florentine
horses can go when they have a mind to-until at length it pulled up at
a highland roadside inn of most uninviting character. The lady was
immediately assisted in silence from the vehicle, and scarcely had
they entered the low, dark parlor of the inn before the gentleman
whispered to her:
"The priest is here, and will unite us immediately."
"But why this haste, dear Carlton?" said Florinda, for it was her.
"There is no time to lose," was the whispered response.
"But should not—"
"He is here," was the whispered interruption.
And in a moment more a priest made his appearance, and, without
giving either time to unrobe themselves, had they been so inclined,
commenced the marriage service. The ring was given in that dark
room-so dark that the features even of the minister of the church
could not be discerned-the prayer was made, and the two were solemnly
declared to be husband and wife. The lady had essayed several times to
speak aloud, as we have seen, to express some feeling or wish, and she
seemed as if anticipating some encouragement from him she was about to
wed; but she was each time hushed by the speed with which everything
was done, or by a gentle whisper from her companion. The ceremony
completed, the signora drew back to a chair, overcome by her swift
ride, and the emotions that crowded themselves upon her throbbing and
At this moment there entered the apartment the tall figure of a man
apparently advanced is years, who, turning his back upon Florinda,
conversed for a moment with the bridegroom, then both turning towards
Florinda at the moment a couple of lamps were introduced into the
room, when lo! she beheld before her Signor Latrezzi, her uncle, and
her husband, Petro Giampetti! With a scream of horror and affright,
she fell fainting upon the floor.
The uncle and nephew were both filled with horror, for both
believed that they had killed her, as they gazed upon her pale and
lifeless form. Either would lave sacrificed everything to have taken
all back again, and restored her to life and happiness. Can this be
thee, Petro Giampetti, trembling like a child-nay, a tear actually
wetting that swarthy check, as you chafe the pulse, and bathe the
temples of that insensible girl? And hast thou really so tender a
heart, and yet couldst enter into so hard-hearted a conspiracy? And
thou, Signor Latrezzi, well mayst thou hide thy face in thy hands, for
thou art the greatest sinner here; thine has been the hand that hath
done this; that hath triumphed over this poor girl, whom thou
shouldst have protected.
"Holy virgin," cried Petro, "she's dead!"
"Say not so," eagerly exclaimed her uncle.
"God forgive us!" answered Petro.
"Ay, we have need of forgiveness, if we have brought on such
extremity," said the uncle, trying to raise the lifeless head of
their inanimate victim.
Leaving the guilty, nephew and uncle for a while, we will take the
reader back for a moment in the thread of our story.
CHAPTER XI. THE INTERCEPTED LETTER.
Any man that can write may answer a letter.
-Romeo and Juliet.
IN such a tale as we now tell you, gentle reader, and when written
within such limits, it is impossible to keep each portion of the plot
equally advanced, or rather not to anticipate certain results. There
is also an advantage in this mode of arrangement which perhaps is in
itself sufficient excuse for the author. It heightens the plot, and
renders it more absorbing to the reader, by suddenly laying before him
some startling tableau and seeming inconsistency, but which the sequel
of the story renders plain and reconcilable with other portions of the
Having said thus much for the scene we have presented to the reader
at the roadside inn on the Apennines, we must now go back with him to
the night on which Carlton delivered his letter of arrangement to
Florinda, and thus render our tale plain to the comprehension of all.
Carlton, as we have said perfected his plan for the proposed
elopement, and in another letter to Florinda he communicated the
particulars, delivering the missive with his own hands as heretofore.
There was a certain hour agreed upon between them, in which Signora
Florinda was to be at the balcony of her apartment every evening; and
thus, although Carlton might not be able to hold much conversation
with her, yet he could deliver any written paper he might desire,
without the fear of interruption or detection.
It was necessary to accomplish all with the utmost secrecy in order
to ensure success. Now Petro had been led to suspect by some
circumstances, that the meetings between Carlton and his cousin had
been renewed. He determined to ascertain if this was the case through
his own personal observation; and on the occasion of the delivery of
the letter in question, Petro being on the watch, discovered Carlton
in the act, and also overheard the following appointment made by him
"I will call for an answer at eleven, signora; I hope you may
perfectly comprehend my plan and fully acquiesce in it."
"At eleven, signora."
"Hark, heard you not some one?"
"No, I heard nothing."
"It sounded very near to the balcony."
"In the street?"
"Yes; I am sure I heard someone."
"Some passer-by, Florinda," said Carlton.
"Pray thee be careful, Carlton, we may be watched."
"I will be discreet; do not fear."
"There, the figure is turning yonder street!"
"Ay, and pauses to observe us; I will away. You will remember."
"I will await you at that time, Carlton."
"Good night, Florinda," whispered Carlton, pressing the hand
extended to him from over the balcony, just within reach.
"Good night." And they parted from each other, not daring to hold
further conversation lest they might be observed, and their future
plans suspected and defeated by the agents of her uncle.
Petro determined to prevent this meeting, or rather to be present
at it, and he hurried from the spot without meeting Carlton, resolving
to be punctually at the terrace a little before eleven. It was
evident that he had formed some plan in which he placed much
confidence, by the revengeful smile that played about his scornful
It was near the hour of eleven that night, when Carlton drew near
the little terrace that jutted from the window of Florinda's
apartment, He saw by the pale moonlight reflected upon the clock of
the neighboring church, that it lacked yet some fifteen minutes of
the appointed time for the meeting, and humming lightly to himself,
to kill the minutes, he sat down within a shady angle of the palace
wall. His approach was noted by the watchful Petro who, as soon as he
saw him seated, determined, if possible, to obtain possession of the
answer which he knew Carlton awaited!
To accomplish this purpose, required much cunning and prudence; but
he was fully equal to the plan-for what Italian has not cunning and
intrigue in his natural disposition? In pursuance of this object, he
approached the little terrace before alluded to, and which was a
trifle higher than his head, and situated at this time within the
shadow of the moon. By a slight and almost imperceptible noise, he
essayed to attract the attention of Florinda, and led her to suppose
that he was Carlton, and there awaiting the expected answer according
to appointment, The wily Italian gathered the ample folds of his rich
cloak about his person, so as to partially cover his face, upon which
there was a most demoniac smile, picturing revenge, hate and every
evil passion, to which a heavy moustache lent additional fierceness.
In one hand he held a keen stiletto, while he extended the other
above his head to receive the letter from the hand of Florinda. It
was necessary for her to reach some distance over the edge of the
small projecting terrace, in order to place it in his hand; this she
did, using the customary precaution, and not venturing to utter a
word as she heard footsteps approaching her room. Petro having thus
possessed himself of the letter, retired to a place from whence he
could watch the movements of Carlton without himself being observed
by the young American.
As the clock of the neighboring church struck eleven, Carlton
sprang to his feet, and assuming his place under the terrace, awaited
the coming of Florinda, little suspecting the trick that had been
played upon him. But after awaiting somewhat impatiently for nearly an
hour, he was compelled to return to his lodgings, almost trembling
with fear lest some serious accident had befallen her he loved, or at
least that their plan might have been discovered, and she subjected to
consequent ill-treatment and fresh rigor by her uncle. All this while
Florinda, as little suspecting the fraud that had been played upon
them as Carlton himself, was quite contented and happy in the
anticipated success of their plan, and dropped to sleep, thinking of
him, after humbling herself before the throne of grace in fervent
prayer-that key to the gates of Paradise.
Florinda was naturally of a devotional character; and this feeling
had grown and strengthened by her companionship with the late
duchess, who was noted for her piety and goodness-and in fact came to
her death, as is well known, by too much rigor imposed upon herself in
Petro, after satisfying himself that the ruse had not been
discovered, sought his own apartment in the palace to read the letter
he had thus possessed himself of. He hesitated for a moment before he
broke the seal-we will do him the justice to say so-even in this stage
of his conduct, his sense of honor had not entirely left him. It had
not yet become so blunted as to render him entirely reckless in the
debasing deed he was about to perform. With a sort of desperate
resolution-for he had never before done so mean an act-he opened the
seal. The letter was brief, and ran as follows:
DEAR CARLTON:-I leave every necessary arrangement to you. I will
meet you as you propose to-morrow evening at the hour of ten. I would
for certain reasons that it might be later, but the gates of the city
I am aware close at that hour. Have a care for your own health and
safety, Dear Carlton. I will meet you with a single attendant on whom
I can rely, at the appointed time, and at the gate opening upon the
Borg' ognisanti. Affectionately thine, "FLORINDA."
"So, so; the bird had nearly flown from us," said Petro, as he read
this epistle. "Here's a plot; and if I do not so counter-plot as to
render it of no avail, other than for the furtherance of ny own
design, then I am no man. It is well that I took this matter in hand
at this time. A day-nay, an hour later might have been too late.
Singular coincidence that should have brought me to the place and the
subject at the most opportune moment. Little does this fellow think of
the rod that is in pickle for him. But I will be even with him. I will
not sleep while he pursues the game; vigilance alone must gain me my
object. No, no, Signor Artist, you cannot thus pluck this beautiful
flower unchallenged; you are observed, and your object is understood,
Scheming requires counter-scheming; and you shall have that to your
heart's content. Italy against America, by the virgin; but we will
make this a national quarrel, if it be necessary."
He gazed upon the letter thoughtfully for some moments.
"Let me see," he continued, "this is not a very difficult hand to
imitate." And he commenced to write different words and form capitals
after the style of Florinda's note. "I think I can do it," he said at
length. "But the seal-how shall I manage that? Stay, I can use this
same one with a little care. Capital!" he exclaimed. "I'll have this
business all in my own hands." And Petro Giampetti laughed outright at
the prospect of his success in this vile plot against his cousin.
Petro was an expert and practical penman, being, as we have said,
private secretary to his uncle, Signor Latrezzi; and thus being quite
an expert in the use of the pen, he was the more easily able to
prosecute his dishonest purpose, Thus he commenced carefully to write
a note addressed to Carlton, and purporting to come from Florinda, in
answer to his note of that evening. With her note open before him, and
carefully noticing its style and manner, both in chirography and
composition, he cunningly traced the following lines:
"DEAR CARLTON:—In consequence of an unforeseen accident which I
need not now explain, I shall not be able to meet you until to-morrow
night, when I will do so at the hour named, and at the place
designated. Be careful of your own health and safety, and do not
attempt to see me until the time we meet at the gate opening on the
"Affectionately thine, FLORINDA."
This he addressed after the style of Florinda's note, sealed very
ingeniously with the identical seal she had used on the note which he
had intercepted, as we have seen, and forwarded it early on the
following morning by one whom he could trust to Carlton, thus fully
carrying out his plot of deception against them both.
Petro's heart somehow throbbed strangely in his breast, and his
conscience was very ill at case. He felt that he was enacting the
coward's part in this business, and already half wished himself out
of it. But if the game was a bold and hazardous one, so was the prize
a brilliant one; and so he closed his eye to remorse, and spurred
Thus we blindly pursue the goal of our wishes, little heeding the
cost, though we know that retribution is sure!
CHAPTER XII. NEPHEW AND UNCLE.
A serpent heart hid with a flowering face.
HOW ingenious are the expedients to which the mind will resort to
justify itself, and endeavor to still the warnings of conscience. He
who commits a sin, first deceives himself, for he is led to believe
that the culpable deed will be productive of a greater degree of
happiness than evil to himself, else his own selfishness would
deliver him from the act. I did not mean this into evil, he will say
to his conscience, as it prompts him in its own silent way.
Thus Petro, by a like process of reasoning, had brought himself
almost, if not quite to the relief that the end was a justifiable
one, and so did not hesitate at the means necessary to accomplish it.
Was not Florinda about to marry a heretic, an American, a mere artist,
without any claim to noble blood, and against the wish of her uncle
and guardian? How cunningly did Mahomet add a new chapter to the Koran
in justification of his amour With Mary the Coptic girl! "All things
are fair and honorable in love," said Petro to himself, "even as in
war; and I should be a fool if I failed to take advantage of any
circumstance that chance may throw in my way. No, no; honor is not to
step in between me and my love-it shall not defeat my purposes. I will
win the battle first, and then repent afterwards. 'Tis the only course
I can pursue."
Having reasoned to himself much after this manner, he communicated
the whole affair to his uncle, in whom he was sure of finding one who
would lend his ready aid in the accomplishment of his purpose. Signor
Latrezzi having employed every other means to prevent the proposed
connection between Florinda and the American artist, gladly received
the proposition made to him by Petro, and fully entering into the
spirit of the latter, determined to resort to stratagem to accomplish
his grand object.
It was accordingly agreed between Petro and his uncle that he,
Petro, should be at the gate that night, as specified in Carlton's
note to Florinda, where he should meet her so disguised and muffled
up as not to be recognized, and thus by artful management pass for
Carlton; soon after their leaving the city, they were to stop at a
small public house on the road, where a priest should meet them; and
having received his instructions from Signor Latrezzi as to the
particulars of the case, would understand how to play his part in the
deceit, uniting them without question.
And thus it was agreed that Florinda should be made to marry Petro,
thinking him to be Carlton. To render all things sure, and that
nothing should be overlooked as it regarded necessary precaution, the
uncle was to go on and stop at the inn during the afternoon with the
priest, and arrange everything properly for the proposed deception.
"It is the only means by which we can accomplish our purpose," said
Petro to his uncle, in justification of the plan they had adopted,
and snatching at any idea that might screen him in some degree from
his own conscience, relative to the dishonest measure they were
"It is plain," said Signor Latrezzi, "that this Signor Carlton-this
American artist, has got the girl's heart."
The uncle started-the thought shooting across even his hardened and
calloused heart-can this man design to marry Florinda, and yet
believe, as he says, that she irrevocably loves another man?
"Ay," he continued, with the purpose of justifying himself, as
Petro had done, "she is so obstinate about it, too."
"Yes, but this will most certainly render her perfectly
tractable-no doubt," said Petro-with a laugh, thus showing how much he
really loved her who was destined to become his victim.
"There's little heart in this business."
"And after all I like it not."
"Nor I, but it must be."
"It does seem necessary."
"If I thought otherwise, I would not consent to it, Petro."
"Nor would I engage in it," said the nephew, with some degree of
"We shall be sure of the duke's displeasure."
"Yes, that we must count upon,"
"It will not, however be anything serious."
The thought again striking Signor Latrezzi, he said:
"There will be little love between thee and the girl, I fear."
"It will be all her own fault if I do not become devoted to her,"
said Petro, in answer to this suggestion, and yet in a tone of
derision; for he had his mind more upon Florinda's fortune and title
than upon her person, though he did also feel an ambition to possess
so rich and rare a jewel as herself.
"Do you know, Petro, how Signor Carlton first became acquainted
with Florinda? It has ever been a mystery to me."
"'Twas at the convent, I believe," replied Petro. "I have been told
that he was employed by the prioress to copy some valuable painting,
and while thus engaged, formed the acquaintance."
"Gita" (Florinda's maid) "has told me that it was he who taught her
to play so sweetly upon the guitar. Can this be so?"
"Si, signor, this also commenced at the convent. Carlton exhibited
by chance one day his singular skill upon the instrument, and being
engaged there for many weeks, he became acquainted with many young
ladies, and among them Florinda, to whom he gave a few lessons on the
instrument. Afterwards becoming better acquainted with Florinda, he
taught her some of the airs of his country, and by degrees seemed to
impart his really singular skill upon the instrument to her. I never
knew that these Americans were such musicians before."
Petro spoke truly. Carlton had first become acquainted with
Florinda at the convent as stated, and while teaching her upon that
most graceful instrument, the guitar, of which he was a perfect
master-each learned to love the other, without realizing the fact
until the time for parting arrived, when the tears stood in
Florinda's eyes while they met Carlton's, and each read a volume of
love and constancy there. They often met from that time, and the
gentle and high-born Florinda loved the young American artist as
dearly as he did the loveliest girl of the sunny Val d'Arno.
Petro was safe in his calculation, at least as far as it regarded
his deception and stratagem with the letter between Florinda and
Carlton; for, having received the letter despatched by Petro that
morning, Carlton did not for a moment question its genuineness, but
proceeded at once to make his arrangements accordingly, supposing
that the intended elopement was only delayed for twenty-four hours by
some unforeseen circumstance which had occurred in the household of
This was a reasonable construction of the matter; and with this
view of it, and as she had requested him not to attempt to see her
until they met at the gate, Carlton mounted his horse and rode out of
the city, proposing a pleasure trip upon the mountains until night. We
will not deny that he was disappointed, but having implicit
confidence in Florinda's judgment, he believed that she could not
have unnecessarily delayed the appointment.
Petro had made all his arrangements with a zeal and care worthy of
a better cause. It is but too often the case that we find activity and
zeal exerted in behalf of the wrong; for the rogue, conscious of his
evil purpose, exerts every faculty to accomplish his end, and to
screen himself from the detection he constantly fears.
Here was an uncle and nephew plotting a young girl's misery-coolly
and understandingly consigning her to a lot, which, of all others, is
most to be dreaded by a female heart. She little suspected their
treachery-and where should she not have first looked for deceit,
rather than among those who should have proved her protectors?
Florinda had ever loved her uncle and, until she had learned some of
the evil traits of his character, had respected him, too. But as she
grew older and more observant, these things forced themselves upon
her attention, and she was obliged to concede their truth to her own
heart, though she never made mention of the matter to another. Of
Petro-she had never loved him; and while they were yet children and
playmates together, they could never agree.
The deep, dark passions that Petro inherited from his father, often
broke out on the most trivial provocation, to the terror of Florinda,
until she more feared than loved him. As both had grown older, Petro
acquired more command over his evil passions, and Florinda had learned
to look upon him with indifference; and yet she felt his absence for
so long a time at Bologna to be a relief from an unpleasant restraint
she felt in his or her uncle's presence. Signor Latrezzi discovered
this growing dislike of his niece for himself; and this was another
argument with himself why he should resort to the proposed stratagem
to accomplish an end which otherwise appeared to be receding farther
and farther from his grasp every hour.
His earnestness in the matter showed fully that he had some private
purpose in view, and this Petro suspected, and he at length
ascertained his desire to cover up some pecuniary fraud he had
committed upon her estate. But he was willing to let that remain in
obscurity, provided he could get the management of the rest, which
was indeed an immense estate in value.
Such were the uncle and nephew to her. But as they stood now
together-that is, the uncle and nephew-the most casual observer would
have noticed that the business they were engaged in but illy suited
them. They were by no means so heartless or mercenary as not to feel
"Petro," said the uncle, "if you marry Florinda, remember you must
respect and cherish her afterwards."
"Of course, I shall. You need not lay any injunctions upon that
score, my good uncle."
"Ay, 'twill be poor enough reparation for the loss of her freedom,"
mused the uncle.
"Don't moralize," said Petro. "We are in for the game, and must
play it out, come what may."
"That is true."
Saying which, the two silently saluted each other, and then
CHAPTER XIII. THE ROADSIDE INN.
You shall see anon; 'tis a knavish piece of work.
NIGHT came, and Florinda counted the moments as they passed,
anxiously awaiting the time at which she must leave the palace to
meet Carlton, according to his last directions. The time so anxiously
anticipated at length arrived, and stealing from a private entrance to
the Palazzo, accompanied by a faithful female servant, who had been
her attendant for years, she hurried on foot to the designated spot.
She had shrewdly avoided the employment of a vehicle, deeming it more
safe and expeditious thus to make the passage to the spot on foot.
There was one of the most delicate and high-born beauties of all
Tuscany wending her way through the dark and deserted streets,
attended by a single female as helpless as herself. She was doing
this for the love she bore to Carlton; she was risking thus her
character, and perhaps even her life, to be united to him she loved,
the gallant Americano. On she sped, now half-running, and now
retiring within the deep shade of some projecting angle of the
palaces that lined the route, thus to screen herself from the
observation of some passer-by.
The gate was reached at the precise moment. There stood, wrapped
close in his ample cloak, with his hat slouched well over his eyes,
him she took for Carlton; he stood apparently expecting her at the
door of a caleche. With a whisper of recognition, he assisted her
into the vehicle, which immediately dashed off at a reckless speed on
the mountain-road. The reader need hardly be told that this was Petro,
who thus cunningly executed the plan agreed upon, as we have already
seen, between him and his uncle, Signor Latrezzi. Thus we explain to
the reader the tableau we have presented him at the little roadside
inn on the Apennines; thus it was that Petro Giampetti, in place of
Carlton, was wedded to Signora Florinda.
Fatal mistake! Ay, fatal, indeed, was that unfortunate billet
delivered by Florinda unwittingly to Petro. It was the author of all
her present misery, and the consequences to follow were, if possible,
of a still more fatal character. In that little note, Petro possessed
himself of an agent which enabled him to work out his treacherous
plans-a key wherewith he unlocked the purposes of Carlton, and made
himself master of his secret design. We have seen, gentle reader, to
what use Petro put the information he had so treacherously obtained,
and now we will show the close of this fatal drama.
While Florinda was still insensible, and surrounded by the servants
of the house, under Petro's directions, endeavoring to resuscitate
her, a single horseman rode up to the door of the inn on his way down
the mountain. Dismounting, he stood by his weary steed for a moment,
regarding both him and the ominous signs of the weather, then turning
to the attentive hostler, he asked:
"How far to Florence, sir?"
"A couple of leagues, signor."
"And the gates close at ten?"
"Can you accommodate me within?"
"And my horse?"
"I may as well stop here," said Carlton, for it was he, "as a few
miles nearer the city, for I cannot enter until morning."
Resolving to tarry here for the night, he threw the bridle of his
weary steed to the hostler, and entered the house. He had ridden out
from the city early that morning for exercise and pleasure, and had
ascended many miles the wild and majestic Apennines to obtain a view
of the glorious scenery presented from their lofty heights, and get a
sight of the far-off Adriatic; he was belated on his way, and resolved
to go no further in the deep darkness of the night. A storm, too, was
evidently about to break in all its fury, and might overtake him
before another shelter could be obtained. It was this latter
inducement, in connection with the weary state of his horse, that led
him to decide upon stopping at so uninviting a house as the one in
It was a noble animal which he seemed to have such consideration
for, and was a gift of the duke's from his own stable-an animal that
had already learned to love his new master, and stood with arching
neck, and brilliant eye, as though no labor or fatigue could banish
his conscious pride. The young artist regarded him with undisguised
admiration, petted him by a few gentle strokes upon the head and a
kind word, and said, "Yes, Prince, you and I will tarry here until
morning, and go back to town with renewed strength and vigor gained
from this mountain air."
Having seen that his horse was properly bestowed, Carlton returned
to the house, and passed immediately into the little parlor of the
inn where the ceremony had just been performed, little anticipating
the startling scene that there awaited him. The astonishment of
Carlton at beholding Florinda there, surrounded by the servants
endeavoring to resuscitate her, with Petro and his uncle, Signor
Latrezzi, can better be imagined than described. Twice did he dash
his hand across his eyes, as if to assure himself that he was not
dreaming; then thrusting them recklessly aside, he was about to raise
her in his arms, when Petro, who was taken completely by surprise,
recognized him and, drawing his stiletto, struck fiercely at his
Carlton received the blow partly upon the arm, where it inflicted a
flesh wound only. Turning upon the Italian, with one blow of his
muscular arm, he threw him prostrate upon the floor; and half way
across the apartment; then drawing from the ample pocket of his
riding-coat a pistol, he presented it at the infuriated Petro,
bidding him to stand back, or his life should pay the forfeit.
"By this light, one step in advance and you die!"
Carlton was in earnest, and Petro could read the determination of
his spirit flashing from his eye, and he quailed before it. He felt
that he was in the wrong; that the manly interference of Carlton had
right to back it; and this consciousness, while it unnerved his own
arm, nerved that of the artist's. Carlton paused for a moment, as if
to consider what to do; he was amazed and confounded, and his arm
sunk by his side.
Petro and his uncle drawing together, exchanged a few hasty words,
while Carlton stood there mute, as though struck dumb.
"We are two to one," whispered Petro, "let us upon him."
"Nay, he has a pistol; we have only our swords."
All this passed in one instant of time; but the next chapter must
describe the close, of the scene which had assumed so tragic a
character and such a fearful aspect.
CHAPTER XIV. THE FINALE.
Some falls are means the happier to arise.
THE low rough room of that roadside inn presented a wild and tragic
appearance at that moment. On the floor, her head supported by her
faithful attendant, lay the insensible form of Signora Florinda. Just
at her feet, and standing between her and Petro, was the tall, manly
person of Carlton, his right hand holding a pistol towards the breast
of the former, in whose dark countenance was depicted every evil
passion of the soul. The servants in their fright at the sudden affray
had retired to a distant corner of the apartment, while in another,
with his hands over his face, as if to shut out the horrid scene
before him, stood the person of Florinda's uncle.
"What means this scene?" asked Carlton. "Can some of ye speak and
tell me? Gita, what brought your mistress here, and under such
escort? Speak out, girl-I'll protect you."
"Treachery, signor, dark and deep!" said the girl, whom Florinda
had found it necessary to make a confidant of in relation to the
intended elopement and marriage.
"Noble business for an uncle and nephew!"
"Repeat not those words" said Petro, angrily.
"I repeat them, and am ready to abide by them," said Carlton.
"Cospetto!" exclaimed Petro, in a rage.
"Ay, talk on," said Carlton; "so valiant a knight need have plenty
of words at command."
"Hold, for the love of the virgin, hold both of ye!" said Signor
Latrezzi, foreseeing the catastrophe that must ensue, yet still
remaining with his face hid in his outspread hands.
"By our holy church," said Petro, "must I be met at every turn by
this braggart of an American, who thwarts my dearest wishes, and
foils me at every point? I tell thee I will have thy heart's blood!"
he continued, rushing wildly towards Carlton.
The pistol was raised on a level with the head of the revengeful
Italian, as he advanced furiously, with his stiletto reflecting the
glance of the lamps. Carlton cried to him:
"Have a care, Signor Petro. Thy blood be on thine own head. Stand
back, I say."
"By heaven, I will not longer bear this!"
"I have warned thee!"
But the enraged Petro heeded not the warning of Carlton, upon whom
he was just about to throw himself, when the black throat of the
pistol emitted in liquid fire its fatal contents, and when the
stunning effect of its voice and the smoke had subsided, there lay
the lifeless corpse of Petro upon the floor at the feet of the
American. The ball had passed through his brain; and thus, in the
full tide of life, with health and strength, and, alas! with all the
evil passions of his heart in operation, and his soul craving the
blood of his fellow-man, he had rushed in one moment into eternity.
A fearful death, and a fearful thought; but the deed was now done,
and there was no recalling it. Its fearful consequences were
inevitable, and must be borne by the actors in that scene in the
drama of life.
"Holy virgin, he is dead!" said Signor Latrezzi, as he bent over
the inanimate form of Petro.
"God forgive him!" said Carlton. "He would have taken my life with
that thirsty dagger!"
"By this light, you acted only in self-defence," said the trembling
landlord to Carlton.
"Quick, sir," said Carlton, "remove all appearance of this struggle
before the lady revives."
The sad finale of the tragic scene was at once enacted by the
landlord and his people, who bore the body into a private apartment.
Signor Latrezzi, who had himself to blame for the greater part of
this fatal business, stood horror-struck by the sight now presented
to his view. If he was not the actual murderer, was he not the
instigator of the whole business? He put this question to his
conscience, and it whispered to him in deep and thrilling
tones-guilty, guilty! He would have given everything he possessed,
ay, life itself, to have been able to recall the whole transaction;
but alas! it was now too late, and the consciousness of his guilt
drove him almost to madness.
The servants, who had witnessed the whole affair, could testify
that Carlton had acted only in self-defence in the matter, and from a
conviction of this, they offered no interference. Signor Latrezzi,
after giving direction's for the removal of the body, took his
departure towards the city, without attempting to interfere with
either Carlton or Florinda, whom he left to themselves unmolested.
Florinda happily was insensible of the tragic scene performed in her
presence. When she revived, all traces of the deed were removed, and
she found herself in the care and protection of Carlton.
"Where am I?" she asked, as she recovered from the insensibility
which had seized upon her, when she realized the treachery that had
been played upon her; her eyes resting on Carlton, she clung
instinctively to him for protection. She closed them again, scarcely
daring to trust their evidence, lest she should again realize that
"Is it a vision or reality?" she asked tremblingly of Carlton.
There is nothing done but has been undone, dearest," was the
answer. "You shall know more when you are more composed."
"But, Carlton, the priest married us," said Florinda, shuddering at
the thought. "I am his wife!"
"Compose thyself, dearest; and believe me, thou art no one's wife,
but still my dear Florinda. All is well."
By degrees as Florinda became more composed, the whole matter was
told to her; and though she deeply sorrowed at the fatal necessity,
yet she could not blame Carlton for taking the life of him who was at
the moment seeking his. They sought her home in Florence, from whence
Carlton was no longer excluded, but came and went at will. Signor
Latrezzi and he never met; but it was plain that the servants had been
ordered to admit him in future, as any other respected guest of
The uncle's darling project was utterly defeated, and the hopes
thereby of securing himself from his just reward for the dishonest
act he had committed in appropriating a large sum of his niece's
property, was rendered abortive. What course did the old man pursue
in this dilemma? He did that which he should have done years before,
as soon as he awoke to the realization of the crime he had committed;
he went to Florinda, confessed his dishonesty, and begged her to spare
his gray hairs from dishonor. She was but too happy to relieve him
from his misery and suffering on this account.
"Uncle," said she, "give thyself no further uneasiness on this
point, but sit thee down, and draw a paper absolving thyself from the
matter in proper form, and I will sign it."
The paper was drawn and signed, and Signor Latrezzi from that hour
became a different man; he had thoroughly repented.
"You are now content?"
"I am, my dear Florinda, and thankful to you for thus relieving my
"Say nothing about it, my dear uncle."
"I will not, save in action towards you, Florinda, who have placed
me under lasting obligations."
Though Carlton deeply regretted the fatal occurrence of that night
at the inn on the Apennines, still his conscience did not upbraid him
for the part he had enacted; for though he had taken the life of
Petro, it was done in self-defence, and the court of Florence so
decided, Carlton having given himself up to trial. It would have gone
hard with him, or any foreigner in Italy, and especially in Tuscany,
who should chance to be thus situated; but Carlton had the
all-powerful influence of the Grand Duke Leopold exerted in his
favor, and in this case justice was rendered.
True, it was some time before the American artist was again
received at court, or made his appearance at the Grand Duke's weekly
cordon, as public opinion was against him-and very naturally, too, for
he was a foreigner, and had taken the life of a citizen of Florence,
and one closely allied to the nobility and gentle blood. But after
the decision of the court-which the duke took good care to have made
in the most imposing and public form-was thoroughly understood, and
the memory of the matter had grown a little dim, Carlton again
resumed his place at court, as the protege of the Grand Duke, and
royal favor was again shown him.
Signor Latrezzi shut himself from society for many months almost
broken-hearted, now fully realizing the error of his conduct in
relation to Florinda and Petro. The generous act of the former in
absolving him from the responsibility he had incurred in relation to
her estate, had done much to awaken his better feelings. Petro he had
loved with the affection of a father, and he now keenly mourned his
untimely end. People saw the great change in Signor Latrezzi, for he
no longer sought to oppress any one, but in his few public dealings he
was strictly honorable and true.
He had indeed thoroughly reformed; he no longer sought to interfere
in the plans of his niece, who was left to follow her own wishes. Out
of respect for her own feelings, and those of her uncle-whom Florinda
had now begun to respect, seeing a complete change in him that showed
an honest and honorable purpose-her proposed marriage was deferred for
some weeks, when at length, under the sanction of the Grand Duke,
Florinda and Carlton were united to each other, and found happiness in
the love and constancy of their own true hearts. Thus happily ended
the high thoughts and bright dreams of the humble painter.
In one of the lovely palaces whose lofty walls of white bask in the
warm sun of the Val d'Arno, lives the last surviving branch of the
noble house of Carrati in the person of the peerless Signora
Florinda. Joyful and happy in domestic felicity, there, too, is
Carlton, the American artist, surrounded by everything that wealth
can procure, or refined taste suggest, and master of the unbounded
estates of Carrati, but above all, happy in Florinda's love.
[FROM "THE FLAG OF OUR UNION."]
THE PRIMA DONNA.
BY M. V. ST. LEON.
"WHAT is to be done?" exclaimed the manager of the principal
theatre in Havana. "What is to be done?" and he paced the room in
angry despair. "This is the second time within a week that Signora
Buonatti has been too ill to sing-and to-night every seat is engaged,
the house will be full to overflowing. The audience scarce endured the
first disappointment, and how will they receive the second? O, for
some expedient. I must hunt the whole city through till I find some
one to supply her place decently!" and seizing his hat, Diego
Cartillos rushed into the street, and was out of sight in a few
"Alfin brillar, nell i rede," sang a voice of surpassing sweetness,
which came from round a corner. Cartillos stopped an instant in
silent ecstacy, and then hurriedly advanced in the direction of the
sound. In front of a handsome house stood a young girl apparently
near sixteen years of age, in poor but clean garments, and holding a
mandoline in her hand with which she was playing an accompaniment to
the words she was singing. The manager stood listening to it
attentively, and as the rich, clear tones of the girl dwelt on the
lower notes, or rose with a birdlike gush to the higher ones, he
could scarce restrain some display of his delight. Such, however, it
was not his policy to exhibit, and when at the close of the song, she
timidly approached him, and, lifting her mandoline and large, sad eyes
at the same time, besought him in broken Spanish to give her a single
maravedi for pity's sake, he coldly drew forth a few small coins and
handed them to her.
"This is a poor way of earning your support,"' answered he.
"I know it-but it is all the one I have."
"It is a pity, for you seem to be an honest sort of a body, and
perhaps with the assistance of friends you might be made something
decent," then without noticing the indignant flush that had risen to
her check, he continued. "Now I am willing to help you-that is, if
you're respectable and humble-minded, and I will let you sing in my
theatre, although I am sure I shall lose by it."
The first impulse of the young girl was to refuse with anger, the
proposal offered almost in an insulting manner, by the hard,
avaricious man, but a moment's reflection showed her she could not
afford to be particular in choosing the manners of an employer, and
"Why are you willing to take a stranger who has no claims upon you,
if you are certain you will be a loser by so doing?"
"Because, although I shall be at an extra expense for a while, I am
in hopes you will repay it sometime," he replied, with a scowl at
being questioned. "Come, what say you?"
"I am willing to better my condition, sir, and as for being humble
in my manners, few are otherwise who have their living to earn,"
replied the maiden, with a touch of haughtiness.
"Then come with me," said Cartillos, leading the way to the house
he had quitted a short time previous. When they were seated, the
manager commenced questioning his companion.
"It is rather a singular thing for a street musician to sing such
songs as you do, and in such a manner,"—then, after a pause, during
which she did not volunteer any information on the subject, he
renewed the attack, with, "You must have had some instruction. Who
was your teacher?"
"A countryman," was the reply.
Baffled in this direction, Cartillos commenced in a fresh quarter.
"You are an Italian, I suppose?"
"Of what part are you a native?"
"Before I came to Havana, I resided in Naples."
The manager bit his lip at the small amount of information he
obtained, and commenced again.
"One of the troupe is ill, and I wish to obtain some one to supply
her place-but I suppose you are unacquainted with any opera?"
"I will engage to perfect myself in any one within a week."
"I cannot wait so long. To-night is the evening I most desire your
services," Cartillos replied, in despair.
"What is announced in the programme?"
"Lucia," was the gloomy response.
"If that is all, sir, I ask but seven hours practice and study. I
am familiar with it, but need instruction in the acting of it."
Her companion eagerly replied that he would engage her for that
night at least, and was departing to send some one to instruct her,
when she timidly inquired:
"But my dress, sir-how shall I arrange that matter?"
"O, I'll see to that! You prepare yourself in the part-I'll do the
rest," and he was gone in an instant.
Night came, and also a crowded house. Presently the people became
impatient, and with eagerness called for the commencement of the
performance; at the expiration of five minutes whistling, screaming,
stamping, etc., the manager made his appearance and announced "that
Signora Buanatti was unable to appear, but Signorina Zampieri had
kindly offered to take her place!" But the audience did not take it
kindly-the lady was unknown to them, and who could say anything about
her singing-besides, they had excused the favorite vocalist once, and
they were not to be put off in this same way again. Accordingly, a
tremendous hiss arose, in the midst of which the unfortunate manager
rattled off the physician's certificate, letting his voice drop, and
flat away towards the end most comically, then hastily departed for
the side scenes.
In a few minutes the young debutante appeared. She was received
with a chilling silence, broken only by a few faint claps from some
half dozen good-natured persons, in consideration of her youth and
beauty. In defiance of her prepossessing appearance, the audience
seemed determined that they would not be cheated or flattered into a
single expression of approbation, but the manager observed with
rising hope that they forbore to hiss. Undismayed, and regardless of
the reception she met with, the young girl, with perfect composure,
began her role. As she continued, the whole richness and beauty of
her voice were brought out, and wholly unable to withstand such
wonderful, unexpected melody, the people manifested their delight
loudly, and at the conclusion of the opera, Signorina Zampieri was
called for loudly. At the request of the manager, she came forward,
and with polite indifference bowed in reply to the applause. Signora
Buonatti was forgotten! The people were amazed at the nonchalant
manner of the young favorite, who actually received a burst of
enthusiasm, such as rarely had greeted any singer, with such
coolness-who and what was this slender, youthful being, that was
neither awed by their sternness, nor delighted at their praises?
The selfish, scheming Cartillos at once perceived he had made a
fortunate speculation, and hastened to engage his prize for a year at
one third her real value, as the next day proved when notes came
flocking in from all directions, urging her to name her own price.
With a feeling of deep indignation Teresa Zampieri determined after
her engagement with Cartillos expired, that he should never acquire
another farthing by her. She speedily became the pet of the people,
yet notwithstanding her surprising good fortune, nothing had the power
to charm her out of the subdued manner so unnatural in one so young,
or throw a lightsome sparkle into those large, dark, melancholy eyes,
while almost the first exclamation made by every one on hearing her
sing, was, "Her voice sounds like a fountain of tears!" The only thing
that absorbed and rendered her forgetful of the present, was her
music, and when in the opera, her whole being seemed merged into the
character she was representing. Her large, sad eyes grew still larger
and sadder, and she seemed like one in a dream-it was with her a
passion, an existence.
But she was subject to many annoyances from Cartillos, who
constantly took advantage of her ignorance concerning money matters,
which Florian Geraldi, the handsome tenor of the troupe, plainly
perceived and with burning indignation. He would have protected her
and prevented these impositions, but they were both young, and he
feared his motives might be misunderstood, and so he continued from
day to day, each showing him plainer that his heart was given to the
beautiful songstress, whose course had been so like a comet, rising
from darkness, and no one knew whither, for all felt instinctively
that a mystery hung over the young girl.-At last some fresh act of
injustice on the part of Cartillos thoroughly aroused Geraldi, who,
at the risk of losing his situation, determined to tell Teresa how
much she was imposed upon. The mournful tone and manner with which
she replied—"Alas, I am aware I have no friends to protect me,"
quite startled her companion out of his composure. He had resolved
never to speak of his affection till he had more reason for hope than
he then possessed, but at these words his resolution was forgotten,
and rapidly, earnestly, he detailed his past wishes and present hopes,
and urged her to reply. For an instant she was silent, but then she
addressed him in firm, sad, yet kind tones.
"This declaration is wholly unexpected to me, and while I cannot
but be flattered at the compliment-the highest a man can offer, I am
obliged to decline it. Your pity for me has perhaps misled you into
the belief that you love me, but you will soon forget one that can
never be yours."
Geraldi, who thought she might doubt he loved her sufficiently, was
about to assure her on that point, but he had scarcely commenced
speaking, ere she interrupted him.
"Even supposing I loved you as I ought to the man whose heart I
take into my keeping, there are obstacles-do not ask what-such being
the case, is it not best to conquer all but friendship in the
"Alas, it may be easy for you to counsel who do not endure, but
this is not the beginning of my love," murmured the Italian, in
despairing accents, as he left her.
The tone and mournful eyes made Teresa unhappy; she regretted
deeply the necessity of giving pain in this world, though she felt she
might unavoidably be the cause of more disappointments than even the
beautiful are generally, and with a sigh realized that in accordance
with her principles, she must draw yet more tightly the lines of
isolation about her. Life already had but few pleasures, and even
this scanty list must be curtailed. Geraldi, convinced that his
poverty and comparative obscurity were the objections to him,
determined they should not long remain a barrier, and immediately on
the expiration of his engagement with Cartillos, departed for his
native land, determined not to see Teresa Zampieri again till he had
won a name worthy her acceptance. He mentioned his plans to no one,
however, but bidding farewell to his friends departed on his errand.
Time flew by, and Teresa was released from her engagement. Cartillos
begged earnestly that she would continue with him, but the young girl
told him just her sentiments regarding his conduct, and much as he
regretted his past error, it did not help the matter in the least.
Engagements from far and near poured in upon her, and the only
difficulty was, which to choose.
"Somewhat of contrast!" thought Teresa. "One short year ago, I
scarce knew where to lay my head. Heigho! Methinks my present station
elevated as it may appear-but what! is this foolish heart forever
crying more?" and the tears so seldom permitted to visit those sad,
dreamy eyes, now came unchecked. Her sorrow once indulged, returned
more and more often; so to divert her mind, Teresa Zampieri visited
distant countries, always avoiding Italy, however, and journeyed and
sang without cessation. This constant exertion was too much for her to
bear, and she was obliged to omit singing entirely for several months,
during which time she travelled through many delightful places, and
frequently recalled those days in after years, as some of the happiest
she had known. At the expiration of her wanderings she returned to
Havana refreshed, and comparatively happy, to commence a new
engagement. This was the third year of her theatrical life, and Teresa
was now nearly twenty years of age, and though so young, she possessed
the manners of an accomplished, experienced woman. It was a matter of
wonder to all, that amid such a throng of suitors as she was known to
possess, she yet remained Teresa Zampieri; but few dared request the
guardianship of the peerless girl, for it seemed as though between her
and themselves a vast gulf lay. And notwithstanding superior rank and
position, many a noble felt himself awed by the unaffected dignity of
One evening as the breathless multitude were listening to the soft,
high note the songstress had already sustained for several measures,
as her eyes suddenly rested on a figure in a box near the stage, it
was interrupted by a wild, piercing shriek from the blanched lips of
Teresa, who instantly fell senseless. In a second all was confusion.
The orchestra stopped short in the middle of a note, the curtain was
speedily lowered, several ladies fainted, and the audience were in a
fever of excitement, each one talking to his neighbor.
"We must be careful of our treasure," said one, "or we shall lose
"What is the matter?" eagerly asked another.
"That last note was held too long," suggested a third.
"A touch of the heart complaint I should think," etc.
When the manager announced that Signorini Zampieri requested the
indulgence of a few minutes before resuming her performance, there
was a general expostulation, so much had she endeared herself to
every heart. But the manager assured the audience that the lady
thanked them for their considerate kindness, but that she was
perfectly recovered, and preferred finishing the little that remained
of the opera. When she reappeared, the burning cheek and glittering
eye deceived many as to the suffering she endured. Her gaze restlessly
sought the figure that had caused her emotion, and as she met the
person's glance, a shudder passed over her. At first her voice
trembled with weakness, but meeting the mocking, sneering triumph in
that sarcastic face, the blood boiled in her veins, and trembling with
indignation, she startled the audience with the wild burst of scorn
she threw into the part she was representing. The stranger at first
turned pale with anger and surprise at the surpassing delineation, but
the next instant his eyes gleamed with malicious satisfaction, which
seemed to chafe the singer to madness.
At the conclusion of the opera, Teresa, with feverish impatience to
arrive at home, was hastily leaving the theatre, when she fancied she
saw in the front entrance doorway that Mephistophiles-like face, and
ordering the coachman to drive to her lodgings as speedily as
possible, threw herself back upon the cushions, and repressed a
strong inclination to take a certain individual's web of life out of
the hands of Fate. In a few minutes she arrived at the hotel, and
entering her parlor stood face to face with the stranger, who had
risen with the most easy coolness, and advanced to meet her.
"Mille pardons m'amie, for the intrusion, but I have not seen you
so long, that I was quite unable to resist the temptation of a call."
Teresa, overpowered with the most painful emotions, sank into a
seat and covered her face with her hands. With an expression of savage
pleasure, her tormentor approached quite near, and said:
"I beg, my charming friend, that you will not put yourself to the
fatigue and trouble of a sentimental reception, for I assure you it
will be entirely wasted."
These words roused the young girl from her stupor of agony, and
raising her form to its full height, she exclaimed:
"Brandini Villani, it would appear that the just avenging God hath
forgotten thee, miserable sinner, but it matters not; eternity,
methinks, will be long enough for thy punishment." Then with less
passion, but with regal, even awful dignity, she freezingly
inquired—"What have you to say?"
For an instant the wretch was intimidated, but noticing the tremor
of Teresa's whole frame, and mistaking it for fear, concealed beneath
affected scorn, he regained his assurance and tauntingly replied:
"It is a trifling oversight, ma chere, to affect a callous
indifference towards me, when I have the charm with a single glance
to render you insensible, and to make you tremble at the mere sound
of my voice-no, no, Teresa, it will not do. While my presence affects
you thus, I know the power to fascinate has not yet deserted me."
"Contemptuous wretch! With what feelings does the scaly, venomous
serpent inspire one when he approaches with slimy track and fetid
breath, with stealthy, coil and sickening glare? Think you would not
that fascinate with terror, cause a tremble of disgust, and produce
insensibility and delirium that such a loathsome reptile should exist
and breathe the same air? Yet having now called forth that emotion in
its deepest degree, you rejoice to have moved me! Truly you have, and
I can conceive your mind just fitted to appreciate the honor!"
The worst passions of Villani were now thoroughly awake, and he
retorted with flashing eyes and a fierce tone, while his face even to
his lips, turned livid white.
"You may regret your liberal use of words when I unfold my errand.
I will trouble you for half your proceeds for the last year!"
With blazing eyes, from which sparks of fire actually seemed to
flash, and a form that appeared to dilate, Teresa turned full upon
"How now, traitorous villain? Is not your list of perjuries,
thefts, deceptions and murders long enough, but you must add to it,
ere you are qualified to become the privy councillor to the arch
fiend? Get thee hence, grovelling worm, ere the lightnings of heaven
At this instant the storm which had been gathering, burst with fury
over the city, and the dazzling sheet of flame was succeeded by a
deafening, rattling peal of thunder. Teresa sank on her knees beside
a lounge and buried her face in silent prayer; even Villani turned
pale and moved to the centre of the apartment, where he stood with
folded arms and compressed lips. Presently the violence of the
tempest abated, and the pallid Brandini approached Teresa, who had
not changed her position, and had forgotten in the storm almost the
existence of her persecutor, and in a low, dogged voice, said:
"I am waiting for your reply."
With a faint shriek Teresa raised her head.
"I thought you were gone-do you wish to tempt me further?"
"Will you give the money?"
"I will not!"
"Beware! Think again!"
"You have my answer. Never, while life remains, will I give another
Villani bent over her and whispered a word; with a wild, agonized
shriek she sprang to her feet and gazed wildly into his face and in
feeble, broken accents, exclaimed:
"O no, no, not that-it would kill me, Villani, Villani! You are not
"I most certainly am, madam, and I give you just five minutes to
decide which alternative you will choose," and he drew out his watch
and steadily gazed upon it. At the expiration of that time, Teresa,
with a pale, tearful face, knelt before him, and in faint, despairing
"I accept your terms! Villani's eyes lighted up with a fierce
pride, as he exclaimed:
"I thought to bring you to terms!"
"Tempt me not, Brandini Villani!" vehemently replied Teresa, rising
with flashing eyes; "you may rouse me yet beyond endurance-beware!"
and she pressed her hand to her heart, while an expression of pain
crossed her countenance. The extreme physical suffering so plainly
marked, seemed to move even the hard, unfeeling Villani, who, taking
her hand, said:
"I am afraid you are ill, ma belle," then as he gazed upon her
lovely form and face, half affectionately, half in defiance, he
suddenly exclaimed: "O Teresa, you're the handsomest woman I ever
saw. I could love you so, if you'd let me. Why can't we be friends,
Teresa? I know I did wrong, but why need we make an eternal quarrel
of the matter. Ah, my charming prize, why not transfer to me the
affection you are wasting upon one, who, perhaps ere this, is false
to you, and—"
"Silence! I have borne too long with you from weakness and
inability to speak, but depart now, or I recant my promise of
"To hear is to obey-though the request might have been couched in
more polite terms," returned Villani, his former cold, sarcastic
manner returning with every word he uttered. "I may do myself the
pleasure to call again, my love-at present I wish you a good night
and pleasant dreams-of me!" and the door closed on his sardonic
"Alas," exclaimed Teresa, "he has a hold upon me I dare not attempt
The next morning as she was leaving the stage, after rehearsal, she
was met at the green room door by a familiar face, fine, manly and
handsome-yes, it was Geraldi! With a glad cry of surprise and
delight, Teresa sprang forward, and taking the outstretched hand of
the young man, said in her joyous, musical voice:
"Welcome, my dear friend! How you have improved-I have heard of the
laurels you have won!"
"And you too, Signorina Zampieri-you are paler and thinner than you
were when I last saw you. I know you have prospered as well as
myself, for Fame has not been idle with your name."
"Really signor, we are exquisitely polite and complimentary to each
other, but this is hardly the place for a lengthy conversation," said
Teresa, laughing, and coloring somewhat, as she met the slightly
mischievous glances of the loungers who generally are to be found in
theatres—"if you are at liberty, why not step into the carriage, and
drive home with me?"
"I shall be most happy," replied Geraldi, with a radiant, delighted
smile, as he accompanied her to the vehicle.
For some time the presence and vivacity of Geraldi roused Teresa
from her serious, almost melancholy manners, and the wise ones looked
knowing, and said:—"They had always thought it would come to
At last Geraldi did what every one was expecting him to; for
finding Teresa alone one morning, he again offered himself with far
better hopes and prospects than he had three years ago. To his
infinite amazement, the color fled from Teresa's cheek, and covering
her face with her hands, she sank upon a lounge with a wild burst of
grief. Geraldi, quite at a loss to interpret the nature of this
emotion, surprised at its excess in one so generally self-possessed,
hesitated what course to pursue, but at length said, in a low tone:
"May I hope?"
"Hope!" repeated Teresa, in a bitter tone—"what have I or any
connection with me to do with that word. O Mary mother, help me-help
me!" she wailed in a fresh agony as her whole frame trembled with
Geraldi knew not what to say; with any other person he would have
endeavored to soothe and discover the cause of this grief, but the
agitation of Teresa was so fearful, and in her so unnatural, that he
dared not question; he therefore did the next best thing, which was
to keep silent. In a few minutes the storm had exhausted itself, and
with sternly composed features she rose and addressed Geraldi.
"Forget this! It is seldom my feelings obtain such mastery over me,
but my dark fate occurred so vividly to my mind, that it quite
"Why not renounce it then? I would strive so earnestly to make a
brighter one for you."
After a moment's hesitation, she seemed to conquer some inward
strife, and said, in a low voice:
"I had thought never to have told it to any human being, but you
are entitled to an explanation, and you are too honorable to expose
me-Florian," here her face was averted—"Florian, I love another!"
For an instant Geraldi remained without motion, then darting
forward he seized her hand, imprinted one despairing kiss upon it, and
without a word, was gone.
Teresa wrung her hands and exclaimed—"Villani, Villani! Could you
know what I suffer, even your hard heart would pity me!"
The afternoon dragged heavily along, and evening was approaching,
when a knock at the door aroused Teresa from a restless reverie.
Bidding the person enter, she beheld Villani, who seated himself by
her side, and informed her that he had something to propose which
might please her. Teresa wondering what it could be, begged him to
"I sincerely repent the compact I obliged you to make, and now wish
to destroy it."
Teresa looked at him in undisguised astonishment. "I do not think I
understand you-is it your wish that I should enjoy the whole of the
proceeds of my singing?"
"You have said it."
"And what concession am I to make in return?" she inquired, as
though suspicious some greater enormity than he had yet been guilty
of, was intended.
"What return? O Teresa, cannot you comprehend and believe, that I
expect and desire none?"
"I know not how I should, since your whole conduct has hardly been
such as to impress me very profoundly with the idea that generosity
is a prominent characteristic of Signor Villani's!"
"Say no more-let us be friends, Teresa. I will do all I can for
you, and do not utter reproaches for what is a misfortune to me,
although it were a glory to any other."
His companion scarce credited her senses. Was it possible that
Villani, her tormentor and cruel persecutor, indeed wished her well
and desired to become her friend? It seemed strange, yet his manner
was more like truth than she had ever seen it before, and she felt
she had perhaps wronged him, that beneath all, a heart, human and
accessible to some generous emotion, yet beat, and her own noble,
ingenuous nature, ever ready to accuse itself and offer atonement,
impelled her to extend both hands to Villani and reply:
"Pardon me, I have wronged you-it is indeed worse than foolish to
cherish animosity toward each other, and henceforth let us not forget
we are of one great family, equally cared for by our heavenly Father!"
Villani took Teresa's hands, and kissing them, thanked her so
warmly and earnestly that she could not doubt his sincerity, and
though she was aware love was impossible, she hoped to respect him
more than she had done. Villani on his part, had acquired enough by
Teresa to afford this seeming generosity, and his sole object was to
win her love; he was well aware if his motive was known to her, she
would not have accepted this proffered friendship, and he rejoiced
that his past conduct had been such as to forbid the supposition that
he sought anything more. Presently there came a pause in the
conversation, and Villani, after gazing intently upon his companion,
"How much you have altered since I first saw you, Teresa. I suppose
it is partly owing to your natural progress from childhood to
womanhood-why, you must be nineteen?"
"Perhaps you are even handsomer than you were four years ago,
although I see you have called in the aid of foreign ornament-it was
the wisest course, however."
The rich color which suddenly dyed Teresa's cheeks, most certainly
was not the gift of art, yet she assented to Villani's words.
"Not but what I think your beauty sufficient to challenge
improvement-indeed, I prefer you as you used to be-but you are lovely
enough to cause heart aches as it is."
After some further conversation, Villani, saying it was time for
Teresa to prepare for the opera, left her. No sooner did the door
close, than loosening the rich masses of jetty hair which formed a
veil around her and descended far below her waist, Teresa advanced to
a large mirror, and without a shadow of vanity or a smile, gazed
steadily at her reflection. Never had a glass shown a fairer face or
form to the gazer.
The image that met Teresa's glance was majestic, with a regal
expression of countenance. A broad, but not too high brow, eyes dark
as a raven's wing-no, they are only deep, golden brown, yet the long
lashes and eyebrows of jet, together with the ever dilating pupil,
give the impression that they are darker, a complexion of sunny
olive, and locks which are certainly the hue of night; a form richly
moulded and of perfect symmetry, from the exquisite head to the
slippered foot, stood before her. Surely it was not a vision from
which my lady had cause to turn in vexation, yet with an expression
of scorn, and a bright flush apparently of shame, mounting to her
cheek, she impatiently moved away, and commenced braiding up the rich
tresses. Throwing a mantle on her shoulders, she descended to the
carriage and was soon at the opera house.
During the evening, in the midst of the performance, Teresa's eye
lit for the first time on the nearest stage box. A mist overspread
her eyes, her breath came hot and thick, a dizzy sense of
overpowering fulness stole upon her, and when the time came for her
response, she had hardly the strength to perform her part; yet she
acquitted herself so well, that her emotion was unnoticed. The person
who caused this wild tumult in Teresa's frame, was a stately, handsome
man, evidently of high birth, and apparently forty-five years of age,
although the raven curls around the high, majestic brow were untouched
by time. The slightly aquiline features, and dark, flashing eyes,
revealed the haughty spirit within, which was softened, however, by
the look of sorrow around the mouth, and the general expression of a
settled grief. He was dressed in black, relieved by a brilliant and
splendid order on the left breast, and unaccompanied, save by a
servant in white and gold livery.
The nobleman, for such his appearance declared him, was evidently a
stranger in the city, for every glass was levelled at him, but he
seemed quite unconscious, and wholly indifferent. At the conclusion
of the opera, roused from his languor by the thrilling manner in
which Teresa rendered the last aria, the now animated listener rose
and gracefully threw a garland of white lilies with such admirable
precision, that they encircled the beautiful head of Teresa; upon
which the audience, delighted at the compliment paid in so marked a
manner, no less to the well known purity, than the wonderful voice of
their favorite, made the theatre ring with their applause.
As soon as possible, Teresa arrived at her own apartments, and
throwing herself on her knees, buried her face in the cushions of a
lounge, while faint murmurs and sobs alone broke the stillness.
Nearly a quarter of an hour had elapsed, when the opening of the door
roused her, and starting up, she beheld Villani about to enter.
Hastily motioning him not to advance, she wildly said:
"Forbear! Do not cross that threshold tonight! Villani, I have seen
him this very evening—he sat so near I might almost have touched
him-so near, and yet not a thought that I was more to him than any
other of that crowd! Bear with me for this night-I must be alone."
"It shall be as you wish—I will speak of what brought me here some
other time, perhaps to-morrow."
"To-morrow let it be then."
Presently Teresa became calmer, yet through the remainder of the
night she sat by the open casement without motion or apparent life,
thinking over bitter memories without a gleam of hope to illumine the
After Teresa's first agitation had subsided, the stranger's
presence seemed to exert a most powerful and calming influence upon
her mind. He was seldom absent at her performances, and it seemed to
give her an increase of strength as well as happiness; she always
received some token of his delight, and many said the Duke di
Castiglioni-so he was called-had a very superior taste, and wondered
what would come of it. Villani had exacted a promise from Teresa, that
she would not permit an introduction to him, and shortly after left
the city for a few weeks.
Teresa felt relieved by his absence, although they were no longer
enemies, and her mode of life was unchanged. Nearly a fortnight had
elapsed, when another incident occurred that changed the whole future
of her life. One evening Teresa eagerly sought the familiar face of
the foreign nobleman, but in vain, and a disappointed look replaced
the smile; but presently he entered the accustomed place, followed by
a young man of aristocratic bearing, but no likeness bespoke them to
be father and son. Teresa turned pale as marble, but a tear started to
her eye as she observed the complete friendship and affection that
evidently existed between them, and a thrill of anguish shot through
her heart, as she murmured, while her eyes met the young stranger's
gaze—"So near-yet so distant!" Several times in the course of the
evening she fancied a look of recognition passed over his face, and
once, when he touched his companion's arm, her heart leaped to her
mouth, but in an instant, perceiving they both glanced at some one on
the opposite side of the house, she smiled bitterly, and thought—"How
should they know me, in this place, and so altered!"
Late that night when the city was wrapped in slumber, a lamp burned
brightly in Teresa's chamber, and a figure paced wildly up and down
with clasped hands and floating hair. At last the restless girl
stopped and exclaimed:
"If I am wrong, Heaven help me-but this agony is killing me! If I
sin, I am sinned against, and God judge between us, Villani!"
Then hurriedly, as though fearful her resolution would falter,
Teresa drew her writing-desk towards her, and wrote a note so
rapidly, and with so unsteady a hand, that there was little
resemblance to her usual writing, and then sought for sleep-but in
vain-and at the earliest possible hour she despatched a messenger
with the note.
Just as the hour of eleven chimed, the door of the room where
Teresa sat, was opened, and a servant, announcing Signor Da Vinci,
ushered in the young stranger of the preceding night. He advanced with
a puzzled, inquiring expression, and with a slightly apologetic bow,
"I came in accordance with a request expressed in a note from
"I presume you were somewhat surprised, signor, but my motive must
be my excuse. I have a friend in whom you were greatly interested,
and who wishes you to be made acquainted with the solution of the
mystery which separated her from you."
The gentleman had hitherto been only attentive, but at these last
words, an expression of eager inquiry pervaded every feature. Teresa
"This lady, five years ago, was betrothed to Leonarde Da Vinci."
"I am aware of that fact, but permit me to continue without
interruption. Well knowing her father would never consent to her
marriage, a plan of elopement was arranged. On the appointed night,
the lady, according to agreement, stole to the palace steps, and
seeing in the deep shadow a gondola which drew up as she approached,
doubted not that the occupant was her lover. She was received, to her
belief, in his arms, the light was burning but dimly, and for greater
security her companion, who was masked, proposed in a whisper that she
should cover her face also. She was nearly beside herself with
agitation, and when the gondola drew up at a little chapel standing
nearly by itself, she unhesitatingly accompanied him, and knelt beside
the altar where stood a priest and attendants.
"So absorbed with the various and conflicting emotions in her
heart, she uttered the responses mechanically, and when she rose, the
chapel was deserted, save by her husband and herself. Turning to him,
what was her horror at seeing not Leonarde Da Vinci, as she had
supposed, but Villani Brandini, a rejected suitor, and seeming friend
to Da Vinci, who had discovered the plan of escape by some means, and
revenged himself upon the lady in this manner. In spite of her
resistance, she was carried to Brandini's palace, from whence in three
days she escaped; and fearing her father would never grant his
forgiveness, knowing she was forever separated from the one to whom
her heart was given, she managed by the sale of several valuable
jewels which she had upon her person at the time of her flight, to
procure a passage to Naples, where she hoped to turn her numerous
accomplishments to advantage.
"Shortly after her arrival in that place, an American family, who
were in need of a governess for two little girls, met with her. Her
appearance spoke so strongly in her favor, that notwithstanding the
absence of credentials, they engaged her, and in a little while
sailed for America. When near the place of their destination, a
violent storm arose, and they were shipwrecked. The young girl was
lashed to a spar, and the last thing she remembered was, being washed
overboard by a mountain wave. She was picked up by a merchant vessel
bound for Havana. There she arrived in a state of utter destitution,
and she who was once the companion of princesses, was obliged to sing
in the street for a living, and now—"
"Viola-my long sought love-where, where is she?"
"She stands before you!" said a thrilling voice, while Teresa, now
divested of her disguise, stood with clasped hands, eagerly gazing at
Da Vinci, her long, bright golden curls enveloping her as with a veil.
In an instant Da Vinci, recovering from his overwhelming surprise, had
folded her to his heart. Viola, as we must now call her, after an
instant's silence, disengaged herself, saying;
"We must not forget that we can never be more than friends,
"Never more than friends, Viola! Why do you not know that you are
"Free! What is it you mean?"
"Is it possible you still believe yourself Brandini's wife?"
"Believe myself! Am I not?"
"No, my own dearest Viola! It was no priest who performed that
ceremony. Two years since, a dying man confessed that for a large sum
he had assumed the character of a minister of God, and performed a
mock marriage between Brandini and yourself. Your father and I have
been seeking you ever since your flight, and at last our dearest wish
"You are sure he will forgive me?"
"Forgive you! He has sought for you with the blessed hope of
clasping you once more in his arms before he died-for years, O Viola,
we have all suffered deeply."
"We have, indeed, but now—" a shudder passed over her as she clung
closer to Da Vinci, on hearing a quick footstep in the hall. Another
moment and Brandini was face to face with Leonarde. We leave the
scene that followed to the reader's imagination; the torrent of rage
which Villani poured forth, together with the fatigue she had lately
undergone, caused Teresa to faint in Da Vinci's arms, when Brandini,
finding his villany was discovered, made a hasty retreat. A message
was despatched for the Duke di Castiglioni, and in an hour Viola was
in his arms, and receiving his fall and free pardon.
A week afterward the now united family were leaving Havana, the
scene of so much grief and joy. Teresa stood on the steamer's deck,
with her husband gazing at the city, when the pilot came on board.
"Quite an affair came off last night," he said to the captain; "an
Italian gentleman, Signor Brandini, who ran through a splendid
property in his own country and was a spendthrift here was found
dead-blew out his brains-it was supposed to be some love affair that
Teresa's cheek turned very pale, as she hid her face on Da Vinci's
shoulder, who whispered:
"So ends the last scene in the dark drama of thy past. Look up, my
Viola! The clouds are passed, and sunshine is over all."
[FROM "THE FLAG OF OUR UNION."]
THE ARTIST OF FLORENCE.
BY JAMES DE MILLE.
IT was evening in Val d'Arno. The sun was sinking behind the
horizon and twilight was descending upon the glorious vale. There lay
the garden of Italy enclosed by mountains on either side, green and
glowing in its verdant and luxuriant fertility, shaded by its groves
of olive and cypress, with long avenues of stately trees. Flocks and
herds grazed in the fields, vineyards flourished on the mountain
declivities, and in the distance arose the summits of the wooded
Apennines. The classic Arno flowed through the valley, bestowing
gladness and plenty on every side, its waters rolling on in slow and
most melodious motion. On every side, on the plain, on the sides and
summits of the hills, everywhere appeared the white villas of the
nobles, now hidden by the thick foliage of surrounding trees, and
encircled by gardens where bloomed the most gorgeous and odoriferous
flowers, now standing alone and lifting up their stately marble
fronts surrounded by magnificent colonnades. In the midst of this
lovely place, a queen over all around, lay Florence, the dearest and
most charming city of the south-Florence, whose past glows with the
brilliancy of splendid achievements in arms, arts and song, whose
present state captivates the soul of every traveller, and binds
around him a potent spell, making him linger long in dreamy pleasure
by the gentle flow of the Arno's waters.
"Here," exclaimed Byron, in a rapture, as he looked down from a
neighboring mountain upon this earthly paradise—"here—
"'—the Etrurian Athens claims and keeps
A softer feeling for her fairy halls.
Girt by her theatre of bills she reaps
Her corn and wine, and oil, and plenty leaps
To laughing life from her redundant horn"'
Twilight came on, and soon the moon arose, throwing a gentle glow
upon the scene, and shedding around it a more bewitching influence.
It was an evening fitted for pleasing meditation, such meditation as
the poet loves, and for the interview of lovers. The gardens of
Boboli never appeared more beautiful than now, for the solemn shadow
of the groves was relieved by the soft illumination of the broad
paths; the sheets of water glistened in the quiet moonbeams, and
every statue and every sculptured form was invested with a new and
indescribable beauty. Upon the summit of a hill within these gardens,
sat a youth and maiden engaged in most earnest conversation. The
maiden was exceedingly beautiful, with a face which reminded one of
the Madonna of Murillo, so gentle, so tender, and so bewitchingly
lovely. The youth sat at her feet upon the green turf, and with his
head turned back, gazing upon her, there was disclosed a noble and
most handsome countenance. His long hair, black as night, fell from
his forehead, and his eyes burnt like stars in the paleness of his
face. There was an expression of genius stamped upon his lofty
forehead, but there were care and anxiety in its frown. The stately
form of the Palazzo Pitti was near at hand, and in the distance lay
the city, with the stupendous dome of the cathedral, and the lofty
form of the beautiful Campanile.
"Stella," he said, in deeply musical tones—"Stella, you know all
my love and the desires of my soul. All are fixed upon you. Fame and
glory I only wish for as the means of obtaining you. But O, hard is
the task and difficult is it for an unknown artist to gain the hand
of the proud Count Borelloni's daughter. I would not grieve you by
taking you without his consent, even if I were able."
"Bless you! God bless you, my noble Mario for those noble words! Do
not seek to draw me from him. Willingly would I give up all-wealth,
and power and all-to live in obscurity with you. But my father loves
me so fondly, that if I were to leave him, he would die. Let us wait,
and perhaps he may overcome his prejudice toward you."
"He dislikes me because I am poor and unknown. But," exclaimed
Mario, with a haughty glance, "the time may come and will come, when
he will not he ashamed to acknowledge me. Art can ennoble the poor
"I know you will become great, Mario. I know that your name will be
spoken with honor, and that before long. When I first saw you here in
Florence, when I afterwards heard you tell me your love as we walked
by the waters of Lake Perugia, I knew that you would become famous."
"And then, if I ever gain fame and honor, all shall be laid at your
"You can wait then, and seek for fame, Mario, to give you
acceptance in my father's eyes. You can wait, for you know my
"I know it, and I would trust it always. I know your noble soul,
Stella, its lofty qualities lead me captive, and I worship you as a
The impassioned youth bent down before her, but she prevented him,
and suddenly asked:
"How do you proceed with your painting?"
"Well, I am proceeding well, for I am inspired by the thoughts of
"Then I inspire you, do I?"
"O Stella, you fill my soul with new conceptions of angelic beauty,
and while your image dwells in my mind, I look back upon it and place
every feature, every expression living upon the canvass! If this
picture is completed, your father's love for art will make him respect
the creator of this new piece."
"And he will honor you and love you."
"It must be completed in two or three months now. I seek new ideas
of loveliness from you, Stella, and then my picture receives them."
"And suppose you fail, Mario." said Stella.
"Fail? O I cannot. But if I do, then will I despair? No, I will go
to Rome and devote myself entirely to art. But it is late, Stella. We
must go, and I will see you home before your father returns."
And the gardens of Boboli were empty.
What city is so delightful as Florence on the afternoon of a lovely
day in early spring, when the sun glows above from an unclouded sky,
and the Arno flows on through the midst of the city, amid its
magnificent palaces, beneath its lovely bridges. Then beauty reigns
everywhere. The Lung' Arno, the Casino, the Via Calziolajo are
thronged with carriages, with horsemen and footmen, with offices and
soldiers, men, women and children. Beautiful flower girls carry
around their bouquets and bestow them on the stranger, expecting but
never asking some little doucer in return. The gloomy palaces of the
middle ages, the magnificent churches of early times, towers and
colonnades, statues and fountains, arrest the eye and charm the
beholder. All is joyousness and beauty.
Among the throngs of carriages which rode along the Lung' Arno and
down to the Casino, none was more noticed than that of the Count
Borelloni. It was a splendid equipage drawn by two fiery horses, to
guide which the utmost skill of the coachman was needed. The old
count was of a remarkable appearance. His countenance was noble and
his air commanding. He was noted through Florence for his wealth and
taste. Artists of every kind found in him a patron. It was at his
palace that Mario Fostello had first attracted attention by his
genius and the beauty his pictures. He had seen Stella, had loved
her, and had spoken to the old count, telling him that he would seek
after fame if he would bestow his daughter upon him. But the
indignation and pride of Borelloni rose high, and he contemptuously
ordered Mario to withdraw and never again to enter his house.
There was one feeling in the heart of the old count which far
exceeded every other, and that was an intense love for his daughter.
Beautiful, high-souled and accomplished, she was worthy of the
highest station in the land, and such a station he desired for her.
They now rode in their carriage-father and daughter; an aged oak
and a young and tender vine, one supported the other, which gave it
beauty and attractiveness.
Stella attracted the gaze of all by her exquisite beauty, but there
was one whom she saw walking swiftly past, the sight of whom sent a
thrill through every vein-for well she knew the tall and stately
figure of Mario.
"Stella," said her father, "there goes the ambitious painter-that
is the man who had the unspeakable presumption to ask your hand of me.
He, a paltry artist. See him as he walks along there."
Stella's blood rushed to her face, and her frame trembled with
agitation. She turned away her head to hide her confusion.
"Look, do you see him?" said her father.
"Who?" said she.
"Why, Mario, the artist, but he is out of sight. What is the
matter, Stella? Tell me my child, are you ill? Why are you so pale?
You change color. You are sick, my daughter. We must go home."
"O no, father. Do not go home. It was but a passing faintness, I
will soon get ever it."
"You are very pale, my child."
"It is nothing, father. But look-what is the matter with the
The horses seemed fretful and impatient. They reared and kicked,
they were unruly and troublesome. The coachman looked pale and
"The horses? Nothing!" said her father. "They are quiet enough. I
like to have a little spirit in my animals."
Many of the passengers in the streets looked with alarm upon the
animals whom the count dreaded so little.
"Good day, Borelloni," exclaimed a gentleman on horseback; "a most
"Your servant, signor," answered the count. "It is a lovely day."
"Your horses seem vicious, they are very unruly, are they not!"
said the gentleman.
"O no-they are a little excited-they will presently become calm. A
very great number of people are out to-day."
"Yes, a large number," replied the gentleman, looking somewhat
anxiously at the horses.
After a few moments he rode away.
"Your excellency?" said the coachman to the count.
"Well?" he replied.
"Your excellency's horses are unmanageable, or will be so soon.
They are not used to these crowded streets."
"If they do not become so soon, they never will be," said
The horses began to plunge, and rear, and snort more violently, so
much so, that all the people were terrified and got out of the way.
The coachman seemed unable to control them.
Mario was in the Casino, walking beneath the shadow of the trees.
The cool breeze from the mountains fanned his fevered brow, as he
walked hurriedly along.
"I am poor. I am an artist, unknown, uncared for but by one, and
that one is the noblest of her sex. I live only to gain her. When my
picture is finished, I shall be no longer obscure. When my fame
exceeds that of the haughty count, I may well demand his daughter."
Such were the thoughts that passed through his mind as he walked on.
"I heard his words," he proceeded. "I heard his contemptuous words
as I passed the carriage, and know the scorn which he feels for me.
But Count Borelloni," he exclaimed, raising his hand, "I will make
you know that birth alone does not constitute greatness. I will make
you know that a lofty soul can struggle upwards."
Suddenly, far away from the Lung' Arno, sounded a loud
reverberation of many voices, an immense outcry mingled with the deep
rumbling of carriage wheels, and the fierce neighing of horses. There
were sounds like the rush of a great multitude, and cries of terror
mingled with one another in appalling confusion.
Mario started, and turned back. Casting his eye toward the city, he
saw far away in places where the trees did not intercept his view,
numbers of men rushing to and fro.
He stood alone in the utmost perplexity, for no one was near to
tell him the cause of that great uproar.
The clamor and rumbling of wheels came nearer and nearer, rattling
over pavements, dashing against obstacles. It came nearer, and soon
he saw a carriage dragged on with terrific speed by two furious
horses, who, without driver or postilion, came on unrestrained. The
carriage was knocked against trees and dashed violently against
stones. In it there was an old man leaning back with a pale face,
expressing intense agony, and close to him, clung the form of a young
girl-her arms wound round him, and her dishevelled hair floating in
"O God! Stella!" exclaimed Mario, in unspeakable horror.
"Stella!-my God, she's lost!"
With one bound he rushed in the midst of the course taken by the
infuriated horses. His cloak fell from him, his hair flew about his
pale and fixed countenance, and like a rock in the centre of a
torrent, he stood in the way of the horses!
He waved his hands wildly-he shouted to the steeds. On they came,
lessening for a moment their speed-there was a bound forward. Mario
clung at the reins with the grasp of a drowning man-there was a whirl
of dust, a rush of the multitude who followed after, and then with a
sound like the sudden peal of thunder, burst forth the acclamation of
a thousand deep-toned voices:
They raised Mario up-they placed him in the carriage, and bore his
insensible and much bruised form slowly to the palace of Borelloni.
All Florence rung with the tidings of the deed—the name of Mario was
spoken everywhere, and the city honored the performer of so bold an
"Now what will Borelloni do to reward the gallant preserver of his
own life and his beloved daughter!"
"He will give him a thousand piastres," said one.
"He will enrich him for life," said another.
"He will do no such thing," said a third. "Mario is no mercenary
man. He despises rewards of that kind. I will tell you. He loves the
"Ah," said all.
"And he deserves her. But for him she would not have lived to have
his love, nor would Borelloni have been living to refuse."
"Does he refuse?" said they.
"Mario said nothing to the count. It is an old story. He has loved
her long. But the count, who refused him once before, will not now
retract his word, even to the preserver of his life."
Mario was cared for and soon recovered. He spake not a word about
his love to Borelloni. He would not ask him now, for then he would
seem to demand payment for his action, and such a thing he
scorned-even though it should bestow upon him the hand of his
"I will wait," said he. "I will raise myself to an equality with
her, and then Borelloni shall not refuse."
It was summer, and the sun glanced brightly, gloriously, over the
silver waters of Thrasymene's lake, for such we love to call the lake
which the Italians name Perugia. The wind blew softly over the plain,
and the rich groves all covered with luxuriant foliage shaded the
quiet fields beneath, which more than two thousand years before had
resounded with the roar of battle. The hills encircled the plain on
three sides, protecting it in winter from the cold blast and causing
it to bloom with perennial verdure. The lake rippled on the shore of
the other side, and stretched away-a sheet of molten silver, till it
watered the bases of distant hills.
In this charming spot which every traveller loves to view, had the
Count Borelloni reared a summer palace. It lay on the southern shore
of the lake, half way up the mountains, and in from its roof a scene
like one in fairy land burst upon the view, The cool winds which blew
here were an alleviation to the heat of summer and Florence, with its
noise and dust, was gladly exchanged for the quiet scenes of this
There was a boat upon the lake, and the enjoyment of sailing formed
a chief attraction to visitors, for Borelloni's villa was always open
to his friends. Yet at times there was danger attending this pleasure,
for tempests would arise and the waters would be converted into
"How beautiful is this lovely place?" said the count to his
daughter, as they walked upon the terrace! "What a scene is this for
a painter. See where the sun is setting over yonder-those clouds
tinged with myriad tints surrounding him in glory! See above us, how
intensely blue the sky, how clear the atmosphere! Look at the
opposite shore-how green, how glowing in fruits and flowers-all again
appearing down in the depths of this unruffled lake! O Italy, my
country, how beautiful thou art!"
"And father, look at these heights around us, and on the western
shore-these bold rocks with their summits all covered with spreading
trees. How grandly they set off the picture!"
"If I were a painter, I know no scene that I would choose to
portray, rather than this."
"Since you respect and love art so highly, father, why did you not
"I was too busy in my youth, Stella."
"Who of all you know is best in this art?"
"I know a great many excellent ones-many who excel in landscape
painting-many who are good in historic pictures, but of all whom I
know, the one is undoubtedly the greatest, the one who excels all
others in mingled grandeur and loveliness of conception, and who
approaches nearest to the grand old masters is he-the artist who
saved us from death—Mario."
"Yes, and if he had not been guilty of such great presumption, my
palace and my esteem would have been thrown open to him always-first,
because he is chief of artists, and especially because he saved my
"Yet is he so presumptuous, my father?"
"My daughter! Stella Borelloni, can an obscure man aspire to the
hand of the fairest in Tuscany?"
"He may not always be obscure."
"Why do you speak thus to me, Stella? Can it be possible that
you-But no, it is not. I will not think of it nor speak of it."
And shortly afterwards they went within. Stella retired to her
chamber, and thought of her father's words. They gave her hope. He no
longer despised Mario. He could not. But he was angry at his
presumption. Obscurity was Mario's greatest fault in his eyes.
"I will take courage," she thought. "Hope comes to me. Mario's
greatness of genius has been confessed by my father. It will soon be
confessed by the world."
Meantime, Mario had become wearied of the heat of Florence. He
longed for quiet and seclusion. He wished to spend the sultry summer
months in some cooler and more agreeable retreat.
"By the lake of Perugia," thought he—"Stella lives. If I go there
I can see her as she walks or rides around. I can feast my eyes upon
her, although I am resolved to remain unseen myself. I will take my
picture there, and receive that inspiration which her angelic beauty
always gives me."
He came to the lake and dwelt in a small house upon its banks,
scarce half a mile away. Daily he would go to the top of a cliff near
by, and when Stella walked out his eyes followed her, and she, always
thinking of him, knew not that he was so near.
When she departed to ride along the borders of the lake, or for a
sail upon its waters, he watched her, and sometimes encountered her
dressed in disguise.
For two weeks he remained there, and kept his resolution of never
making known his presence. But soon an occurrence took place which
caused him to be discovered, yet in such a way that he rejoiced at
It was a sultry morning, and desirous of coolness, Stella with a
few other friends resolved to take a sail upon the lake. There was a
threatening aspect about the horizon, but it was unnoticed by those
who were intent on pleasure. Borelloni remained at home, being
employed at some business.
Mario sat at his usual place on the summit of the rock, and
watching the preparations, knew their object. An awning was placed
above the boat-a high and broad awning, which could effectually keep
off the hot rays of the sun.
Mario looked with anxiety upon the preparations, for he knew the
signs of the weather, and feared the appearance of the sky. All was
calm, oppressively calm, and fearful to one who knew how suddenly
storms arise under such circumstances. He would have warned them, but
he did not dare to, for fear of discovering himself. So he was
compelled to sit in a state of inaction and watch with feverish
anxiety the approaching excursion.
The party left the house, they were four in number, and the heart
of Mario throbbed violently as he recognized the form and features of
Stella among them. They went gaily to the boat which was now
completely ready, and soon were seated beneath the awning. As there
was no wind, sails were useless, so they were rowed out into the
Two or three hours passed away, and still Mario sat gazing upon the
boat which was carelessly lying still in the middle of the lake.
Mario watched them with anxiety, and occasionally cast a troubled
glance at the sky. He would have made signals, but they were too far
away to notice them.
The sky became darker, and there came a peculiar thickness and
oppressiveness to the atmosphere. Still the boat moved not.
"Can they be asleep? Can the rowers be insane?" thought Mario. "The
sky is clouded, and they do not notice it. O heaven, what can they
do! They cannot see the sky for the awning hides it."
His attention was now attracted by a sudden voice from Borelloni's
villa. The old count appeared upon the terrace, pale and terrified,
and waved his arms in the air, and screamed to those in the boat. The
shout went across the water, followed immediately by the tolling of
the great bell at the villa, which was now all in confusion. Borelloni
rushed about like one distracted, sending his servants after boats to
go out and save his daughter.
"My daughter, my daughter," he cried, "my beautiful Stella. O my
And with frantic gestures he rushed down to the water's edge, and
shouted to the boat-at times gazing at the angry sky above.
Those in the boat had heard his voice and seen the confusion at the
villa. Instantly the rowers put out their oars and turned the boat's
head toward the shore. They rowed fast, for hope was trembling and
preparing to take her flight from the souls of the endangered
The deep tones of the bell, sounding loudly and fearfully, went
over the country, arousing multitudes of men, who left their fields
and came to see the cause of such unwonted noise.
Mario sat on the rock till the boat turned toward the shore. Then
viewing the dark sky and the occasional flash of lightning, he
descended with fear to the shore of the lake. A half hour passed, and
but three miles had been passed over. One yet separated the boat from
the shore. One mile-a short period of time would suffice for the
passage, yet in that short time what might not happen!
But soon all suspense was over. There gleamed a sudden flash of
lightning over the whole sky, intensely, terrifically bright,
followed by torrents of rain. There was a short pause, and then with
a crash-a roar that sounded like the wild rage of an earthquake,
burst the awful peal of thunder-then peal on peal, roar on roar,
rolled in long reverberations along the sky, round the rocky shores,
and the heavens grew more intensely black! The storm had burst upon
them! Down came the blast of the tempest's breath, in an overwhelming
torrent of wind, and the whole surface of the lake rose in wild
surges, foaming and tossing.
When the first horrible confusion had passed away, all eyes were
strained to where the boat had been. It was nowhere to be seen. Amid
the gloom a few dark objects were all that could be descried in the
foam of the upheaving billows. There came a scream from that aged man
who had watched the boat so intently-a despairing cry, and with his
white hair streaming behind him, he dashed forward to throw himself
into the water. The servants seized him and prevented him.
"My daughter!" cried the old man. "O my daughter, she has perished!
Let me go to her!"
"Look!" exclaimed a voice, pointing to the water. "I see a dark
form amid the foam. I see it-it is a man, and he swims, bearing
something with him."
All eyes turned there. The baron revived, and again looked
hopefully at the water, where the brave swimmer so gallantly breasted
But could it be his daughter?
They came nearer-nearer, and now the face was seen, and the hair,
as it fell and rose above the water. It was-it must be-yes, that long,
dark hair and those lovely features belonged only to Stella!
The old man bowed down his head and wept.
Nearer, nearer, and now all fear was gone, for the bold swimmer
still showed an unfailing strength and energy. But his face was
unknown. None had seen it before. Yet Borelloni knew it-well he knew
it. The same face had appeared amid the death struggle, the dust and
wild prancing of maddened horses on the Casino.
And now Mario touched the land. And now he bore his senseless
burden through the crowd to her father's arms.
"O take her Mario, to the house-carry her there, or else she dies."
But Mario laid her down at her father's feet, upon the grass, and
voicelessly, nervelessly fell down beside her.
They carried them both to the villa. They cared for them, and soon
Mario opened his eyes and asked eagerly for Stella.
"She is saved, and well. She is with her father."
"Saved? then I am happy."
He arose, and all dripping as he was, left the house, in spite of
the eagerness of the attendants.
"No," he said, "my home is near by, and why should I remain here? I
will go. Leave me."
And he arose and left the house.
"Where is the saviour of my child?" said Borelloni, on the
"Gone?" said his attendants.
"Gone? Fools! Why did you send him away thus?"
"He would not stay, your excellency. He said his home was near by."
"Then go, I tell you, and search the country far and wide, and
bring him to me."
After their departure, the baron remained in deep thought for a
"Strange," muttered he, "passing strange, how this painter seems to
be my genius. A good genius too-near in moments of peril. How he
looked as his face rose above the waves, while he bore my daughter to
the shore. Yet how can I give her to him? I cannot."
The attendants returned at evening. Their search was unsuccessful.
But one said that a tall, noble-looking man had departed in the
diligence for Florence at early dawn.
"'Tis well," exclaimed Borelloni. "I fear to meet him. Better is it
that he should go."
Summer with its heat had passed away, and mild September had now
come, when Florence again becomes delightful. The villa at Thrasymene
was now forsaken, and the palace of Borelloni at Florence again was
all joyous and thronged with people as of yore. Again the carriage of
the count rolled along the Lung' Arno, and he received the salutations
of his friends.
Stella was lovely as before, but in her face there was a more
pensive expression than usual, a sadness that was not customary. For
she had not seen him whom she adored-the brave youth who had twice
esteemed his own life as nothing, in order to snatch her from death.
And what could move her father if this could not? He was more
thoughtful than before, and never spoke of that scene. He had never
even offered to express his gratitude to her deliverer.
Yet that evening she was again to go to the gardens of Boboli and
meet her lover. Her heart bounded with joy at the anticipation of
coming happiness; and the moments seemed like hours, as they slowly,
slowly passed away.
Again the beautiful gardens were arrayed in loveliness, and beneath
the solemn shade of the lofty trees Mario again sat beside his
Stella. They could hardly speak their hearts were full.
"And so you were long by Thrasymene and never came to me, Mario,"
she at length said.
"I would not do so. It was enough for me to be near and watch you."
"But not enough for me," she cried, with tears in her eyes. "O
Mario! I am doubly yours, for you have twice saved me from death."
"Speak not of that," he said. "I must soon know my fate. My picture
is nearly finished. In two days it will hang in yonder palace," said
he, pointing to the Palazzo Pitti. "For-what do you think-the Grand
Duke has visited my studio, and told me to bring it there."
"The Grand Duke! Was he pleased with it?"
"He praised it in unmeasured terms."
"I knew so, Mario."
Blissful was the interview, and sad were the lovers to separate.
But they had to depart, and soon Stella was at home.
Mario, filled with pleasing hope, looked at the beauty of the
scene, and went out for a walk. He wandered toward the southern gate,
and went out up a long avenue, where trees overhanging formed a long
and shadowy archway. It was a still and peaceful walk at evening. He
sat down at length behind the trunk of one of the trees, and fell into
Soon he was roused by the sound of approaching footsteps. He looked
down the road, and saw two men stealthily approaching, armed, and
conversing earnestly in low tones. They stopped not more than two
yards from him and sat down. Mario could not be seen on account of
his concealed position.
"Federigo," said one, "this is bad business."
"What!" said the other—"a bad business?"
"I mean not bad, but dangerous. Now if it were only to take a few
piastres, I would not care; but to kill a man, coldly and without
provocation, is rather bad."
"But we get two hundred, you know?"
"Ah, there you are right. They will jingle pleasantly, will they
The sound of a horse's steps was heard coming down the road. The
men crept into concealment and were silent. Mario also preserved
silence, and clenching his stout stick more firmly, waited the issue.
"He is coming," said one in an earnest whisper. "It is
Mario's heart leaped within his bosom at the word. He almost
determined to rush upon the villains. But it would be premature, and
he would be attacked. He could save the life of Borelloni more easily
The horseman drew nearer and nearer. He was walking his horse
slowly down the road. He soon came up a few yards from the spot where
these men and Mario sat concealed. There he paused for a moment.
"Will he stop, or go back?" whispered one.
"No-hush!" said the other.
Borelloni came on, he came abreast of them-then one fired a pistol,
and both sprang out. One seized the horse, while the other dragged
the baron to the ground, crying:
"Say your prayers, old man. You must die."
"Villains!" roared a loud voice behind them, and Mario, springing
out, gave one bound and felled the wretch to the earth. The other,
frightened and surprised, stood in speechless astonishment. Mario
rushed up to him and raised his arm to strike. The man fired. His
pistol was knocked aside by Mario, and the next moment he lay
senseless on the ground.
Mario came to Borelloni and raised him from the ground.
"Are you hurt?" he inquired.
"Good God! Is it possible!"
"I am Mario. I thank Heaven I am here to prevent these ruffians
from executing their design. Can I assist you to mount?"
He assisted the count to get on his horse again. By this time a
troop of soldiers, alarmed by the pistol reports, had come to the
"Take those men with you," said Mario. "They have attempted the
life of Count Borelloni. And accompany the count to the city. But
what-you are wounded."
"No, the bullet only grazed my head. Mario you have saved my life.
I am speechless. I feel more than I can utter now."
"Do not thank me. Thank Heaven who sent me here. Good-night, my
lord." And turning, he was soon out of sight.
Stella sat in her chamber that night thinking upon her interview
with Mario. She lost herself in conjectures about the future-so dark,
so obscure, and yet it might be-so bright and happy. The noise below
told her of her father's arrival home, and she ran down to welcome
"My father! How late you are! But what!" She started back in horror
at the sight of his bloody forehead. "Are you hurt? are you wounded,
"I was set upon by two ruffians, and would probably have been
"Attacked, wounded! O Heaven! You shall not go out alone, father,
you must not. You are feeble, and cannot now defend yourself."
She made him sit down, and tenderly washed his wound, and stayed
the blood till the doctor came. After the wound was dressed the doctor
departed and Stella spoke.
"You said you were saved, but did not tell me how, nor did you tell
me his name. Do you know him?"
"Yes, I know him well, and have reason to know him?"
"Who is he?"
"Mario again? Great Heaven!"
Two days afterward Count Borelloni sat in his study, musing upon
the strange occurrences of the few past months. His thoughts dwelt
upon Mario, who thrice had been his benefactor.
"I cannot account for it. How intense, how absorbing, how wonderful
must be his love for my daughter. He has treated my scorn with
kindness. When I forbade him the house, he never came here. I admire,
I reverence so lofty a spirit!
"Where would I be now-where would my daughter be, if Mario had not
been near to save us, if he, careless of his own life, had not been
our preserver? I wondered before. Twice he had come before me-a
genius-a preserver of myself and my child. Now he comes again and
saves me. It is wonderful! I am overcome. Pride cannot resist such
greatness of soul-such magnificent actions, and Stella adores him. I
do not wonder at it. Shall I then refuse to make her happy? A few
short years are all that remain of life to me. I wish to leave my
child happiness as her best inheritance. I can make her happy now. I
can make a return to Mario for his generous actions. I can make
myself happy in the contemplation of their joy. All is over. Farewell
pride. What is birth and wealth and pride, when compared to the glory
of such illustrious actions?"
He sat down at his desk and wrote as follows:
"Mario, you have conquered. I have treated you with scorn and
indignity. You have returned it with kindness. You have saved my own
life twice, and twice have you saved the life of one for whose
happiness I would die a thousand deaths. Mario, I reverence your
lofty spirit. I admire such noble feeling-such bravery and
generosity. Come to my home. It shall henceforth be yours also. Come
to my heart, which is proud to love and honor you. Come, and Stella
shall he the reward which you shall receive as the best and most
priceless gift of the grateful BORELLONI."
He rose from his chair and called for Stella. She came to him
"Stella," said he, "I have at last found one to whom I can confide
you, who will be your protector when I am gone. What do you say to
that? You change color-you tremble."
"O father, why now? Why not wait for a time? I am young. I will
not-I cannot leave you."
"You need not leave me. Your husband shall stay here, you both
shall cheer my old age."
"Read this, my child."
Stella glanced at it, read it hurriedly, and in a transport of joy
flung her arms about her father's neck and kissed him again and
again, while the tears stood in his eyes as he embraced his daughter.
"Yes, Stella, all is over. I bow before him and do him honor. This
shall go to him, and he will come here to receive his reward." He
gave the letter to his servant, and again sat down to receive the
thanks and witness the happiness of his daughter.
An hour passed away, and a messenger came from the duke bearing a
letter to the Count Borelloni. It was a request that in an hour he
should come to the Pitti Palace. "For," said he, "I have lately
received as an accession to my paintings, a picture of such rare
excellence, such exquisite beauty in conception, and wonderful skill
in execution, that I set no bounds to my joy in obtaining it. Knowing
your passion for art, I have sent to you this notice of its
The count hastened to prepare for his departure. He wondered what
was the nature of the piece of which the duke had spoken so highly.
"It must be a wonderful painting," said he, "for the duke is
usually sparing in his praise. It is probably one of Rafaelle or
Guido. Well, I will soon see it."
Stella felt a joy which words could not utter. She recollected all
that Mario had told her of his picture, and of the duke's visit, of
his flattering words of commendation-and she believed at once that
his picture was the one he spoke of.
The count went off, and at the expiration of the hour entered the
palace. He was received by the duke. He was led through the long
suite of rooms where the splendor of royal magnificence is all
unnoticed amid the charms of priceless paintings, for there the
Madonna of Rafaelle tells of the boundless depths of a mother's love,
and there Murillo's Madonna breathes forth virgin purity.
At length the duke stopped before a picture covered by a screen. He
turned to the count, and saying, "Now Borelloni prepare for a
surprise," drew aside the curtain which covered it.
The count started, for not among all the galleries of Italy, not
among the priceless collections of Rome, had his eyes ever rested
upon so wonderful, so living a picture! It was a living, a breathing
form, which there, drawing aside a hanging, seemed to come forth to
meet the gazer. Upon the countenance there was the perfection of
ideal beauty. Loveliness, angelic, heavenly, was radiant upon the
face, and that face was one well known to him, for Stella stood
there, but Stella-glorified and immortal.
"Wonderful! Miraculous!" burst from his lips. "It is the creation
of a god. It is not the work of man! Who is he? Where is he? The
genius who formed this? How could it happen that it should be Stella,
my daughter? Who is the artist?"
"He is here in the next apartment," said the duke, and going to the
door he spoke to some one. He returned, leading the artist.
"This is he," said the duke. "Mario Fostello."
"Mario!" cried the count. "Mario, my preserver!" And he ran up to
him and embraced him.
"Mario, is all forgotten? Forgive me. But I wrong you in asking
The duke looked on in wonder, and could not conceal his surprise.
But the count begged him to excuse his emotion. "Would you know the
cause of it?" said he.
"I am all curiosity."
The count then related all-told him of Mario's love for Stella, of
his own pride, of Mario's actions. When it was ended, the duke, who
had displayed the greatest emotion, arose and went to Mario.
"Never," he cried, "most noble youth-never have I heard of more
generosity and greatness of soul. Happy is he who can call you his
friend. But you shall not be neglected by me, for while I live, you
will always have a friend. I honor your actions. I love your noble
Mario was overwhelmed by mingled emotions of happiness and
confusion. Joy had rushed in upon him, like a torrent, and unable to
speak, he could only express by his glance, the feelings of his soul.
"God bless you, my lord duke!" at length he cried. "God bless you,
Count Borelloni! I am unworthy of such praise, but I can never forget
your kindness to an obscure artist."
"An obscure artist? No, not so," answered the duke. "No longer
obscure, you are the greatest in the land, and none shall call you
otherwise. I name you count-and in a week your title shall be
formally bestowed, so henceforth, Count Fostello, you may not be
A week afterward the palace of Borelloni was all festivity. Lights
gleamed in dazzling rows within the long halls where all the flower
of Tuscan nobility, and all the lords and barons and great men of
other lands were assembled. For this was the day when the Count
Fostello led to the altar the lovely Stella Borelloni. The Grand Duke
condescended to be the head groomsman. The magnificent form and
features of the noble artist were the admiration of all, and only
equalled by the beauty of his bride.
The story of his love and constancy, of his wonderful actions and
splendid achievements in the realm of art, was told to all, and the
city rung with his praise. All courted his friendship. All of noble
nature loved him for himself, and the baser spirits were compelled to
do him homage, for in him they saw the man whom the duke "delighted to
A TALE OF A CRUSADER. BY CHARLES E.
He whirls his sword, with unresisted rage,
When closely prest, the Christian bands engage
The high, the low, his equal prowess feel,
The bravest warriors sink beneath his steel.
THERE sat a palmer within the old baronial banqueting hall of Percy
Du Bois. The wassail had not yet begun, and there was a pause in the
feast. All eyes were bent upon the travel soiled pilgrim,—for he was
telling a stirring tale of the martial deeds done in Palestine. The
valiant Percy bent forward his anxious visage,—seamed by many a
scar, gained in feudal broils and festive brawls,—and ever and anon
burst forth, with uncontrollable excitement, into shouts of approval,
as some daring achievement was recounted.
His leathern doublet was frayed and stained by the friction of
often-tried armor, and in his richly studded belt glistened a diamond
handled poniard. Around his massive settle stood servants to do his
bidding, while at his side were two or three shaggy hounds, resting
their chins upon their master's knee-now soliciting a caress, and now
a share of the banquet. Next to the sturdy baron sat the fair Joan,
his daughter. Her features were regular, and surpassingly beautiful,
and her moist, dark eyes strained upon the palmer, were eloquent of
the deep and passionate feelings of her heart. The cut and fashion of
her habit were well calculated to exhibit the contour of a bust, and
waist that would have triumphed over the strictest criticism of a
sculptor or painter-connoisseur. From the multitudinous folds of an
ample sleeve peeped forth a little jewelled hand, white as snow, and
soft and round as a child's. The chair in which she reclined, was of
massive oak, inlaid richly with ivory, and canopied with purple
velvet, embroidered with, flowers of gold. Her foot-encased within the
smallest shoe in Burgundy, and ornamented with a flashing jewel upon
the instep-rested upon a footstool of massive oak, magnificently
carved and inlaid.
Together with the baron and his daughter, there sat upon a dais, at
the head of the board, several guests of distinction-all listening
with intense eagerness to the tales of the exploits of the Crusaders,
in battling for the holy sepulchre. Around the walls of the
banquet-hall, were suspended the implements and spoils of war or the
chase. Crossbows and hunting-spears, helmets and corselets, the tusks
of the wild-boar and the antlers of the deer, were displayed in
picturesque confusion upon the walls, and within the niches of the
"O, it was a glorious sight to see!" said the palmer, continuing
his narration, while his eyes flashed, and his whole form dilated with
enthusiasm. "The gorgeous trappings of the horses glistened in the
sunbeams, pennons and banners flashed and fluttered in the wind, and
the axes, and morions, and gorgets of polished steel, surging and
plunging, as the chargers reared, made the Christian army appear like
a billowy sea of silver sheen. Before them stood a host of turbaned
Moslems, defending the gates of Jerusalem. The crescents upon their
turbans gleamed, and long lines of myriads of scimitars offered a
barrier of naked steel against the crusading host, which had come to
rescue the Holy Sepulchre. I saw in the van of the Christian array, a
knight locked in complete black steel, and enveloped in all the
magnificent panoply of war. His charger was coal-black, compact, and
of gigantic proportions. The harnessings were of cloth of gold, which
swept the ground,—the bridle was sprinkled with stars and
jewels,—and pendant from the bridle-rein were fringes of the most
precious stones. He rode by the side of the Prince D'Olivar, and he
sat in his saddle, as if he were a part of the animal that bore him so
"'Advance,' shouted the prince. 'Now to rescue the tomb of the holy
Jesus from the impious Saracen!'
"That splendid array moved quickly on, in all the pomp and
magnificence of chivalry. Amid the fanfares of trumpets and clarions,
the clashing of cymbals, and the shouts of thousands of spectators,
they charged. Peal upon peal came the ringing of steel, as sabres
crashed down through morion and gorget, or sword crossed with
scimitar, in unending clang. Wherever rode the knight of the sable
armor, the success of the Christians was signal and complete. His dark
plume was seen floating wherever the turbans were thickest, and the
conflict hottest. Right into the midst of the Moslem host did his
impetuosity bear him, and the heathen throng swaying uncertainly for a
moment, finally broke, and dispersed in universal flight, over the
field. I saw him fighting single-handed, with a band of Saracens, who
had checked their headlong flight to attack him,—and then the clouds
of dust took him from my view.
"Just then, from amid the rabble-rout of infidels, there burst a
small troop of Moorish horse. Swiftly they flew across the plain,
hoping by dint of hoof to reach the city unscathed. Their silken
mantles floated in the wind, as they spurred their horses to the top
of their speed, and they preserved the finest order in their
tumultuous flight. Before they had proceeded above a quarter of a
league in their headlong course, a knight in armor left the Christian
ranks, and started in pursuit. He was mounted upon a steed of blood
and bone, and though the sand of the plain was hot and arid, and
unfavorable in every respect for speed, yet his mettled horse bore him
gallantly forward, and brought him nearer every instant to the foe. On
he flies-at every stride he gains-spurs and harness jingle like the
iron upon the smith's forge. The sand rolls up in huge folds behind
his horse's heels-the polished steel flashes back the sunlight, as it
penetrates the clouds of dust. Nearer and nearer he approaches,—madly
plunged the horses of the Moslems as they strove vainly to reach the
haven of safety-the walls of the holy city. It is useless. The knight
has divined the object of their precipitate flight, as a stifled
female shriek is borne to his ears, and nothing can exceed the
impetuosity of his pursuit.
"'Turn, cowards! Deliver up to me the maiden!'
"On he thundered;-with a clang his sword leaped from the scabbard,
and in an instant came crashing through a Moslem turban, and a Moslem
skull-splitting them both in twain. Then the Moors turned. Sword
strokes fell thick and fast, and nothing was heard but the clinking of
iron, and nothing seen but the flashing of scimitars. Straight into
the middle of the troop penetrated the knight, where supported
fainting upon a rearing steed, was a beautiful Moslem lady.
"'Zelica, have courage! I come to save you!'
"The infidels tumbled from their horses, as the blows of the
knight's good sword fell among them, and several sought safety in
flight. Those who remained continued the combat desperately around
the sinking maiden, as if determined to sell their captive's
deliverance only with their lives. But four were left, and against
these, who had drawn up in line, the knight was about to hurl
himself, when a Templar, in armor glittering with jewels and gold,
came scouring across a the plain, and mingled in the fight. But
instead of of helping the hotly pressed knight, he cleft his morion
by a dastard stroke from behind, and but for the thickly plated
steel, would have thus ended his life upon the spot. The good knight
was hurled dizzy from his steed upon the trodden field, and the
Templar spurred against the Moors. His charger was fresh, and his
blood was up, so he had but little difficulty in slaying the
Infidels, and reaching the beautiful captive. Seizing her in his
powerful arms, he was about to leave the spot, when 'Conrad,' burst
from the maiden's lips, and the knight who had been prostrated by the
felon blow, rose from the dust upon his knees, and hurled his gauntlet
into the Templar's very face.
"'Stop!' he thundered. 'Release the lady, or fear the vengeance of
"The Templar's visor was up, and as the glove struck him, his face
grew black with rage.
"'Conrad D'Amboise!' he shouted, 'your attempts to thwart my
purposes are vain. Thus do I take vengeance upon you!' And plunging
his spurs into his horse's sides, he would have rode him down. Yes,"
continued the palmer; his eyes sparkling with fire, and his whole
frame quivering with the most intense excitement, "he would have
trampled his bones in the dust beneath his horse's hoofs, had not the
sable knight burst upon him like a thunderbolt, and checked him in mid
career. The dastardly Templar turned to fly, but the sword of the
black warrior flashed from its sheath, and with a single vault that
dark charger stood directly before him.
"'Stand, and disgrace no longer chivalry!'
"The Templar closed his visor, and drew his blade. Sparks of fire
were struck from the clashing metal, and tufts of crests were borne
by the wind towards the walls of Jerusalem, as plumes were mutilated
by the ringing weapons. I saw that Knight Templar thrice borne to the
ground, by the powerful arm in the sable mail, and thrice arise again,
like a phenix from its ashes, to renew the deadly struggle. As he
recovered his seat the third time, almost spent by his exertions, he
threatened to plunge his sword into the heart of his senseless burden,
unless the black knight desisted from the combat, and declared his
motive for assailing him.
"'To wipe out the foul stain with which thou hast this day sullied
the fair escutcheon of chivalry, in riding down a helpless Christian
knight, and ravishing a defenceless maiden from the hands that alone
have a right to protect her! I will give thee thy life on one
condition, craven! Surrender up to me the maiden, and thou art free
to depart! But enter not a foot again into the Christian camp. An
army renowned as being the mirror of French chivalry cannot honorably
harbor a miscreant like thee!'
"The form of the Templar quivered with rage. But his armor was
split from helm to gorget—his horse bleeding and staggering with pain
and terror, and certain destruction could be his only fate, if he
continued the combat.
"'I yield to thy conditions, but when we meet again in fair field,
I shall dictate the terms of surrender!'
"The black champion lifted, as if she had been an infant, the
charming Zelica from the Templar's saddle-bow, and bore her senseless
form to the unhorsed knight. The Templar rode slowly and sullenly away
in the direction of the hills of Palestine, and I have never seen him
since. It is reported that he has returned to France, and having
renounced the oaths of his order, travels in the guise of a simple
knight, doing deeds that dishonor chivalry, and render him universally
odious. The dark mailed warrior has remained in Palestine for a long
period, doing mighty deeds of valor, and sustaining the cause of
Christ with his powerful arm; but he left the Holy Land about the time
of my departure, and is now on his way home, to share the laurels
bestowed upon the valiant defenders of the faith."
The palmer ceased. All eyes were still bent upon him, and all
looked sorry that his tale had closed so soon.
"When did you leave the knight of the black armor?" asked the
beautiful Joan, crimsoning to the temples as she put the simple
"It was above six months since, when I saw him at Constantinople.
He was on the eve of departure for France with his retinue."
The fair girl blushed still more brightly, and reclining within the
cushions of her splendid chair, remained silent and thoughtful during
the remainder of the evening.
While the pilgrim was engaged in his recital, one of the guests at
the head of the festal board had listened with peculiar eagerness. He
was a knight, tall and finely limbed, and attired with pointed
elegance and taste. His pourpoint was barred with gold, and deep
fringes of the same precious metal adorned its borders. His face was
swarthy from exposure, though classical in contour, and eminently
handsome in expression. His lips curled proudly, his nostrils were
thin, and in every feature might be traced the unmistakable tokens of
pride and sensuality. His seat was by the side of Joan, and he was
assiduous in his efforts to please her-performing for her all those
knightly devoirs which the gallant age of chivalry required.
The eye of the palmer had more than once, during his narration,
been fastened upon this handsome knight, with incomprehensible
significance, and particularly as he spoke of the attempt of the
Templar to ride over the prostrate champion of Zelica, did his large
orbs cast upon the richly attired guest a look of mingled scorn and
anger, which, had it been observed by the host or the other guests,
would have tasked the skill of the greatest Odipus among them to
"Pass round the flagon! Let the wassail begin!" shouted the jovial
Percy Du Bois.
Joan retired to her chamber with her maids, and the revel began.
The board groaned with the good cheer, and as the wine flowed more
freely, the constant potations of the generous liquor began to have
its effect upon the hilarity of the guests. They began to display
unusual license, in their songs and conversation. Broad jests went
round, and the hall commenced resounding with the shouts of an
incipient revel. Seizing a flagon of foaming Burgundy, the knight of
the gold embroidered pourpoint quaffed it to the lovely Joan Du Bois.
The health was received with a general uproar of approval, and wassail
was drunk to many other fair dames, by the rest of the revellers.
"'Destruction and death to the cowardly Templar, who battles
against defenceless maids and unhorsed knights!"
As the palmer uttered this, he turned to see if all were emptying
their flagons. Every one except the proud knight had quaffed his
goblet to the dregs with peculiar satisfaction, and a yell of
approbation. His stood untasted upon the board, and his eyes glared
fiercely upon the palmer as their gazes met.
"Knew you personally this Knight Templar of whom you speak?" he
"I did," replied the pilgrim, "and I owe him a debt which Heaven
will yet afford me the means of repaying!"
The scowl upon the other's brow became more savage and lowering. He
moved his position, and placing himself by the palmer's side, uttered
in a low tone in his ear:
"Conrad D'Amboise, I know you, in spite of your disguise! Beware
how you interfere with me or mine!"
Without waiting for a reply, he strode haughtily from the hall.
The revel was long protracted. At length the effect of the frequent
libations began to show itself, and one by one the wassailers dropped
unconsciously upon their benches, or staggering left the apartment for
their own chambers, until the palmer, who was Conrad D'Amboise in
disguise, remained the sole sensible occupant of the banquet hall. He
sat silent and thoughtful, by the reeking board, listening to the
murmur of the wind, as it sighed among the boughs of the trees in the
adjacent forest of Ardennes. His mind was dwelling upon the events of
the evening-the fierce demeanor of the knight-his insolent
defiance-and his marked penchant for the lovely and sole heiress of
the honors of the house of Du Bois. The hall was silent, not a sound
broke the solemn stillness. The lamps gave forth a flickering light,
and the vapor of the spilled wine poured up from the steaming table,
and diffused itself throughout the room. Suddenly the harsh creaking
of iron was borne audibly to his cars. The disguised knight was on his
feet in an instant. He listened, and the same rough, grating noise was
heard again distinctly—apparently issuing from the corridor which led
to the outer portal. Conrad divested himself of his palmer's gown, and
drawing his sword, opened the door of the banqueting-hall, and stood
in the corridor. Cautiously he proceeded, and silently, until on
arriving within a few yards of the castle entrance, the cause of the
grating sounds which he had heard was apparent to him.
The outer door stood thrown wide open, and the night wind was
swinging it back and forth upon its rusty hinges, producing most
mournful melody. Surprised at so unusual a circumstance, he
approached the portal, and looked out into the courtyard. Before him
upon the pavement were a dozen mailed warriors, mounted, armed to the
teeth, and motionless as statues. The pale moon shone upon their
polished helms and corselets, giving them a most spectre like and
supernatural appearance. They stood directly before the arched
barbacan, which formed the entrance to the court, and appeared
waiting for the warder, to lower the drawbridge over the moat, for
their exit. Without expressing any astonishment at the strange scene
thus presented to him, Conrad D'Amboise glided from his post, and
favored by the shadows of the frowning battlements, gained a postern
in an angle of the wall, and stealthily left the court.
Above a quarter of an hour had elapsed after his departure, when
the perfidious knight who had confronted him at the banquet, issued
from the unclosed portal, bearing in his arms the drooping form of
Joan Du Bois. Striding hastily across the pavement, and putting
himself at the head of the armed men in the court, he hailed the
warder at the gate.
"Ho, there! Lower the drawbridge and give us exit!"
The bolts were drawn, and the chains clanked, as the bridge came
rattling down across the gloomy pass.
"On! Spare not the spur!" and suiting the action to the word, the
knight drove his spurrowels deep into his horse's flanks. With a
single vault the steed cleared the ditch, and as he came down upon
his feet, stood front to front with a horseman in armor as black as
night. By his side rode Conrad D'Amboise, and in the rear was a small
retinue led by a mounted lady.
"Stand! thou stain upon knight-errantry, thou curse of Templars,
and receive thy just reward!" shouted the sable knight, while his
blade flashed in the moonbeams.
Paralyzed with astonishment, the false Templar slowly drew his
weapon, while the followers of both knights drew back to watch the
combat. Delivering the senseless Joan Du Bois to a retainer, the
Templar knight plunged fiercely down upon his opponent, cutting left
and right at his visor and corselet, in his progress. The black
warrior parried the murderous strokes with infinite skill, and as his
antagonist was employed in drawing his rein to check his steed, dealt
him a blow upon the bridle arm, which split his mail and caused his
limb to drop useless by his side. Infuriated with pain, and bursting
with the conflict of all the savage passions of his nature, the
Templar now struck with the ferocity of a madman. Blows were hailed
down with most fearful vigor upon the armor of both, and great chips
of steel were struck sparkling from the polished mail. Clang!
Clang!-now the black champion is about to hurl his sword with awful
force against the Templar's shoulder-the false villain's horse becomes
unmanageable-he rushes forward towards Conrad D'Amboise, whirling his
sword wildly in the air. '
"Zelica!" he shouts, with a horrid yell of astonishment, as he
recognized the mounted lady. "Ha! upon one I can at least take
vengeance!" And he is about to transfix her with his hacked and
broken weapon, when a powerful arm intercepts his progress, and
Conrad's good sword drinks his life blood, through a cleft in his
It is the morning after the just punishment of the Knight Templar,
before the gates of the castle of Percy Du Bois. Within a little
boudoir which looks out upon the cool shades of the forest of
Ardennes, sit four happy beings. They are Joan and the sable knight,
and Conrad D'Amboise with Zelica. The fair faces of the maidens glow
with blushes of pleasure, and the knights shine in the perfection of
manly beauty. The hand of Joan is clasped within the palm of the dark
hero-for she is his betrothed-and she gazes into his noble face, with
a look of love and trust that would have made St. Anthony forswear his
"Will you renounce crusading henceforth?"
"The magic of your eyes is more potent than the cup of Circe or the
song of the Syren. It would be useless to attempt to evade it, as it
would have been for any mortal but the Ithacan hero to escape the
Circean wiles. But trust me, my fair and true Joan, I would never
attempt to leave thee, even were it possible."
Joan hid her blushing face in his bosom. She was perfectly happy.
She had waited long, and her fidelity had been rewarded.
THE AUSTRALIAN FOOTMAN. BY JAMES DE
CHAPTER I. SHOWING HOW LOW THE GOLD
FEVER MAY REDUCE A MAN.
IT was morning in Sydney harbor. The wharves were crowded with
shipping from all parts of the world which were already filled with
workmen busily engaged in unloading the cargoes. The hum of the
thousands in the city beginning their daily work, rose into the air
and spread far over the country.
It was a beautiful scene. Before the city spread the noble bay
which forms one of the finest harbors in the world, all smooth and
unruffled, for scarce a breath of wind disturbed the air. Encircling
the water rose the green shores, here verdant and smiling with
fertile meadows, and there wooded and shaded by pleasant groves or
orchards. Ships lay around upon the face of the water, from whose
masts floated the flag of many a nation, some slowly borne on by the
tide, with the wide spread sails flapping idly against the mast,
others swinging slowly, from their fast anchors. And queen of all
this peaceful scene-appeared the metropolis of Australia, with its
white houses, lofty spires, and thronged wharves-thus she
appeared-sitting in the prime of youth, laying aside her maidenhood
to wed the world.
Among a crowd of passengers who had just landed from one of the
newly arrived emigrant ships, two youths might be seen, whose
appearance denoted a station in life much above that of their fellow
voyagers. One was a tall man, with a noble figure, in which strength
and beauty were finely blended, and a countenance upon which rested
an expression of frankness. His features were handsome, his hair
being dark and glossy, his eyes black, and gleaming beneath his brows
as though they might read the soul. His companion was a merry-hearted
fellow, with lively features and a pleasant smile.
"Well, Melville, here we are at last," said the younger of the two.
"And now what do you propose to do?"
"Stay here of course. Why, Marden, my boy, what else is there to
"Have you forgotten all that we heard coming out?"
"What-that it is hard to live here now-that the emigrants
suffer-that the diggings are crowded? Why, I believe it."
"Well, what will you do?"
"I'll look out for a situation."
"Pray, how much money have you?"
"Just half a crown, my dear friend," said Melville, laughingly
tossing two silver pieces into the air.
"Half a crown! Whew! Why, I have five pounds, and expect to starve
"My dear boy. A man who has his wits about him need never starve in
"Well, I do not see what we can do in Sydney. I thought the
diggings were not more than twenty miles from here, and I find they
are more than a hundred miles from Melbourne,—which is, goodness
knows, how many miles from this place."
"Well, Marden, take, my advice and be philosophical."
"Be philosophical! It was very well to be so at Oxford, when a
fellow lost a few pounds or owed a debt to some tradesman, but it's
no go when a fellow is ever so many thousand miles from home, and
only in the possession of enough to keep him from starving."
"Do you know how much the immaculate Johnson, who came home so
rich, had when he landed at Melbourne?"
"Just sixpence halfpenny."
"The dickens! Now I tell you I'll put off Melbourne. That's the
land, my hearty!"
"Nonsense-you wont do any such thing."
"Yes, I must. I can't do anything here. I want to get to the
"Pooh, Marden. Don't be cast down. I don't care, though. I am worse
off than you."
"You can't leave here, unless you become a bootblack or a servant."
"By the lord Harry then, I would be a servant."
"What! you would-you, the brillliant, the aristocratic Melville-the
'double first' at Oxford? Bah!"
"Certainly. Why not? The truly great man is he who will not let
anything cast him down. In short, if the proud Dame Fortune tries to
knock him down she can't come it. That's the doctrine, my boy."
"Well, my mind is made up. I will go to Melbourne."
"What-go to Melbourne? O nonsense!"
"I will, certainly. What will you do here? Come with me to
Melbourne. We can find a situation there."
"No, not more easily than here. In fact I believe that it is much
"Hang it, I wish I had stayed at home."
"But since you are out here, put it through, Marden."
"Ah, well," said he, with a sigh. "I suppose I'll have to,—and I
must be off this morning for Melbourne. The sooner the better, for I
have little money left. We must part, old fellow. I don't see what
you can do here, though?"
"I can earn a living, I have no friends to be ashamed of me here in
the antipodes. I suppose yonder is the vessel for Melbourne," said
he, pointing to one at the next wharf, on which was a notice to that
"Yes, that is the one."
"Well, I will help to carry your baggage there. Mine will remain
here. I am sorry we must separate, but since we seek our fortunes,
let us do what we think best. Come on."
And the two youths bearing Marden's trunk, walked over to the
Melbourne packet, which was soon to start. Many others appeared upon
the wharves who were about to leave Sydney. Some were pale and sickly
looking, others appeared like desperadoes; others had a faint gleam of
hope on their countenances, but ah, very faint.
"Look at those who have starved here, Melville. Can you stay? No,
come. Let me go back and help you here with your trunk."
"No, no, I will remain."
"But, old fellow, do let me divide this money with you."
"Thank you, Marden, you are a generous fellow-too generous. But I
would not think of it. I have no fear but that I can live."
An hour after Melville stood watching the packet, as with all sails
set, she left the wharf, and sailed slowly out of the harbor. The
wind springing up carried them away, and Melville, as the vessel
lessened in the distance, bade good-by to the last of those friends
which reminded him of home.
"Now courage!" he murmured to himself—"just let us sit down and
form some plans."
He walked over to his trunk, and sat for a while. Strange situation
for a well born and well educated gentleman! To be on a foreign
shore, with but half a crown in money, and a few clothes in a small
trunk as his worldly goods. After a while he opened the trunk, and
taking out a piece of cake, made his morning meal.
"And now for business," said he, shouldering his trunk.
He walked off with it to a small boarding-house near by, where he
opened it and took out all his good clothes. These he carried to a
pawnbroker's who gave him twelve pounds for the lot.
"Hurrah!" he cried, "twelve pounds! That I think will help me along
He then bought a suit of rough clothes, and going to his lodgings,
put them on, after which he went back and sold his last suit of good
clothes for three pounds more.
"Fifteen pounds I have now. Good-again! I will have my watch yet to
sell if anything happens. But nonsense, with fifteen pounds I can
make a fortune. I may as well prepare now for prosperity at the
On the following morning there appeared among the strange crowds of
people who throng the Australian capital, a man of most striking
appearance. His air was high bred, but his clothes were coarse, and
he walked up and down with a large barrow filled with confectionary.
He looked around upon all the people with a smile of unutterable
complacency, as though he were perfectly content with himself and the
It was Melville!
"Ha, ha, ha!" he chuckled to himself. "I think I see myself
starving. By Jove, wouldn't Aldborough laugh if he were to see me
here? And my eldest brother, the baronet-the head of the
family-hem-shouldn't I like him to see me now! Ha, ha!"
"Confectionary, confectionary," he cried, bursting into a louder
tone of voice, which rang forth clear and deep-toned, as a bell.
"Confectionary!" and then he added with grotesque modulations of his
"By Jove, how this reminds me of the little fellow in London. I'll
go the complete candy-seller. I might as well."
"Ladies and gentlemen! Here's your fine candy, lozenges, apples,
oranges, cakes and tarts! Heeeere's your chance!"
He displayed the most imperturbable calmness, walked up to ladies
in the streets with the utmost nonchalance, to sell his things, and
they, pleased with his uncommonly handsome face and fascinating
manner, invariably bought.
"The ladies! Bless their kind little hearts!" said he, gazing after
the last two whom he met. "And that little one-what eyes! what a
smile! Who can she be, and where does she live? She looked so
bewitchingly at me! I'll follow, and see where she lives."
Melville slowly walked after them, keeping at a proper distance.
When they stopped at a house or shop, he also stopped at another,
till they went on again. Our hero saw the younger occasionally
glancing back toward him, and almost fancied that she encouraged him.
"What a lovely creature!" he muttered to himself. "Ah, there is her
house, now. By Jove I have it!"
He marked it carefully, and passing by saw the name upon the
door-plate. Henry Inglis.
"A finely sounding name. I heard her friend call her Emily-Emily
Inglis. Ah, how dear is the name! If I were but rich, now. But I can
adore her image till I become so. Yet what hope is there in this
contemptible business Bah! never mind. I'll stick to it till
something turns up."
On the following morning, Melville dressed as before, with his
barrow of confectionary, went along Summer street where Mr. Inglis
resided. It was a large stone house, four stories high, and one of
the best in Sydney. He rang at the door and after a time Emily
herself came. She started, and a half smile came across her beautiful
face. Melville himself for the first time in his life, felt
embarrassed-but he spoke up, and in the tone of a courtier, said:
"Fair maiden-can a poor confectioner offer you anything this
"What have you?" said she, with a sweet smile.
He brought in his trays and the beautiful girl bent down over them,
while her long, dark tresses hid her face from view. Melville's heart
beat with delight.
"You will find there as good candy as any in the city," he said at
length, in a business way.
She selected a large quantity.
"O thank you, thank you, fair lady, for your kindness to a poor man
"You are a stranger here, are you not?"
"Yes, I arrived only yesterday morning."
"Yes, and another friend came with me, but he is off to Melbourne."
"And will you not go?"
"I decided to stay here when he left, and now I could not-would not
leave this place for the world."
"You are prospering, then?" said she, with embarrassment, for
Melville's dark eyes rested meaningly upon her.
"Yes, and happy. I have my little—"
"Emmie," said a voice at the head of the stairs.
"Yes, pa, I am coming. Please bring some more to-morrow, good man,"
added she, in a louder voice, "and if you hear of a footman who wants
a place, send him here."
"Thank you, miss," said he, in the tone of a hawker, again, "I will
do so. I am very much obliged, miss, for your custom, miss, and I
hope it. will be continued, if I can do anything to please you,
CHAPTER II. HE "STOOPS TO CONQUER."
"Emily," said Mr. Inglis to his daughter, "what a strange servant
is this new one of ours. He is one of the handsomest and boldest
fellows in the world-looks as much like a gentleman as I do, and yet
he is a servant. I declare I feel quite a reluctance to order him
about. And when I ride out, it is awkward to have such a noble
looking fellow as my servant, riding behind my carriage. He is an
energetic fellow, I saw him selling confectionary before he came
here. Did not you say he sold some to you?"
"Yes," said Emily, faintly.
"And yet he is not impudent, but is perfectly obedient. I cannot
make him out, however. He performs everything smilingly, as though it
were an excellent joke. I wonder who he can be?"
"He is an Englishman."
"Certainly, and he is well-educated. I know so. It is amusing to
see how popular he is with the servants. Ha, ha, he has got them all
to admire and try to imitate him. You should have heard a lecture
which he delivered last night to them. I stood out in the yard, and
attracted by some noise, looked in. There our new servant was, with a
short pipe in his mouth, and a mug of ale beside him. The others
called out for a speech. Upon which he rose from the chair and got
upon the table, and spoke to them."
"What did he say?"
"O I cannot tell you half of it. He made the wittiest and most
brilliant speech I ever heard. It was interspersed with laughable
anecdotes and poetical quotations flowed in throngs from him. The
happiest hits and the most lively sallies. O, I was totally overcome!
He kept them in continual roars of laughter, and I could scarcely
contain myself. But now I must attend to some business. Emily, where
is my desk?"
"In the dining room," said she, ringing the bell.
Melville came to obey the summons.
"Henry," said Mr. Inglis, somewhat awkwardly, "you may a-will it be
convenient? a-to-my writing desk-hem?"
"Certainly, sir, a moment, sir—," and Melville disappeared.
In a short time he laid the desk before Mr. Inglis, and stood in a
corner of the room waiting any further orders.
"Emily, I am in an awkward situation. There are some French
merchants in Melbourne to whom I have to write, and I have forgotten
my French. Could you write a letter in that language?"
"Not grammatically, I fear."
"I beg your pardon, sir," said Melville, coming forward. "If you
are willing, sir, I will write it."
"Do you know French?" said Mr. Inglis, in surprise.
"As well as English, sir."
A chair was given him, and he wrote at his master's diction. After
it was over, Mr. Inglis thanked him, and said:
"I wish there was another here who could relieve me in a similar
way. I have to write a Spanish letter to a Spanish house in that
rendez-vous of all nations, and I don't know a single word of the
"I know it perfectly, sir," said Melville, very meekly.
"You!-Spanish! Why, sir-why I mean-you are a prodigy! Can you write
"I should be delighted to do it."
And Melville wrote another, after which he carried the two to the
"There now! What can I make of a man like that? He knows far more
than I do, and acts as though he had been accustomed to the best
society. How on earth came he to be a footman?"
Emily's heart beat-she knew why, but she said nothing.
Several weeks passed away, and it was a lovely evening. The sun was
fast descending behind the western hills, and a cool breeze from the
ocean blew refreshingly upon the city. Many carriages rolled along
the roads which led into the country. Men of all classes promenaded
the streets after the toils of the day, and nearly all labor had
Emily and her father rode along one of the avenues which lie
without the city. It was a quiet place, for few people were there.
Around lay green fields, orchards and groves, pastures where cattle
grazed, and vast fields filled with flocks of sheep. Melville rode
behind at a little distance, gazing upon Emily as though his whole
soul were wrapt up in her.
"What will not a man do for love? Here am I a servant for Emily's
sake. Beautiful girl. I would do a thousand times as much to gain
some of those tender glances which she at times bestows upon me."
"Emily," said her father, "Is not your horse restive? He starts. I
fear he will be troublesome."
"O no, father, it is only his spirit." Melville gazed anxiously at
the horse, which occasionally started, rearing a little and swinging
his head in a vicious manner.
"Take care! O heavens!" suddenly cried Mr. Inglis, as Emily's horse
started at the sight of a blasted tree. He snatched at the reins. The
horse, disturbed by this unexpected attack, reared up and pranced
"Father! O save me!" cried the terrified girl. Her father sprang
once more at the reins-the horse darted forward, and then with a wild
neigh, stretched out his head, and away he went, away, away, with the
speed of the wind!
"O God! O heaven!" cried the father, in agony.
For a moment Melville paused-for an instant-and then lashing his
horse he rushed on furiously in pursuit of the frightened steed of
Emily. On they went, the pursuing and the pursued. People who were in
the road, seeing the fierce beast, shrank away. Emily, pale as marble,
still kept her seat, clinging to her horse, but every moment expecting
death. She heard the voice of one pursuing, and her heart told her who
Away they went, and nothing was gained on either side. Melville
shuddered, and beat his horse to increase his speed-a little was
gained, but not enough to admit of hope. On they went. At length the
road took a long winding around a spot where the ground made a
descent, and ended in a deep gully. Emily's horse followed the road
and sped on in his headlong course.
Melville suddenly paused, and looked at the gully. The ground
descended gently, the gully was about twelve feet wide, but its
perpendicular sides descended to an unseen depth-stones and rocks
were strewed around on both sides.
Melville shut his mouth tightly, and lashed his horse. With one
spring he cleared the stone wall of the field, and then dashed
furiously over the stony ground. It was a fearful sight. Emily saw it
as she clung closely to her horse, and the yawning gulf and the
fearful deed of Melville took away all thought of herself. She
screamed in agony!
But on went the brave horse-on to the deep gully. He
prepared-Melville lashed him. One spring-one bound-and the deep chasm
was cleared, and away he went-the brave youth, up the other side.
Another bound and he was over into the road, just as the horse of
Emily, all foaming and perspiring, came up. He rushed before the
horse, and with a giant grasp seized the bridle and stopped his
furious career. The jerk threw Emily backward. She fell into
Melville's outstretched arms.
The horse stood trembling. Melville dismounted, and took Emily to a
seat near by. She looked at him so kindly, so tenderly, that a flood
of happiness rushed through his soul.
"O thank you, my brave preserver!"
"I am recompensed beyond all that I can hope, in seeing you safe."
"Where is my father?"
"He is coming. There he is! He will be here in a few moments."'
"You did a terrible thing," she said, as she thought shudderingly
of the gully.
"Did you see me?"
"It was an awful thing to see. I shuddered."
"O then, happy am I if I can gain the smallest share of
sympathy-the smallest thought from you."
"You risked your life, too,"—she did not finish, but looked at
him, and their eyes met. Hers fell down.
She did not reply, but lowered her head. Through the thick ringlets
of hair which clustered around her head, Melville could see a gentle
blush which overspread her lovely features.
"Emily-speak, Emily-can you think well of me."
She raised her eyes and again they met his.
What the impassioned youth might have said, we cannot tell, but he
was prevented from speaking by Mr. Inglis, who at this moment came
up. He leaped from his horse.
"Emily, my child, are you saved!" he cried, rushing towards her,
and folding her in his arms.
"Yes, I am alive, dear father, and there is my preserver."
"Noble, brave youth. May the richest blessings of Heaven descend on
you. You have saved my child from death. I saw you risk your own at
that terrible chasm. O that I could fittingly reward you!"
There was one reward which he could give.
CHAPTER III. FORTUNE FAVORS THE
Mr. Inglis again sat in his parlor, and Emily was near. There was a
thoughtful expression upon his face. Occasionally she glanced at her
father, to see what he was doing, or perchance to endeavor to
discover what thoughts were in his mind.
"Emily," said he, at length.
"I know not how to reward Henry. What can I do? I am in want of a
head clerk. I wonder if he understands business. I will ask him." And
he rang the bell.
"Good morning," said Mr. Inglis, grasping his hand. "I can have you
as a servant no longer. Permit me to esteem you as a friend, for
surely you are my equal, and you have laid me under unspeakable
obligations to you. Do you know anything of business?"
"What kind, sir?"
"Any kind-shipping business."
"Yes sir, thoroughly. I have been in situations where I learned
"Take off this servile dress. Live in my house as my friend, and if
you wish, I will take you as my head clerk."
"Your clerk, Mr. Inglis! How-how can I thank you?"
"Think not of thanks. That is my business. Come with me and I will
show you what is to be done."
And the two departed. Melville first went to purchase more
appropriate clothing, and then went to Mr. Inglis's office.
A year passed away. Melville had been prosperous beyond all his
hopes. Immense profits could then be obtained from chartering ships
and from exporting wool. Materials of food and clothing for the gold
regions at Melbourne, could also be sold at enormous profits. Mr.
Inglis had kindly advanced him money to commence independent
speculations. This he had so well used, that at the end of the year
the original amount had increased ten-fold.
"Ten thousand pounds! In one year too! And at the same time
punctually fulfilling every duty as clerk. Mr. Melville, you are the
paragon of clerks. With your genius and energy you will soon be among
the wealthiest in the country. You have now a fortune of your own. I
have long wanted a partner in my business, for I am growing old. You
can enter without feeling any great inferiority. Will you do so?"
"You are overwhelming me with kindness," said Melville, in a
faltering voice. "How can I ever repay you? To be in partnership with
you, is such a grateful thing to me that I can never thank you
"O there is no need of thanks. I am happy to do this. One like you,
I may say without flattery, can very rarely be found. But how very
strange is the fate which threw you in my way! What wonderful
circumstances! A servant in my family! A gentleman like you to be a
servant? What led you to it? Surely you could have gained a living in
a less unpleasant way."
"It has turned out my blessing," said Melville.
In the evening, Melville, the new made partner sat alone with Emily
in the parlor. It was dark, and the heavy curtains which hung before
the window increased the gloom. The moon's rays entered and fell
softly upon the floor.
"What a strange life yours has been," said Emily.
"Yes. Do you remember when you saw me first?"
"Well-I always shall remember it-the young confectioner with his
box of candy."
"I will bless that box of candy forever."
"I have often wondered why you became a servant."
"Ah, why should you wonder? Emily, can you not guess? Would any
light cause make me do it?"
She was silent.
"Blessed be the day when I became a menial. I saved you from death
through that. O, do you ask what made me? A light had beamed across
my path. I had seen you, Emily."
Still no reply.
"I would have done anything. To see you daily-to be near you-to
hear your voice. O, it was joy to me such as I cannot describe. And I
thought at times that you looked kindly at me—that you saw through
my motive-that you-yes, Emily, that you even cared something for me.
Did you not, Emily? Did you not?"
A low reply sounded gently in his ears:
"Emily, my own Emily. Would you call it presumption in me if I told
you that I loved you? You know it already; you must know it. Can I
hope, dearest Emily?"
A low reply again came, which sent a thrill of rapture to the heart
of Melville. He wound his arms lovingly around the happy Emily, and—
"Halloo, what are you two people doing over there in the corner?"
said the voice of Mr. Inglis, half suffocated with laughter. "Fine
doings-hem. Speak up, sir. What is this."
Melville with his arm around the waist of Emily, and her hand in
his, walked up to Mr. Inglis.
"I have been seeking another partner, sir."
"Ho, ho-you have, have you?"
"Yes sir, and I thought—"
"You thought, did you, sir, and pray, sir, what business had you to
think? Were you not sure of it-sure of her, you young dog, and of me
also? I love you, my brave young friend, and I felt an affection for
you when you first came here. Take her and be my son. You saved her
life and she is yours. But be silent, now-none of your thanks. I tell
you I wont put up with them."
The happy party sat down. Melville by the side of Emily, and Mr.
Inglis opposite them, viewing them with the utmost delight.
"But Henry, tell us something of your former life. Whose son are
"I was going to say, 'the son of my father,' but that not being
sufficiently definite, I will tell you my father's name. I am the
younger son of Sir Edmund Melville, Melville Hall, Warwickshire,
"The-ahem!" cried Mr. Inglis. "A baronet's son! Whew, and you were
"I entered at Eton, nobody cared for me at home. I went through
Oxford, took first honor in the university, then went home, but being
only a cipher-alias a younger son, they treated me coldly. My father
advised me to join the army. I told him I would see the army shot
first. My mind was made up to come here. Two hundred guineas
constituted all my fortune. All these I spent either before or during
the passage out. When I landed here I only had a half crown!"
"Good heavens, only half a crown!"
"All that I had in the world, except my clothes. I sold them and
commenced the business of confectioner. You know the rest."
"Why did you decide to be a servant? Ah, I know now. You look down
at that little witch of a girl who is almost crying with joy."
"I'm not, pa. What nonsense!"
"Crying with joy. and she looks knowingly at you. Ah, ha? You have
been rehearsing the play of 'She stoops to conquer,' only it was the
gentleman in this case. But now all your troubles are over."
"All over. I am happy."
And his large, dark eyes gleamed with the joy which dwelt within
"Will three weeks be too soon, Emmie dearest?" said he, in a
"Nonsense, Henry," and there came a smothered "don't," for Mr.
Inglis had left them alone for a little time.
A few days afterward Melville was standing upon a wharf watching
some passengers who landed from a vessel late from Melbourne.
Suddenly he started. "Why, Marden," he cried, springing forward to
grasp the hand of a forlorn looking individual in a tattered hat and
tattered coat. "Where are you bound, young 'un?"
"Home? how is that? Have you made your fortune?"
"No. I'm as poor as a rat. Only earned enough to take me back. Hang
the gold country! But I declare, you look as if you had made your
"I have. But tell me, would you go home if you could get a good
"Then stay. But first come to a hotel and 'renovate.' If you want
money, I can lend."
"Hurrah! I don't want money. Since I am sure of a situation, I will
lay aside the ragamuffin character, and be once more a gentleman."
"And in two weeks hold yourself in readiness to—"
"To attend my—"
"My—well, my wedding."
And he did attend his wedding—and a happy occasion the event
proved to all.
THE CORSAIR OF SCIO. BY JAMES DE MILLE.
The isles of Greece! the isles of Greece!
Where burning Sappho loved and sung;
Where grew the arts of war and peace,
Where Phobus rose and Delos sprung—
Eternal summer gilds them yet,
But all except their sun is set.
IT was morning among the islands of Greece and the dark blue sea on
every side showed not a ripple upon its bosom. The sky was as calm
and peaceful as the water which reflects its azure hue, and not a
cloud appeared to mar its surface. The sun just rising cast a broad
gleam of light over the scene, and threw upon the wide sea a long
path of ruddy light. Around lay the isles of Greece—the home of
classic poetry, whose trees and gentle brooks, whose groves and
fields, whose very rocks and soil, bring up before the mind glorious
memories of the past. There they lay, appearing double as their
images were seen reflected in the mirror-like wave, the branches of
their clustering trees hanging down gracefully—droopingly. But more
glorious than all the lovely spots which dot these sparkling waves is
Scio-the beautiful, the classic Scio. Here were the remains of many a
glorious temple of the ancients. Here were rich vineyards whose vine
yielded the famous Chian wine. Here the long avenues of orange trees
and olives, of citron and lemons, appeared on every side, and odorous
breezes from the East, laden with perfumes of spices and flowers, blew
ever gently upon the blest shores of Scio.
It was in the middle of the eighteenth century, when Scio was at
the height of her glory and prosperity, when the people were wealthy
and happy, and all was delight and pleasure-it was at such a time that
a small vessel might have been seen at a short distance from her
northern coast. Every stitch of her broad latteen sails was unfurled,
but no favorable wind came to fill them-no motion was in the air. Upon
the south the green and richly wooded shores of Scio stretched along,
upon which at times appeared the sheen of some marble cliff as it
jutted out among the green vegetation.
The vessel was long and sharp. Two tall masts supported the broad
triangular sails, and a red flag without device floated from the
summit of the main; men appeared dressed in the Grecian costume
lolling about the deck, some smoking, others talking, and others
sleeping. At the stern the leader paced up and down. He was young,
and had in his face all the high spirit and impetuous daring of
youth. His features were perfectly Grecian, all as finely formed as
those of some antique statue of his native land. A small fur cap was
placed upon his head, from beneath which rich clusters of raven hair
flowed down. His eyes were large and dark, and a jetty moustache and
beard completed the manly expression of his countenance. He wore a
rich crimson jacket, embroidered with gold, loose trousers with boots
which reached to his knees, and a red silk scarf wound around his
waist afforded a place where to put two pistols and a Turkish dagger.
A larger sword dangled at his side, and in his hand he held a long
light gun which, like his pistols, was richly ornamented after the
"Maffeo," said he to his lieutenant, "how goes the wind now!"
"There is not any wind to go," said Maffeo, a strong and hardy man
who was leaning over the side.
"Well, I think we will have a wind very soon."
"A wind? Do you? Why?"
"I feel it."
"You can always tell, I know not how, when there will be a wind. We
are ready for it, however."
"Maffeo, what was that you heard about these cursed Turks, when you
"Didn't I tell you? Well, I heard that they had landed upon Komao,
a little island near—"
"I know it well."
"Where there were only a hundred inhabitants. Monilon, the
principal man there, was seized, beaten, robbed, and the worst of it
was, his daughter Iona was carried away."
"What! carried away? Iona! I have heard of her as the most
beautiful of all Grecian girls."
"She is gone like many others to the slave market at
"Ah, the accursed hounds! the dogs of unbelievers! Thus they
tyrannize over us, and rob our men, and carry off our virgins. But
great Heaven, shall this be done longer? Ah, the wretches! Maffeo,
this will make us whet our swords more readily upon the next Turks
with whom we fight."
"Whew!, there comes the wind! see how it blows around yon rock."
"And by all the holy saints and angels, Maffeo, there is a Turkish
vessel. Ha! two vessels. By heaven, there are three!" he cried, as
one after another three vessels came borne by the wind around the
point where it blew.
"How can we get off? We have no wind. They will be upon us.-See,
each vessel is larger than ours, and the decks are crowded with armed
men: See that long gun. It can shatter us to pieces!"
"Peace, Maffeo. Be not so fearful. The wind will come to us before
they can get near enough to use that long piece. Halloa there! up my
men! There are three Turkish ships behind us!"
With many an oath and imprecation, the sailors rose and hastily
gathered their arms. One of them strung up at the foremast another
flag, on which appeared a crescent beneath a cross.
"Now my brave men, we will have to run. But we do not always do so.
Perhaps the time will come when we may have our turn at chasing. If
they come up, fight, fight like fiends, and die like Christians!"
Loud cheers arose and shouts of "Long live Ranadar! Long live our
noble captain, the brave Ranadar!"
And now the wind which Ranadar had prophesied, came down to them.
It blew steadily and strongly, so that in a short time her sharp prow
dashed the bright waves foamingly on either side. The Turkish vessels
who had borne down toward the corsair, as soon as they saw him, and
had felt certain of seizing him, now uttered cries of disappointment,
as they saw him move away. Loud cries were sent across the water,
shouts of ridicule and opprobrious names which the wind bore along to
Ranadar looked back and shook his scimetar at the Turkish vessels.
"Howl on! The time will come when you will tremble before
me-Ranadar, the corsair!"
He cried so loudly, that they seemed to have heard him, for
suddenly a shot came from the long gun, but it fell short, far short
of the mark. The men of Ranadar shouted in derision, and jerked the
flag whenever appeared the humiliated crescent, so as to attract the
notice of the Turks.
Ranadar gazed anxiously upon his pursuers. Still they came bounding
over the waves behind him, and his quick eye could not but see that
the distance between them was gradually lessened.
"Maffeo, they are coming up to us."
"What, can a Turkish vessel equal our swift ship?"
"These are sharp, and see what huge sails they carry. I fear they
will come up with us."
"Well, we will fight them-yes, all three!"
"Good, Maffeo. You are a brave man. Tell this not to the men for a
Ranadar watched more anxiously. The hours of day passed on, and
midday arrived. Though his own bark was swift, yet these were
evidently more so. At morning, the foremost was about two miles off.
Now not more than a mile separated them.
"Before night it will all be up. O the scoundrelly Sciotes! Why did
they not give notice of this?" and Ranadar walked anxiously about.
"Men," he cried at last. "Ho, there! Listen. We are lost. These
Turks will overtake us. But who will think of yielding? None?"
"No, no, none," cried the men.
"Then let us fight. Prepare a train, and when all is ready, when
our decks are full-then fire, and blow these Infidels to perdition! We
will make the Turks remember us, and when they pursue another corsair
they will tremble, for they shall think of Ranadar the corsair." In
obedience to his orders the train was prepared, but as it would be
some time before their pursuers would come up to them, they did not
make any preparation for soon firing it.
Three hours more passed, and now the nearest ship had arrived
within gunshot. The long gun was loaded after some trouble, and
pointed directly at the corsair vessel. Ranadar and his men cried out
in tones of defiance. At last the shot came. A loud explosion
thundered around, a ball came whizzing by, and passed through the
sails, but did not touch the mast.
"What use is there to run, Maffeo?"
"None, whatever, captain."
"Are the guns all-ready-loaded?"
"Yes, every one."
"Bring them out so as to place them easily on this side."
The men loosed the guns which were not very large, and made them
ready to be placed on the side opposite.
"Now! 'Bout ship-round with her!"
The men who understood Ranadar's design, obeyed, and the vessel
turning, now bore down upon the nearest Turkish vessel. Those on
board seemed perfectly thunderstruck at the sight of the chase thus
turning the tables upon them.
"Fire!" he cried, as he arrived opposite the Turks.
The guns were fired directly into the crowded ship. Loud cries and
screams, and the crash of a falling mast told how well those shots
had been aimed.
"Now for the next!" screamed Ranadar, excited. "We will serve them
in the same way!"
But the others were prepared, and drew up to await their approach.
On came the vessel of Ranadar, and the flags flew proudly from both
masts, while the men shouted enthusiastically. Loud sounded the
thunder of her guns as she passed swiftly by the two vessels. But the
report and the cries from the wounded were all exceeded by that of the
broadside given back by the Turks. The mainmast fell down over the
side with a deafening noise!
"Cut it away! Clear the ship!" cried Ranadar.
In a few minutes the mast was free, but the vessel moved only
slowly through the water. Her sides were shattered by those terrific
broad-sides, wounded men lay stretched upon the decks. The two
Turkish ships were quite near.
"Give it to them again, my rovers!" cried Ranadar, as he himself
picked out the Turkish captain with his gun. Another volley was fired
and again another, with the same effect as before. And this was the
last, for both Turkish ships coming quickly up fired broadsides, and
grappled with the disabled corsair.
The men poured from both ships into her. The Greeks seized their
scimetars and rushed into the deadly encounter. Maffeo fought like a
lion, killing three Turks in succession. Ranadar fired his pistols
and killed two of the foremost leaders. Then hurling them at the
heads of the followers, he rushed at them sword in hand. "Fight,
Greeks, fight! Down with the Turk!" and crying this, he toiled on in
the mortal strife.
But bravery could avail little against such numbers. The Greeks
were driven back, killed, overpowered by the vast odds against them.
Forced from the quarter deck into the middle of the vessel, they
stood there like their forefathers at Thermopyl', and fought for
their freedom. Not a word was uttered, not a cry from either side,
but foot to foot and steel to steel the combatants waged their deadly
warfare. Suddenly Ranadar disappeared below, and in a few minutes
returned with a beaming countenance and fresh energy. Rushing at an
enormous Turk who wielded a tremendous scimetar, the corsair attacked
him. In a few moments the Turk was disarmed, but springing at Ranadar,
he held his sword arm tightly, and sought to throw him over. Ranadar
dropped his sword, and closed with the Turk. They swayed backward and
forward, they fell and rose, they whirled round in endless
convolutions, so that neither Turk nor Greek could strike a blow for
his countryman. But even Ranadar seemed to gain. Holding his adversary
tightly by the throat, he forced him to the vessel's side. He
pushed—he strained—and then—and then—with a mighty noise which
seemed as though the air was rent with a dazzling flash, and smoke,
and fire, and blazing brands, and shattered vestiges of broken ships,
amid arms, and dead bodies, and a thousand hideous shapes and
forms-Ranadar felt himself seized by some irresistible force and
thrown with the fury of a tempest far out upon the water. For a moment
he was senseless, and lay perfectly still, clutching to the Turk. Then
he looked, and a blackened corpse lay in his arms. Shudderingly he
released himself, and swam around. Where the corsair ship and her two
foes had lain, nothing was seen but some blackened fragments, and the
whole sea far and wide seemed covered with them. At the distance of a
few hundred yards he saw the first Turkish ship which he had disabled,
coming down toward the horrid scene. He himself had been uninjured.
The large Turk whom he had pressed closely to him had saved his life.
His clothes were partly burnt, but that was all. With a prayer of
thanks for his deliverance, he swam toward the Turkish ship.
"I will try how they will treat me. Better not die wilfully, since
I have been so wonder. fully preserved. Great God I only! I alone out
of so many!"
The men in the ship saw him. A boat was lowered and he was brought
on board. For a few moments he was all unnoticed, so terrible had
been the calamity. Boats moved slowly over the scene, but there were
no more living beings to be found. All was one wide scene of havoc
Ranadar stood in silence awaiting his fate. At last the Turkish
captain approached him.
"Dog of an Infidel! Who are you who are thus saved when Moslems
"I am a Greek."
"I know you are, and that you are a corsair, and that you have
served under Ranadar, the abhorred of heaven, whom Mahomet confound!
But he is even now in Eblis."
"He is not. He lives."
"What! will you say that others are saved beside you?"
"How then can Ranadar live?"
"I am Ranadar!"
At that well known name the Turkish captain, laid his hand
furiously upon his scimetar. The men who had been looking at the
prisoner, or endeavoring to discern some living being upon the water,
all turned as if by one impulse, to look at the dreaded corsair. He
stood there with folded arms, glancing at them as haughtily and
proudly as though he were victor, and not a captive.
"I am. I did that," said he, pointing to the blackened fragments
upon the water.
"What! You come here, you confess your name, and your atrocious
deed? Do you hope to live?"
"And you shall not be disappointed. Here, come forward," said he,
to some of his men, who were, armed with axes. "Hew the ruffian from
limb to limb!"
"Do your worst, vile Turk! I scorn you, and laugh at death. Better
it is to die than live in captivity!"
"Ha! say you so? Then I will bring down your proud spirit, and
Ranadar the corsair shall be Ranadar the obedient slave! Men, bind
"Look well to your bonds, then, for strong bolts and bars have
before this failed to hold me."
"Bind him! Gag him! Stop the mouth of the dog!" shouted the fierce
Turk, in ungovernable fury. "Take him below, away out of my sight."
And the corsair was bound and taken below.
The Turkish ship left this scene of destruction and proceeded on
her way to Constantinople. There she landed, and over the city spread
the news of Ranadar's captivity, for his name was well known among
the people. As he was brought ashore, a vast multitude assembled to
have a look at the dreaded corsair. He looked around upon them, and
save a slight smile of scorn, no emotion was visible upon his marble
The Turkish captain, whose name was Achmet, took him as his own
slave, swearing that he would bring down his proud spirit, and tame
him as he would a wild beast-by hunger. Accordingly, Ranadar was
placed in a dungeon, whose moist floor, and dank, slimy walls showed
it to be beneath the surface of the sea-far down under the ground.
He narrowly examined the dungeon in which he found himself
confined. It was not more than ten feet square. At the side opposite
from the door there was a small grating, through which entered some
feeble rays of light. The iron stanchions were thick and strong, and
beyond the first one which he saw, there was yet another. The aperture
was about a foot square.
"Ha!" he exclaimed, when he first saw it. "That is what I wished
for, Achmet will leave me here without food for three days. When he
comes, perhaps the bird will be flown. My manacles are off! Good!-I
can use my hands."
He slowly unwound the scarf which was around his waist, and
disclosed beneath its folds doubled cords of silk, which, if
extended, might reach forty feet. He examined this, tried its
strength carefully, and then tied it round him. he then took off his
Fez cap, and from beneath the lining he pulled out some small
instruments. There was a knife, and a saw of the finest and hardest
But little light now entered the window, for it was late in the
afternoon. Ranadar went up to it and tried to pull the iron from its
place, but in vain. Then he quickly but stealthily prepared to saw
the iron through. There were eight bars in each grating through which
he would have to cut. By working steadily through the greater part of
the first night, he was able to take out the first grating, and finish
half of the other.
"Now," said he, toward morning, "so much is done. To-morrow I will
be out. But good heaven! Holy virgin!" he exclaimed, suddenly putting
his hand to his breast. "Ah, kind heaven, thou hast not yet deserted
He took out a small bundle in which there were dates, and with a
portion of these he satisfied his hunger. Night came on and found him
with an unconquered spirit, still laboring at his work. At last, when
it might have been an hour before midnight, the outer grating was
displaced, and Ranadar passed through.
He found himself in a narrow passage which went for a long distance
on either side. For a time he hesitated which way to choose, but at
length, he turned toward the left and went on. He walked for a long
distance, and at last came to a door, which, opening, disclosed a
flight of steps. The blast of fresh air told Ranadar that here was a
way to escape, for it led to the outside. The air also had the
freshness of the sea, and brought with it the perfumes of distant
shores, There was another flight of steps on the left at the top of
which was a narrow chink, through which a feeble ray of light passed.
The fugitive paused a moment, looked up the steps before him, and then
up the others at the light.
"I will go here," said he, as a sweet stream of music accompanied
by a mournful female voice, came down to his ears. "I will go here,"
and drawing his dagger, he went up the narrow steps, and reaching the
summit, he saw a small niche in which he might stand and look into the
room through an aperture, apparently made for the purpose. "Ha!" he
murmured, "this is some plan of Achmet. Would that I could meet the
Then gazing into the chamber, through the aperture, a beautiful
sight met his view. The room was magnificently furnished. Rich
curtains hung from the walls. The carpets spread upon the floor were
from the looms of Persia, the couches and stools were carved in the
most skilful manner. From the vaulted ceiling a brazen lamp was
suspended, whose light cast a mysterious gleam upon the scene. All
was in the most gorgeous and splendid style of oriental
Upon a couch in one corner of the room reclined a young girl whose
lovely countenance threw all else into the shade. Her dark hair was
loose, and her eyes were cast down droopingly, shaded by their long
black lashes. She was dressed in the elegant Grecian costume, and on
her head she held a small guitar which she had just finished playing.
Ranadar looked at the beautiful being, filled with wonder and profound
astonishment at so much beauty. What was his amazement when he saw her
raise her head and gently sigh his own name?
He thought that she was some unearthly being when he heard it, and
looked upon her as she buried her face in her hands and wept. A
sudden noise alarmed her, and she raised herself languidly upon her
couch. Footsteps were heard outside, and after a time Ranadar saw the
door open and his hated foe Achmet, walk in.
"Allah save you, beautiful Grecian maiden! Who is there who in
beauty can equal Iona? I hope you are more tender than you were
"Leave me to myself," she cried, waving her hand.
"O no, no,—do not send me away, do not deprive me of the light of
your heavenly smile. You torture me. Why do you treat me so Maiden,
you are my slave."
"By purchase-but I yield not to you."
"Hearken to me. You have defied me too long. You are in my power
entirely. If you will not love me willingly, I would scorn to compel
you. I have come this time expecting you to be more kind. I find you
unaltered, I do not love you well enough to wait for you to change.
You must die!"
Ranadar shuddered with ill-suppressed rage, but the lovely Iona
gazed at Achmet unshrinkingly.
"I know you love another. I know your affection for that pestilent
Grecian. I have watched you, seen your actions, and heard you sigh
his name. He too shall die!"
"He will never be in your power."
"Will he not? He lies now in my lowest dungeon. There he shall
Iona who had thus far been firm, when she heard that, fell back
upon the couch, but ashamed of her weakness, raised herself, and again
confronted her enemy. But her face was deathly pale, and her hands
were clasped tightly together.
"In one hour, Grecian maid-in one hour,"—and his voice sank to a
deep, hard whisper—"you shall die, and nevermore shall your father
behold you-nevermore shall Ranadar gaze upon you unless it be in
Eblis." And Achmet departed.
"Alas, he never has gazed upon me. Ranadar never has seen me, but I
have seen him-ah, too often."
Ranadar was filled with a variety of contending emotions. But
passionate love and pity for the beautiful Iona were pre-eminent
among them. He looked in silence after Achmet had gone, but suddenly
remembered that no time could be lost in waiting there.
"Surely," he said to himself, "there must be something else here
beside this aperture, there must be some small door by which one
might enter. He searched narrowly around, and at length saw a small
panel which seemed fastened by a concealed bolt. This he pushed back,
the door opened, and Ranadar stood before Iona. At the noise of his
entrance, she started, and looking up, muttered a few words in a
daring tone, as though she supposed the slaves had come to put her to
death, but seeing Ranadar the great corsair, the man whom she loved
beyond all words, she uttered a faint scream of joy and raised her
arms and face to heaven. He caught her in his arms.
"Fly with me, Iona. I know all. Come with your Ranadar. Ah, come
quickly. Hark, there are sounds without. Hasten!"
She seemed incapable of motion. So great were the conflicting
emotions which disturbed her soul, that she neither spoke nor moved.
"Iona, my own love, my soul!" he cried imploringly, and as she
leaned gently upon him, he raised her in his strong arms, and passing
back through the secret door, he bore her down the stairs. Then up he
went with his lovely, trembling burden, up the stairs at which half an
hour before he had paused, and a thrill of rapture went through him,
as on reaching the top he found himself upon a low terrace which
overlooked the sea. Iona's arms were clasped about his neck. The
lovely girl, overcome by her sudden escape from death, from sorrow and
misery—overcome at the sight of Ranadar, free, and making her free,
felt a deep gush of joy and bliss, too great for utterance. Her tears
of happiness flowed freely, and while she clung to him she sighed his
"Cling to me closer, closer, Iona! There is the water beneath us.
We must escape. See, yonder there is a boat. I must carry you there."
About a hundred yards away, upon the moonlit surface of the water,
a small boat could be seen lying at anchor. None seemed to be on
board. There Ranadar determined to swim. The water was dashing
against the stone wall ten feet beneath. He unwound his scarf and
fastening it firmly to an iron bar, he took Iona in his manly arm,
and then descended. The cold water received the lovers and enfolded
them. Iona clinging to Ranadar as he directed her feared nothing, for
her lover was with her. He struck out boldly and swam slowly to the
boat. Gradually he approached, and at last his hands grasped it.
Raising himself stealthily, he looked into it, and found it empty.
Then he placed Iona within, and crawling in after her, a few moments
sufficed for him to hoist the sails. A fair wind blew from the
harbor. The light boat felt its influence and started at the blast,
and bounded over the waves carrying them home to Scio.
Once more the waters of the 'gean Sea and the blue waves of the
Grecian Archipelago shone beneath the morning sun. A small ship was
seen stealing along the coast of the Isle of 'gina. It was gaily
painted, but guns peeped through her sides, and a long one was
mounted amid-ships. Aloft, a red flag streamed, and the sails, which
were distended by the breeze, glistened from afar upon the blue
water. She was slowly and noiselessly sailing toward a promontory,
upon whose summit a strange flag was flying, apparently a signal of
Upon the other side of the promontory, and sailing directly toward
it was a Turkish vessel. By the listlessness of all on board, it was
evident that they were ignorant that an enemy was so near. The
captain leaned over the stern and gazed into the water. An aged man
in the dress of a slave, but whose intellectual countenance belied
his costume, was cleaning a sword.
"Monilon!" cried the captain, sternly, "Why are you so long. May
Allah eternally confound you, indolent heathen of a Greek!"
"Achmet, you are my master. I am old. Do not beat me. I have not
the strength of youth."
"Insolent greybeard! Be more respectful. Since your daughter's
escape, you have grown suddenly bold. Beware!"
"I rejoice that Iona is out of a ruffian's power."
"Dog! What! Ha!" he cried, in amaze, as turning to fell the old man
to the deck, he saw the Grecian vessel rounding the promontory. "Ho,
men! up! To arms! A corsair!"
Instantly, every man sprung to seize his arms. The guns were made
ready, and all was prepared for action.
"Monilon, go below. We will blow up these knaves in your absence.
You will have company soon from the slaves in yon ship."
A wild shout from the corsair interrupted him. Suddenly the
approaching vessel paused, and some movement was made upon her decks.
"By great Allah, they are afraid. Ha! They are moving that long
gun. They are pointing it." A loud noise followed his remark, and a
huge ball struck the ship sending the splinters around in every
direction. Then the corsair bore down upon them. Yet not more than
six men appeared upon her deck. When close by she poured a broadside
into the Turkish ship, wounding and killing great numbers. The Turks
sent back another, and shot off some of the rigging. But now the
ships were close together. A trumpet was blown by a noble and
splendidly apparelled youth who seemed to be leader. Instantly a
crowd of men poured out from the hold. They came thronging the deck,
and rushed after their leader into the Turkish vessel.
"Ranadar!" shouted Achmet.
"Ha, Achmet!" and Ranadar rushed upon the Turk. Their scimetars
crossed and flashed fire. Three times the steel of Ranadar started
the blood of Achmet. Twice he forced him upon his knee. At last the
Turk struck furiously at the corsair. But the next moment his sword
was whirled from his hand, and the Moslem chief fell gasping at the
feet of Ranadar.
"Victory, victory! Down with the Turks," shouted the fierce
corsair, as they rushed more furiously than ever upon their foes.
"Victory!" and the shout which added force to the Greeks, took away
the courage of the Turks. For a while the carnage raged, the Greeks
cut down their enemies who still fought with the wild energy of
despair. Many leaped into the sea. Others leaned against their dead
comrades, and though wounded, still kept up resistance.
"Yield! yield! You are conquered!" cried Ranadar! "Yield, and I
will be merciful!"
At this there was a pause. They threw down their swords, and
acknowledged themselves prisoners.
But as Ranadar turned to look upon the dead body of Achmet, and to
direct his men about the ship, he saw an aged man leaning against the
side of the ship. For a moment he looked, and then springing forward,
he caught the old man in his arms.
"Monilon, alive! Are you yet alive, then? Iona has mourned you
"Ranadar, Heaven bless you forever. Did you save my daughter?"
"I escaped, and she fled with me."
"Ranadar, your name is terrible to your foes, but O, how sweet, how
dear, to your friends. God bless you, is an old man's prayer."
The Turkish vessel was plundered, and after dividing, enough was
found to fill the corsairs with joy. The Turkish prisoners were
carried to Scio, and after a long time were exchanged for Greek
captives. The name of Ranadar gained new glory, and his deeds were
spoken of everywhere.
One tenth of the spoil was Ranadar's, but this he forced upon
Monilon, in order to enable him again to rebuild his ruined home in
Komao. Monilon took it, for well he knew that Ranadar would have it
again-well he knew it, by the happy smile and lovely blushes of Iona.
Komao rises from the sea not more than thirty miles to the north of
Scio. It is a lovely spot, where trees of luxuriant foliage and
richest fruit grow on every side. Here the vineyards are seen, where
vines hang in graceful festoons from tree to tree; orchards filled
with a thousand fruits, gardens where blooming and odorous flowers
give forth their fragrance to the air—running streams and gushing
fountains. In this paradise dwelt Monilon; here Iona was brought up,
and here Ranadar came to take her to his home. But that home was on
the same lovely island, and there they lived in happiness such as
earth can seldom bestow, for if the tenderest love and the most
beautiful scenes of nature can afford happiness, then Iona and
Ranadar had nothing more to desire. The corsair seldom after sailed
the sea. He was contented to dwell at home, and ever blessed the day
when he was led captive to Achmet's dungeon.