The Figure in the Carpet
by Henry James
from the 1916 Martin Secker edition
I had done a few things and earned a few pence—I had perhaps
even had time to begin to think I was finer than was perceived by the
patronising; but when I take the little measure of my course (a fidgety
habit, for it's none of the longest yet) I count my real start from the
evening George Corvick, breathless and worried, came in to ask me a
service. He had done more things than I, and earned more pence, though
there were chances for cleverness I thought he sometimes missed. I
could only however that evening declare to him that he never missed one
for kindness. There was almost rapture in hearing it proposed to me to
prepare for The Middle, the organ of our lucubrations, so called
from the position in the week of its day of appearance, an article for
which he had made himself responsible and of which, tied up with a
stout string, he laid on my table the subject. I pounced upon my
opportunity—that is on the first volume of it—and paid scant
attention to my friend's explanation of his appeal. What explanation
could be more to the point than my obvious fitness for the task? I had
written on Hugh Vereker, but never a word in The Middle, where
my dealings were mainly with the ladies and the minor poets. This was
his new novel, an advance copy, and whatever much or little it should
do for his reputation I was clear on the spot as to what it should do
for mine. Moreover if I always read him as soon as I could get hold of
him I had a particular reason for wishing to read him now: I had
accepted an invitation to Bridges for the following Sunday, and it had
been mentioned in Lady Jane's note that Mr. Vereker was to be there. I
was young enough for a flutter at meeting a man of his renown, and
innocent enough to believe the occasion would demand the display of an
acquaintance with his "last."
Corvick, who had promised a review of it, had not even had time to
read it; he had gone to pieces in consequence of news requiring—as on
precipitate reflexion he judged—that he should catch the night-mail
to Paris. He had had a telegram from Gwendolen Erme in answer to his
letter offering to fly to her aid. I knew already about Gwendolen
Erme; I had never seen her, but I had my ideas, which were mainly to
the effect that Corvick would marry her if her mother would only die.
That lady seemed now in a fair way to oblige him; after some dreadful
mistake about a climate or a "cure" she had suddenly collapsed on the
return from abroad. Her daughter, unsupported and alarmed, desiring to
make a rush for home but hesitating at the risk, had accepted our
friend's assistance, and it was my secret belief that at sight of him
Mrs. Erme would pull round. His own belief was scarcely to be called
secret; it discernibly at any rate differed from mine. He had showed
me Gwendolen's photograph with the remark that she wasn't pretty but
was awfully interesting; she had published at the age of nineteen a
novel in three volumes, "Deep Down," about which, in The Middle,
he had been really splendid. He appreciated my present eagerness and
undertook that the periodical in question should do no less; then at
the last, with his hand on the door, he said to me: "Of course you'll
be all right, you know." Seeing I was a trifle vague he added: "I mean
you won't be silly."
"Silly—about Vereker! Why what do I ever find him but awfully
"Well, what's that but silly? What on earth does 'awfully clever'
mean? For God's sake try to get at him. Don't let him suffer
by our arrangement. Speak of him, you know, if you can, as I
should have spoken of him."
I wondered an instant. "You mean as far and away the biggest of
the lot—that sort of thing?"
Corvick almost groaned. "Oh you know, I don't put them back to
back that way; it's the infancy of art! But he gives me a pleasure so
rare; the sense of"—he mused a little—"something or other."
I wondered again. "The sense, pray, of want?"
"My dear man, that's just what I want
you to say!"
Even before he had banged the door I had begun, book in hand, to
prepare myself to say it. I sat up with Vereker half the night;
Corvick couldn't have done more than that. He was awfully clever—I
stuck to that, but he wasn't a bit the biggest of the lot. I didn't
allude to the lot, however; I flattered myself that I emerged on this
occasion from the infancy of art. "It's all right," they declared
vividly at the office; and when the number appeared I felt there was a
basis on which I could meet the great man. It gave me confidence for a
day or two—then that confidence dropped. I had fancied him reading
it with relish, but if Corvick wasn't satisfied how could Vereker
himself be? I reflected indeed that the heat of the admirer was
sometimes grosser even than the appetite of the scribe. Corvick at all
events wrote me from Paris a little ill-humouredly. Mrs. Erme was
pulling round, and I hadn't at all said what Vereker gave him the sense
The effect of my visit to Bridges was to turn me out for more
profundity. Hugh Vereker, as I saw him there, was of a contact so void
of angles that I blushed for the poverty of imagination involved in my
small precautions. If he was in spirits it wasn't because he had read
my review; in fact on the Sunday morning I felt sure he hadn't read it,
though The Middle had been out three days and bloomed, I assured
myself, in the stiff garden of periodicals which gave one of the ormolu
tables the air of a stand at a station. The impression he made on me
personally was such that I wished him to read it, and I corrected to
this end with a surreptitious hand what might be wanting in the
careless conspicuity of the sheet. I'm afraid I even watched the
result of my manoeuvre, but up to luncheon I watched in vain.
When afterwards, in the course of our gregarious walk, I found
myself for half an hour, not perhaps without another manoeuvre, at the
great man's side, the result of his affability was a still livelier
desire that he shouldn't remain in ignorance of the peculiar justice I
had done him. It wasn't that he seemed to thirst for justice; on the
contrary I hadn't yet caught in his talk the faintest grunt of a grudge
- a note for which my young experience had already given me an ear. Of
late he had had more recognition, and it was pleasant, as we used to
say in The Middle, to see how it drew him out. He wasn't of
course popular, but I judged one of the sources of his good humour to
be precisely that his success was independent of that. He had none the
less become in a manner the fashion; the critics at least had put on a
spurt and caught up with him. We had found out at last how clever he
was, and he had had to make the best of the loss of his mystery. I was
strongly tempted, as I walked beside him, to let him know how much of
that unveiling was my act; and there was a moment when I probably
should have done so had not one of the ladies of our party, snatching a
place at his other elbow, just then appealed to him in a spirit
comparatively selfish. It was very discouraging: I almost felt the
liberty had been taken with myself.
I had had on my tongue's end, for my own part, a phrase or two
about the right word at the right time; but later on I was glad not to
have spoken, for when on our return we clustered at tea I perceived
Lady Jane, who had not been out with us, brandishing The Middle
with her longest arm. She had taken it up at her leisure; she was
delighted with what she had found, and I saw that, as a mistake in a
man may often be a felicity in a woman, she would practically do for me
what I hadn't been able to do for myself. "Some sweet little truths
that needed to be spoken," I heard her declare, thrusting the paper at
rather a bewildered couple by the fireplace. She grabbed it away from
them again on the reappearance of Hugh Vereker, who after our walk had
been upstairs to change something. "I know you don't in general look
at this kind of thing, but it's an occasion really for doing so. You haven't seen it? Then you must. The man has actually got
you, at what I always feel, you know." Lady Jane threw into
her eyes a look evidently intended to give an idea of what she always
felt; but she added that she couldn't have expressed it. The man in
the paper expressed it in a striking manner. "Just see there, and
there, where I've dashed it, how he brings it out." She had literally
marked for him the brightest patches of my prose, and if I was a little
amused Vereker himself may well have been. He showed how much he was
when before us all Lady Jane wanted to read something aloud. I liked
at any rate the way he defeated her purpose by jerking the paper
affectionately out of her clutch. He'd take it upstairs with him and
look at it on going to dress. He did this half an hour later—I saw
it in his hand when he repaired to his room. That was the moment at
which, thinking to give her pleasure, I mentioned to Lady Jane that I
was the author of the review. I did give her pleasure, I judged, but
perhaps not quite so much as I had expected. If the author was "only
me" the thing didn't seem quite so remarkable. Hadn't I had the effect
rather of diminishing the lustre of the article than of adding to my
own? Her ladyship was subject to the most extraordinary drops. It
didn't matter; the only effect I cared about was the one it would have
on Vereker up there by his bedroom fire.
At dinner I watched for the signs of this impression, tried to
fancy some happier light in his eyes; but to my disappointment Lady
Jane gave me no chance to make sure. I had hoped she'd call
triumphantly down the table, publicly demand if she hadn't been right.
The party was large—there were people from outside as well, but I had
never seen a table long enough to deprive Lady Jane of a triumph. I
was just reflecting in truth that this interminable board would deprive me of one when the guest next me, dear woman—she was Miss Poyle,
the vicar's sister, a robust unmodulated person—had the happy
inspiration and the unusual courage to address herself across it to
Vereker, who was opposite, but not directly, so that when he replied
they were both leaning forward. She enquired, artless body, what he
thought of Lady Jane's "panegyric," which she had read—not connecting
it however with her right-hand neighbour; and while I strained my ear
for his reply I heard him, to my stupefaction, call back gaily, his
mouth full of bread: "Oh, it's all right—the usual twaddle!"
I had caught Vereker's glance as he spoke, but Miss Poyle's
surprise was a fortunate cover for my own. "You mean he doesn't do you
justice?" said the excellent woman.
Vereker laughed out, and I was happy to be able to do the same.
"It's a charming article," he tossed us.
Miss Poyle thrust her chin half across the cloth. "Oh, you're so
deep!" she drove home.
"As deep as the ocean! All I pretend is that the author doesn't
see—" But a dish was at this point passed over his shoulder, and we
had to wait while he helped himself.
"Doesn't see what?" my neighbour continued.
"Doesn't see anything."
"Dear me—how very stupid!"
"Not a bit," Vereker laughed main. "Nobody does."
The lady on his further side appealed to him, and Miss Poyle sank
back to myself. "Nobody sees anything!" she cheerfully announced; to
which I replied that I had often thought so too, but had somehow taken
the thought for a proof on my own part of a tremendous eye. I didn't
tell her the article was mine; and I observed that Lady Jane, occupied
at the end of the table, had not caught Vereker's words.
I rather avoided him after dinner, for I confess he struck me as
cruelly conceited, and the revelation was a pain. "The usual twaddle"
- my acute little study! That one's admiration should have had a
reserve or two could gall him to that point! I had thought him placid,
and he was placid enough; such a surface was the hard polished glass
that encased the bauble of his vanity. I was really ruffled, and the
only comfort was that if nobody saw anything George Corvick was quite
as much out of it as I. This comfort however was not sufficient, after
the ladies had dispersed, to carry me in the proper manner—I mean in
a spotted jacket and humming an air—into the smoking-room. I took my
way in some dejection to bed; but in the passage I encountered Mr.
Vereker, who had been up once more to change, coming out of his room. He was humming an air and had on a spotted jacket, and as soon as
he saw me his gaiety gave a start.
"My dear young man," he exclaimed, "I'm so glad to lay hands on
you! I'm afraid I most unwittingly wounded you by those words of mine
at dinner to Miss Poyle. I learned but half an hour ago from Lady Jane
that you're the author of the little notice in The Middle."
I protested that no bones were broken; but he moved with me to my
own door, his hand, on my shoulder, kindly feeling for a fracture; and
on hearing that I had come up to bed he asked leave to cross my
threshold and just tell me in three words what his qualification of my
remarks had represented. It was plain he really feared I was hurt, and
the sense of his solicitude suddenly made all the difference to me. My
cheap review fluttered off into space, and the best things I had said
in it became flat enough beside the brilliancy of his being there. I
can see him there still, on my rug, in the firelight and his spotted
jacket, his fine clear face all bright with the desire to be tender to
my youth. I don't know what he had at first meant to say, but I think
the sight of my relief touched him, excited him, brought up words to
his lips from far within. It was so these words presently conveyed to
me something that, as I afterwards knew, he had never uttered to any
one. I've always done justice to the generous impulse that made him
speak; it was simply compunction for a snub unconsciously administered
to a man of letters in a position inferior to his own, a man of letters
moreover in the very act of praising him. To make the thing right he
talked to me exactly as an equal and on the ground of what we both
loved best. The hour, the place, the unexpectedness deepened the
impression: he couldn't have done anything more intensely effective.
"I don't quite know how to explain it to you," he said, "but it
was the very fact that your notice of my book had a spice of
intelligence, it was just your exceptional sharpness, that produced the
feeling—a very old story with me, I beg you to believe—under the
momentary influence of which I used in speaking to that good lady the
words you so naturally resent. I don't read the things in the
newspapers unless they're thrust upon me as that one was—it's always
one's best friend who does it! But I used to read them sometimes—ten
years ago. I dare say they were in general rather stupider then; at
any rate it always struck me they missed my little point with a
perfection exactly as admirable when they patted me on the back as when
they kicked me in the shins. Whenever since I've happened to have a
glimpse of them they were still blazing away—still missing it, I
mean, deliciously. You miss it, my dear fellow, with inimitable
assurance; the fact of your being awfully clever and your article's
being awfully nice doesn't make a hair's breadth of difference. It's
quite with you rising young men," Vereker laughed, "that I feel most
what a failure I am!"
I listened with keen interest; it grew keener as he talked. "You
a failure—heavens! What then may your 'little point' happen to be?"
"Have I got to
tell you, after all these years and
labours?" There was something in the friendly reproach of this—
jocosely exaggerated—that made me, as an ardent young seeker for
truth, blush to the roots of my hair. I'm as much in the dark as ever,
though I've grown used in a sense to my obtuseness; at that moment,
however, Vereker's happy accent made me appear to myself, and probably
to him, a rare dunce. I was on the point of exclaiming "Ah yes, don't
tell me: for my honour, for that of the craft, don't!" when he went on
in a manner that showed he had read my thought and had his own idea of
the probability of our some day redeeming ourselves. "By my little
point I mean—what shall I call it?—the particular thing I've
written my books most for. Isn't there for every writer a
particular thing of that sort, the thing that most makes him apply
himself, the thing without the effort to achieve which he wouldn't
write at all, the very passion of his passion, the part of the business
in which, for him, the flame of art burns most intensely? Well, it's that!"
I considered a moment—that is I followed at a respectful
distance, rather gasping. I was fascinated—easily, you'll say; but I
wasn't going after all to be put off my guard. "Your description's
certainly beautiful, but it doesn't make what you describe very
"I promise you it would be distinct if it should dawn on you at
all." I saw that the charm of our topic overflowed for my companion
into an emotion as lively as my own. "At any rate," he went on, "I can
speak for myself: there's an idea in my work without which I wouldn't
have given a straw for the whole job. It's the finest fullest
intention of the lot, and the application of it has been, I think, a
triumph of patience, of ingenuity. I ought to leave that to somebody
else to say; but that nobody does say it is precisely what we're
talking about. It stretches, this little trick of mine, from book to
book, and everything else, comparatively, plays over the surface of
it. The order, the form, the texture of my books will perhaps some day
constitute for the initiated a complete representation of it. So it's
naturally the thing for the critic to look for. It strikes me," my
visitor added, smiling, "even as the thing for the critic to find."
This seemed a responsibility indeed. "You call it a little trick?"
"That's only my little modesty. It's really an exquisite scheme."
"And you hold that you've carried the scheme out?"
"The way I've carried it out is the thing in life I think a bit
well of myself for."
I had a pause. "Don't you think you ought—just a trifle—to
assist the critic?"
"Assist him? What else have I done with every stroke of my pen?
I've shouted my intention in his great blank face!" At this, laughing
out again, Vereker laid his hand on my shoulder to show the allusion
wasn't to my personal appearance.
"But you talk about the initiated. There must therefore, you see,
"What else in heaven's name is criticism supposed to be?" I'm
afraid I coloured at this too; but I took refuge in repeating that his
account of his silver lining was poor in something or other that a
plain man knows things by. "That's only because you've never had a
glimpse of it," he returned. "If you had had one the element in
question would soon have become practically all you'd see. To me it's
exactly as palpable as the marble of this chimney. Besides, the critic
just isn't a plain man: if he were, pray, what would he be doing
in his neighbour's garden? You're anything but a plain man yourself,
and the very raison d'être of you all is that you're little demons of
subtlety. If my great affair's a secret, that's only because it's a
secret in spite of itself—the amazing event has made it one. I not
only never took the smallest precaution to keep it so, but never
dreamed of any such accident. If I had I shouldn't in advance have had
the heart to go on. As it was, I only became aware little by little,
and meanwhile I had done my work."
"And now you quite like it?" I risked.
"Your secret. It's the same thing."
"Your guessing that," Vereker replied, "is a proof that you're as
clever as I say!" I was encouraged by this to remark that he would
clearly be pained to part with it, and he confessed that it was indeed
with him now the great amusement of life. "I live almost to see if it
will ever be detected." He looked at me for a jesting challenge;
something far within his eyes seemed to peep out. "But I needn't worry
- it won't!"
"You fire me as I've never been fired," I declared; "you make me
determined to do or die." Then I asked: "Is it a kind of esoteric
His countenance fell at this—he put out his hand as if to bid me
good-night. "Ah my dear fellow, it can't be described in cheap
I knew of course he'd be awfully fastidious, but our talk had made
me feel how much his nerves were exposed. I was unsatisfied—I kept
hold of his hand. "I won't make use of the expression then," I said,
"in the article in which I shall eventually announce my discovery,
though I dare say I shall have hard work to do without it. But
meanwhile, just to hasten that difficult birth, can't you give a fellow
a clue?" I felt much more at my ease.
"My whole lucid effort gives him the clue—every page and line and
letter. The thing's as concrete there as a bird in a cage, a bait on a
hook, a piece of cheese in a mouse-trap. It's stuck into every volume
as your foot is stuck into your shoe. It governs every line, it
chooses every word, it dots every i, it places every comma."
I scratched my head. "Is it something in the style or something in
the thought? An element of form or an element of feeling?"
He indulgently shook my hand again, and I felt my questions to be
crude and my distinctions pitiful. "Good-night, my dear boy—don't
bother about it. After all, you do like a fellow."
"And a little intelligence might spoil it?" I still detained him.
He hesitated. "Well, you've got a heart in your body. Is that an
element of form or an element of feeling? What I contend that nobody
has ever mentioned in my work is the organ of life."
"I see—it's some idea
about life, some sort of
philosophy. Unless it be," I added with the eagerness of a thought
perhaps still happier, "some kind of game you're up to with your style,
something you're after in the language. Perhaps it's a preference for
the letter P!" I ventured profanely to break out. "Papa, potatoes,
prunes—that sort of thing?" He was suitably indulgent: he only said
I hadn't got the right letter. But his amusement was over; I could see
he was bored. There was nevertheless something else I had absolutely
to learn. "Should you be able, pen in hand, to state it clearly
yourself—to name it, phrase it, formulate it?"
"Oh," he almost passionately sighed, "if I were only, pen in hand,
one of you chaps!"
"That would be a great chance for you of course. But why should
you despise us chaps for not doing what you can't do yourself?"
"Can't do?" He opened his eyes. "Haven't I done it in twenty
volumes? I do it in my way," he continued. "Go you and don't
do it in yours."
"Ours is so devilish difficult," I weakly observed.
"So's mine. We each choose our own. There's no compulsion. You
won't come down and smoke?"
"No. I want to think this thing out."
"You'll tell me then in the morning that you've laid me bare?"
"I'll see what I can do; I'll sleep on it. But just one word
more," I added. We had left the room—I walked again with him a few
steps along the passage. "This extraordinary 'general intention,' as
you call it—for that's the most vivid description I can induce you to
make of it—is then, generally, a sort of buried treasure?"
His face lighted. "Yes, call it that, though it's perhaps not for
me to do so."
"Nonsense!" I laughed. "You know you're hugely proud of it."
"Well, I didn't propose to tell you so; but it
is the joy of
"You mean it's a beauty so rare, so great?"
He waited a little again. "The loveliest thing in the world!" We
had stopped, and on these words he left me; but at the end of the
corridor, while I looked after him rather yearningly, he turned and
caught sight of my puzzled face. It made him earnestly, indeed I
thought quite anxiously, shake his head and wave his finger "Give it up
- give it up!"
This wasn't a challenge—it was fatherly advice. If I had had one
of his books at hand I'd have repeated my recent act of faith—I'd
have spent half the night with him. At three o'clock in the morning,
not sleeping, remembering moreover how indispensable he was to Lady
Jane, I stole down to the library with a candle. There wasn't, so far
as I could discover, a line of his writing in the house.
Returning to town I feverishly collected them all; I picked out
each in its order and held it up to the light. This gave me a
maddening month, in the course of which several things took place. One
of these, the last, I may as well immediately mention, was that I acted
on Vereker's advice: I renounced my ridiculous attempt. I could really
make nothing of the business; it proved a dead loss. After all I had
always, as he had himself noted, liked him; and what now occurred was
simply that my new intelligence and vain preoccupation damaged my
liking. I not only failed to run a general intention to earth, I found
myself missing the subordinate intentions I had formerly enjoyed. His
books didn't even remain the charming things they had been for me; the
exasperation of my search put me out of conceit of them. Instead of
being a pleasure the more they became a resource the less; for from the
moment I was unable to follow up the author's hint I of course felt it
a point of honour not to make use professionally of my knowledge of
them. I had no knowledge—nobody had any. It was humiliating,
but I could bear it—they only annoyed me now. At last they even
bored me, and I accounted for my confusion—perversely, I allow—by
the idea that Vereker had made a fool of me. The buried treasure was a
bad joke, the general intention a monstrous pose.
The great point of it all is, however, that I told George Corvick
what had befallen me and that my information had an immense effect upon
him. He had at last come back, but so, unfortunately, had Mrs. Erme,
and there was as yet, I could see, no question of his nuptials. He was
immensely stirred up by the anecdote I had brought from Bridges; it
fell in so completely with the sense he had had from the first that
there was more in Vereker than met the eye. When I remarked that the
eye seemed what the printed page had been expressly invented to meet he
immediately accused me of being spiteful because I had been foiled.
Our commerce had always that pleasant latitude. The thing Vereker had
mentioned to me was exactly the thing he, Corvick, had wanted me to
speak of in my review. On my suggesting at last that with the
assistance I had now given him he would doubtless be prepared to speak
of it himself he admitted freely that before doing this there was more
he must understand. What he would have said, had he reviewed the new
book, was that there was evidently in the writer's inmost art something
to be understood. I hadn't so much as hinted at that: no wonder
the writer hadn't been flattered! I asked Corvick what he really
considered he meant by his own supersubtlety, and, unmistakeably
kindled, he replied: "It isn't for the vulgar—it isn't for the
vulgar!" He had hold of the tail of something; he would pull hard,
pull it right out. He pumped me dry on Vereker's strange confidence
and, pronouncing me the luckiest of mortals, mentioned half a dozen
questions he wished to goodness I had had the gumption to put. Yet on
the other hand he didn't want to be told too much—it would spoil the
fun of seeing what would come. The failure of my fun was at the
moment of our meeting not complete, but I saw it ahead, and Corvick saw
that I saw it. I, on my side, saw likewise that one of the first
things he would do would be to rush off with my story to Gwendolen.
On the very day after my talk with him I was surprised by the
receipt of a note from Hugh Vereker, to whom our encounter at Bridges
had been recalled, as he mentioned, by his falling, in a magazine, on
some article to which my signature was attached. "I read it with great
pleasure," he wrote, "and remembered under its influence our lively
conversation by your bedroom fire. The consequence of this has been
that I begin to measure the temerity of my having saddled you with a
knowledge that you may find something of a burden. Now that the fit's
over I can't imagine how I came to be moved so much beyond my wont. I
had never before mentioned, no matter in what state of expansion, the
fact of my little secret, and I shall never speak of that mystery
again. I was accidentally so much more explicit with you than it had
ever entered into my game to be, that I find this game—I mean the
pleasure of playing it—suffers considerably. In short, if you can
understand it, I've rather spoiled my sport. I really don't want to
give anybody what I believe you clever young men call the tip. That's
of course a selfish solicitude, and I name it to you for what it may be
worth to you. If you're disposed to humour me don't repeat my
revelation. Think me demented—it's your right; but don't tell
The sequel to this communication was that as early on the morrow as
I dared I drove straight to Mr. Vereker's door. He occupied in those
years one of the honest old houses in Kensington Square. He received
me immediately, and as soon as I came in I saw I hadn't lost my power
to minister to his mirth. He laughed out at sight of my face, which
doubtless expressed my perturbation. I had been indiscreet—my
compunction was great. "I have told somebody," I panted, "and
I'm sure that person will by this time have told somebody else! It's a
woman, into the bargain."
"The person you've told?"
"No, the other person. I'm quite sure he must have told her."
"For all the good it will do her—or do
me! A woman will
never find out."
"No, but she'll talk all over the place: she'll do just what you
Vereker thought a moment, but wasn't so disconcerted as I had
feared: he felt that if the harm was done it only served him right.
"It doesn't matter—don't worry."
"I'll do my best, I promise you, that your talk with me shall go no
"Very good; do what you can."
"In the meantime," I pursued, "George Corvick's possession of the
tip may, on his part, really lead to something."
"That will be a brave day."
I told him about Corvick's cleverness, his admiration, the
intensity of his interest in my anecdote; and without making too much
of the divergence of our respective estimates mentioned that my friend
was already of opinion that he saw much further into a certain affair
than most people. He was quite as fired as I had been at Bridges. He
was moreover in love with the young lady: perhaps the two together
would puzzle something out.
Vereker seemed struck with this. "Do you mean they're to be
"I dare say that's what it will come to."
"That may help them," he conceded, "but we must give them time!"
I spoke of my own renewed assault and confessed my difficulties;
whereupon he repeated his former advice: "Give it up, give it up!" He
evidently didn't think me intellectually equipped for the adventure. I
stayed half an hour, and he was most good-natured, but I couldn't help
pronouncing him a man of unstable moods. He had been free with me in a
mood, he had repented in a mood, and now in a mood he had turned
indifferent. This general levity helped me to believe that, so far as
the subject of the tip went, there wasn't much in it. I contrived
however to make him answer a few more questions about it, though he did
so with visible impatience. For himself, beyond doubt, the thing we
were all so blank about was vividly there. It was something, I
guessed, in the primal plan, something like a complex figure in a
Persian carpet. He highly approved of this image when I used it, and
he used another himself. "It's the very string," he said, "that my
pearls are strung on!" The reason of his note to me had been that he
really didn't want to give us a grain of succour—our density was a
thing too perfect in its way to touch. He had formed the habit of
depending on it, and if the spell was to break it must break by some
force of its own. He comes back to me from that last occasion—for I
was never to speak to him again—as a man with some safe preserve for
sport. I wondered as I walked away where he had got his tip.
When I spoke to George Corvick of the caution I had received he
made me feel that any doubt of his delicacy would be almost an insult.
He had instantly told Gwendolen, but Gwendolen's ardent response was in
itself a pledge of discretion. The question would now absorb them and
would offer them a pastime too precious to be shared with the crowd.
They appeared to have caught instinctively at Vereker's high idea of
enjoyment. Their intellectual pride, however, was not such as to make
them indifferent to any further light I might throw on the affair they
had in hand. They were indeed of the "artistic temperament," and I was
freshly struck with my colleague's power to excite himself over a
question of art. He'd call it letters, he'd call it life, but it was
all one thing. In what he said I now seemed to understand that he
spoke equally for Gwendolen, to whom, as soon as Mrs. Erme was
sufficiently better to allow her a little leisure, he made a point of
introducing me. I remember our going together one Sunday in August to
a huddled house in Chelsea, and my renewed envy of Corvick's possession
of a friend who had some light to mingle with his own. He could say
things to her that I could never say to him. She had indeed no sense
of humour and, with her pretty way of holding her head on one side, was
one of those persons whom you want, as the phrase is, to shake, but who
have learnt Hungarian by themselves. She conversed perhaps in
Hungarian with Corvick; she had remarkably little English for his
friend. Corvick afterwards told me that I had chilled her by my
apparent indisposition to oblige them with the detail of what Vereker
had said to me. I allowed that I felt I had given thought enough to
that indication: hadn't I even made up my mind that it was vain and
would lead nowhere? The importance they attached to it was irritating
and quite envenomed my doubts.
That statement looks unamiable, and what probably happened was that
I felt humiliated at seeing other persons deeply beguiled by an
experiment that had brought me only chagrin. I was out in the cold
while, by the evening fire, under the lamp, they followed the chase for
which I myself had sounded the horn. They did as I had done, only more
deliberately and sociably—they went over their author from the
beginning. There was no hurry, Corvick said the future was before them
and the fascination could only grow; they would take him page by page,
as they would take one of the classics, inhale him in slow draughts and
let him sink all the way in. They would scarce have got so wound up, I
think, if they hadn't been in love: poor Vereker's inner meaning gave
them endless occasion to put and to keep their young heads together.
None the less it represented the kind of problem for which Corvick had
a special aptitude, drew out the particular pointed patience of which,
had he lived, he would have given more striking and, it is to be hoped,
more fruitful examples. He at least was, in Vereker's words, a little
demon of subtlety. We had begun by disputing, but I soon saw that
without my stirring a finger his infatuation would have its bad hours.
He would bound off on false scents as I had done—he would clap his
hands over new lights and see them blown out by the wind of the turned
page. He was like nothing, I told him, but the maniacs who embrace
some bedlamitical theory of the cryptic character of Shakespeare. To
this he replied that if we had had Shakespeare's own word for his being
cryptic he would at once have accepted it. The case there was
altogether different—we had nothing but the word of Mr. Snooks. I
returned that I was stupefied to see him attach such importance even to
the word of Mr. Vereker. He wanted thereupon to know if I treated Mr.
Vereker's word as a lie. I wasn't perhaps prepared, in my unhappy
rebound, to go so far as that, but I insisted that till the contrary
was proved I should view it as too fond an imagination. I didn't, I
confess, say—I didn't at that time quite know—all I felt. Deep
down, as Miss Erme would have said, I was uneasy, I was expectant. At
the core of my disconcerted state—for my wonted curiosity lived in
its ashes—was the sharpness of a sense that Corvick would at last
probably come out somewhere. He made, in defence of his credulity, a
great point of the fact that from of old, in his study of this genius,
he had caught whiffs and hints of he didn't know what, faint wandering
notes of a hidden music. That was just the rarity, that was the charm:
it fitted so perfectly into what I reported.
If I returned on several occasions to the little house in Chelsea I
dare say it was as much for news of Vereker as for news of Miss Erme's
ailing parent. The hours spent there by Corvick were present to my
fancy as those of a chessplayer bent with a silent scowl, all the
lamplit winter, over his board and his moves. As my imagination filled
it out the picture held me fast. On the other side of the table was a
ghostlier form, the faint figure of an antagonist good-humouredly but a
little wearily secure—an antagonist who leaned back in his chair with
his hands in his pockets and a smile on his fine clear face. Close to
Corvick, behind him, was a girl who had begun to strike me as pale and
wasted and even, on more familiar view, as rather handsome, and who
rested on his shoulder and hung on his moves. He would take up a
chessman and hold it poised a while over one of the little squares, and
then would put it back in its place with a long sigh of
disappointment. The young lady, at this, would slightly but uneasily
shift her position and look across, very hard, very long, very
strangely, at their dim participant. I had asked them at an early
stage of the business if it mightn't contribute to their success to
have some closer communication with him. The special circumstances
would surely be held to have given me a right to introduce them.
Corvick immediately replied that he had no wish to approach the altar
before he had prepared the sacrifice. He quite agreed with our friend
both as to the delight and as to the honour of the chase—he would
bring down the animal with his own rifle. When I asked him if Miss
Erme were as keen a shot he said after thinking: "No, I'm ashamed to
say she wants to set a trap. She'd give anything to see him; she says
she requires another tip. She's really quite morbid about it. But she
must play fair—she shan't see him!" he emphatically added. I
wondered if they hadn't even quarrelled a little on the subject—a
suspicion not corrected by the way he more than once exclaimed to me:
"She's quite incredibly literary, you know—quite fantastically!" I
remember his saying of her that she felt in italics and thought in
capitals. "Oh when I've run him to earth," he also said, "then, you
know, I shall knock at his door. Rather—I beg you to believe. I'll
have it from his own lips: 'Right you are, my boy; you've done it this
time!' He shall crown me victor—with the critical laurel."
Meanwhile he really avoided the chances London life might have
given him of meeting the distinguished novelist; a danger, however,
that disappeared with Vereker's leaving England for an indefinite
absence, as the newspapers announced—going to the south for motives
connected with the health of his wife, which had long kept her in
retirement. A year—more than a year—had elapsed since the incident
at Bridges, but I had had no further sight of him. I think I was at
bottom rather ashamed—I hated to remind him that, though I had
irremediably missed his point, a reputation for acuteness was rapidly
overtaking me. This scruple led me a dance; kept me out of Lady Jane's
house, made me even decline, when in spite of my bad manners she was a
second time so good as to make me a sign, an invitation to her
beautiful seat. I once became aware of her under Vereker's escort at a
concert, and was sure I was seen by them, but I slipped out without
being caught. I felt, as on that occasion I splashed along in the
rain, that I couldn't have done anything else; and yet I remember
saying to myself that it was hard, was even cruel. Not only had I lost
the books, but I had lost the man himself: they and their author had
been alike spoiled for me. I knew too which was the loss I most
regretted. I had taken to the man still more than I had ever taken to
Six months after our friend had left England George Corvick, who
made his living by his pen, contracted for a piece of work which
imposed on him an absence of some length and a journey of some
difficulty, and his undertaking of which was much of a surprise to me.
His brother-in-law had become editor of a great provincial paper, and
the great provincial paper, in a fine flight of fancy, had conceived
the idea of sending a "special commissioner" to India. Special
commissioners had begun, in the "metropolitan press," to be the
fashion, and the journal in question must have felt it had passed too
long for a mere country cousin. Corvick had no hand, I knew, for the
big brush of the correspondent, but that was his brother-in-law's
affair, and the fact that a particular task was not in his line was apt
to be with himself exactly a reason for accepting it. He was prepared
to out-Herod the metropolitan press; he took solemn precautions against
priggishness, he exquisitely outraged taste. Nobody ever knew it—
that offended principle was all his own. In addition to his expenses
he was to be conveniently paid, and I found myself able to help him,
for the usual fat book, to a plausible arrangement with the usual fat
publisher. I naturally inferred that his obvious desire to make a
little money was not unconnected with the prospect of a union with
Gwendolen Erme. I was aware that her mother's opposition was largely
addressed to his want of means and of lucrative abilities, but it so
happened that, on my saying the last time I saw him something that bore
on the question of his separation from our young lady, he brought out
with an emphasis that startled me: "Ah I'm not a bit engaged to her,
"Not overtly," I answered, "because her mother doesn't like you.
But I've always taken for granted a private understanding."
was one. But there isn't now." That was all
he said save something about Mrs. Erme's having got on her feet again
in the most extraordinary way—a remark pointing, as I supposed, the
moral that private understandings were of little use when the doctor
didn't share them. What I took the liberty of more closely inferring
was that the girl might in some way have estranged him. Well, if he
had taken the turn of jealousy for instance it could scarcely be
jealousy of me. In that case—over and above the absurdity of it—he
wouldn't have gone away just to leave us together. For some time
before his going we had indulged in no allusion to the buried treasure,
and from his silence, which my reserve simply emulated, I had drawn a
sharp conclusion. His courage had dropped, his ardour had gone the way
of mine—this appearance at least he left me to scan. More than that
he couldn't do; he couldn't face the triumph with which I might have
greeted an explicit admission. He needn't have been afraid, poor dear,
for I had by this time lost all need to triumph. In fact I considered
I showed magnanimity in not reproaching him with his collapse, for the
sense of his having thrown up the game made me feel more than ever how
much I at last depended on him. If Corvick had broken down I should
never know; no one would be of any use if he wasn't. It wasn't
a bit true I had ceased to care for knowledge; little by little my
curiosity not only had begun to ache again, but had become the familiar
torment of my days and my nights. There are doubtless people to whom
torments of such an order appear hardly more natural than the
contortions of disease; but I don't after all know why I should in this
connexion so much as mention them. For the few persons, at any rate,
abnormal or not, with whom my anecdote is concerned, literature was a
game of skill, and skill meant courage, and courage meant honour, and
honour meant passion, meant life. The stake on the table was of a
special substance and our roulette the revolving mind, but we sat round
the green board as intently as the grim gamblers at Monte Carlo.
Gwendolen Erme, for that matter, with her white face and her fixed
eyes, was of the very type of the lean ladies one had met in the
temples of chance. I recognised in Corvick's absence that she made
this analogy vivid. It was extravagant, I admit, the way she lived for
the art of the pen. Her passion visibly preyed on her, and in her
presence I felt almost tepid. I got hold of "Deep Down" again: it was
a desert in which she had lost herself, but in which too she had dug a
wonderful hole in the sand—a cavity out of which Corvick had still
more remarkably pulled her.
Early in March I had a telegram from her, in consequence of which I
repaired immediately to Chelsea, where the first thing she said to me
was: "He has got it, he has got it!"
She was moved, as I could see, to such depths that she must mean
the great thing. "Vereker's idea?"
"His general intention. George has cabled from Bombay."
She had the missive open there; it was emphatic though concise.
"Eureka. Immense." That was all—he had saved the cost of the
signature. I shared her emotion, but I was disappointed. "He doesn't
say what it is."
"How could he—in a telegram? He'll write it."
"But how does he know?"
"Know it's the real thing? Oh I'm sure that when you see it you do
know. Vera incessu patuit dea!"
"It's you, Miss Erme, who are a 'dear' for bringing me such news!"
- I went all lengths in my high spirits. "But fancy finding our
goddess in the temple of Vishnu! How strange of George to have been
able to go into the thing again in the midst of such different and such
"He hasn't gone into it, I know; it's the thing itself, let
severely alone for six months, that has simply sprung out at him like a
tigress out of the jungle. He didn't take a book with him—on
purpose; indeed he wouldn't have needed to—he knows every page, as I
do, by heart. They all worked in him together, and some day somewhere,
when he wasn't thinking, they fell, in all their superb intricacy, into
the one right combination. The figure in the carpet came out. That's
the way he knew it would come and the real reason—you didn't in the
least understand, but I suppose I may tell you now—why he went and
why I consented to his going. We knew the change would do it—that
the difference of thought, of scene, would give the needed touch, the
magic shake. We had perfectly, we had admirably calculated. The
elements were all in his mind, and in the secousse of a new and intense
experience they just struck light." She positively struck light
herself—she was literally, facially luminous. I stammered something
about unconscious cerebration, and she continued: "He'll come right
home—this will bring him."
"To see Vereker, you mean?"
"To see Vereker—and to see
me. Think what he'll have to
I hesitated. "About India?"
"About fiddlesticks! About Vereker—about the figure in the
"But, as you say, we shall surely have that in a letter."
She thought like one inspired, and I remembered how Corvick had
told me long before that her face was interesting. "Perhaps it can't
be got into a letter if it's 'immense.'"
"Perhaps not if it's immense bosh. If he has hold of something
that can't be got into a letter he hasn't hold of the thing.
Vereker's own statement to me was exactly that the 'figure' would
fit into a letter."
"Well, I cabled to George an hour ago—two words," said Gwendolen.
"Is it indiscreet of me to ask what they were?"
She hung fire, but at last brought them out. "'Angel, write.'"
"Good!" I exclaimed. "I'll make it sure—I'll send him the same."
My words however were not absolutely the same—I put something
instead of "angel"; and in the sequel my epithet seemed the more apt,
for when eventually we heard from our traveller it was merely, it was
thoroughly to be tantalised. He was magnificent in his triumph, he
described his discovery as stupendous; but his ecstasy only obscured it
- there were to be no particulars till he should have submitted his
conception to the supreme authority. He had thrown up his commission,
he had thrown up his book, he had thrown up everything but the instant
need to hurry to Rapallo, on the Genoese shore, where Vereker was
making a stay. I wrote him a letter which was to await him at Aden—I
besought him to relieve my suspense. That he had found my letter was
indicated by a telegram which, reaching me after weary days and in the
absence of any answer to my laconic dispatch to him at Bombay, was
evidently intended as a reply to both communications. Those few words
were in familiar French, the French of the day, which Covick often made
use of to show he wasn't a prig. It had for some persons the opposite
effect, but his message may fairly be paraphrased. "Have patience; I
want to see, as it breaks on you, the face you'll make!" "Tellement
envie de voir ta tête!"—that was what I had to sit down with. I can
certainly not be said to have sat down, for I seem to remember myself
at this time as rattling constantly between the little house in Chelsea
and my own. Our impatience, Gwendolen's and mine, was equal, but I
kept hoping her light would be greater. We all spent during this
episode, for people of our means, a great deal of money in telegrams
and cabs, and I counted on the receipt of news from Rapallo immediately
after the junction of the discoverer with the discovered. The interval
seemed an age, but late one day I heard a hansom precipitated to my
door with the crash engendered by a hint of liberality. I lived with
my heart in my mouth and accordingly bounded to the window—a movement
which gave me a view of a young lady erect on the footboard of the
vehicle and eagerly looking up at my house. At sight of me she
flourished a paper with a movement that brought me straight down, the
movement with which, in melodramas, handkerchiefs and reprieves are
flourished at the foot of the scaffold.
"Just seen Vereker—not a note wrong. Pressed me to bosom—keeps
me a month." So much I read on her paper while the cabby dropped a
grin from his perch. In my excitement I paid him profusely and in hers
she suffered it; then as he drove away we started to walk about and
talk. We had talked, heaven knows, enough before, but this was a
wondrous lift. We pictured the whole scene at Rapallo, where he would
have written, mentioning my name, for permission to call; that is I
pictured it, having more material than my companion, whom I felt hang
on my lips as we stopped on purpose before shop-windows we didn't look
into. About one thing we were clear: if he was staying on for fuller
communication we should at least have a letter from him that would help
us through the dregs of delay. We understood his staying on, and yet
each of us saw, I think, that the other hated it. The letter we were
clear about arrived; it was for Gwendolen, and I called on her in time
to save her the trouble of bringing it to me. She didn't read it out,
as was natural enough; but she repeated to me what it chiefly
embodied. This consisted of the remarkable statement that he'd tell
her after they were married exactly what she wanted to know.
"Only then, when I'm his wife—not before," she explained.
"It's tantamount to saying—isn't it?—that I must marry him straight
off!" She smiled at me while I flushed with disappointment, a vision
of fresh delay that made me at first unconscious of my surprise. It
seemed more than a hint that on me as well he would impose some
tiresome condition. Suddenly, while she reported several more things
from his letter, I remembered what he had told me before going away.
He had found Mr. Vereker deliriously interesting and his own possession
of the secret a real intoxication. The buried treasure was all gold
and gems. Now that it was there it seemed to grow and grow before him;
it would have been, through all time and taking all tongues, one of the
most wonderful flowers of literary art. Nothing, in especial, once you
were face to face with it, could show for more consummately done
. When once it came out it came out, was there with a splendour that
made you ashamed; and there hadn't been, save in the bottomless
vulgarity of the age, with every one tasteless and tainted, every sense
stopped, the smallest reason why it should have been overlooked. It
was great, yet so simple, was simple, yet so great, and the final
knowledge of it was an experience quite apart. He intimated that the
charm of such an experience, the desire to drain it, in its freshness,
to the last drop, was what kept him there close to the source.
Gwendolen, frankly radiant as she tossed me these fragments, showed the
elation of a prospect more assured than my own. That brought me back
to the question of her marriage, prompted me to ask if what she meant
by what she had just surprised me with was that she was under an
"Of course I am!" she answered. "Didn't you know it?" She seemed
astonished, but I was still more so, for Corvick had told me the exact
contrary. I didn't mention this, however; I only reminded her how
little I had been on that score in her confidence, or even in
Corvick's, and that, moreover I wasn't in ignorance of her mother's
interdict. At bottom I was troubled by the disparity of the two
accounts; but after a little I felt Corvick's to be the one I least
doubted. This simply reduced me to asking myself if the girl had on
the spot improvised an engagement—vamped up an old one or dashed off
a new—in order to arrive at the satisfaction she desired. She must
have had resources of which I was destitute, but she made her case
slightly more intelligible by returning presently: "What the state of
things has been is that we felt of course bound to do nothing in
"But now you think you'll just dispense with mamma's consent?"
"Ah it mayn't come to that!" I wondered what it might come to, and
she went on: "Poor dear, she may swallow the dose. In fact, you know,"
she added with a laugh, "she really must!"—a proposition of
which, on behalf of every one concerned, I fully acknowledged the force.
Nothing more vexatious had ever happened to me than to become
aware before Corvick's arrival in England that I shouldn't be there to
put him through. I found myself abruptly called to Germany by the
alarming illness of my younger brother, who, against my advice, had
gone to Munich to study, at the feet indeed of a great master, the art
of portraiture in oils. The near relative who made him an allowance
had threatened to withdraw it if he should, under specious pretexts,
turn for superior truth to Paris—Paris being somehow, for a
Cheltenham aunt, the school of evil, the abyss. I deplored this
prejudice at the time, and the deep injury of it was now visible—
first in the fact that it hadn't saved the poor boy, who was clever,
frail and foolish, from congestion of the lungs, and second in the
greater break with London to which the event condemned me. I'm afraid
that what was uppermost in my mind during several anxious weeks was the
sense that if we had only been in Paris I might have run over to see
Corvick. This was actually out of the question from every point of
view: my brother, whose recovery gave us both plenty to do, was ill for
three months, during which I never left him and at the end of which we
had to face the absolute prohibition of a return to England. The
consideration of climate imposed itself, and he was in no state to meet
it alone. I took him to Meran and there spent the summer with him,
trying to show him by example how to get back to work and nursing a
rage of another sort that I tried not to show him.
The whole business proved the first of a series of phenomena so
strangely interlaced that, taken together—which was how I had to take
them—they form as good an illustration as I can recall of the manner
in which, for the good of his soul doubtless, fate sometimes deals with
a man's avidity. These incidents certainly had larger bearings than
the comparatively meagre consequence we are here concerned with—
though I feel that consequence also a thing to speak of with some
respect. It's mainly in such a light, I confess, at any rate, that the
ugly fruit of my exile is at this hour present to me. Even at first
indeed the spirit in which my avidity, as I have called it, made me
regard that term owed no element of ease to the fact that before coming
back from Rapallo George Corvick addressed me in a way I objected to.
His letter had none of the sedative action I must to-day profess myself
sure he had wished to give it, and the march of occurrences was not so
ordered as to make up for what it lacked. He had begun on the spot,
for one of the quarterlies, a great last word on Vereker's writings,
and this exhaustive study, the only one that would have counted, have
existed, was to turn on the new light, to utter—oh, so quietly!—the
unimagined truth. It was in other words to trace the figure in the
carpet through every convolution, to reproduce it in every tint. The
result, according to my friend, would be the greatest literary portrait
ever painted, and what he asked of me was just to be so good as not to
trouble him with questions till he should hang up his masterpiece
before me. He did me the honour to declare that, putting aside the
great sitter himself, all aloft in his indifference, I was individually
the connoisseur he was most working for. I was therefore to be a good
boy and not try to peep under the curtain before the show was ready: I
should enjoy it all the more if I sat very still.
I did my best to sit very still, but I couldn't help giving a jump
on seeing in The Times, after I had been a week or two in Munich
and before, as I knew, Corvick had reached London, the announcement of
the sudden death of poor Mrs. Erme. I instantly, by letter, appealed
to Gwendolen for particulars, and she wrote me that her mother had
yielded to long-threatened failure of the heart. She didn't say, but I
took the liberty of reading into her words, that from the point of view
of her marriage and also of her eagerness, which was quite a match for
mine, this was a solution more prompt than could have been expected and
more radical than waiting for the old lady to swallow the dose. I
candidly admit indeed that at the time—for I heard from her
repeatedly—I read some singular things into Gwendolen's words and
some still more extraordinary ones into her silences. Pen in hand,
this way, I live the time over, and it brings back the oddest sense of
my having been, both for months and in spite of myself, a kind of
coerced spectator. All my life had taken refuge in my eyes, which the
procession of events appeared to have committed itself to keep astare.
There were days when I thought of writing to Hugh Vereker and simply
throwing myself on his charity. But I felt more deeply that I hadn't
fallen quite so low—besides which, quite properly, he would send me
about my business. Mrs. Erme's death brought Corvick straight home,
and within the month he was united "very quietly"—as quietly, I
seemed to make out, as he meant in his article to bring out his
trouvaille—to the young lady he had loved and quitted. I use this
last term, I may parenthetically say, because I subsequently grew sure
that at the time he went to India, at the time of his great news from
Bombay, there had been no positive pledge between them whatever. There
had been none at the moment she was affirming to me the very opposite.
On the other hand he had certainly become engaged the day he returned.
The happy pair went down to Torquay for their honeymoon, and there, in
a reckless hour, it occurred to poor Corvick to take his young bride a
drive. He had no command of that business: this had been brought home
to me of old in a little tour we had once made together in a dogcart.
In a dogcart he perched his companion for a rattle over Devonshire
hills, on one of the likeliest of which he brought his horse, who, it
was true, had bolted, down with such violence that the occupants of the
cart were hurled forward and that he fell horribly on his head. He was
killed on the spot; Gwendolen escaped unhurt.
I pass rapidly over the question of this unmitigated tragedy, of
what the loss of my best friend meant for me, and I complete my little
history of my patience and my pain by the frank statement of my having,
in a postscript to my very first letter to her after the receipt of the
hideous news, asked Mrs. Corvick whether her husband mightn't at least
have finished the great article on Vereker. Her answer was as prompt
as my question: the article, which had been barely begun, was a mere
heartbreaking scrap. She explained that our friend, abroad, had just
settled down to it when interrupted by her mother's death, and that
then, on his return, he had been kept from work by the engrossments
into which that calamity was to plunge them. The opening pages were
all that existed; they were striking, they were promising, but they
didn't unveil the idol. That great intellectual feat was obviously to
have formed his climax. She said nothing more, nothing to enlighten me
as to the state of her own knowledge—the knowledge for the
acquisition of which I had fancied her prodigiously acting. This was
above all what I wanted to know: had she seen the idol
unveiled? Had there been a private ceremony for a palpitating audience
of one? For what else but that ceremony had the nuptials taken place?
I didn't like as yet to press her, though when I thought of what had
passed between us on the subject in Corvick's absence her reticence
surprised me. It was therefore not till much later, from Meran, that I
risked another appeal, risked it in some trepidation, for she continued
to tell me nothing. "Did you hear in those few days of your blighted
bliss," I wrote, "what we desired so to hear?" I said, "we," as a
little hint and she showed me she could take a little hint; "I heard
everything," she replied, "and I mean to keep it to myself!"
It was impossible not to be moved with the strongest sympathy for
her, and on my return to England I showed her every kindness in my
power. Her mother's death had made her means sufficient, and she had
gone to live in a more convenient quarter. But her loss had been great
and her visitation cruel; it never would have occurred to me moreover
to suppose she could come to feel the possession of a technical tip, of
a piece of literary experience, a counterpoise to her grief. Strange
to say, none the less, I couldn't help believing after I had seen her a
few times that I caught a glimpse of some such oddity. I hasten to add
that there had been other things I couldn't help believing, or at least
imagining; and as I never felt I was really clear about these, so, as
to the point I here touch on, I give her memory the benefit of the
doubt. Stricken and solitary, highly accomplished and now, in her deep
mourning, her maturer grace and her uncomplaining sorrow, incontestably
handsome, she presented herself as leading a life of singular dignity
and beauty. I had at first found a way to persuade myself that I
should soon get the better of the reserve formulated, the week after
the catastrophe in her reply to an appeal as to which I was not
unconscious that it might strike her as mistimed. Certainly that
reserve was something of a shock to me—certainly it puzzled me the
more I thought of it and even though I tried to explain it (with
moments of success) by an imputation of exalted sentiments, of
superstitious scruples, of a refinement of loyalty. Certainly it added
at the same time hugely to the price of Vereker's secret, precious as
this mystery already appeared. I may as well confess abjectly that
Mrs. Corvick's unexpected attitude was the final tap on the nail that
was to fix fast my luckless idea, convert it into the obsession of
which I'm for ever conscious.
But this only helped me the more to be artful, to be adroit, to
allow time to elapse before renewing my suit. There were plenty of
speculations for the interval, and one of them was deeply absorbing.
Corvick had kept his information from his young friend till after the
removal of the last barrier to their intimacy—then only had he let
the cat out of the bag. Was it Gwendolen's idea, taking a hint from
him, to liberate this animal only on the basis of the renewal of such a
relation? Was the figure in the carpet traceable or describable only
for husbands and wives—for lovers supremely united? It came back to
me in a mystifying manner that in Kensington Square, when I mentioned
that Corvick would have told the girl he loved, some word had dropped
from Vereker that gave colour to this possibility. There might be
little in it, but there was enough to make me wonder if I should have
to marry Mrs. Corvick to get what I wanted. Was I prepared to offer
her this price for the blessing of her knowledge? Ah that way madness
lay!—so I at least said to myself in bewildered hours. I could see
meanwhile the torch she refused to pass on flame away in her chamber of
memory—pour through her eyes a light that shone in her lonely house.
At the end of six months I was fully sure of what this warm presence
made up to her for. We had talked again and again of the man who had
brought us together—of his talent, his character, his personal charm,
his certain career, his dreadful doom, and even of his clear purpose in
that great study which was to have been a supreme literary portrait, a
kind of critical Vandyke or Velasquez. She had conveyed to me in
abundance that she was tongue-tied by her perversity, by her piety,
that she would never break the silence it had not been given to the
"right person," as she said, to break. The hour however finally
arrived. One evening when I had been sitting with her longer than
usual I laid my hand firmly on her arm. "Now at last what is
She had been expecting me and was ready. She gave a long slow
soundless headshake, merciful only in being inarticulate. This mercy
didn't prevent its hurling at me the largest finest coldest "Never!" I
had yet, in the course of a life that had known denials, had to take
full in the face. I took it and was aware that with the hard blow the
tears had come into my eyes. So for a while we sat and looked at each
other; after which I slowly rose, I was wondering if some day she would
accept me; but this was not what I brought out. I said as I smoothed
down my hat: "I know what to think then. It's nothing!"
A remote disdainful pity for me gathered in her dim smile; then she
spoke in a voice that I hear at this hour: "It's my life!" As I
stood at the door she added: "You've insulted him!"
"Do you mean Vereker?"
"I mean the Dead!"
I recognised when I reached the street the justice of her charge.
Yes, it was her life—I recognised that too; but her life none the
less made room with the lapse of time for another interest. A year and
a half after Corvick's death she published in a single volume her
second novel, "Overmastered," which I pounced on in the hope of finding
in it some tell-tale echo or some peeping face. All I found was a much
better book than her younger performance, showing I thought the better
company she had kept. As a tissue tolerably intricate it was a carpet
with a figure of its own; but the figure was not the figure I was
looking for. On sending a review of it to The Middle I was
surprised to learn from the office that a notice was already in type.
When the paper came out I had no hesitation in attributing this
article, which I thought rather vulgarly overdone, to Drayton Deane,
who in the old days had been something of a friend of Corvick's, yet
had only within a few weeks made the acquaintance of his widow. I had
had an early copy of the book, but Deane had evidently had an earlier.
He lacked all the same the light hand with which Corvick had gilded the
gingerbread—he laid on the tinsel in splotches.
Six months later appeared "The Right of Way," the last chance,
though we didn't know it, that we were to have to redeem ourselves.
Written wholly during Vereker's sojourn abroad, the book had been
heralded, in a hundred paragraphs, by the usual ineptitudes. I carried
it, as early a copy as any, I this time flattered myself, straightway
to Mrs. Corvick. This was the only use I had for it; I left the
inevitable tribute of The Middle to some more ingenious
mind and some less irritated temper. "But I already have it,"
Gwendolen said. "Drayton Deane was so good as to bring it to me
yesterday, and I've just finished it."
"Yesterday? How did he get it so soon?"
"He gets everything so soon! He's to review it in
"He—Drayton Deane—review Vereker?" I couldn't believe my ears.
"'Why not? One fine ignorance is as good as another."
I winced but I presently said: "You ought to review him yourself!"
"I don't 'review,'" she laughed. "I'm reviewed!"
Just then the door was thrown open. "Ah yes, here's your
reviewer!" Drayton Deane was there with his long legs and his tall
forehead: he had come to see what she thought of "The Right of Way,"
and to bring news that was singularly relevant. The evening papers
were just out with a telegram on the author of that work, who, in Rome,
had been ill for some days with an attack of malarial fever. It had at
first not been thought grave, but had taken, in consequence of
complications, a turn that might give rise to anxiety. Anxiety had
indeed at the latest hour begun to be felt.
I was struck in the presence of these tidings with the fundamental
detachment that Mrs. Corvick's overt concern quite failed to hide: it
gave me the measure of her consummate independence. That independence
rested on her knowledge, the knowledge which nothing now could destroy
and which nothing could make different. The figure in the carpet might
take on another twist or two, but the sentence had virtually been
written. The writer might go down to his grave: she was the person in
the world to whom—as if she had been his favoured heir—his
continued existence was least of a need. This reminded me how I had
observed at a particular moment—after Corvick's death—the drop of
her desire to see him face to face. She had got what she wanted
without that. I had been sure that if she hadn't got it she wouldn't
have been restrained from the endeavour to sound him personally by
those superior reflexions, more conceivable on a man's part than on a
woman's, which in my case had served an a deterrent. It wasn't
however, I hasten to add, that my case, in spite of this invidious
comparison, wasn't ambiguous enough. At the thought that Vereker was
perhaps at that moment dying there rolled over me a wave of anguish—a
poignant sense of how inconsistently I still depended on him. A
delicacy that it was my one compensation to suffer to rule me had left
the Alps and the Apennines between us, but the sense of the waning
occasion suggested that I might in my despair at last have gone to
him. Of course I should really have done nothing of the sort. I
remained five minutes, while my companions talked of the new book, and
when Drayton Deane appealed to me for my opinion of it I made answer,
getting up, that I detested Hugh Vereker and simply couldn't read him.
I departed with the moral certainty that as the door closed behind me
Deane would brand me for awfully superficial. His hostess wouldn't
contradict that at least.
I continue to trace with a briefer touch our intensely odd
successions. Three weeks after this came Vereker's death, and before
the year was out the death of his wife. That poor lady I had never
seen, but I had had a futile theory that, should she survive him long
enough to be decorously accessible, I might approach her with the
feeble flicker of my plea. Did she know and if she knew would she
speak? It was much to be presumed that for more reasons than one she
would have nothing to say; but when she passed out of all reach I felt
renannouncement indeed my appointed lot. I was shut up in my obsession
for ever—my gaolers had gone off with the key. I find myself quite
as vague as a captive in a dungeon about the tinge that further elapsed
before Mrs. Corvick became the wife of Drayton Deane. I had foreseen,
through my bars, this end of the business, though there was no indecent
haste and our friendship had fallen rather off. They were both so
"awfully intellectual" that it struck people as a suitable match, but I
had measured better than any one the wealth of understanding the bride
would contribute to the union. Never, for a marriage in literary
circles—so the newspapers described the alliance—had a lady been so
bravely dowered. I began with due promptness to look for the fruit of
the affair—that fruit, I mean, of which the premonitory symptoms
would be peculiarly visible in the husband. Taking for granted the
splendour of the other party's nuptial gift, I expected to see him make
a show commensurate with his increase of means. I knew what his means
had been—his article on "The Right of Way" had distinctly given one
the figure. As he was now exactly in the position in which still more
exactly I was not I watched from month to month, in the likely
periodicals, for the heavy message poor Corvick had been unable to
deliver and the responsibility of which would have fallen on his
successor. The widow and wife would have broken by the rekindled
hearth the silence that only a widow and wife might break, and Deane
would be as aflame with the knowledge as Corvick in his own hour, as
Gwendolen in hers, had been. Well, he was aflame doubtless, but the
fire was apparently not to become a public blaze. I scanned the
periodicals in vain: Drayton Deane filled them with exuberant pages,
but he withheld the page I most feverishly sought. He wrote on a
thousand subjects, but never on the subject of Vereker. His special
line was to tell truths that other people either "funked," as he said,
or overlooked, but he never told the only truth that seemed to me in
these days to signify. I met the couple in those literary circles
referred to in the papers: I have sufficiently intimated that it was
only in such circles we were all constructed to revolve. Gwendolen was
more than ever committed to them by the publication of her third novel,
and I myself definitely classed by holding the opinion that this work
was inferior to its immediate predecessor. Was it worse because she
had been keeping worse company? If her secret was, as she had told me,
her life—a fact discernible in her increasing bloom, an air of
conscious privilege that, cleverly corrected by pretty charities, gave
distinction to her appearance—it had yet not a direct influence on
her work. That only made one—everything only made one—yearn the
more for it; only rounded it off with a mystery finer and subtler.
It was therefore from her husband I could never remove my eyes: I
beset him in a manner that might have made him uneasy. I went even so
far as to engage him in conversation. Didn't he know, hadn't he come
into it as a matter of course?—that question hummed in my brain. Of
course he knew; otherwise he wouldn't return my stare so queerly. His
wife had told him what I wanted and he was amiably amused at my
impotence. He didn't laugh—he wasn't a laugher: his system was to
present to my irritation, so that I should crudely expose myself, a
conversational blank as vast as his big bare brow. It always happened
that I turned away with a settled conviction from these unpeopled
expanses, which seemed to complete each other geographically and to
symbolise together Drayton Deane's want of voice, want of form. He
simply hadn't the art to use what he knew; he literally was incompetent
to take up the duty where Corvick had left it. I went still further—
it was the only glimpse of happiness I had. I made up my mind that the
duty didn't appeal to him. He wasn't interested, he didn't care. Yes,
it quite comforted me to believe him too stupid to have joy of the
thing I lacked. He was as stupid after as he had been before, and that
deepened for me the golden glory in which the mystery was wrapped. I
had of course none the less to recollect that his wife might have
imposed her conditions and exactions. I had above all to remind myself
that with Vereker's death the major incentive dropped. He was still
there to be honoured by what might be done—he was no longer there to
give it his sanction. Who alas but he had the authority?
Two children were born to the pair, but the second cost the mother
her life. After this stroke I seemed to see another ghost of a
chance. I jumped at it in thought, but I waited a certain time for
manners, and at last my opportunity arrived in a remunerative way. His
wife had been dead a year when I met Drayton Deane in the smoking-room
of a small club of which we both were members, but where for months—
perhaps because I rarely entered it—I hadn't seen him. The room was
empty and the occasion propitious. I deliberately offered him, to have
done with the matter for ever, that advantage for which I felt he had
long been looking.
"As an older acquaintance of your late wife's than even you were,"
I began, "you must let me say to you something I have on my mind. I
shall be glad to make any terms with you that you see fit to name for
the information she must have had from George Corvick—the information
you know, that had come to him, poor chap, in one of the happiest hours
of his life, straight from Hugh Vereker."
He looked at me like a dim phrenological bust. "The information—
"Vereker's secret, my dear man—the general intention of his
books: the string the pearls were strung on, the buried treasure, the
figure in the carpet."
He began to flush—the numbers on his bumps to come out.
"Vereker's books had a general intention?"
I stared in my turn. "You don't mean to say you don't know it?" I
thought for a moment he was playing with me. "Mrs. Deane knew it; she
had it, as I say, straight from Corvick, who had, after infinite search
and to Vereker's own delight, found the very mouth of the cave. Where is the mouth? He told after their marriage—and told alone—the
person who, when the circumstances were reproduced, must have told
you. Have I been wrong in taking for granted that she admitted you, as
one of the highest privileges of the relation in which you stood to
her, to the knowledge of which she was after Corvick's death the sole
depositary? All I know is that that knowledge is infinitely precious,
and what I want you to understand is that if you'll in your turn admit
me to it you'll do me a kindness for which I shall be lastingly
He had turned at last very red; I dare say he had begun by thinking
I had lost my wits. Little by little he followed me; on my own side I
stared with a livelier surprise. Then he spoke. "I don't know what
you're talking about."
He wasn't acting—it was the absurd truth.
"She didn't tell you—?"
"Nothing about Hugh Vereker."
I was stupefied; the room went round. It had been too good even
for that! "Upon your honour?"
"Upon my honour. What the devil's the matter with you?" he growled.
"I'm astounded—I'm disappointed. I wanted to get it out of you."
"It isn't in me!" he awkwardly laughed. "And even if it were—"
"If it were you'd let me have it—oh yes, in common humanity. But
I believe you. I see—I see!" I went on, conscious, with the full
turn of the wheel, of my great delusion, my false view of the poor
man's attitude. What I saw, though I couldn't say it, was that his
wife hadn't thought him worth enlightening. This struck me as strange
for a woman who had thought him worth marrying. At last I explained it
by the reflexion that she couldn't possibly have married him for his
understanding. She had married him for something else.
He was to some extent enlightened now, but he was even more
astonished, more disconcerted: he took a moment to compare my story
with his quickened memories. The result of his meditation was his
presently saying with a good deal of rather feeble form: "This is the
first I hear of what you allude to. I think you must be mistaken as to
Mrs. Drayton Deane's having had any unmentioned, and still less any
unmentionable, knowledge of Hugh Vereker. She'd certainly have wished
it—should it have borne on his literary character—to be used."
"It was used. She used it herself. She told me with her own lips
that she 'lived' on it."
I had no sooner spoken than I repented of my words; he grew so pale
that I felt as if I had struck him. "Ah, 'lived' - !" he murmured,
turning short away from me.
My compunction was real; I laid my hand on his shoulder. "I beg
you to forgive me—I've made a mistake. You don't know what I thought
you knew. You could, if I had been right, have rendered me a service;
and I had my reasons for assuming that you'd be in a position to meet
"Your reasons?" he asked. "What were your reasons?"
I looked at him well; I hesitated; I considered. "Come and sit
down with me here, and I'll tell you." I drew him to a sofa, I lighted
another cigar and, beginning with the anecdote of Vereker's one descent
from the clouds, I recited to him the extraordinary chain of accidents
that had, in spite of the original gleam, kept me till that hour in the
dark. I told him in a word just what I've written out here. He
listened with deepening attention, and I became aware, to my surprise,
by his ejaculations, by his questions, that he would have been after
all not unworthy to be trusted by his wife. So abrupt an experience of
her want of trust had now a disturbing effect on him; but I saw the
immediate shock throb away little by little and then gather again into
waves of wonder and curiosity—waves that promised, I could perfectly
judge, to break in the end with the fury of my own highest tides. I
may say that to-day as victims of unappeased desire there isn't a pin
to choose between us. The poor man's state is almost my consolation;
there are really moments when I feel it to be quite my revenge.