by D. H. Lawrence
The two girls were usually known by their surnames, Banford and
March. They had taken the farm together, intending to work it all by
themselves: that is, they were going to rear chickens, make a living by
poultry, and add to this by keeping a cow, and raising one or two young
beasts. Unfortunately, things did not turn out well.
Banford was a small, thin, delicate thing with spectacles. She,
however, was the principal investor, for March had little or no money.
Banford's father, who was a tradesman in Islington, gave his daughter
the start, for her health's sake, and because he loved her, and because
it did not look as if she would marry. March was more robust. She had
learned carpentry and joinery at the evening classes in Islington. She
would be the man about the place. They had, moreover, Banford's old
grandfather living with them at the start. He had been a farmer. But
unfortunately the old man died after he had been at Bailey Farm for a
year. Then the two girls were left alone.
They were neither of them young: that is, they were near thirty. But
they certainly were not old. They set out quite gallantly with their
enterprise. They had numbers of chickens, black Leghorns and white
Leghorns, Plymouths and Wyandottes; also some ducks; also two heifers
in the fields. One heifer, unfortunately, refused absolutely to stay in
the Bailey Farm closes. No matter how March made up the fences, the
heifer was out, wild in the woods, or trespassing on the neighbouring
pasture, and March and Banford were away, flying after her, with more
haste than success. So this heifer they sold in despair. Then, just
before the other beast was expecting her first calf, the old man died,
and the girls, afraid of the coming event, sold her in a panic, and
limited their attentions to fowls and ducks.
In spite of a little chagrin, it was a relief to have no more cattle
on hand. Life was not made merely to be slaved away. Both girls agreed
in this. The fowls were quite enough trouble. March had set up her
carpenter's bench at the end of the open shed. Here she worked, making
coops and doors and other appurtenances. The fowls were housed in the
bigger building, which had served as barn and cow-shed in old days.
They had a beautiful home, and should have been perfectly content.
Indeed, they looked well enough. But the girls were disgusted at their
tendency to strange illnesses, at their exacting way of life, and at
their refusal, obstinate refusal to lay eggs.
March did most of the outdoor work. When she was out and about, in
her puttees and breeches, her belted coat and her loose cap, she looked
almost like some graceful, loose-balanced young man, for her shoulders
were straight, and her movements easy and confident, even tinged with a
little indifference or irony. But her face was not a man's face, ever.
The wisps of her crisp dark hair blew about her as she stooped, her
eyes were big and wide and dark, when she looked up again, strange,
startled, shy and sardonic at once. Her mouth, too, was almost pinched
as if in pain and irony. There was something odd and unexplained about
her. She would stand balanced on one hip, looking at the fowls
pattering about in the obnoxious fine mud of the sloping yard, and
calling to her favourite white hen, which came in answer to her name.
But there was an almost satirical flicker in March's big, dark eyes as
she looked at her three-toed flock pottering about under her gaze, and
the same slight dangerous satire in her voice as she spoke to the
favoured Patty, who pecked at March's boot by way of friendly
Fowls did not flourish at Bailey Farm, in spite of all that March
did for them. When she provided hot food for them in the morning,
according to rule, she noticed that it made them heavy and dozy for
hours. She expected to see them lean against the pillars of the shed in
their languid processes of digestion. And she knew quite well that they
ought to be busily scratching and foraging about, if they were to come
to any good. So she decided to give them their hot food at night, and
let them sleep on it. Which she did. But it made no difference.
War conditions, again, were very unfavourable to poultry-keeping.
Food was scarce and bad. And when the Daylight Saving Bill was passed,
the fowls obstinately refused to go to bed as usual, about nine o'clock
in the summer-time. That was late enough, indeed, for there was no
peace till they were shut up and asleep. Now they cheerfully walked
around, without so much as glancing at the barn, until ten o'clock or
later. Both Banford and March disbelieved in living for work alone.
They wanted to read or take a cycle-ride in the evening, or perhaps
March wished to paint curvilinear swans on porcelain, with green
background, or else make a marvellous fire- screen by processes of
elaborate cabinet work. For she was a creature of odd whims and
unsatisfied tendencies. But from all these things she was prevented by
the stupid fowls.
One evil there was greater than any other. Bailey Farm was a little
homestead, with ancient wooden barn and low-gabled farm- house, lying
just one field removed from the edge of the wood. Since the war the fox
was a demon. He carried off the hens under the very noses of March and
Banford. Banford would start and stare through her big spectacles with
all her eyes, as another squawk and flutter took place at her heels.
Too late! Another white Leghorn gone. It was disheartening.
They did what they could to remedy it. When it became permitted to
shoot foxes, they stood sentinel with their guns, the two of them, at
the favoured hours. But it was no good. The fox was too quick for them.
So another year passed, and another, and they were living on their
losses, as Banford said. They let their farm-house one summer, and
retired to live in a railway-carriage that was deposited as a sort of
out-house in a corner of the field. This amused them, and helped their
finances. None the less, things looked dark.
Although they were usually the best of friends, because Banford,
though nervous and delicate, was a warm, generous soul, and March,
though so odd and absent in herself, had a strange magnanimity, yet, in
the long solitude, they were apt to become a little irritable with one
another, tired of one another. March had four- fifths of the work to
do, and though she did not mind, there seemed no relief, and it made
her eyes flash curiously sometimes. Then Banford, feeling more
nerve-worn than ever, would become despondent, and March would speak
sharply to her. They seemed to be losing ground, somehow, losing hope
as the months went by. There alone in the fields by the wood, with the
wide country stretching hollow and dim to the round hills of the White
Horse, in the far distance, they seemed to have to live too much off
themselves. There was nothing to keep them up—and no hope.
The fox really exasperated them both. As soon as they had let the
fowls out, in the early summer mornings, they had to take their guns
and keep guard: and then again as soon as evening began to mellow, they
must go once more. And he was so sly. He slid along in the deep grass;
he was difficult as a serpent to see. And he seemed to circumvent the
girls deliberately. Once or twice March had caught sight of the white
tip of his brush, or the ruddy shadow of him in the deep grass, and she
had let fire at him. But he made no account of this.
One evening March was standing with her back to the sunset, her gun
under her arm, her hair pushed under her cap. She was half watching,
half musing. It was her constant state. Her eyes were keen and
observant, but her inner mind took no notice of what she saw. She was
always lapsing into this odd, rapt state, her mouth rather screwed up.
It was a question whether she was there, actually conscious present, or
The trees on the wood-edge were a darkish, brownish green in the
full light—for it was the end of August. Beyond, the naked,
copper-like shafts and limbs of the pine trees shone in the air. Nearer
the rough grass, with its long, brownish stalks all agleam, was full of
light. The fowls were round about—the ducks were still swimming on the
pond under the pine trees. March looked at it all, saw it all, and did
not see it. She heard Banford speaking to the fowls in the
distance—and she did not hear. What was she thinking about? Heaven
knows. Her consciousness was, as it were, held back.
She lowered her eyes, and suddenly saw the fox. He was looking up at
her. Her chin was pressed down, and his eyes were looking up. They met
her eyes. And he knew her. She was spellbound—she knew he knew her. So
he looked into her eyes, and her soul failed her. He knew her, he was
She struggled, confusedly she came to herself, and saw him making
off, with slow leaps over some fallen boughs, slow, impudent jumps.
Then he glanced over his shoulder, and ran smoothly away. She saw his
brush held smooth like a feather, she saw his white buttocks twinkle.
And he was gone, softly, soft as the wind.
She put her gun to her shoulder, but even then pursed her mouth,
knowing it was nonsense to pretend to fire. So she began to walk slowly
after him, in the direction he had gone, slowly, pertinaciously. She
expected to find him. In her heart she was determined to find him. What
she would do when she saw him again she did not consider. But she was
determined to find him. So she walked abstractedly about on the edge of
the wood, with wide, vivid dark eyes, and a faint flush in her cheeks.
She did not think. In strange mindlessness she walked hither and
At last she became aware that Banford was calling her. She made an
effort of attention, turned, and gave some sort of screaming call in
answer. Then again she was striding off towards the homestead. The red
sun was setting, the fowls were retiring towards their roost. She
watched them, white creatures, black creatures, gathering to the barn.
She watched them spellbound, without seeing them. But her automatic
intelligence told her when it was time to shut the door.
She went indoors to supper, which Banford had set on the table.
Banford chatted easily. March seemed to listen, in her distant, manly
way. She answered a brief word now and then. But all the time she was
as if spellbound. And as soon as supper was over, she rose again to go
out, without saying why.
She took her gun again and went to look for the fox. For he had
lifted his eyes upon her, and his knowing look seemed to have entered
her brain. She did not so much think of him: she was possessed by him.
She saw his dark, shrewd, unabashed eye looking into her, knowing her.
She felt him invisibly master her spirit. She knew the way he lowered
his chin as he looked up, she knew his muzzle, the golden brown, and
the greyish white. And again she saw him glance over his shoulder at
her, half inviting, half contemptuous and cunning. So she went, with
her great startled eyes glowing, her gun under her arm, along the wood
edge. Meanwhile the night fell, and a great moon rose above the pine
trees. And again Banford was calling.
So she went indoors. She was silent and busy. She examined her gun,
and cleaned it, musing abstractedly by the lamplight. Then she went out
again, under the great moon, to see if everything was right. When she
saw the dark crests of the pine trees against the blood-red sky, again
her heart beat to the fox, the fox. She wanted to follow him, with her
It was some days before she mentioned the affair to Banford. Then
suddenly one evening she said:
'The fox was right at my feet on Saturday night.'
'Where?' said Banford, her eyes opening behind her spectacles.
'When I stood just above the pond.'
'Did you fire?' cried Banford.
'No, I didn't.'
'Why, I was too much surprised, I suppose.'
It was the same old, slow, laconic way of speech March always had.
Banford stared at her friend for a few moments.
'You saw him?' she cried.
'Oh yes! He was looking up at me, cool as anything.'
'I tell you,' cried Banford—'the cheek! They're not afraid of us,
'Oh, no,' said March.
'Pity you didn't get a shot at him,' said Banford.
'Isn't it a pity! I've been looking for him ever since. But I don't
suppose he'll come so near again.'
'I don't suppose he will,' said Banford.
And she proceeded to forget about it, except that she was more
indignant than ever at the impudence of the beggar. March also was not
conscious that she thought of the fox. But whenever she fell into her
half-musing, when she was half rapt and half intelligently aware of
what passed under her vision, then it was the fox which somehow
dominated her unconsciousness, possessed the blank half of her musing.
And so it was for weeks, and months. No matter whether she had been
climbing the trees for the apples, or beating down the last of the
damsons, or whether she had been digging out the ditch from the
duck-pond, or clearing out the barn, when she had finished, or when she
straightened herself, and pushed the wisps of her hair away again from
her forehead, and pursed up her mouth again in an odd, screwed fashion,
much too old for her years, there was sure to come over her mind the
old spell of the fox, as it came when he was looking at her. It was as
if she could smell him at these times. And it always recurred, at
unexpected moments, just as she was going to sleep at night, or just as
she was pouring the water into the tea-pot to make tea—it was the fox,
it came over her like a spell.
So the months passed. She still looked for him unconsciously when
she went towards the wood. He had become a settled effect in her
spirit, a state permanently established, not continuous, but always
recurring. She did not know what she felt or thought: only the state
came over her, as when he looked at her.
The months passed, the dark evenings came, heavy, dark November,
when March went about in high boots, ankle deep in mud, when the night
began to fall at four o'clock, and the day never properly dawned. Both
girls dreaded these times. They dreaded the almost continuous darkness
that enveloped them on their desolate little farm near the wood.
Banford was physically afraid. She was afraid of tramps, afraid lest
someone should come prowling around. March was not so much afraid as
uncomfortable, and disturbed. She felt discomfort and gloom in all her
Usually the two girls had tea in the sitting-room. March lighted a
fire at dusk, and put on the wood she had chopped and sawed during the
day. Then the long evening was in front, dark, sodden, black outside,
lonely and rather oppressive inside, a little dismal. March was content
not to talk, but Banford could not keep still. Merely listening to the
wind in the pines outside or the drip of water, was too much for her.
One evening the girls had washed up the tea-cups in the kitchen, and
March had put on her house-shoes, and taken up a roll of crochet-work,
which she worked at slowly from time to time. So she lapsed into
silence. Banford stared at the red fire, which, being of wood, needed
constant attention. She was afraid to begin to read too early, because
her eyes would not bear any strain. So she sat staring at the fire,
listening to the distant sounds, sound of cattle lowing, of a dull,
heavy moist wind, of the rattle of the evening train on the little
railway not far off. She was almost fascinated by the red glow of the
Suddenly both girls started, and lifted their heads. They heard a
footstep—distinctly a footstep. Banford recoiled in fear. March stood
listening. Then rapidly she approached the door that led into the
kitchen. At the same time they heard the footsteps approach the back
door. They waited a second. The back door opened softly. Banford gave a
loud cry. A man's voice said softly:
March recoiled, and took a gun from a corner.
'What do you want?' she cried, in a sharp voice.
Again the soft, softly-vibrating man's voice said:
'Hello! What's wrong!'
'I shall shoot!' cried March. 'What do you want?'
'Why, what's wrong? What's wrong?' came the soft, wondering, rather
scared voice: and a young soldier, with his heavy kit on his back,
advanced into the dim light.
'Why,' he said, 'who lives here then?'
'We live here,' said March. 'What do you want?'
'Oh!' came the long, melodious, wonder-note from the young soldier.
'Doesn't William Grenfel live here then?'
'No—you know he doesn't.'
'Do I? Do I? I don't, you see. He did LIVE here, because he was my
grandfather, and I lived here myself five years ago. What's become of
The young man—or youth, for he would not be more than twenty—now
advanced and stood in the inner doorway. March, already under the
influence of his strange, soft, modulated voice, stared at him
spellbound. He had a ruddy, roundish face, with fairish hair, rather
long, flattened to his forehead with sweat. His eyes were blue, and
very bright and sharp. On his cheeks, on the fresh ruddy skin were
fine, fair hairs, like a down, but sharper. It gave him a slightly
glistening look. Having his heavy sack on his shoulders, he stooped,
thrusting his head forward. His hat was loose in one hand. He stared
brightly, very keenly from girl to girl, particularly at March, who
stood pale, with great dilated eyes, in her belted coat and puttees,
her hair knotted in a big crisp knot behind. She still had the gun in
her hand. Behind her, Banford, clinging to the sofa-arm, was shrinking
away, with half- averted head.
'I thought my grandfather still lived here? I wonder if he's dead.'
'We've been here for three years,' said Banford, who was beginning
to recover her wits, seeing something boyish in the round head with its
rather long, sweaty hair.
'Three years! You don't say so! And you don't know who was here
'I know it was an old man, who lived by himself.'
'Ay! Yes, that's him! And what became of him then?'
'He died. I know he died.'
'Ay! He's dead then!'
The youth stared at them without changing colour or expression. If
he had any expression, besides a slight baffled look of wonder, it was
one of sharp curiosity concerning the two girls; sharp, impersonal
curiosity, the curiosity of that round young head.
But to March he was the fox. Whether it was the thrusting forward of
his head, or the glisten of fine whitish hairs on the ruddy
cheek-bones, or the bright, keen eyes, that can never be said: but the
boy was to her the fox, and she could not see him otherwise.
'How is it you didn't know if your grandfather was alive or dead?'
asked Banford, recovering her natural sharpness.
'Ay, that's it,' replied the softly-breathing youth. 'You see, I
joined up in Canada, and I hadn't heard for three or four years. I ran
away to Canada.'
'And now have you just come from France?'
'Well—from Salonika really.'
There was a pause, nobody knowing quite what to say.
'So you've nowhere to go now?' said Banford rather lamely.
'Oh, I know some people in the village. Anyhow, I can go to the
'You came on the train, I suppose. Would you like to sit down a
'Well—I don't mind.'
He gave an odd little groan as he swung off his kit. Banford looked
'Put the gun down,' she said. 'We'll make a cup of tea.'
'Ay,' said the youth. 'We've seen enough of rifles.'
He sat down rather tired on the sofa, leaning forward.
March recovered her presence of mind, and went into the kitchen.
There she heard the soft young voice musing:
'Well, to think I should come back and find it like this!' He did
not seem sad, not at all—only rather interestedly surprised.
'And what a difference in the place, eh?' he continued, looking
round the room.
'You see a difference, do you?' said Banford.
His eyes were unnaturally clear and bright, though it was the
brightness of abundant health.
March was busy in the kitchen preparing another meal. It was about
seven o'clock. All the time, while she was active, she was attending to
the youth in the sitting-room, not so much listening to what he said as
feeling the soft run of his voice. She primmed up her mouth tighter and
tighter, puckering it as if it were sewed, in her effort to keep her
will uppermost. Yet her large eyes dilated and glowed in spite of her;
she lost herself. Rapidly and carelessly she prepared the meal, cutting
large chunks of bread and margarine—for there was no butter. She
racked her brain to think of something else to put on the tray—she had
only bread, margarine, and jam, and the larder was bare. Unable to
conjure anything up, she went into the sitting-room with her tray.
She did not want to be noticed. Above all, she did not want him to
look at her. But when she came in, and was busy setting the table just
behind him, he pulled himself up from his sprawling, and turned and
looked over his shoulder. She became pale and wan.
The youth watched her as she bent over the table, looked at her
slim, well-shapen legs, at the belted coat dropping around her thighs,
at the knot of dark hair, and his curiosity, vivid and widely alert,
was again arrested by her.
The lamp was shaded with a dark-green shade, so that the light was
thrown downwards and the upper half of the room was dim. His face moved
bright under the light, but March loomed shadowy in the distance.
She turned round, but kept her eyes sideways, dropping and lifting
her dark lashes. Her mouth unpuckered as she said to Banford:
'Will you pour out?'
Then she went into the kitchen again.
'Have your tea where you are, will you?' said Banford to the youth—
'unless you'd rather come to the table.'
'Well,' said he, 'I'm nice and comfortable here, aren't I? I will
have it here, if you don't mind.'
'There's nothing but bread and jam,' she said. And she put his plate
on a stool by him. She was very happy now, waiting on him. For she
loved company. And now she was no more afraid of him than if he were
her own younger brother. He was such a boy.
'Nellie,' she called. 'I've poured you a cup out.'
March appeared in the doorway, took her cup, and sat down in a
corner, as far from the light as possible. She was very sensitive in
her knees. Having no skirts to cover them, and being forced to sit with
them boldly exposed, she suffered. She shrank and shrank, trying not to
be seen. And the youth sprawling low on the couch, glanced up at her,
with long, steady, penetrating looks, till she was almost ready to
disappear. Yet she held her cup balanced, she drank her tea, screwed up
her mouth and held her head averted. Her desire to be invisible was so
strong that it quite baffled the youth. He felt he could not see her
distinctly. She seemed like a shadow within the shadow. And ever his
eyes came back to her, searching, unremitting, with unconscious fixed
Meanwhile he was talking softly and smoothly to Banford, who loved
nothing so much as gossip, and who was full of perky interest, like a
bird. Also he ate largely and quickly and voraciously, so that March
had to cut more chunks of bread and margarine, for the roughness of
which Banford apologized.
'Oh, well,' said March, suddenly speaking, 'if there's no butter to
put on it, it's no good trying to make dainty pieces.'
Again the youth watched her, and he laughed, with a sudden, quick
laugh, showing his teeth and wrinkling his nose.
'It isn't, is it,' he answered in his soft, near voice.
It appeared he was Cornish by birth and upbringing. When he was
twelve years old he had come to Bailey Farm with his grandfather, with
whom he had never agreed very well. So he had run away to Canada, and
worked far away in the West. Now he was here—and that was the end of
He was very curious about the girls, to find out exactly what they
were doing. His questions were those of a farm youth; acute, practical,
a little mocking. He was very much amused by their attitude to their
losses: for they were amusing on the score of heifers and fowls.
'Oh, well,' broke in March, 'we don't believe in living for nothing
'Don't you?' he answered. And again the quick young laugh came over
his face. He kept his eyes steadily on the obscure woman in the corner.
'But what will you do when you've used up all your capital?' he
'Oh, I don't know,' answered March laconically. 'Hire ourselves out
for land-workers, I suppose.'
'Yes, but there won't be any demand for women land-workers now the
war's over,' said the youth.
'Oh, we'll see. We shall hold on a bit longer yet,' said March, with
a plangent, half-sad, half-ironical indifference.
'There wants a man about the place,' said the youth softly.
Banford burst out laughing.
'Take care what you say,' she interrupted. 'We consider ourselves
'Oh,' came March's slow plangent voice, 'it isn't a case of
efficiency, I'm afraid. If you're going to do farming you must be at it
from morning till night, and you might as well be a beast yourself.'
'Yes, that's it,' said the youth. 'You aren't willing to put
yourselves into it.'
'We aren't,' said March, 'and we know it.'
'We want some of our time for ourselves,' said Banford.
The youth threw himself back on the sofa, his face tight with
laughter, and laughed silently but thoroughly. The calm scorn of the
girls tickled him tremendously.
'Yes,' he said, 'but why did you begin then?'
'Oh,' said March, 'we had a better opinion of the nature of fowls
then than we have now.'
'Of Nature altogether, I'm afraid,' said Banford. 'Don't talk to me
Again the face of the youth tightened with delighted laughter.
'You haven't a very high opinion of fowls and cattle, have you?' he
'Oh no—quite a low one,' said March.
He laughed out.
'Neither fowls nor heifers,' said Banford, 'nor goats nor the
The youth broke into a sharp yap of laughter, delighted. The girls
began to laugh too, March turning aside her face and wrinkling her
mouth in amusement.
'Oh, well,' said Banford, 'we don't mind, do we, Nellie?'
'No,' said March, 'we don't mind.'
The youth was very pleased. He had eaten and drunk his fill. Banford
began to question him. His name was Henry Grenfel—no, he was not
called Harry, always Henry. He continued to answer with courteous
simplicity, grave and charming. March, who was not included, cast long,
slow glances at him from her recess, as he sat there on the sofa, his
hands clasping his knees, his face under the lamp bright and alert,
turned to Banford. She became almost peaceful at last. He was
identified with the fox—and he was here in full presence. She need not
go after him any more. There in the shadow of her corner she gave
herself up to a warm, relaxed peace, almost like sleep, accepting the
spell that was on her. But she wished to remain hidden. She was only
fully at peace whilst he forgot her, talking to Banford. Hidden in the
shadow of the corner, she need not any more be divided in herself,
trying to keep up two planes of consciousness. She could at last lapse
into the odour of the fox.
For the youth, sitting before the fire in his uniform, sent a faint
but distinct odour into the room, indefinable, but something like a
wild creature. March no longer tried to reserve herself from it. She
was still and soft in her corner like a passive creature in its cave.
At last the talk dwindled. The youth relaxed his clasp of his knees,
pulled himself together a little, and looked round. Again he became
aware of the silent, half-invisible woman in the corner.
'Well,' he said unwillingly, 'I suppose I'd better be going, or
they'll be in bed at the “Swan ”.'
'I'm afraid they're in bed, anyhow,' said Banford. 'They've all got
'Have they!' he exclaimed. And he pondered. 'Well,' he continued, 'I
shall find a place somewhere.'
'I'd say you could stay here, only—' Banford began.
He turned and watched her, holding his head forward.
'What?' he asked.
'Oh, well,' she said, 'propriety, I suppose.' She was rather
'It wouldn't be improper, would it?' he said, gently surprised.
'Not as far as we're concerned,' said Banford.
'And not as far as I'M concerned,' he said, with grave naivete.
'After all, it's my own home, in a way.'
Banford smiled at this.
'It's what the village will have to say,' she said.
There was a moment's blank pause.
'What do you say, Nellie?' asked Banford.
'I don't mind,' said March, in her distinct tone. 'The village
doesn't matter to me, anyhow.'
'No,' said the youth, quick and soft. 'Why should it? I mean, what
should they say?'
'Oh, well,' came March's plangent, laconic voice, 'they'll easily
find something to say. But it makes no difference what they say. We can
look after ourselves.'
'Of course you can,' said the youth.
'Well then, stop if you like,' said Banford. 'The spare room is
His face shone with pleasure.
'If you're quite sure it isn't troubling you too much,' he said,
with that soft courtesy which distinguished him.
'Oh, it's no trouble,' they both said.
He looked, smiling with delight, from one to another.
'It's awfully nice not to have to turn out again, isn't it?' he said
'I suppose it is,' said Banford.
March disappeared to attend the room. Banford was as pleased and
thoughtful as if she had her own young brother home from France. It
gave her just the same kind of gratification to attend on him, to get
out the bath for him, and everything. Her natural warmth and kindliness
had now an outlet. And the youth luxuriated in her sisterly attention.
But it puzzled him slightly to know that March was silently working for
him too. She was so curiously silent and obliterated. It seemed to him
he had not really seen her. He felt he should not know her if he met
her in the road.
That night March dreamed vividly. She dreamed she heard a singing
outside which she could not understand, a singing that roamed round the
house, in the fields, and in the darkness. It moved her so that she
felt she must weep. She went out, and suddenly she knew it was the fox
singing. He was very yellow and bright, like corn. She went nearer to
him, but he ran away and ceased singing. He seemed near, and she wanted
to touch him. She stretched out her hand, but suddenly he bit her
wrist, and at the same instant, as she drew back, the fox, turning
round to bound away, whisked his brush across her face, and it seemed
his brush was on fire, for it seared and burned her mouth with a great
pain. She awoke with the pain of it, and lay trembling as if she were
In the morning, however, she only remembered it as a distant memory.
She arose and was busy preparing the house and attending to the fowls.
Banford flew into the village on her bicycle to try and buy food. She
was a hospitable soul. But alas, in the year 1918 there was not much
food to buy. The youth came downstairs in his shirt-sleeves. He was
young and fresh, but he walked with his head thrust forward, so that
his shoulders seemed raised and rounded, as if he had a slight
curvature of the spine. It must have been only a manner of bearing
himself, for he was young and vigorous. He washed himself and went
outside, whilst the women were preparing breakfast.
He saw everything, and examined everything. His curiosity was quick
and insatiable. He compared the state of things with that which he
remembered before, and cast over in his mind the effect of the changes.
He watched the fowls and the ducks, to see their condition; he noticed
the flight of wood-pigeons overhead: they were very numerous; he saw
the few apples high up, which March had not been able to reach; he
remarked that they had borrowed a draw- pump, presumably to empty the
big soft-water cistern which was on the north side of the house.
'It's a funny, dilapidated old place,' he said to the girls, as he
sat at breakfast.
His eyes were wise and childish, with thinking about things. He did
not say much, but ate largely. March kept her face averted. She, too,
in the early morning could not be aware of him, though something about
the glint of his khaki reminded her of the brilliance of her dream-fox.
During the day the girls went about their business. In the morning
he attended to the guns, shot a rabbit and a wild duck that was flying
high towards the wood. That was a great addition to the empty larder.
The girls felt that already he had earned his keep. He said nothing
about leaving, however. In the afternoon he went to the village. He
came back at tea-time. He had the same alert, forward-reaching look on
his roundish face. He hung his hat on a peg with a little swinging
gesture. He was thinking about something.
'Well,' he said to the girls, as he sat at table. 'What am I going
'How do you mean—what are you going to do?' said Banford.
'Where am I going to find a place in the village to stay?' he said.
'I don't know,' said Banford. 'Where do you think of staying?'
'Well'—he hesitated—'at the “Swan” they've got this flu, and at
the “Plough and Harrow” they've got the soldiers who are collecting the
hay for the army: besides, in the private houses, there's ten men and a
corporal altogether billeted in the village, they tell me. I'm not sure
where I could get a bed.'
He left the matter to them. He was rather calm about it. March sat
with her elbows on the table, her two hands supporting her chin,
looking at him unconsciously. Suddenly he lifted his clouded blue eyes,
and unthinking looked straight into March's eyes. He was startled as
well as she. He, too, recoiled a little. March felt the same sly,
taunting, knowing spark leap out of his eyes, as he turned his head
aside, and fall into her soul, as it had fallen from the dark eyes of
the fox. She pursed her mouth as if in pain, as if asleep too.
'Well, I don't know,' Banford was saying. She seemed reluctant, as
if she were afraid of being imposed upon. She looked at March. But,
with her weak, troubled sight, she only saw the usual semi- abstraction
on her friend's face. 'Why don't you speak, Nellie?' she said.
But March was wide-eyed and silent, and the youth, as if fascinated,
was watching her without moving his eyes.
'Go on—answer something,' said Banford. And March turned her head
slightly aside, as if coming to consciousness, or trying to come to
'What do you expect me to say?' she asked automatically.
'Say what you think,' said Banford.
'It's all the same to me,' said March.
And again there was silence. A pointed light seemed to be on the
boy's eyes, penetrating like a needle.
'So it is to me,' said Banford. 'You can stop on here if you like.'
A smile like a cunning little flame came over his face, suddenly and
involuntarily. He dropped his head quickly to hide it, and remained
with his head dropped, his face hidden.
'You can stop on here if you like. You can please yourself, Henry,'
Still he did not reply, but remained with his head dropped. Then he
lifted his face. It was bright with a curious light, as if exultant,
and his eyes were strangely clear as he watched March. She turned her
face aside, her mouth suffering as if wounded, and her consciousness
Banford became a little puzzled. She watched the steady, pellucid
gaze of the youth's eyes as he looked at March, with the invisible
smile gleaming on his face. She did not know how he was smiling, for no
feature moved. It seemed only in the gleam, almost the glitter of the
fine hairs on his cheeks. Then he looked with quite a changed look at
'I'm sure,' he said in his soft, courteous voice, 'you're awfully
good. You're too good. You don't want to be bothered with me, I'm
'Cut a bit of bread, Nellie,' said Banford uneasily, adding: 'It's
no bother, if you like to stay. It's like having my own brother here
for a few days. He's a boy like you are.'
'That's awfully kind of you,' the lad repeated. 'I should like to
stay ever so much, if you're sure I'm not a trouble to you.'
'No, of course you're no trouble. I tell you, it's a pleasure to
have somebody in the house beside ourselves,' said warmhearted Banford.
'But Miss March?' he said in his soft voice, looking at her.
'Oh, it's quite all right as far as I'm concerned,' said March
His face beamed, and he almost rubbed his hands with pleasure.
'Well then,' he said, 'I should love it, if you'd let me pay my
board and help with the work.'
'You've no need to talk about board,' said Banford.
One or two days went by, and the youth stayed on at the farm.
Banford was quite charmed by him. He was so soft and courteous in
speech, not wanting to say much himself, preferring to hear what she
had to say, and to laugh in his quick, half-mocking way. He helped
readily with the work—but not too much. He loved to be out alone with
the gun in his hands, to watch, to see. For his sharp- eyed, impersonal
curiosity was insatiable, and he was most free when he was quite alone,
Particularly he watched March. She was a strange character to him.
Her figure, like a graceful young man's, piqued him. Her dark eyes made
something rise in his soul, with a curious elate excitement, when he
looked into them, an excitement he was afraid to let be seen, it was so
keen and secret. And then her odd, shrewd speech made him laugh
outright. He felt he must go further, he was inevitably impelled. But
he put away the thought of her and went off towards the wood's edge
with the gun.
The dusk was falling as he came home, and with the dusk, a fine,
late November rain. He saw the fire-light leaping in the window of the
sitting-room, a leaping light in the little cluster of the dark
buildings. And he thought to himself it would be a good thing to have
this place for his own. And then the thought entered him shrewdly: Why
not marry March? He stood still in the middle of the field for some
moments, the dead rabbit hanging still in his hand, arrested by this
thought. His mind waited in amazement—it seemed to calculate—and then
he smiled curiously to himself in acquiescence. Why not? Why not
indeed? It was a good idea. What if it was rather ridiculous? What did
it matter? What if she was older than he? It didn't matter. When he
thought of her dark, startled, vulnerable eyes he smiled subtly to
himself. He was older than she, really. He was master of her.
He scarcely admitted his intention even to himself. He kept it as a
secret even from himself. It was all too uncertain as yet. He would
have to see how things went. Yes, he would have to see how things went.
If he wasn't careful, she would just simply mock at the idea. He knew,
sly and subtle as he was, that if he went to her plainly and said:
'Miss March, I love you and want you to marry me,' her inevitable
answer would be: 'Get out. I don't want any of that tomfoolery.' This
was her attitude to men and their 'tomfoolery'. If he was not careful,
she would turn round on him with her savage, sardonic ridicule, and
dismiss him from the farm and from her own mind for ever. He would have
to go gently. He would have to catch her as you catch a deer or a
woodcock when you go out shooting. It's no good walking out into the
forest and saying to the deer: 'Please fall to my gun.' No, it is a
slow, subtle battle. When you really go out to get a deer, you gather
yourself together, you coil yourself inside yourself, and you advance
secretly, before dawn, into the mountains. It is not so much what you
do, when you go out hunting, as how you feel. You have to be subtle and
cunning and absolutely fatally ready. It becomes like a fate. Your own
fate overtakes and determines the fate of the deer you are hunting.
First of all, even before you come in sight of your quarry, there is a
strange battle, like mesmerism. Your own soul, as a hunter, has gone
out to fasten on the soul of the deer, even before you see any deer.
And the soul of the deer fights to escape. Even before the deer has any
wind of you, it is so. It is a subtle, profound battle of wills which
takes place in the invisible. And it is a battle never finished till
your bullet goes home. When you are REALLY worked up to the true pitch,
and you come at last into range, you don't then aim as you do when you
are firing at a bottle. It is your own WILL which carries the bullet
into the heart of your quarry. The bullet's flight home is a sheer
projection of your own fate into the fate of the deer. It happens like
a supreme wish, a supreme act of volition, not as a dodge of
He was a huntsman in spirit, not a farmer, and not a soldier stuck
in a regiment. And it was as a young hunter that he wanted to bring
down March as his quarry, to make her his wife. So he gathered himself
subtly together, seemed to withdraw into a kind of invisibility. He was
not quite sure how he would go on. And March was suspicious as a hare.
So he remained in appearance just the nice, odd stranger-youth, staying
for a fortnight on the place.
He had been sawing logs for the fire in the afternoon. Darkness came
very early. It was still a cold, raw mist. It was getting almost too
dark to see. A pile of short sawed logs lay beside the trestle. March
came to carry them indoors, or into the shed, as he was busy sawing the
last log. He was working in his shirt-sleeves, and did not notice her
approach; she came unwillingly, as if shy. He saw her stooping to the
bright-ended logs, and he stopped sawing. A fire like lightning flew
down his legs in the nerves.
'March?' he said in his quiet, young voice.
She looked up from the logs she was piling.
'Yes!' she said.
He looked down on her in the dusk. He could see her not too
'I wanted to ask you something,' he said.
'Did you? What was it?' she said. Already the fright was in her
voice. But she was too much mistress of herself.
'Why'—his voice seemed to draw out soft and subtle, it penetrated
her nerves—'why, what do you think it is?'
She stood up, placed her hands on her hips, and stood looking at him
transfixed, without answering. Again he burned with a sudden power.
'Well,' he said, and his voice was so soft it seemed rather like a
subtle touch, like the merest touch of a cat's paw, a feeling rather
than a sound.' Well—I wanted to ask you to marry me.'
March felt rather than heard him. She was trying in vain to turn
aside her face. A great relaxation seemed to have come over her. She
stood silent, her head slightly on one side. He seemed to be bending
towards her, invisibly smiling. It seemed to her fine sparks came out
Then very suddenly she said:
'Don't try any of your tomfoolery on me.'
A quiver went over his nerves. He had missed. He waited a moment to
collect himself again. Then he said, putting all the strange softness
into his voice, as if he were imperceptibly stroking her:
'Why, it's not tomfoolery. It's not tomfoolery. I mean it. I mean
it. What makes you disbelieve me?'
He sounded hurt. And his voice had such a curious power over her;
making her feel loose and relaxed. She struggled somewhere for her own
power. She felt for a moment that she was lost—lost—lost. The word
seemed to rock in her as if she were dying. Suddenly again she spoke.
'You don't know what you are talking about,' she said, in a brief
and transient stroke of scorn. 'What nonsense! I'm old enough to be
'Yes, I do know what I'm talking about. Yes, I do,' he persisted
softly, as if he were producing his voice in her blood. 'I know quite
well what I'm talking about. You're not old enough to be my mother.
That isn't true. And what does it matter even if it was. You can marry
me whatever age we are. What is age to me? And what is age to you! Age
A swoon went over her as he concluded. He spoke rapidly—in the
rapid Cornish fashion—and his voice seemed to sound in her somewhere
where she was helpless against it. 'Age is nothing!' The soft, heavy
insistence of it made her sway dimly out there in the darkness. She
could not answer.
A great exultance leaped like fire over his limbs. He felt he had
'I want to marry you, you see. Why shouldn't I?' he proceeded, soft
and rapid. He waited for her to answer. In the dusk he saw her almost
phosphorescent. Her eyelids were dropped, her face half-averted and
unconscious. She seemed to be in his power. But he waited, watchful. He
dared not yet touch her.
'Say then,' he said, 'say then you'll marry me. Say—say!' He was
'What?' she asked, faint, from a distance, like one in pain. His
voice was now unthinkably near and soft. He drew very near to her.
'Oh, I can't,' she wailed helplessly, half-articulate, as if
semiconscious, and as if in pain, like one who dies. 'How can I?'
'You can,' he said softly, laying his hand gently on her shoulder as
she stood with her head averted and dropped, dazed. 'You can. Yes, you
can. What makes you say you can't? You can. You can.' And with awful
softness he bent forward and just touched her neck with his mouth and
'Don't!' she cried, with a faint mad cry like hysteria, starting
away and facing round on him. 'What do you mean?' But she had no breath
to speak with. It was as if she was killed.
'I mean what I say,' he persisted softly and cruelly. 'I want you to
marry me. I want you to marry me. You know that, now, don't you? You
know that, now? Don't you? Don't you?'
'What?' she said.
'Know,' he replied.
'Yes,' she said. 'I know you say so.'
'And you know I mean it, don't you?'
'I know you say so.'
'You believe me?' he said.
She was silent for some time. Then she pursed her lips.
'I don't know what I believe,' she said.
'Are you out there?' came Banford's voice, calling from the house.
'Yes, we're bringing in the logs,' he answered.
'I thought you'd gone lost,' said Banford disconsolately. 'Hurry up,
do, and come and let's have tea. The kettle's boiling.'
He stooped at once to take an armful of little logs and carry them
into the kitchen, where they were piled in a corner. March also helped,
filling her arms and carrying the logs on her breast as if they were
some heavy child. The night had fallen cold.
When the logs were all in, the two cleaned their boots noisily on
the scraper outside, then rubbed them on the mat. March shut the door
and took off her old felt hat—her farm-girl hat. Her thick, crisp,
black hair was loose, her face was pale and strained. She pushed back
her hair vaguely and washed her hands. Banford came hurrying into the
dimly-lighted kitchen, to take from the oven the scones she was keeping
'Whatever have you been doing all this time?' she asked fretfully.
'I thought you were never coming in. And it's ages since you stopped
sawing. What were you doing out there?'
'Well,' said Henry, 'we had to stop that hole in the barn to keeps
the rats out.'
'Why, I could see you standing there in the shed. I could see your
shirt-sleeves,' challenged Banford.
'Yes, I was just putting the saw away.'
They went in to tea. March was quite mute. Her face was pale and
strained and vague. The youth, who always had the same ruddy,
self-contained look on his face, as though he were keeping himself to
himself, had come to tea in his shirt-sleeves as if he were at home. He
bent over his plate as he ate his food.
'Aren't you cold?' said Banford spitefully. 'In your shirtsleeves.'
He looked up at her, with his chin near his plate, and his eyes very
clear, pellucid, and unwavering as he watched her.
'No, I'm not cold,' he said with his usual soft courtesy. 'It's much
warmer in here than it is outside, you see.'
'I hope it is,' said Banford, feeling nettled by him. He had a
strange, suave assurance and a wide-eyed bright look that got on her
nerves this evening.
'But perhaps,' he said softly and courteously, 'you don't like me
coming to tea without my coat. I forgot that.'
'Oh, I don't mind,' said Banford: although she DID.
'I'll go and get it, shall I?' he said.
March's dark eyes turned slowly down to him.
'No, don't you bother,' she said in her queer, twanging tone. 'If
you feel all right as you are, stop as you are.' She spoke with a crude
'Yes,' said he, 'I FEEL all right, if I'm not rude.'
'It's usually considered rude,' said Banford. 'But we don't mind.'
'Go along, “considered rude",' ejaculated March. 'Who considers it
'Why, you do, Nellie, in anybody else,' said Banford, bridling a
little behind her spectacles, and feeling her food stick in her throat.
But March had again gone vague and unheeding, chewing her food as if
she did not know she was eating at all. And the youth looked from one
to another, with bright, watching eyes.
Banford was offended. For all his suave courtesy and soft voice, the
youth seemed to her impudent. She did not like to look at him. She did
not like to meet his clear, watchful eyes, she did not like to see the
strange glow in his face, his cheeks with their delicate fine hair, and
his ruddy skin that was quite dull and yet which seemed to burn with a
curious heat of life. It made her feel a little ill to look at him: the
quality of his physical presence was too penetrating, too hot.
After tea the evening was very quiet. The youth rarely went into the
village. As a rule, he read: he was a great reader, in his own hours.
That is, when he did begin, he read absorbedly. But he was not very
eager to begin. Often he walked about the fields and along the hedges
alone in the dark at night, prowling with a queer instinct for the
night, and listening to the wild sounds.
Tonight, however, he took a Captain Mayne Reid book from Banford's
shelf and sat down with knees wide apart and immersed himself in his
story. His brownish fair hair was long, and lay on his head like a
thick cap, combed sideways. He was still in his shirt- sleeves, and
bending forward under the lamplight, with his knees stuck wide apart
and the book in his hand and his whole figure absorbed in the rather
strenuous business of reading, he gave Banford's sitting-room the look
of a lumber-camp. She resented this. For on her sitting-room floor she
had a red Turkey rug and dark stain round, the fire-place had
fashionable green tiles, the piano stood open with the latest dance
music: she played quite well: and on the walls were March's
hand-painted swans and water- lilies. Moreover, with the logs nicely,
tremulously burning in the grate, the thick curtains drawn, the doors
all shut, and the pine trees hissing and shuddering in the wind
outside, it was cosy, it was refined and nice. She resented the big,
raw, long-legged youth sticking his khaki knees out and sitting there
with his soldier's shirt-cuffs buttoned on his thick red wrists. From
time to time he turned a page, and from time to time he gave a sharp
look at the fire, settling the logs. Then he immersed himself again in
the intense and isolated business of reading.
March, on the far side of the table, was spasmodically crocheting.
Her mouth was pursed in an odd way, as when she had dreamed the fox's
brush burned it, her beautiful, crisp black hair strayed in wisps. But
her whole figure was absorbed in its bearing, as if she herself was
miles away. In a sort of semi-dream she seemed to be hearing the fox
singing round the house in the wind, singing wildly and sweetly and
like a madness. With red but well-shaped hands she slowly crocheted the
white cotton, very slowly, awkwardly.
Banford was also trying to read, sitting in her low chair. But
between those two she felt fidgety. She kept moving and looking round
and listening to the wind, and glancing secretly from one to the other
of her companions. March, seated on a straight chair, with her knees in
their close breeches crossed, and slowly, laboriously crocheting, was
also a trial.
'Oh dear!' said Banford, 'My eyes are bad tonight.' And she pressed
her fingers on her eyes.
The youth looked up at her with his clear, bright look, but did not
'Are they, Jill?' said March absently.
Then the youth began to read again, and Banford perforce returned to
her book. But she could not keep still. After a while she looked up at
March, and a queer, almost malignant little smile was on her thin face.
'A penny for them, Nell,' she said suddenly.
March looked round with big, startled black eyes, and went pale as
if with terror. She had been listening to the fox singing so tenderly,
so tenderly, as he wandered round the house.
'What?' she said vaguely.
'A penny for them,' said Banford sarcastically. 'Or twopence, if
they're as deep as all that.'
The youth was watching with bright, clear eyes from beneath the
'Why,' came March's vague voice, 'what do you want to waste your
'I thought it would be well spent,' said Banford.
'I wasn't thinking of anything except the way the wind was blowing,'
'Oh dear,' replied Banford, 'I could have had as original thought as
that myself. I'm afraid I HAVE wasted my money this time.'
'Well, you needn't pay,' said March.
The youth suddenly laughed. Both women looked at him: March rather
surprised-looking, as if she had hardly known he was there.
'Why, do you ever pay up on these occasions?' he asked.
'Oh yes,' said Banford. 'We always do. I've sometimes had to pass a
shilling a week to Nellie, in the winter-time. It costs much less in
'What, paying for each other's thoughts?' he laughed.
'Yes, when we've absolutely come to the end of everything else.'
He laughed quickly, wrinkling his nose sharply like a puppy and
laughing with quick pleasure, his eyes shining.
'It's the first time I ever heard of that,' he said.
'I guess you'd hear of it often enough if you stayed a winter on
Bailey Farm,' said Banford lamentably.
'Do you get so tired, then?' he asked.
'So bored,' said Banford.
'Oh!' he said gravely. 'But why should you be bored?'
'Who wouldn't be bored?' said Banford.
'I'm sorry to hear that,' he said gravely.
'You must be, if you were hoping to have a lively time here,' said
He looked at her long and gravely.
'Well,' he said, with his odd, young seriousness, 'it's quite lively
enough for me.'
'I'm glad to hear it,' said Banford.
And she returned to her book. In her thin, frail hair were already
many threads of grey, though she was not yet thirty. The boy did not
look down, but turned his eyes to March, who was sitting with pursed
mouth laboriously crocheting, her eyes wide and absent. She had a warm,
pale, fine skin and a delicate nose. Her pursed mouth looked shrewish.
But the shrewish look was contradicted by the curious lifted arch of
her dark brows, and the wideness of her eyes; a look of startled wonder
and vagueness. She was listening again for the fox, who seemed to have
wandered farther off into the night.
From under the edge of the lamp-light the boy sat with his face
looking up, watching her silently, his eyes round and very clear and
intent. Banford, biting her fingers irritably, was glancing at him
under her hair. He sat there perfectly still, his ruddy face tilted up
from the low level under the light, on the edge of the dimness, and
watching with perfect abstract intentness. March suddenly lifted her
great, dark eyes from her crocheting and saw him. She started, giving a
'There he is!' she cried involuntarily, as if terribly startled.
Banford looked round in amazement, sitting up straight.
'Whatever has got you, Nellie?' she cried.
But March, her face flushed a delicate rose colour, was looking away
to the door.
'Nothing! Nothing!' she said crossly. 'Can't one speak?'
'Yes, if you speak sensibly,' said Banford. 'What ever did you
'I don't know what I meant,' cried March testily
Oh, Nellie, I hope you aren't going jumpy and nervy. I feel I can't
stand another THING! Whoever did you mean? Did you mean Henry?' cried
poor, frightened Banford.
'Yes. I suppose so,' said March laconically. She would never confess
to the fox.
'Oh dear, my nerves are all gone for tonight,' wailed Banford.
At nine o'clock March brought in a tray with bread and cheese and
tea—Henry had confessed that he liked a cup of tea. Banford drank a
glass of milk and ate a little bread. And soon she said:
'I'm going to bed, Nellie, I'm all nerves tonight. Are you coming?'
'Yes, I'm coming the minute I've taken the tray away,' said March.
'Don't be long then,' said Banford fretfully. 'Good-night, Henry.
You'll see the fire is safe, if you come up last, won't you?'
'Yes, Miss Banford, I'll see it's safe,' he replied in his
March was lighting the candle to go to the kitchen. Banford took her
candle and went upstairs. When March came back to the fire, she said to
'I suppose we can trust you to put out the fire and everything?' She
stood there with her hand on her hip, and one knee loose, her head
averted shyly, as if she could not look at him. He had his face lifted,
'Come and sit down a minute,' he said softly.
'No, I'll be going. Jill will be waiting, and she'll get upset, if I
'What made you jump like that this evening?' he asked.
'When did I jump?' she retorted, looking at him.
'Why, just now you did,' he said. 'When you cried out.'
'Oh!' she said. 'Then!—Why, I thought you were the fox!' And her
face screwed into a queer smile, half-ironic.
'The fox! Why the fox?' he asked softly.
'Why, one evening last summer when I was out with the gun I saw the
fox in the grass nearly at my feet, looking straight up at me. I don't
know—I suppose he made an impression on me.' She turned aside her head
again and let one foot stray loose, self- consciously.
'And did you shoot him?' asked the boy.
'No, he gave me such a start, staring straight at me as he did, and
then stopping to look back at me over his shoulder with a laugh on his
'A laugh on his face!' repeated Henry, also laughing. 'He frightened
you, did he?'
'No, he didn't frighten me. He made an impression on me, that's
'And you thought I was the fox, did you?' he laughed, with the same
queer, quick little laugh, like a puppy wrinkling his nose.
'Yes, I did, for the moment,' she said. 'Perhaps he'd been in my
mind without my knowing.'
'Perhaps you think I've come to steal your chickens or something,'
he said, with the same young laugh.
But she only looked at him with a wide, dark, vacant eye.
'It's the first time,' he said, 'that I've ever been taken for a
fox. Won't you sit down for a minute?' His voice was very soft and
'No,' she said. 'Jill will be waiting.' But still she did not go,
but stood with one foot loose and her face turned aside, just outside
the circle of light.
'But won't you answer my question?' he said, lowering his voice
'I don't know what question you mean.'
'Yes, you do. Of course you do. I mean the question of you marrying
'No, I shan't answer that question,' she said flatly.
'Won't you?' The queer, young laugh came on his nose again. 'Is it
because I'm like the fox? Is that why?' And still he laughed.
She turned and looked at him with a long, slow look.
'I wouldn't let that put you against me,' he said. 'Let me turn the
lamp low, and come and sit down a minute.'
He put his red hand under the glow of the lamp and suddenly made the
light very dim. March stood there in the dimness quite shadowy, but
unmoving. He rose silently to his feet, on his long legs. And now his
voice was extraordinarily soft and suggestive, hardly audible.
'You'll stay a moment,' he said. 'Just a moment.' And he put his
hand on her shoulder. She turned her face from him. 'I'm sure you don't
really think I'm like the fox,' he said, with the same softness and
with a suggestion of laughter in his tone, a subtle mockery. 'Do you
now?' And he drew her gently towards him and kissed her neck, softly.
She winced and trembled and hung away. But his strong, young arm held
her, and he kissed her softly again, still on the neck, for her face
'Won't you answer my question? Won't you now?' came his soft,
lingering voice. He was trying to draw her near to kiss her face. And
he kissed her cheek softly, near the ear.
At that moment Banford's voice was heard calling fretfully, crossly
'There's Jill!' cried March, starting and drawing erect.
And as she did so, quick as lightning he kissed her on the mouth,
with a quick, brushing kiss. It seemed to burn through her every fibre.
She gave a queer little cry.
'You will, won't you? You will?' he insisted softly.
'Nellie! NELLIE! What ever are you so long for?' came Banford's
faint cry from the outer darkness.
But he held her fast, and was murmuring with that intolerable
softness and insistency:
'You will, won't you? Say yes! Say yes!'
March, who felt as if the fire had gone through her and scathed her,
and as if she could do no more, murmured:
'Yes! Yes! Anything you like! Anything you like! Only let me go!
Only let me go! Jill's calling.'
'You know you've promised,' he said insidiously.
'Yes! Yes! I do!' Her voice suddenly rose into a shrill cry. 'All
right, Jill, I'm coming.'
Startled, he let her go, and she went straight upstairs.
In the morning at breakfast, after he had looked round the place and
attended to the stock and thought to himself that one could live easily
enough here, he said to Banford:
'Do you know what, Miss Banford?'
'Well, what?' said the good-natured, nervy Banford.
He looked at March, who was spreading jam on her bread.
'Shall I tell?' he said to her.
She looked up at him, and a deep pink colour flushed over her face.
'Yes, if you mean Jill,' she said. 'I hope you won't go talking all
over the village, that's all.' And she swallowed her dry bread with
'Whatever's coming?' said Banford, looking up with wide, tired,
slightly reddened eyes. She was a thin, frail little thing, and her
hair, which was delicate and thin, was bobbed, so it hung softly by her
worn face in its faded brown and grey.
'Why, what do you think?' he said, smiling like one who has a
'How do I know!' said Banford.
'Can't you guess?' he said, making bright eyes and smiling, pleased
'I'm sure I can't. What's more, I'm not going to try.'
'Nellie and I are going to be married.'
Banford put down her knife out of her thin, delicate fingers, as if
she would never take it up to eat any more. She stared with blank,
'You what?' she exclaimed.
'We're going to get married. Aren't we, Nellie?' and he turned to
'You say so, anyway,' said March laconically. But again she flushed
with an agonized flush. She, too, could swallow no more.
Banford looked at her like a bird that has been shot: a poor, little
sick bird. She gazed at her with all her wounded soul in her face, at
the deep-flushed March.
'Never!' she exclaimed, helpless.
'It's quite right,' said the bright and gloating youth.
Banford turned aside her face, as if the sight of the food on the
table made her sick. She sat like this for some moments, as if she were
sick. Then, with one hand on the edge of the table, she rose to her
'I'll NEVER believe it, Nellie,' she cried. 'It's absolutely
Her plaintive, fretful voice had a thread of hot anger and despair.
'Why? Why shouldn't you believe it?' asked the youth, with all his
soft, velvety impertinence in his voice.
Banford looked at him from her wide, vague eyes, as if he were some
creature in a museum.
'Oh,' she said languidly, 'because she can never be such a fool. She
can't lose her self-respect to such an extent.' Her voice was cold and
'In what way will she lose her self-respect?' asked the boy.
Banford looked at him with vague fixity from behind her spectacles.
'If she hasn't lost it already,' she said.
He became very red, vermilion, under the slow, vague stare from
behind the spectacles.
'I don't see it at all,' he said.
'Probably you don't. I shouldn't expect you would,' said Banford,
with that straying, mild tone of remoteness which made her words even
He sat stiff in his chair, staring with hot, blue eyes from his
scarlet face. An ugly look had come on his brow.
'My word, she doesn't know what she's letting herself in for,' said
Banford, in her plaintive, drifting, insulting voice.
'What has it got to do with you, anyway?' said the youth, in a
'More than it has to do with you, probably,' she replied, plaintive
'Oh, has it! I don't see that at all,' he jerked out.
'No, you wouldn't,' she answered, drifting.
'Anyhow,' said March, pushing back her hair and rising uncouthly.
'It's no good arguing about it.' And she seized the bread and the
tea-pot and strode away to the kitchen.
Banford let her fingers stray across her brow and along her hair,
like one bemused. Then she turned and went away upstairs.
Henry sat stiff and sulky in his chair, with his face and his eyes
on fire. March came and went, clearing the table. But Henry sat on,
stiff with temper. He took no notice of her. She had regained her
composure and her soft, even, creamy complexion. But her mouth was
pursed up. She glanced at him each time as she came to take things from
the table, glanced from her large, curious eyes, more in curiosity than
anything. Such a long, red-faced, sulky boy! That was all he was. He
seemed as remote from her as if his red face were a red chimney-pot on
a cottage across the fields, and she looked at him just as objectively,
At length he got up and stalked out into the fields with the gun. He
came in only at dinner-time, with the devil still in his face, but his
manners quite polite. Nobody said anything particular; they sat each
one at the sharp corner of a triangle, in obstinate remoteness. In the
afternoon he went out again at once with the gun. He came in at
nightfall with a rabbit and a pigeon. He stayed in all the evening, but
hardly opened his mouth. He was in the devil of a temper, feeling he
had been insulted.
Banford's eyes were red, she had evidently been crying. But her
manner was more remote and supercilious than ever; the way she turned
her head if he spoke at all, as if he were some tramp or inferior
intruder of that sort, made his blue eyes go almost black with rage.
His face looked sulkier. But he never forgot his polite intonation, if
he opened his mouth to speak. March seemed to flourish in this
atmosphere. She seemed to sit between the two antagonists with a little
wicked smile on her face, enjoying herself. There was even a sort of
complacency in the way she laboriously crocheted this evening.
When he was in bed, the youth could hear the two women talking and
arguing in their room. He sat up in bed and strained his ears to hear
what they said. But he could hear nothing, it was too far off. Yet he
could hear the soft, plaintive drip of Banford's voice, and March's
The night was quiet, frosty. Big stars were snapping outside, beyond
the ridge-tops of the pine trees. He listened and listened. In the
distance he heard a fox yelping: and the dogs from the farms barking in
answer. But it was not that he wanted to hear. It was what the two
women were saying.
He got stealthily out of bed and stood by his door. He could hear no
more than before. Very, very carefully he began to lift the door latch.
After quite a time he had his door open. Then he stepped stealthily out
into the passage. The old oak planks were cold under his feet, and they
creaked preposterously. He crept very, very gently up the one step, and
along by the wall, till he stood outside their door. And there he held
his breath and listened. Banford's voice:
'No, I simply couldn't stand it. I should be dead in a month. Which
is just what he would be aiming at, of course. That would just be his
game, to see me in the churchyard. No, Nellie, if you were to do such a
thing as to marry him, you could never stop here. I couldn't, I
couldn't live in the same house with him. Oh!—oh! I feel quite sick
with the smell of his clothes. And his red face simply turns me over. I
can't eat my food when he's at the table. What a fool I was ever to let
him stop. One ought NEVER to try to do a kind action. It always flies
back in your face like a boomerang.'
'Well, he's only got two more days,' said March.
'Yes, thank heaven. And when he's gone he'll never come in this
house again. I feel so bad while he's here. And I know, I know he's
only counting what he can get out of you. I KNOW that's all it is. He's
just a good-for-nothing, who doesn't want to work, and who thinks he'll
live on us. But he won't live on me. If you're such a fool, then it's
your own lookout. Mrs Burgess knew him all the time he was here. And
the old man could never get him to do any steady work. He was off with
the gun on every occasion, just as he is now. Nothing but the gun! Oh,
I do hate it. You don't know what you're doing, Nellie, you don't. If
you marry him he'll just make a fool of you. He'll go off and leave you
stranded. I know he will, if he can't get Bailey Farm out of us—and
he's not going to, while I live. While I live he's never going to set
foot here. I know what it would be. He'd soon think he was master of
both of us, as he thinks he's master of you already.'
'But he isn't,' said Nellie.
'He thinks he is, anyway. And that's what he wants: to come and be
master here. Yes, imagine it! That's what we've got the place together
for, is it, to be bossed and bullied by a hateful, red- faced boy, a
beastly labourer. Oh, we DID make a mistake when we let him stop. We
ought never to have lowered ourselves. And I've had such a fight with
all the people here, not to be pulled down to their level. No, he's not
coming here. And then you see—if he can't have the place, he'll run
off to Canada or somewhere again, as if he'd never known you. And here
you'll be, absolutely ruined and made a fool of. I know I shall never
have any peace of mind again.'
'We'll tell him he can't come here. We'll tell him that,' said
'Oh, don't you bother; I'm going to tell him that, and other things
as well, before he goes. He's not going to have all his own way while
I've got the strength left to speak. Oh, Nellie, he'll despise you,
he'll despise you, like the awful little beast he is, if you give way
to him. I'd no more trust him than I'd trust a cat not to steal. He's
deep, he's deep, and he's bossy, and he's selfish through and through,
as cold as ice. All he wants is to make use of you. And when you're no
more use to him, then I pity you.'
'I don't think he's as bad as all that,' said March.
'No, because he's been playing up to you. But you'll find out, if
you see much of him. Oh, Nellie, I can't bear to think of it.'
'Well, it won't hurt you, Jill, darling.'
'Won't it! Won't it! I shall never know a moment's peace again while
I live, nor a moment's happiness. No, Nellie—' and Banford began to
The boy outside could hear the stifled sound of the woman's sobbing,
and could hear March's soft, deep, tender voice comforting, with
wonderful gentleness and tenderness, the weeping woman.
His eyes were so round and wide that he seemed to see the whole
night, and his ears were almost jumping off his head. He was frozen
stiff. He crept back to bed, but felt as if the top of his head were
coming off. He could not sleep. He could not keep still. He rose,
quietly dressed himself, and crept out on to the landing once more. The
women were silent. He went softly downstairs and out to the kitchen.
Then he put on his boots and his overcoat and took the gun. He did
not think to go away from the farm. No, he only took the gun. As softly
as possible he unfastened the door and went out into the frosty
December night. The air was still, the stars bright, the pine trees
seemed to bristle audibly in the sky. He went stealthily away down a
fence-side, looking for something to shoot. At the same time he
remembered that he ought not to shoot and frighten the women.
So he prowled round the edge of the gorse cover, and through the
grove of tall old hollies, to the woodside. There he skirted the fence,
peering through the darkness with dilated eyes that seemed to be able
to grow black and full of sight in the dark, like a cat's. An owl was
slowly and mournfully whooing round a great oak tree. He stepped
stealthily with his gun, listening, listening, watching.
As he stood under the oaks of the wood-edge he heard the dogs from
the neighbouring cottage up the hill yelling suddenly and startlingly,
and the wakened dogs from the farms around barking answer. And suddenly
it seemed to him England was little and tight, he felt the landscape
was constricted even in the dark, and that there were too many dogs in
the night, making a noise like a fence of sound, like the network of
English hedges netting the view. He felt the fox didn't have a chance.
For it must be the fox that had started all this hullabaloo.
Why not watch for him, anyhow! He would, no doubt, be coming
sniffing round. The lad walked downhill to where the farmstead with its
few pine trees crouched blackly. In the angle of the long shed, in the
black dark, he crouched down. He knew the fox would be coming. It
seemed to him it would be the last of the foxes in this loudly-barking,
thick-voiced England, tight with innumerable little houses.
He sat a long time with his eyes fixed unchanging upon the open
gateway, where a little light seemed to fall from the stars or from the
horizon, who knows. He was sitting on a log in a dark corner with the
gun across his knees. The pine trees snapped. Once a chicken fell off
its perch in the barn with a loud crawk and cackle and commotion that
startled him, and he stood up, watching with all his eyes, thinking it
might be a rat. But he FELT it was nothing. So he sat down again with
the gun on his knees and his hands tucked in to keep them warm, and his
eyes fixed unblinking on the pale reach of the open gateway. He felt he
could smell the hot, sickly, rich smell of live chickens on the cold
And then—a shadow. A sliding shadow in the gateway. He gathered all
his vision into a concentrated spark, and saw the shadow of the fox,
the fox creeping on his belly through the gate. There he went, on his
belly like a snake. The boy smiled to himself and brought the gun to
his shoulder. He knew quite well what would happen. He knew the fox
would go to where the fowl door was boarded up and sniff there. He knew
he would lie there for a minute, sniffing the fowls within. And then he
would start again prowling under the edge of the old barn, waiting to
The fowl door was at the top of a slight incline. Soft, soft as a
shadow the fox slid up this incline, and crouched with his nose to the
boards. And at the same moment there was the awful crash of a gun
reverberating between the old buildings, as if all the night had gone
smash. But the boy watched keenly. He saw even the white belly of the
fox as the beast beat his paws in death. So he went forward.
There was a commotion everywhere. The fowls were scuffling and
crawking, the ducks were quark-quarking, the pony had stamped wildly to
his feet. But the fox was on his side, struggling in his last tremors.
The boy bent over him and smelt his foxy smell.
There was a sound of a window opening upstairs, then March's voice
'Who is it?'
'It's me,' said Henry; 'I've shot the fox.'
'Oh, goodness! You nearly frightened us to death.'
'Did I? I'm awfully sorry.'
'Whatever made you get up?'
'I heard him about.'
'And have you shot him?'
'Yes, he's here,' and the boy stood in the yard holding up the warm,
dead brute. 'You can't see, can you? Wait a minute.' And he took his
flash-light from his pocket and flashed it on to the dead animal. He
was holding it by the brush. March saw, in the middle of the darkness,
just the reddish fleece and the white belly and the white underneath of
the pointed chin, and the queer, dangling paws. She did not know what
'He's a beauty,' he said. 'He will make you a lovely fur.'
'You don't catch me wearing a fox fur,' she replied.
'Oh!' he said. And he switched off the light.
'Well, I should think you'll come in and go to bed again now,' she
'Probably I shall. What time is it?'
'What time is it, Jill?' called March's voice. It was a quarter to
That night March had another dream. She dreamed that Banford was
dead, and that she, March, was sobbing her heart out. Then she had to
put Banford into her coffin. And the coffin was the rough wood- box in
which the bits of chopped wood were kept in the kitchen, by the fire.
This was the coffin, and there was no other, and March was in agony and
dazed bewilderment, looking for something to line the box with,
something to make it soft with, something to cover up the poor, dead
darling. Because she couldn't lay her in there just in her white, thin
nightdress, in the horrible wood-box. So she hunted and hunted, and
picked up thing after thing, and threw it aside in the agony of
dream-frustration. And in her dream-despair all she could find that
would do was a fox-skin. She knew that it wasn't right, that this was
not what she should have. But it was all she could find. And so she
folded the brush of the fox, and laid her darling Jill's head on this,
and she brought round the skin of the fox and laid it on the top of the
body, so that it seemed to make a whole ruddy, fiery coverlet, and she
cried and cried, and woke to find the tears streaming down her face.
The first thing that both she and Banford did in the morning was to
go out to see the fox. Henry had hung it up by the heels in the shed,
with its poor brush falling backwards. It was a lovely dog- fox in its
prime, with a handsome, thick, winter coat: a lovely golden-red colour,
with grey as it passed to the belly, and belly all white, and a great
full brush with a delicate black and grey and pure white tip.
'Poor brute!' said Banford. 'If it wasn't such a thieving wretch,
you'd feel sorry for it.'
March said nothing, but stood with her foot trailing aside, one hip
out; her face was pale and her eyes big and black, watching the dead
animal that was suspended upside down. White and soft as snow his
belly: white and soft as snow. She passed her hand softly down it. And
his wonderful black-glinted brush was full and frictional, wonderful.
She passed her hand down this also, and quivered. Time after time she
took the full fur of that thick tail between her fingers, and passed
her hand slowly downwards. Wonderful, sharp, thick, splendour of a
tail. And he was dead! She pursed her lips, and her eyes went black and
vacant. Then she took the head in her hand.
Henry was sauntering up, so Banford walked rather pointedly away.
March stood there bemused, with the head of the fox in her hand. She
was wondering, wondering, wondering over his long, fine muzzle. For
some reason it reminded her of a spoon or a spatula. She felt she could
not understand it. The beast was a strange beast to her,
incomprehensible, out of her range. Wonderful silver whiskers he had,
like ice-threads. And pricked ears with hair inside. But that long,
long, slender spoon of a nose!—and the marvellous white teeth beneath!
It was to thrust forward and bite with, deep, deep, deep into the
living prey, to bite and bite the blood.
'He's a beauty, isn't he?' said Henry, standing by.
'Oh yes, he's a fine big fox. I wonder how many chickens he's
responsible for,' she replied.
'A good many. Do you think he's the same one you saw in the summer?'
'I should think very likely he is,' she replied.
He watched her, but he could make nothing of her. Partly she was so
shy and virgin, and partly she was so grim, matter-of-fact, shrewish.
What she said seemed to him so different from the look of her big,
queer, dark eyes.
'Are you going to skin him?' she asked.
'Yes, when I've had breakfast, and got a board to peg him on.'
'My word, what a strong smell he's got! Pooo! It'll take some
washing off one's hands. I don't know why I was so silly as to handle
him.' And she looked at her right hand, that had passed down his belly
and along his tail, and had even got a tiny streak of blood from one
dark place in his fur.
'Have you seen the chickens when they smell him, how frightened they
are?' he said.
'Yes, aren't they!'
'You must mind you don't get some of his fleas.'
'Oh, fleas!' she replied, nonchalant.
Later in the day she saw the fox's skin nailed flat on a board, as
if crucified. It gave her an uneasy feeling.
The boy was angry. He went about with his mouth shut, as if he had
swallowed part of his chin. But in behaviour he was polite and affable.
He did not say anything about his intention. And he left March alone.
That evening they sat in the dining-room. Banford wouldn't have him
in her sitting-room any more. There was a very big log on the fire. And
everybody was busy. Banford had letters to write. March was sewing a
dress, and he was mending some little contrivance.
Banford stopped her letter-writing from time to time to look round
and rest her eyes. The boy had his head down, his face hidden over his
'Let's see,' said Banford. 'What train do you go by, Henry?'
He looked up straight at her.
'The morning train. In the morning,' he said.
'What, the eight-ten or the eleven-twenty?'
'The eleven-twenty, I suppose,' he said.
'That is the day after tomorrow?' said Banford.
'Yes, the day after tomorrow.'
'Mm!' murmured Banford, and she returned to her writing. But as she
was licking her envelope, she asked:
'And what plans have you made for the future, if I may ask?'
'Plans?' he said, his face very bright and angry.
'I mean about you and Nellie, if you are going on with this
business. When do you expect the wedding to come off?' She spoke in a
'Oh, the wedding!' he replied. 'I don't know.'
'Don't you know anything?' said Banford. 'Are you going to clear out
on Friday and leave things no more settled than they are?'
'Well, why shouldn't I? We can always write letters.'
'Yes, of course you can. But I wanted to know because of this place.
If Nellie is going to get married all of a sudden, I shall have to be
looking round for a new partner.'
'Couldn't she stay on here if she were married?' he said. He knew
quite well what was coming.
'Oh,' said Banford, 'this is no place for a married couple. There's
not enough work to keep a man going, for one thing. And there's no
money to be made. It's quite useless your thinking of staying on here
if you marry. Absolutely!'
'Yes, but I wasn't thinking of staying on here,' he said.
'Well, that's what I want to know. And what about Nellie, then? How
long is SHE going to be here with me, in that case?'
The two antagonists looked at one another.
'That I can't say,' he answered.
'Oh, go along,' she cried petulantly. 'You must have some idea what
you are going to do, if you ask a woman to marry you. Unless it's all a
'Why should it be a hoax? I am going back to Canada.'
'And taking her with you?'
'You hear that, Nellie?' said Banford.
March, who had had her head bent over her sewing, now looked up with
a sharp, pink blush on her face, and a queer, sardonic laugh in her
eyes and on her twisted mouth.
'That's the first time I've heard that I was going to Canada,' she
'Well, you have to hear it for the first time, haven't you?' said
'Yes, I suppose I have,' she said nonchalantly. And she went back to
'You're quite ready, are you, to go to Canada? Are you, Nellie?'
March looked up again. She let her shoulders go slack, and let her
hand that held the needle lie loose in her lap.
'It depends on HOW I'm going,' she said. 'I don't think I want to go
jammed up in the steerage, as a soldier's wife. I'm afraid I'm not used
to that way.'
The boy watched her with bright eyes.
'Would you rather stay over here while I go first?' he asked.
'I would, if that's the only alternative,' she replied.
'That's much the wisest. Don't make it any fixed engagement,' said
Banford. 'Leave yourself free to go or not after he's got back and
found you a place, Nellie. Anything else is madness, madness.'
'Don't you think,' said the youth, 'we ought to get married before I
go—and then go together, or separate, according to how it happens?'
'I think it's a terrible idea,' cried Banford.
But the boy was watching March.
'What do you think?' he asked her.
She let her eyes stray vaguely into space.
'Well, I don't know,' she said. 'I shall have to think about it.'
'Why?' he asked pertinently.
'Why?' She repeated his question in a mocking way and looked at him
laughing, though her face was pink again. 'I should think there's
plenty of reasons why.'
He watched her in silence. She seemed to have escaped him. She had
got into league with Banford against him. There was again the queer,
sardonic look about her; she would mock stoically at everything he said
or which life offered.
'Of course,' he said, 'I don't want to press you to do anything you
don't wish to do.'
'I should think not, indeed,' cried Banford indignantly.
At bed-time Banford said plaintively to March:
'You take my hot bottle up for me, Nellie, will you?'
'Yes, I'll do it,' said March, with the kind of willing
unwillingness she so often showed towards her beloved but uncertain
The two women went upstairs. After a time March called from the top
of the stairs: 'Good-night, Henry. I shan't be coming down. You'll see
to the lamp and the fire, won't you?'
The next day Henry went about with the cloud on his brow and his
young cub's face shut up tight. He was cogitating all the time. He had
wanted March to marry him and go back to Canada with him. And he had
been sure she would do it. Why he wanted her he didn't know. But he did
want her. He had set his mind on her. And he was convulsed with a
youth's fury at being thwarted. To be thwarted, to be thwarted! It made
him so furious inside that he did not know what to do with himself. But
he kept himself in hand. Because even now things might turn out
differently. She might come over to him. Of course she might. It was
her business to do so.
Things drew to a tension again towards evening. He and Banford had
avoided each other all day. In fact, Banford went in to the little town
by the 11.20 train. It was market day. She arrived back on the 4.25.
Just as the night was falling Henry saw her little figure in a
dark-blue coat and a dark-blue tam-o'-shanter hat crossing the first
meadow from the station. He stood under one of the wild pear trees,
with the old dead leaves round his feet. And he watched the little blue
figure advancing persistently over the rough winter-ragged meadow. She
had her arms full of parcels, and advanced slowly, frail thing she was,
but with that devilish little certainty which he so detested in her. He
stood invisible under the pear tree, watching her every step.
And if looks could have affected her, she would have felt a log of
iron on each of her ankles as she made her way forward. 'You're a nasty
little thing, you are,' he was saying softly, across the distance.
'You're a nasty little thing. I hope you'll be paid back for all the
harm you've done me for nothing. I hope you will— you nasty little
thing. I hope you'll have to pay for it. You will, if wishes are
anything. You nasty little creature that you are.'
She was toiling slowly up the slope. But if she had been slipping
back at every step towards the Bottomless Pit, he would not have gone
to help her with her parcels. Aha, there went March, striding with her
long, land stride in her breeches and her short tunic! Striding
downhill at a great pace, and even running a few steps now and then, in
her great solicitude and desire to come to the rescue of the little
Banford. The boy watched her with rage in his heart. See her leap a
ditch, and run, run as if a house was on fire, just to get to that
creeping, dark little object down there! So, the Banford just stood
still and waited. And March strode up and took ALL the parcels except a
bunch of yellow chrysanthemums. These the Banford still carried—yellow
'Yes, you look well, don't you?' he said softly into the dusk air.
'You look well, pottering up there with a bunch of flowers, you do. I'd
make you eat them for your tea if you hug them so tight. And I'd give
them you for breakfast again, I would. I'd give you flowers. Nothing
He watched the progress of the two women. He could hear their
voices: March always outspoken and rather scolding in her tenderness,
Banford murmuring rather vaguely. They were evidently good friends. He
could not hear what they said till they came to the fence of the home
meadow, which they must climb. Then he saw March manfully climbing over
the bars with all her packages in her arms, and on the still air he
heard Banford's fretful:
'Why don't you let me help you with the parcels?' She had a queer,
plaintive hitch in her voice. Then came March's robust and reckless:
'Oh, I can manage. Don't you bother about me. You've all you can do
to get yourself over.'
'Yes, that's all very well,' said Banford fretfully. 'You say, Don't
you bother about me, and then all the while you feel injured because
nobody thinks of you.'
'When do I feel injured?' said March.
'Always. You always feel injured. Now you're feeling injured because
I won't have that boy to come and live on the farm.'
'I'm not feeling injured at all,' said March. 'I know you are. When
he's gone you'll sulk over it. I know you will.'
'Shall I?' said March. 'We'll see.'
'Yes, we SHALL see, unfortunately. I can't think how you can make
yourself so cheap. I can't IMAGINE how you can lower yourself like it.'
'I haven't lowered myself,' said March.
'I don't know what you call it, then. Letting a boy like that come
so cheeky and impudent and make a mug of you. I don't know what you
think of yourself. How much respect do you think he's going to have for
you afterwards? My word, I wouldn't be in your shoes, if you married
'Of course you wouldn't. My boots are a good bit too big for you,
and not half dainty enough,' said March, with rather a misfire sarcasm.
'I thought you had too much pride, really I did. A woman's got to
hold herself high, especially with a youth like that. Why, he's
impudent. Even the way he forced himself on us at the start.'
'We asked him to stay,' said March.
'Not till he'd almost forced us to. And then he's so cocky and
self-assured. My word, he puts my back up. I simply can't imagine how
you can let him treat you so cheaply.'
'I don't let him treat me cheaply,' said March. 'Don't you worry
yourself, nobody's going to treat me cheaply. And even you aren't,
either.' She had a tender defiance and a certain fire in her voice.
'Yes, it's sure to come back to me,' said Banford bitterly. 'That's
always the end of it. I believe you only do it to spite me.'
They went now in silence up the steep, grassy slope and over the
brow, through the gorse bushes. On the other side of the hedge the boy
followed in the dusk, at some little distance. Now and then, through
the huge ancient hedge of hawthorn, risen into trees, he saw the two
dark figures creeping up the hill. As he came to the top of the slope
he saw the homestead dark in the twilight, with a huge old pear tree
leaning from the near gable, and a little yellow light twinkling in the
small side windows of the kitchen. He heard the clink of the latch and
saw the kitchen door open into light as the two women went indoors. So
they were at home.
And so!—this was what they thought of him. It was rather in his
nature to be a listener, so he was not at all surprised whatever he
heard. The things people said about him always missed him personally.
He was only rather surprised at the women's way with one another. And
he disliked the Banford with an acid dislike. And he felt drawn to the
March again. He felt again irresistibly drawn to her. He felt there was
a secret bond, a secret thread between him and her, something very
exclusive, which shut out everybody else and made him and her possess
each other in secret.
He hoped again that she would have him. He hoped with his blood
suddenly firing up that she would agree to marry him quite quickly: at
Christmas, very likely. Christmas was not far off. He wanted, whatever
else happened, to snatch her into a hasty marriage and a consummation
with him. Then for the future, they could arrange later. But he hoped
it would happen as he wanted it. He hoped that tonight she would stay a
little while with him, after Banford had gone upstairs. He hoped he
could touch her soft, creamy cheek, her strange, frightened face. He
hoped he could look into her dilated, frightened dark eyes, quite near.
He hoped he might even put his hand on her bosom and feel her soft
breasts under her tunic. His heart beat deep and powerful as he thought
of that. He wanted very much to do so. He wanted to make sure of her
soft woman's breasts under her tunic. She always kept the brown linen
coat buttoned so close up to her throat. It seemed to him like some
perilous secret, that her soft woman's breasts must be buttoned up in
that uniform. It seemed to him, moreover, that they were so much
softer, tenderer, more lovely and lovable, shut up in that tunic, than
were the Banford's breasts, under her soft blouses and chiffon dresses.
The Banford would have little iron breasts, he said to himself. For all
her frailty and fretfulness and delicacy, she would have tiny iron
breasts. But March, under her crude, fast, workman's tunic, would have
soft, white breasts, white and unseen. So he told himself, and his
When he went in to tea, he had a surprise. He appeared at the inner
door, his face very ruddy and vivid and his blue eyes shining, dropping
his head forward as he came in, in his usual way, and hesitating in the
doorway to watch the inside of the room, keenly and cautiously, before
he entered. He was wearing a long- sleeved waistcoat. His face seemed
extraordinarily like a piece of the out-of-doors come indoors: as
holly-berries do. In his second of pause in the doorway he took in the
two women sitting at table, at opposite ends, saw them sharply. And to
his amazement March was dressed in a dress of dull, green silk crape.
His mouth came open in surprise. If she had suddenly grown a moustache
he could not have been more surprised.
'Why,' he said, 'do you wear a dress, then?'
She looked up, flushing a deep rose colour, and twisting her mouth
with a smile, said:
'Of course I do. What else do you expect me to wear but a dress?'
'A land girl's uniform, of course,' said he.
'Oh,' she cried, nonchalant, 'that's only for this dirty, mucky work
'Isn't it your proper dress, then?' he said.
'No, not indoors it isn't,' she said. But she was blushing all the
time as she poured out his tea. He sat down in his chair at table,
unable to take his eyes off her. Her dress was a perfectly simple slip
of bluey-green crape, with a line of gold stitching round the top and
round the sleeves, which came to the elbow. It was cut just plain and
round at the top, and showed her white, soft throat. Her arms he knew,
strong and firm muscled, for he had often seen her with her sleeves
rolled up. But he looked her up and down, up and down,
Banford, at the other end of the table, said not a word, but piggled
with the sardine on her plate. He had forgotten her existence. He just
simply stared at March while he ate his bread and margarine in huge
mouthfuls, forgetting even his tea.
'Well, I never knew anything make such a difference!' he murmured,
across his mouthfuls.
'Oh, goodness!' cried March, blushing still more. 'I might be a pink
And she rose quickly to her feet and took the tea-pot to the fire,
to the kettle. And as she crouched on the hearth with her green slip
about her, the boy stared more wide-eyed than ever. Through the crape
her woman's form seemed soft and womanly. And when she stood up and
walked he saw her legs move soft within her modernly short skirt. She
had on black silk stockings, and small patent shoes with little gold
No, she was another being. She was something quite different. Seeing
her always in the hard-cloth breeches, wide on the hips, buttoned on
the knee, strong as armour, and in the brown puttees and thick boots,
it had never occurred to him that she had a woman's legs and feet. Now
it came upon him. She had a woman's soft, skirted legs, and she was
accessible. He blushed to the roots of his hair, shoved his nose in his
tea-cup and drank his tea with a little noise that made Banford simply
squirm: and strangely, suddenly he felt a man, no longer a youth. He
felt a man, with all a man's grave weight of responsibility. A curious
quietness and gravity came over his soul. He felt a man, quiet, with a
little of the heaviness of male destiny upon him.
She was soft and accessible in her dress. The thought went home in
him like an everlasting responsibility.
'Oh, for goodness' sake, say something, somebody,' cried Banford
fretfully. 'It might be a funeral.' The boy looked at her, and she
could not bear his face.
'A funeral!' said March, with a twisted smile. 'Why, that breaks my
Suddenly she had thought of Banford in the wood-box for a coffin.
'What, have you been dreaming of a wedding?' said Banford
'Must have been,' said March.
'Whose wedding?' asked the boy.
'I can't remember,' said March.
She was shy and rather awkward that evening, in spite of the fact
that, wearing a dress, her bearing was much more subdued than in her
uniform. She felt unpeeled and rather exposed. She felt almost
They talked desultorily about Henry's departure next morning, and
made the trivial arrangement. But of the matter on their minds, none of
them spoke. They were rather quiet and friendly this evening; Banford
had practically nothing to say. But inside herself she seemed still,
At nine o'clock March brought in the tray with the everlasting tea
and a little cold meat which Banford had managed to procure. It was the
last supper, so Banford did not want to be disagreeable. She felt a bit
sorry for the boy, and felt she must be as nice as she could.
He wanted her to go to bed. She was usually the first. But she sat
on in her chair under the lamp, glancing at her book now and then, and
staring into the fire. A deep silence had come into the room. It was
broken by March asking, in a rather small tone:
'What time is it, Jill?'
'Five past ten,' said Banford, looking at her wrist.
And then not a sound. The boy had looked up from the book he was
holding between his knees. His rather wide, cat-shaped face had its
obstinate look, his eyes were watchful.
'What about bed?' said March at last.
'I'm ready when you are,' said Banford.
'Oh, very well,' said March. 'I'll fill your bottle.'
She was as good as her word. When the hot-water bottle was ready,
she lit a candle and went upstairs with it. Banford remained in her
chair, listening acutely. March came downstairs again.
'There you are, then,' she said. 'Are you going up?'
'Yes, in a minute,' said Banford. But the minute passed, and she sat
on in her chair under the lamp.
Henry, whose eyes were shining like a cat's as he watched from under
his brows, and whose face seemed wider, more chubbed and cat- like with
unalterable obstinacy, now rose to his feet to try his throw.
'I think I'll go and look if I can see the she-fox,' he said. 'She
may be creeping round. Won't you come as well for a minute, Nellie, and
see if we see anything?'
'Me!' cried March, looking up with her startled, wondering face.
'Yes. Come on,' he said. It was wonderful how soft and warm and
coaxing his voice could be, how near. The very sound of it made
Banford's blood boil. 'Come on for a minute,' he said, looking down
into her uplifted, unsure face.
And she rose to her feet as if drawn up by his young, ruddy face
that was looking down on her.
'I should think you're never going out at this time of night,
Nellie!' cried Banford.
'Yes, just for a minute,' said the boy, looking round on her, and
speaking with an odd, sharp yelp in his voice.
March looked from one to the other, as if confused, vague. Banford
rose to her feet for battle.
'Why, it's ridiculous. It's bitter cold. You'll catch your death in
that thin frock. And in those slippers. You're not going to do any such
There was a moment's pause. Banford turtled up like a little
fighting cock, facing March and the boy.
'Oh, I don't think you need worry yourself,' he replied. 'A moment
under the stars won't do anybody any damage. I'll get the rug off the
sofa in the dining-room. You're coming, Nellie.'
His voice had so much anger and contempt and fury in it as he spoke
to Banford: and so much tenderness and proud authority as he spoke to
March, that the latter answered:
'Yes, I'm coming.'
And she turned with him to the door.
Banford, standing there in the middle of the room, suddenly burst
into a long wail and a spasm of sobs. She covered her face with her
poor, thin hands, and her thin shoulders shook in an agony of weeping.
March looked back from the door.
'Jill!' she cried in a frantic tone, like someone just coming awake.
And she seemed to start towards her darling.
But the boy had March's arm in his grip, and she could not move. She
did not know why she could not move. It was as in a dream when the
heart strains and the body cannot stir.
'Never mind,' said the boy softly. 'Let her cry. Let her cry. She
will have to cry sooner or later. And the tears will relieve her
feelings. They will do her good.'
So he drew March slowly through the doorway. But her last look was
back to the poor little figure which stood in the middle of the room
with covered face and thin shoulders shaken with bitter weeping.
In the dining-room he picked up the rug and said:
'Wrap yourself up in this.'
She obeyed—and they reached the kitchen door, he holding her soft
and firm by the arm, though she did not know it. When she saw the night
outside she started back.
'I must go back to Jill,' she said. 'I MUST! Oh yes, I must.'
Her tone sounded final. The boy let go of her and she turned
indoors. But he seized her again and arrested her.
'Wait a minute,' he said. 'Wait a minute. Even if you go, you're not
'Leave go! Leave go!' she cried. 'My place is at Jill's side. Poor
little thing, she's sobbing her heart out.'
'Yes,' said the boy bitterly. 'And your heart too, and mine as
'Your heart?' said March. He still gripped her and detained her.
'Isn't it as good as her heart?' he said. 'Or do you think it's
'Your heart?' she said again, incredulous.
'Yes, mine! Mine! Do you think I haven't GOT a heart?' And with his
hot grasp he took her hand and pressed it under his left breast.
'There's my heart,' he said, 'if you don't believe in it.'
It was wonder which made her attend. And then she felt the deep,
heavy, powerful stroke of his heart, terrible, like something from
beyond. It was like something from beyond, something awful from
outside, signalling to her. And the signal paralysed her. It beat upon
her very soul, and made her helpless. She forgot Jill. She could not
think of Jill any more. She could not think of her. That terrible
signalling from outside!
The boy put his arm round her waist.
'Come with me,' he said gently. 'Come and let us say what we've got
And he drew her outside, closed the door. And she went with him
darkly down the garden path. That he should have a beating heart! And
that he should have his arm round her, outside the blanket! She was too
confused to think who he was or what he was.
He took her to a dark corner of the shed, where there was a tool-box with a lid, long and low.
'We'll sit here a minute,' he said.
And obediently she sat down by his side.
'Give me your hand,' he said.
She gave him both her hands, and he held them between his own. He
was young, and it made him tremble.
'You'll marry me. You'll marry me before I go back, won't you?' he
'Why, aren't we both a pair of fools?' she said.
He had put her in the corner, so that she should not look out and
see the lighted window of the house across the dark garden. He tried to
keep her all there inside the shed with him.
'In what way a pair of fools?' he said. 'If you go back to Canada
with me, I've got a job and a good wage waiting for me, and it's a nice
place, near the mountains. Why shouldn't you marry me? Why shouldn't we
marry? I should like to have you there with me. I should like to feel
I'd got somebody there, at the back of me, all my life.'
'You'd easily find somebody else who'd suit you better,' she said.
'Yes, I might easily find another girl. I know I could. But not one
I really wanted. I've never met one I really wanted for good. You see,
I'm thinking of all my life. If I marry, I want to feel it's for all my
life. Other girls: well, they're just girls, nice enough to go a walk
with now and then. Nice enough for a bit of play. But when I think of
my life, then I should be very sorry to have to marry one of them, I
'You mean they wouldn't make you a good wife.'
'Yes, I mean that. But I don't mean they wouldn't do their duty by
me. I mean—I don't know what I mean. Only when I think of my life, and
of you, then the two things go together.'
'And what if they didn't?' she said, with her odd, sardonic touch.
'Well, I think they would.'
They sat for some time silent. He held her hands in his, but he did
not make love to her. Since he had realized that she was a woman, and
vulnerable, accessible, a certain heaviness had possessed his soul. He
did not want to make love to her. He shrank from any such performance,
almost with fear. She was a woman, and vulnerable, accessible to him
finally, and he held back from that which was ahead, almost with dread.
It was a kind of darkness he knew he would enter finally, but of which
he did not want as yet even to think. She was the woman, and he was
responsible for the strange vulnerability he had suddenly realized in
'No,' she said at last, 'I'm a fool. I know I'm a fool.'
'What for?' he asked.
'To go on with this business.'
'Do you mean me?' he asked.
'No, I mean myself. I'm making a fool of myself, and a big one.'
'Why, because you don't want to marry me, really?'
'Oh, I don't know whether I'm against it, as a matter of fact.
That's just it. I don't know.'
He looked at her in the darkness, puzzled. He did not in the least
know what she meant.
'And don't you know whether you like to sit here with me this minute
or not?' he asked.
'No, I don't really. I don't know whether I wish I was somewhere
else, or whether I like being here. I don't know, really.'
'Do you wish you were with Miss Banford? Do you wish you'd gone to
bed with her?' he asked, as a challenge.
She waited a long time before she answered:
'No,' she said at last. 'I don't wish that.'
'And do you think you would spend all your life with her—when your
hair goes white, and you are old?' he said.
'No,' she said, without much hesitation. 'I don't see Jill and me
two old women together.'
'And don't you think, when I'm an old man and you're an old woman,
we might be together still, as we are now?' he said.
'Well, not as we are now,' she replied. 'But I could imagine—no, I
can't. I can't imagine you an old man. Besides, it's dreadful!'
'What, to be an old man?'
'Yes, of course.'
'Not when the time comes,' he said. 'But it hasn't come. Only it
will. And when it does, I should like to think you'd be there as well.'
'Sort of old age pensions,' she said dryly.
Her kind of witless humour always startled him. He never knew what
she meant. Probably she didn't quite know herself.
'No,' he said, hurt.
'I don't know why you harp on old age,' she said. 'I'm not ninety.'
'Did anybody ever say you were?' he asked, offended.
They were silent for some time, pulling different ways in the
'I don't want you to make fun of me,' he said.
'Don't you?' she replied, enigmatic.
'No, because just this minute I'm serious. And when I'm serious, I
believe in not making fun of it.'
'You mean nobody else must make fun of you,' she replied.
'Yes, I mean that. And I mean I don't believe in making fun of it
myself. When it comes over me so that I'm serious, then—there it is, I
don't want it to be laughed at.'
She was silent for some time. Then she said, in a vague, almost
'No, I'm not laughing at you.'
A hot wave rose in his heart.
'You believe me, do you?' he asked.
'Yes, I believe you,' she replied, with a twang of her old, tired
nonchalance, as if she gave in because she was tired. But he didn't
care. His heart was hot and clamorous.
'So you agree to marry me before I go?—perhaps at Christmas?'
'Yes, I agree.'
'There!' he exclaimed. 'That's settled it.'
And he sat silent, unconscious, with all the blood burning in all
his veins, like fire in all the branches and twigs of him. He only
pressed her two hands to his chest, without knowing. When the curious
passion began to die down, he seemed to come awake to the world.
'We'll go in, shall we?' he said: as if he realized it was cold.
She rose without answering.
'Kiss me before we go, now you've said it,' he said.
And he kissed her gently on the mouth, with a young, frightened
kiss. It made her feel so young, too, and frightened, and wondering:
and tired, tired, as if she were going to sleep.
They went indoors. And in the sitting-room, there, crouched by the
fire like a queer little witch, was Banford. She looked round with
reddened eyes as they entered, but did not rise. He thought she looked
frightening, unnatural, crouching there and looking round at them. Evil
he thought her look was, and he crossed his fingers.
Banford saw the ruddy, elate face on the youth: he seemed strangely
tall and bright and looming. And March had a delicate look on her face;
she wanted to hide her face, to screen it, to let it not be seen.
'You've come at last,' said Banford uglily.
'Yes, we've come,' said he.
'You've been long enough for anything,' she said.
'Yes, we have. We've settled it. We shall marry as soon as
possible,' he replied.
'Oh, you've settled it, have you! Well, I hope you won't live to
repent it,' said Banford.
'I hope so too,' he replied.
'Are you going to bed NOW, Nellie?' said Banford.
'Yes, I'm going now.'
'Then for goodness' sake come along.'
March looked at the boy. He was glancing with his very bright eyes
at her and at Banford. March looked at him wistfully. She wished she
could stay with him. She wished she had married him already, and it was
all over. For oh, she felt suddenly so safe with him. She felt so
strangely safe and peaceful in his presence. If only she could sleep in
his shelter, and not with Jill. She felt afraid of Jill. In her dim,
tender state, it was agony to have to go with Jill and sleep with her.
She wanted the boy to save her. She looked again at him.
And he, watching with bright eyes, divined something of what she
felt. It puzzled and distressed him that she must go with Jill.
'I shan't forget what you've promised,' he said, looking clear into
her eyes, right into her eyes, so that he seemed to occupy all herself
with his queer, bright look.
She smiled to him faintly, gently. She felt safe again—safe with
But in spite of all the boy's precautions, he had a setback. The
morning he was leaving the farm he got March to accompany him to the
market-town, about six miles away, where they went to the registrar and
had their names stuck up as two people who were going to marry. He was
to come at Christmas, and the wedding was to take place then. He hoped
in the spring to be able to take March back to Canada with him, now the
war was really over. Though he was so young, he had saved some money.
'You never have to be without SOME money at the back of you, if you
can help it,' he said.
So she saw him off in the train that was going West: his camp was on
Salisbury Plain. And with big, dark eyes she watched him go, and it
seemed as if everything real in life was retreating as the train
retreated with his queer, chubby, ruddy face, that seemed so broad
across the cheeks, and which never seemed to change its expression,
save when a cloud of sulky anger hung on the brow, or the bright eyes
fixed themselves in their stare. This was what happened now. He leaned
there out of the carriage window as the train drew off, saying good-bye
and staring back at her, but his face quite unchanged. There was no
emotion on his face. Only his eyes tightened and became fixed and
intent in their watching like a cat's when suddenly she sees something
and stares. So the boy's eyes stared fixedly as the train drew away,
and she was left feeling intensely forlorn. Failing his physical
presence, she seemed to have nothing of him. And she had nothing of
anything. Only his face was fixed in her mind: the full, ruddy,
unchanging cheeks, and the straight snout of a nose and the two eyes
staring above. All she could remember was how he suddenly wrinkled his
nose when he laughed, as a puppy does when he is playfully growling.
But him, himself, and what he was—she knew nothing, she had nothing of
him when he left her.
On the ninth day after he had left her he received this letter.
I have been over it all again in my mind, this business of me and
you, and it seems to me impossible. When you aren't there I see what a
fool I am. When you are there you seem to blind me to things as they
actually are. You make me see things all unreal, and I don't know what.
Then when I am along again with Jill I seem to come to my own senses
and realise what a fool I am making of myself, and how I am treating
you unfairly. Because it must be unfair to you for me to go on with
this affair when I can't feel in my heart that I really love you. I
know people talk a lot of stuff and nonsense about love, and I don't
want to do that. I want to keep to plain facts and act in a sensible
way. And that seems to me what I'm not doing. I don't see on what
grounds I am going to marry you. I know I am not head over heels in
love with you, as I have fancied myself to be with fellows when I was a
young fool of a girl. You are an absolute stranger to me, and it seems
to me you will always be one. So on what grounds am I going to marry
you? When I think of Jill, she is ten times more real to me. I know her
and I'm awfully fond of her, and I hate myself for a beast if I ever
hurt her little finger. We have a life together. And even if it can't
last for ever, it is a life while it does last. And it might last as
long as either of us lives. Who knows how long we've got to live? She
is a delicate little thing, perhaps nobody but me knows how delicate.
And as for me, I feel I might fall down the well any day. What I don't
seem to see at all is you. When I think of what I've been and what I've
done with you, I'm afraid I am a few screws loose. I should be sorry to
think that softening of the brain is setting in so soon, but that is
what it seems like. You are such an absolute stranger, and so different
from what I'm used to, and we don't seem to have a thing in common. As
for love, the very word seems impossible. I know what love means even
in Jill's case, and I know that in this affair with you it's an
absolute impossibility. And then going to Canada. I'm sure I must have
been clean off my chump when I promised such a thing. It makes me feel
fairly frightened of myself. I feel I might do something really silly
that I wasn't responsible for—and end my days in a lunatic asylum. You
may think that's all I'm fit for after the way I've gone on, but it
isn't a very nice thought for me. Thank goodness Jill is here, and her
being here makes me feel sane again, else I don't know what I might do;
I might have an accident with the gun one evening. I love Jill, and she
makes me feel safe and sane, with her loving anger against me for being
such a fool. Well, what I want to say is, won't you let us cry the
whole thing off? I can't marry you, and really, I won't do such a thing
if it seems to me wrong. It is all a great mistake. I've made a
complete fool of myself, and all I can do is to apologise to you and
ask you please to forget it, and please to take no further notice of
me. Your fox-skin is nearly ready, and seems all right, I will post it
to you if you will let me know if this address is still right, and if
you will accept my apology for the awful and lunatic way I have behaved
with you, and then let the matter rest.
Jill sends her kindest regards. Her mother and father are staying
with us over Christmas,
Yours very sincerely,
The boy read this letter in camp as he was cleaning his kit. He set
his teeth, and for a moment went almost pale, yellow round the eyes
with fury. He said nothing and saw nothing and felt nothing but a livid
rage that was quite unreasoning. Balked! Balked again! Balked! He
wanted the woman, he had fixed like doom upon having her. He felt that
was his doom, his destiny, and his reward, to have this woman. She was
his heaven and hell on earth, and he would have none elsewhere.
Sightless with rage and thwarted madness he got through the morning.
Save that in his mind he was lurking and scheming towards an issue, he
would have committed some insane act. Deep in himself he felt like
roaring and howling and gnashing his teeth and breaking things. But he
was too intelligent. He knew society was on top of him, and he must
scheme. So with his teeth bitten together, and his nose curiously
slightly lifted, like some creature that is vicious, and his eyes fixed
and staring, he went through the morning's affairs drunk with anger and
suppression. In his mind was one thing—Banford. He took no heed of all
March's outpouring: none. One thorn rankled, stuck in his mind.
Banford. In his mind, in his soul, in his whole being, one thorn
rankling to insanity. And he would have to get it out. He would have to
get the thorn of Banford out of his life, if he died for it.
With this one fixed idea in his mind, he went to ask for twenty-four hours' leave of absence. He knew it was not due to him. His
consciousness was supernaturally keen. He knew where he must go— he
must go to the captain. But how could he get at the captain? In that
great camp of wooden huts and tents he had no idea where his captain
But he went to the officers' canteen. There was his captain standing
talking with three other officers. Henry stood in the doorway at
'May I speak to Captain Berryman?' The captain was Cornish like
'What do you want?' called the captain.
'May I speak to you, Captain?'
'What do you want?' replied the captain, not stirring from among his
group of fellow officers.
Henry watched his superior for a minute without speaking.
'You won't refuse me, sir, will you?' he asked gravely.
'It depends what it is.'
'Can I have twenty-four hours' leave?'
'No, you've no business to ask.'
'I know I haven't. But I must ask you.'
'You've had your answer.'
'Don't send me away, Captain.'
There was something strange about the boy as he stood there so
everlasting in the doorway. The Cornish captain felt the strangeness at
once, and eyed him shrewdly.
'Why, what's afoot?' he said, curious.
'I'm in trouble about something. I must go to Blewbury,' said the
'Blewbury, eh? After the girls?'
'Yes, it is a woman, Captain.' And the boy, as he stood there with
his head reaching forward a little, went suddenly terribly pale, or
yellow, and his lips seemed to give off pain. The captain saw and paled
a little also. He turned aside.
'Go on, then,' he said. 'But for God's sake don't cause any trouble
of any sort.'
'I won't, Captain, thank you.'
He was gone. The captain, upset, took a gin and bitters. Henry
managed to hire a bicycle. It was twelve o'clock when he left the camp.
He had sixty miles of wet and muddy crossroads to ride. But he was in
the saddle and down the road without a thought of food.
At the farm, March was busy with a work she had had some time in
hand. A bunch of Scotch fir trees stood at the end of the open shed, on
a little bank where ran the fence between two of the gorse-shaggy
meadows. The farthest of these trees was dead—it had died in the
summer, and stood with all its needles brown and sere in the air. It
was not a very big tree. And it was absolutely dead. So March
determined to have it, although they were not allowed to cut any of the
timber. But it would make such splendid firing, in these days of scarce
She had been giving a few stealthy chops at the trunk for a week or
more, every now and then hacking away for five minutes, low down, near
the ground, so no one should notice. She had not tried the saw, it was
such hard work, alone. Now the tree stood with a great yawning gap in
his base, perched, as it were, on one sinew, and ready to fall. But he
did not fall.
It was late in the damp December afternoon, with cold mists creeping
out of the woods and up the hollows, and darkness waiting to sink in
from above. There was a bit of yellowness where the sun was fading away
beyond the low woods of the distance. March took her axe and went to
the tree. The small thud-thud of her blows resounded rather ineffectual
about the wintry homestead. Banford came out wearing her thick coat,
but with no hat on her head, so that her thin, bobbed hair blew on the
uneasy wind that sounded in the pines and in the wood.
'What I'm afraid of,' said Banford, 'is that it will fall on the
shed and we sh'll have another job repairing that.'
'Oh, I don't think so,' said March, straightening herself and wiping
her arm over her hot brow. She was flushed red, her eyes were very wide
open and queer, her upper lip lifted away from her two white, front
teeth with a curious, almost rabbit look.
A little stout man in a black overcoat and a bowler hat came
pottering across the yard. He had a pink face and a white beard and
smallish, pale-blue eyes. He was not very old, but nervy, and he walked
with little short steps.
'What do you think, father?' said Banford. 'Don't you think it might
hit the shed in falling?'
'Shed, no!' said the old man. 'Can't hit the shed. Might as well say
'The fence doesn't matter,' said March, in her high voice.
'Wrong as usual, am I!' said Banford, wiping her straying hair from
The tree stood as it were on one spelch of itself, leaning, and
creaking in the wind. It grew on the bank of a little dry ditch between
the two meadows. On the top of the bank straggled one fence, running to
the bushes up-hill. Several trees clustered there in the corner of the
field near the shed and near the gate which led into the yard. Towards
this gate, horizontal across the weary meadows, came the grassy, rutted
approach from the high road. There trailed another rickety fence, long
split poles joining the short, thick, wide-apart uprights. The three
people stood at the back of the tree, in the corner of the shed meadow,
just above the yard gate. The house, with its two gables and its porch,
stood tidy in a little grassed garden across the yard. A little, stout,
rosy-faced woman in a little red woollen shoulder shawl had come and
taken her stand in the porch.
'Isn't it down yet?' she cried, in a high little voice.
'Just thinking about it,' called her husband. His tone towards the
two girls was always rather mocking and satirical. March did not want
to go on with her hitting while he was there. As for him, he wouldn't
lift a stick from the ground if he could help it, complaining, like his
daughter, of rheumatics in his shoulder. So the three stood there a
moment silent in the cold afternoon, in the bottom corner near the
They heard the far-off taps of a gate, and craned to look. Away
across, on the green horizontal approach, a figure was just swinging on
to a bicycle again, and lurching up and down over the grass,
'Why, it's one of our boys—it's Jack,' said the old man.
'Can't be,' said Banford.
March craned her head to look. She alone recognized the khaki
figure. She flushed, but said nothing.
'No, it isn't Jack, I don't think,' said the old man, staring with
little round blue eyes under his white lashes.
In another moment the bicycle lurched into sight, and the rider
dropped off at the gate. It was Henry, his face wet and red and spotted
with mud. He was altogether a muddy sight.
'Oh!' cried Banford, as if afraid. 'Why, it's Henry!'
'What?' muttered the old man. He had a thick, rapid, muttering way
of speaking, and was slightly deaf. 'What? What? Who is it? Who is it,
do you say? That young fellow? That young fellow of Nellie's? Oh! Oh!'
And the satiric smile came on his pink face and white eyelashes.
Henry, pushing the wet hair off his steaming brow, had caught sight
of them and heard what the old man said. His hot, young face seemed to
flame in the cold light.
'Oh, are you all there!' he said, giving his sudden, puppy's little
laugh. He was so hot and dazed with cycling he hardly knew where he
was. He leaned the bicycle against the fence and climbed over into the
corner on to the bank, without going into the yard.
'Well, I must say, we weren't expecting YOU,' said Banford
'No, I suppose not,' said he, looking at March.
She stood aside, slack, with one knee drooped and the axe resting
its head loosely on the ground. Her eyes were wide and vacant, and her
upper lip lifted from her teeth in that helpless, fascinated rabbit
look. The moment she saw his glowing, red face it was all over with
her. She was as helpless as if she had been bound. The moment she saw
the way his head seemed to reach forward.
'Well, who is it? Who is it, anyway?' asked the smiling, satiric old
man in his muttering voice.
'Why, Mr Grenfel, whom you've heard us tell about, father,' said
'Heard you tell about, I should think so. Heard of nothing else
practically,' muttered the elderly man, with his queer little jeering
smile on his face. 'How do you do,' he added, suddenly reaching out his
hand to Henry.
The boy shook hands just as startled. Then the two men fell apart.
'Cycled over from Salisbury Plain, have you?' asked the old man.
'Hm! Longish ride. How long d'it take you, eh? Some time, eh?
Several hours, I suppose.'
'Eh? Four! Yes, I should have thought so. When are you going back,
'I've got till tomorrow evening.'
'Till tomorrow evening, eh? Yes. Hm! Girls weren't expecting you,
And the old man turned his pale-blue, round little eyes under their
white lashes mockingly towards the girls. Henry also looked round. He
had become a little awkward. He looked at March, who was still staring
away into the distance as if to see where the cattle were. Her hand was
on the pommel of the axe, whose head rested loosely on the ground.
'What were you doing there?' he asked in his soft, courteous voice.
'Cutting a tree down?'
March seemed not to hear, as if in a trance.
'Yes,' said Banford. 'We've been at it for over a week.'
'Oh! And have you done it all by yourselves then?'
'Nellie's done it all, I've done nothing,' said Banford.
'Really! You must have worked quite hard,' he said, addressing
himself in a curious gentle tone direct to March. She did not answer,
but remained half averted staring away towards the woods above as if in
'NELLIE!' cried Banford sharply. 'Can't you answer?'
'What—me?' cried March, starting round and looking from one to the
other. 'Did anyone speak to me?'
'Dreaming!' muttered the old man, turning aside to smile. 'Must be
in love, eh, dreaming in the daytime!'
'Did you say anything to me?' said March, looking at the boy as from
a strange distance, her eyes wide and doubtful, her face delicately
'I said you must have worked hard at the tree,' he replied
'Oh, that! Bit by bit. I thought it would have come down by now.'
'I'm thankful it hasn't come down in the night, to frighten us to
death,' said Banford.
'Let me just finish it for you, shall I?' said the boy.
March slanted the axe-shaft in his direction.
'Would you like to?' she said.
'Yes, if you wish it,' he said.
'Oh, I'm thankful when the thing's down, that's all,' she replied,
'Which way is it going to fall?' said Banford. 'Will it hit the
'No, it won't hit the shed,' he said. 'I should think it will fall
there—quite clear. Though it might give a twist and catch the fence.'
'Catch the fence!' cried the old man. 'What, catch the fence! When
it's leaning at that angle? Why, it's farther off than the shed. It
won't catch the fence.'
'No,' said Henry, 'I don't suppose it will. It has plenty of room to
fall quite clear, and I suppose it will fall clear.'
'Won't tumble backwards on top of US, will it?' asked the old man,
'No, it won't do that,' said Henry, taking off his short overcoat
and his tunic. 'Ducks! Ducks! Go back!'
A line of four brown-speckled ducks led by a brown-and-green drake
were stemming away downhill from the upper meadow, coming like boats
running on a ruffled sea, cockling their way top speed downwards
towards the fence and towards the little group of people, and cackling
as excitedly as if they brought news of the Spanish Armada.
'Silly things! Silly things!' cried Banford, going forward to turn
them off. But they came eagerly towards her, opening their yellow-green beaks and quacking as if they were so excited to say something.
'There's no food. There's nothing here. You must wait a bit,' said
Banford to them. 'Go away. Go away. Go round to the yard.'
They didn't go, so she climbed the fence to swerve them round under
the gate and into the yard. So off they waggled in an excited string
once more, wagging their rumps like the stems of little gondolas,
ducking under the bar of the gate. Banford stood on the top of the
bank, just over the fence, looking down on the other three.
Henry looked up at her, and met her queer, round-pupilled, weak eyes
staring behind her spectacles. He was perfectly still. He looked away,
up at the weak, leaning tree. And as he looked into the sky, like a
huntsman who is watching a flying bird, he thought to himself: 'If the
tree falls in just such a way, and spins just so much as it falls, then
the branch there will strike her exactly as she stands on top of that
He looked at her again. She was wiping the hair from her brow again,
with that perpetual gesture. In his heart he had decided her death. A
terrible still force seemed in him, and a power that was just his. If
he turned even a hair's breadth in the wrong direction, he would lose
'Mind yourself, Miss Banford,' he said. And his heart held perfectly
still, in the terrible pure will that she should not move.
'Who, me, mind myself?' she cried, her father's jeering tone in her
voice. 'Why, do you think you might hit me with the axe?'
'No, it's just possible the tree might, though,' he answered
soberly. But the tone of his voice seemed to her to imply that he was
only being falsely solicitous, and trying to make her move because it
was his will to move her.
'Absolutely impossible,' she said.
He heard her. But he held himself icy still, lest he should lose his
'No, it's just possible. You'd better come down this way.'
'Oh, all right. Let us see some crack Canadian tree-felling,' she
'Ready, then,' he said, taking the axe, looking round to see he was
There was a moment of pure, motionless suspense, when the world
seemed to stand still. Then suddenly his form seemed to flash up
enormously tall and fearful, he gave two swift, flashing blows, in
immediate succession, the tree was severed, turning slowly, spinning
strangely in the air and coming down like a sudden darkness on the
earth. No one saw what was happening except himself. No one heard the
strange little cry which the Banford gave as the dark end of the bough
swooped down, down on her. No one saw her crouch a little and receive
the blow on the back of the neck. No one saw her flung outwards and
laid, a little twitching heap, at the foot of the fence. No one except
the boy. And he watched with intense bright eyes, as he would watch a
wild goose he had shot. Was it winged or dead? Dead!
Immediately he gave a loud cry. Immediately March gave a wild shriek
that went far, far down the afternoon. And the father started a strange
The boy leapt the fence and ran to the fringe. The back of the neck
and head was a mass of blood, of horror. He turned it over. The body
was quivering with little convulsions. But she was dead really. He knew
it, that it was so. He knew it in his soul and his blood. The inner
necessity of his life was fulfilling itself, it was he who was to live.
The thorn was drawn out of his bowels. So he put her down gently. She
He stood up. March was standing there petrified and absolutely
motionless. Her face was dead white, her eyes big black pools. The old
man was scrambling horribly over the fence.
'I'm afraid it's killed her,' said the boy.
The old man was making curious, blubbering noises as he huddled over
the fence. 'What!' cried March, starting electric.
'Yes, I'm afraid,' repeated the boy.
March was coming forward. The boy was over the fence before she
'What do you say, killed her?' she asked in a sharp voice.
'I'm afraid so,' he answered softly.
She went still whiter, fearful. The two stood facing one another.
Her black eyes gazed on him with the last look of resistance. And then
in a last agonized failure she began to grizzle, to cry in a shivery
little fashion of a child that doesn't want to cry, but which is beaten
from within, and gives that little first shudder of sobbing which is
not yet weeping, dry and fearful.
He had won. She stood there absolutely helpless, shuddering her dry
sobs and her mouth trembling rapidly. And then, as in a child, with a
little crash came the tears and the blind agony of sightless weeping.
She sank down on the grass, and sat there with her hands on her breast
and her face lifted in sightless, convulsed weeping. He stood above
her, looking down on her, mute, pale, and everlasting seeming. He never
moved, but looked down on her. And among all the torture of the scene,
the torture of his own heart and bowels, he was glad, he had won.
After a long time he stooped to her and took her hands.
'Don't cry,' he said softly. 'Don't cry.'
She looked up at him with tears running from her eyes, a senseless
look of helplessness and submission. So she gazed on him as if
sightless, yet looking up to him. She would never leave him again. He
had won her. And he knew it and was glad, because he wanted her for his
life. His life must have her. And now he had won her. It was what his
life must have.
But if he had won her, he had not yet got her. They were married at
Christmas as he had planned, and he got again ten days' leave. They
went to Cornwall, to his own village, on the sea. He realized that it
was awful for her to be at the farm any more.
But though she belonged to him, though she lived in his shadow, as
if she could not be away from him, she was not happy. She did not want
to leave him: and yet she did not feel free with him. Everything round
her seemed to watch her, seemed to press on her. He had won her, he had
her with him, she was his wife. And she— she belonged to him, she knew
it. But she was not glad. And he was still foiled. He realized that
though he was married to her and possessed her in every possible way,
apparently, and though she WANTED him to possess her, she wanted it,
she wanted nothing else, now, still he did not quite succeed.
Something was missing. Instead of her soul swaying with new life, it
seemed to droop, to bleed, as if it were wounded. She would sit for a
long time with her hand in his, looking away at the sea. And in her
dark, vacant eyes was a sort of wound, and her face looked a little
peaked. If he spoke to her, she would turn to him with a faint new
smile, the strange, quivering little smile of a woman who has died in
the old way of love, and can't quite rise to the new way. She still
felt she ought to DO something, to strain herself in some direction.
And there was nothing to do, and no direction in which to strain
herself. And she could not quite accept the submergence which his new
love put upon her. If she was in love, she ought to EXERT herself, in
some way, loving. She felt the weary need of our day to EXERT herself
in love. But she knew that in fact she must no more exert herself in
love. He would not have the love which exerted itself towards him. It
made his brow go black. No, he wouldn't let her exert her love towards
him. No, she had to be passive, to acquiesce, and to be submerged under
the surface of love. She had to be like the seaweeds she saw as she
peered down from the boat, swaying forever delicately under water, with
all their delicate fibrils put tenderly out upon the flood, sensitive,
utterly sensitive and receptive within the shadowy sea, and never,
never rising and looking forth above water while they lived. Never.
Never looking forth from the water until they died, only then washing,
corpses, upon the surface. But while they lived, always submerged,
always beneath the wave. Beneath the wave they might have powerful
roots, stronger than iron; they might be tenacious and dangerous in
their soft waving within the flood. Beneath the water they might be
stronger, more indestructible than resistant oak trees are on land. But
it was always under-water, always under-water. And she, being a woman,
must be like that.
And she had been so used to the very opposite. She had had to take
all the thought for love and for life, and all the responsibility. Day
after day she had been responsible for the coming day, for the coming
year: for her dear Jill's health and happiness and well- being. Verily,
in her own small way, she had felt herself responsible for the
well-being of the world. And this had been her great stimulant, this
grand feeling that, in her own small sphere, she was responsible for
the well-being of the world.
And she had failed. She knew that, even in her small way, she had
failed. She had failed to satisfy her own feeling of responsibility. It
was so difficult. It seemed so grand and easy at first. And the more
you tried, the more difficult it became. It had seemed so easy to make
one beloved creature happy. And the more you tried, the worse the
failure. It was terrible. She had been all her life reaching, reaching,
and what she reached for seemed so near, until she had stretched to her
utmost limit. And then it was always beyond her.
Always beyond her, vaguely, unrealizably beyond her, and she was
left with nothingness at last. The life she reached for, the happiness
she reached for, the well-being she reached for all slipped back,
became unreal, the farther she stretched her hand. She wanted some
goal, some finality—and there was none. Always this ghastly reaching,
reaching, striving for something that might be just beyond. Even to
make Jill happy. She was glad Jill was dead. For she had realized that
she could never make her happy. Jill would always be fretting herself
thinner and thinner, weaker and weaker. Her pains grew worse instead of
less. It would be so for ever. She was glad she was dead.
And if Jill had married a man it would have been just the same. The
woman striving, striving to make the man happy, striving within her own
limits for the well-being of her world. And always achieving failure.
Little, foolish successes in money or in ambition. But at the very
point where she most wanted success, in the anguished effort to make
some one beloved human being happy and perfect, there the failure was
almost catastrophic. You wanted to make your beloved happy, and his
happiness seemed always achievable. If only you did just this, that,
and the other. And you did this, that, and the other, in all good
faith, and every time the failure became a little more ghastly. You
could love yourself to ribbons and strive and strain yourself to the
bone, and things would go from bad to worse, bad to worse, as far as
happiness went. The awful mistake of happiness.
Poor March, in her good-will and her responsibility, she had
strained herself till it seemed to her that the whole of life and
everything was only a horrible abyss of nothingness. The more you
reached after the fatal flower of happiness, which trembles so blue and
lovely in a crevice just beyond your grasp, the more fearfully you
became aware of the ghastly and awful gulf of the precipice below you,
into which you will inevitably plunge, as into the bottomless pit, if
you reach any farther. You pluck flower after flower—it is never THE
flower. The flower itself—its calyx is a horrible gulf, it is the
That is the whole history of the search for happiness, whether it be
your own or somebody else's that you want to win. It ends, and it
always ends, in the ghastly sense of the bottomless nothingness into
which you will inevitably fall if you strain any farther.
And women?—what goal can any woman conceive, except happiness? Just
happiness for herself and the whole world. That, and nothing else. And
so, she assumes the responsibility and sets off towards her goal. She
can see it there, at the foot of the rainbow. Or she can see it a
little way beyond, in the blue distance. Not far, not far.
But the end of the rainbow is a bottomless gulf down which you can
fall forever without arriving, and the blue distance is a void pit
which can swallow you and all your efforts into its emptiness, and
still be no emptier. You and all your efforts. So, the illusion of
Poor March, she had set off so wonderfully towards the blue goal.
And the farther and farther she had gone, the more fearful had become
the realization of emptiness. An agony, an insanity at last.
She was glad it was over. She was glad to sit on the shore and look
westwards over the sea, and know the great strain had ended. She would
never strain for love and happiness any more. And Jill was safely dead.
Poor Jill, poor Jill. It must be sweet to be dead.
For her own part, death was not her destiny. She would have to leave
her destiny to the boy. But then, the boy. He wanted more than that. He
wanted her to give herself without defences, to sink and become
submerged in him. And she—she wanted to sit still, like a woman on the
last milestone, and watch. She wanted to see, to know, to understand.
She wanted to be alone: with him at her side.
And he! He did not want her to watch any more, to see any more, to
understand any more. He wanted to veil her woman's spirit, as Orientals
veil the woman's face. He wanted her to commit herself to him, and to
put her independent spirit to sleep. He wanted to take away from her
all her effort, all that seemed her very raison d'etre. He wanted to
make her submit, yield, blindly pass away out of all her strenuous
consciousness. He wanted to take away her consciousness, and make her
just his woman. Just his woman.
And she was so tired, so tired, like a child that wants to go to
sleep, but which fights against sleep as if sleep were death. She
seemed to stretch her eyes wider in the obstinate effort and tension of
keeping awake. She WOULD keep awake. She WOULD know. She WOULD consider
and judge and decide. She would have the reins of her own life between
her own hands. She WOULD be an independent woman to the last. But she
was so tired, so tired of everything. And sleep seemed near. And there
was such rest in the boy.
Yet there, sitting in a niche of the high, wild, cliffs of West
Cornwall, looking over the westward sea, she stretched her eyes wider
and wider. Away to the West, Canada, America. She WOULD know and she
WOULD see what was ahead. And the boy, sitting beside her, staring down
at the gulls, had a cloud between his brows and the strain of
discontent in his eyes. He wanted her asleep, at peace in him. He
wanted her at peace asleep in him. And THERE she was, dying with the
strain of her own wakefulness. Yet she would not sleep: no, never.
Sometimes he thought bitterly that he ought to have left her. He ought
never to have killed Banford. He should have left Banford and March to
kill one another.
But that was only impatience: and he knew it. He was waiting,
waiting to go West. He was aching almost in torment to leave England,
to go West, to take March away. To leave this shore! He believed that
as they crossed the seas, as they left this England which he so hated,
because in some way it seemed to have stung him with poison, she would
go to sleep. She would close her eyes at last and give in to him.
And then he would have her, and he would have his own life at last.
He chafed, feeling he hadn't got his own life. He would never have it
till she yielded and slept in him. Then he would have all his own life
as a young man and a male, and she would have all her own life as a
woman and a female. There would be no more of this awful straining. She
would not be a man any more, an independent woman with a man's
responsibility. Nay, even the responsibility for her own soul she would
have to commit to him. He knew it was so, and obstinately held out
against her, waiting for the surrender.
'You'll feel better when once we get over the seas to Canada over
there,' he said to her as they sat among the rocks on the cliff.
She looked away to the sea's horizon, as if it were not real. Then
she looked round at him, with the strained, strange look of a child
that is struggling against sleep.
'Shall I?' she said.
'Yes,' he answered quietly.
And her eyelids dropped with the slow motion, sleep weighing them
unconscious. But she pulled them open again to say:
'Yes, I may. I can't tell. I can't tell what it will be like over
'If only we could go soon!' he said, with pain in his voice.