by Joseph O'Brien
[Illustration: The Devil ILLUSTRATED MOLNAR]
[Illustration: DR. MILLAR: WHAT AN IDEAL COUPLE YOU TWO WOULD
MAKE.Page 56. By Permission of Henry W. Savage.]
A TRAGEDY OF THE HEART AND CONSCIENCE
Novelized by Joseph O'Brien from Henry W. Savage's great play
BY FERENC MOLNAR
NEW YORK GROSSET &DUNLAP PUBLISHERS
COPYRIGHT, 1908, BY AMERICAN-JOURNAL-EXAMINER.
COPYRIGHT, 1908, BY J. S. OGILVIE PUBLISHING COMPANY.
There is a great lesson for all women and men in this wonderful
story. It is one that will impress with its power. But I am glad to say
that I do not believe fully in its truth. The Devil here wins his
victory, as he has won many. But each year, as men and women get
better, the victories of Satan are fewer. Good men and good women fight
against evil and do not yield.
This tragic, heart-breaking story, by the wonderful new writer,
tells one side of the battle between good and evil that goes on in
every human heart. It has its lesson for all men and women.
It is a powerful warning against playing with fire. Its lesson,
taught in the downfall of the man and woman, is Keep away from evil,
and the appearance of evil.
Karl Mahler An Artist
Heinrich His Valet
Mimi His Model
Herman Hofmann A Banker
Olga Hofmann The Banker's Wife
The Devil Calling Himself Dr. Millar
Elsa Berg An Heiress
The scenes are laid in Vienna, Austria, in Karl
Mahler's studio, and in the conservatory
reception-room at the Hofmanns', and all the
events transpire within the space of one day.
TABLE OF CONTENTS
Herman Hofmann, the wealthy banker, and his beautiful young wife,
Olga, had as their guest at dinner Karl Mahler, an artist. Some years
earlier, before Hofmann married, Mahler, befriended by his family, had
been sent away to Paris to study art. Olga, at that time a dependent
ward in the Hofmann family, and the poor young art student loved each
other with the sweet, pure affection of boy and girl.
In the absence of Karl, Olga yielded to the pressing suit of Herman
and the importunities of her own relatives, all poor, and became his
wife. Karl returned to find the sweetheart whom he had kissed for the
first time when he told her good-by, married to another. He was not
greatly shocked at the discovery, the life of an art student in Paris
having somewhat dimmed the memory of his boyhood's love, and neither he
nor Olga alluded to their early romance.
For six years the two had been friends, although they never saw each
other alone. Karl was a frequent visitor at their house and Herman was
his devoted and loyal friend. Olga honestly believed that she loved her
husband and had long ago forgotten her love for Karl. Lately she had
interested herself in his future to the extent of proposing for him a
bride, Elsa Berg, a beautiful and youthful heiress, and she had
arranged a grand ball, to be given so that the two young people might
be brought together.
In all the six years of her married life Olga had never visited
Karl's studio. Karl had never even offered to paint her portrait.
Although neither would confess it, some secret prompting made them fear
to break down the barriers of convention, and they remained to each
other chaperoned and safe. On this evening, however, when Karl was with
them, the subject of a portrait of Olga came up for the first time, and
Herman declared that it must be painted.
She is more beautiful than any of your models or your patrons, he
said to Karl.
Olga was strangely disturbed, she could not tell why. She blushed
and looked at Karl, whom the proposition seemed to excite to strange
eagerness. She did not trust herself to speak, but listened to the
artist and her husband.
Neither Olga nor Karl could have defined the strange, conflicting
emotions with which they separately received Herman's proposition.
Unwillingly Olga's mind traveled swiftly back to the old days and her
girlhood, and she recalled the day of Karl's departure, the day he took
her in his arms and kissed her lips and said:
I love you, Olga; I will not forget.
The memory thrilled her and the color flamed into her cheeks. Karl
looked at her, so enraptured and absorbed that he could scarcely give
attention to Herman, who rattled on about the portrait. It was finally
settled that the first sitting should be the following day at Karl's
studio, where Olga would be left with him alone.
It was there that Olga was then to encounter the materialization of
the impulses she had been, only half unconsciously, struggling against
for six years; the spirit of evil purpose against which good contends;
the incarnation of the arch fiend in the attractive shape of a suave,
polished, plausible, eloquent man of the world, whose cynicism bridged
the years of married life; whose subtle suggestions colored afresh the
faded dreams which she believed faintly remembered, and believed would
come no more.
Karl left them with the promise of a sitting on the morrow.
Karl's fitful slumber was disturbed that night by vague half dreams
which oppressed him when he arose. He was filled with misgiving, doubt,
uncertainty. His thoughts, half formed, disturbing, were of Olga.
He tried to think of marriage with Elsa, but it was without
enthusiasm. Warm, beautiful, affectionate, she made no impression on
his heart, which seemed like ice.
He looked around the studio with aversion.
The pictures on the walls seemed no longer to represent the
aspiration of the artist; they were mementos of the models who had
posed and flirted and talked scandal within his walls.
He paced the floor restlessly, nervously, twisting his unlighted
cigarette in his fingers until it crumbled, his mouth tight, his
eyebrows drawn together. Then he seized his hat and overcoat and flung
himself out of the door into the gathering winter storm.
For an hour he plunged through the snow, the chaos of the storm
matching his mood. Almost exhausted, he turned back toward his home and
entered. The room glowed warmly. In front of the inviting fire was the
big arm-chair with its wide seat, comfortable cushions and high pulpit
back. As he laid aside his greatcoat he stepped toward the chair,
intending to bury himself in its depths and surrender to his mood. A
shudder ran over him and he drew back, staring at the seat.
It was empty, his eyes assured him, but he could not rid himself of
a feeling that it was occupied. He pressed his hands to his eyes and
then flung them outward with the gesture of one distraught.
I am going mad! he thought.
He called loudly, harshly:
His old servant, alarmed at the unwonted violence of his master's
voice, hastened into the room. Karl flung aside his coat and Heinrich
held for him his velvet dressing jacket. He slipped into it, shook
himself, and lighted a cigarette. His hands shook with nervousness, and
he held them out from him that he might look at them.
Oh, what a terrible sight! he groaned.
Monsieur? Heinrich said inquiringly.
Has any one been here? Karl asked.
No, Monsieur, only Ma'm'selle Mimi. She is waiting in the studio to
With an impatient gesture Karl walked across the room, picked up a
newspaper, flung himself on a couch and held the sheet before his eyes.
He did not even see the print, but he persisted, trying to banish his
Heinrich, solicitously brushing and folding Karl's coat, waited. The
artist looked at him impatiently:
Tell Ma'm'selle Mimi I shall not need her to-day. She may go.
Yes, Monsieur, Heinrich said.
The servant stepped to the door of the studio and threw it open. He
Ma'm'selle, Monsieur Karl says he will not need you to-day; you may
Heinrich withdrew. Karl lay at full length on the couch, holding the
paper before him.
A young woman, daintily featured, with rounded figure whose lines
showed through her close-fitting costume, burst into the room.
Although conscious of her presence and irritated, Karl did not look.
He pretended to be absorbed in his newspaper. Mimi looked at him and
waited, but as he did not speak, she ventured timidly:
Aren't you going to paint me to-day?
Erno, not to-day.
Do you not love me any more, Karl?
The newspaper rattled with the artist's impatience and irritation,
but he did not answer. Mimi approached him.
You do not love me; you have ceased to care for me. Ah, Karl, when
you loved me you painted me every day. Now you paint nothing but
[Illustration: MIMI: YOU DO NOT LOVE ME; YOU HAVE CEASED TO CARE
FOR ME.Page 16.
By Permission of Henry W. Savage.]
Karl forced a laugh.
Nonsense! he said. You talk like a silly child, Mimi.
You say that now, but you did not say such things when you loved
me, Karl. It is always the way with us poor models. At first it is,
'Ah, what shoulders, what beautiful coloring, what perfect ankles!'
Then you paint us every day.
And then it is, 'What in the world have you done with your figure?
It is all angles!' or, 'What on earth have you put on your face? It is
as yellow as old parchment.' And then you paint landscapes.
Mimi burst into tears, and vigorously dabbed her eyes with her
handkerchief. She was an extremely pretty girl of the bourgeois type,
with heavy coils of straw-colored hair piled high on her head, and big
blue eyes that were quick to weep.
Karl arose, threw aside his paper and essayed to comfort her.
There, there, he said, patting her shoulder, don't cry, Mimi; you
are full of folly to-day.
As quick to smile as she had been to cry, Mimi unveiled her eyes and
looked at him eagerly, her lips parting over her white teeth.
Then you do love me, Karl? Ah, tell me that you love me.
And you will paint me again? If not to-day, perhaps to-morrow?
Perhaps, but I am very busy.
He turned from her and sat on the couch again. Mimi's mood suddenly
turned to anger, and she cried out at him furiously:
I know that you do not love me, and I know why. You are going to be
Yes, yes, as Karl made an impatient gesture; I know it is true.
You are very silly, Mimi, he said.
Ah, no; I am not. It is true what I have said. I have heard all
about it, but I did not believe it, because I was a fool. You are going
to marry Ma'm'selle Elsa Berg, who is said to be very beautiful and who
will be a great heiress; and then you will forget me, as you would be
glad to do now.
Where in the devil have you heard all of this? Karl demanded,
springing angrily to his feet.
It does not matter; you cannot deny that it is true.
Then her mood changed swiftly to contrition, and she went close to
But forgive me; I know it must be. I have always known, and I must
have annoyed you. We models are always annoyingin our street clothes.
Forgive me, Karl.
She looked appealingly at Karl, and he was moved.
Never mind, Mimi; run along home, now, and I promise to paint you
again, perhaps to-morrow, perhaps the next day.
She threw her arms around his neck and kissed him. Then she fled
from the room. Karl flung himself down on the couch again and hid his
face with his arms.
Olga's dream journey had been through the flowering orchard of
girlhood, hand in hand with Karl, and she awoke with a sense of regret
that the realities of everyday life should take the place of such
joyous visions. She felt strangely elated during the day, and eagerly
waited for the hour when Herman was to call for her and take her to
I wonder what it will be like there? she asked herself a dozen
times. I think I have always been jealous of that studio and its
possibilities, and I have always wanted to go therebut I did not
Then she chided herself for the thought she had not uttered.
Why, I am a goose! What am I confessing here to myself? That I am
in love with Karl? What silly nonsense. Come, Olga, you are getting
Herman came after luncheon and they drove together to the studio
building. Old Heinrich admitted them, his eyes growing big and round at
the imposing splendor of Herman's greatcoat and the bewildering beauty
of the grand lady.
Karl, in his artist's velvet jacket, hurried forward to greet them.
Welcome to my workshop, he cried.
How do you do? Olga said, barely giving him her hand, and turning
at once to let her eyes rove curiously around the walls of the room.
How do you do, Karl? Herman said. You see, we are prompt. And now
I am curious to see your place.
Karl watched Olga as she surveyed the room. He felt piqued at her
seeming lack of interest in him.
So this is your wonderful studio, she said absently.
It is much like a junkshop, Karl said deprecatingly.
It is very interesting, Olga said. Whose picture is that? she
asked, pointing to a painting of a half nude figure on the wall.
That? Oh, that is a model who has posed for me.
Oh, yes, I recognize it. We met the girl on the stairs, Herman.
Oh, yes; that is she.
Herman busied himself looking at the pictures, chuckling over those
that caught his unpoetic fancy, and nudging Karl in the ribs at some of
I must come again and inspect them more at my leisure, he said.
This afternoon I have to go away.
I am sorry you are not to remain, Karl said politely.
Oh, I suppose we might put off the sitting in view of the fact that
the picture might have been painted any time these last six years,
Herman said. But Olga has been nervous about the ball we are going to
have to-night, and I thought it best to bring her to-day to distract
her. You know this is really a house-warming to-night.
And we were obliged to invite so many people, Olga said, still
looking at the pictures.
I hate these social affairs, Herman rattled on, but I suppose in
our position they are inevitable. What time shall I return for Olga?
It grows dark quickly, Karl said, looking at his watch. In
another hour we shall not be able to see. Suppose you return about 4
Very well; and now I must be going. You are coming to the ball
to-night, Karl? You know you really are the guest of honor; isn't he,
Yes, indeed. Karl is to fall in love with his future wife
Karl looked at her, but she spoke with perfect self-possession, and
I shall do my best, he said, and he tried to speak with
Ah, you are not half grateful enough for this treasure, Karl; you
should be happy, Olga said.
Of course he should, and he will, Herman interposed, moving toward
the door. We will all be happyyou and Elsa and Karl and
Ieverybody, I hope.
Olga went nearer to Karl and spoke seriously.
She is a very charming girl, Karl.
If you say one word more about that girl I shall fall in love with
her immediately, which would be ahead of my matrimonial scheme, Karl
replied jestingly. You know I am not obliged to fall in love until
Well, well, I must be off, Herman said, as he went up to kiss
Olga. Good-by, dear; I shall call for you at 4 o'clock.
Almost against his will, Karl asked a question which he had never
before in all his life thought of.
Aren't you afraid to leave your wife alone?
With me, I mean?
Herman looked at him, and then spoke jestingly, but with an effort.
I am hurrying away because I am afraid I shall change my mind and take
Olga with me, he said.
You are not jealous? Olga asked.
If you don't want the truthno, I am not, Herman replied, and in
his tone there was the peculiar meaning which his words did not convey.
If I were not afraid of becoming ridiculous, I should say warningly,
'Children, be sure to be good.'
He paused and looked at both of them. Then he said:
As he turned, Karl followed and escorted him through the door. Olga
stood frowning, worried, ill at ease. Karl looked at her in surprise
when he returned.
What is the matter? he asked.
Olga started nervously and looked at him. She pressed her hands
before her eyes and for a moment did not speak. She looked away as Karl
approached her and said tenderly:
Are you afraid? Please tell me.
I don't know what is the matter with me, but just now, when my
husband went away, I felt as if I had been left without a protector.
She broke off abruptly, and Karl urged her to explain.
What do you mean? I don't understand, he said.
Yes, you do, Karl, Olga said, as she turned and faced him. You
know. I have fought against coming here for six years; ever since my
She looked away from him, around the studio, with its bizarre
decorations, and shuddered.
Ugh! this place looks like a devil's kitchen, she cried. These
strange things, terrible monsters, cold, white statues, heads without
bodies, and you in their midst like a conjurer. I did not notice them
while Herman was here, but now
Karl turned swiftly toward her.
But now? he asked.
Olga looked at him with an expression of terror in her eyes. The two
stood thus at bay.
Left to themselves in the big studio, facing each other, Karl and
Olga were silent. There was a look in Karl's eyes that Olga had never
seen before; there was a tumult in her heart that she had never before
felt. It was Karl who first recovered himself and broke the silence,
trying to speak lightly:
Don't be nervous, he said, reassuringly. This is the
reception-room of my studio. Every woman I paint comes here.
And do you paint every woman who comes here? Olga asked slowly.
No, Karl replied shortly.
There was another awkward pause. Olga could not tell why she had
asked that question any more than Karl could have told why he had asked
Herman if he was not afraid to leave them alone. It was some
unsuspected jealousy that prompted it.
Did you understand my husband? Olga asked.
Yes, I think I did.
He said, 'I trust you.' Why should he say that? Why should it not
be a matter of course?
You don't think he is really jealous?
Olga shook her head.
I don't know, she said. During the six years we have been
together and you have been our friend, he has often pretended to be
jealous. This time there was something in his voice that made me
believe it was more than pretense. It is the first time he has ever
left us alone.
They were standing, Karl near the door, where he had bidden Herman
farewell, and Olga across the apartment. In an alcove in one corner an
open fire burned brightly, casting a red glow over the big, comfortable
arm-chair drawn up before it, with its high, pulpit-shaped back toward
them. Karl walked over to Olga and said with quiet earnestness:
We have tried to avoid it, Olga; tried for six years. Now that the
situation is forced upon us, why not be honest? Let us talk about it
I think it was sweet not to discuss it for six long years, Olga
said, smiling at him. A clean conscience is like a warm cloak, Karl;
it enfolds us and makes us feel so comfortable.
She tried to make her mood seem light, but Karl would not fall in
Last night, when it was suggested that I should paint your
portrait, you gave me a look I had never seen before, he persisted. I
I don't know, Olga answered, her fear returning. Don't let us
talk about it; I don't want to.
You must not be afraid of me, Olga; if I were not I you might be
frightened. I am fond of you, yes; but respectfully. I do not see what
harm can be done by talking everything over quietly. It seems so long
agoseven yearssince they told me that Herman was to be your
husband. It was on the anniversary of the day
Oh, Karl! she protested, holding out her hands to silence him.
The day we kissed each other, he went on, speaking so quietly that
it seemed almost a whisper. We were almost children then. I was a poor
little chap, who gave drawing lessons to Herman and his sisters. You
were a little waif, fed cake and tea at the millionaire's table. There
we met, a beggar boy and a beggar girl, thrown together in a palace. We
looked at each other, and I think we understood.
Olga covered her burning face with her hands, and Karl went on:
We kissed each other, quite innocently; just one kiss, the memory
of which has almost faded.
Yes, Karl, faded, Olga cried eagerly. We have grown up sensibly
and we never mentioned it.
Karl seemed not to hear her interruption. He went on:
You became Herman's wife and went to live in a palace. I found you
there when I came back from Paris, still fond of you, but determined
never to tell you so, and when I met you again I, too, was somewhat
changed. Still, when our eyes met, Olga, it was with the same look of
the two poor, longing little beggars of the years ago. But we did not
Why not? Olga breathed.
Your husband and I are the best of friends, Karl said. Though we
have met hundreds of times, you and I, we have not mentioned it.
Olga turned to him gratefully and held out her hand to clasp his.
You are a good, true friend, Karl.
Are you satisfied now? Karl asked her, smiling. You are not
afraid of me, are you?
No; but there was something in my husband's voice that frightened
me, Olga answered. He knows what we were to each other, and when he
was leaving us here alone I think it made him feel uncomfortable. We
aren't in love any more, are we, Karl?
No, of course not.
And it is sweet to think that we have not entirely forgotten old
times, isn't it?
Yes, he answered absently.
And, of course, if we loved each other still you would not marry,
would you, Karl?
Of course not, he said shortly.
Now you will get married and you will be very, very happy. And I,
too, shall be happy, because I want you to marry, and I myself have
chosen a sweet, clever girl for you.
Exactly, Karl acquiesced dryly.
And now let us think no more of it, Olga cried, her mood changing
to one of gayety.
She ran over to the door, turned and faced Karl, knocking loudly on
Now for work; we have done nothing, she said. Monsieur, I have
come to have my portrait painted.
Come in, madame, Karl said, bowing gravely and entering into her
I have come to have my portrait painted, Olga said again.
Karl forgot the playing and exclaimed seriously:
Ah, last night I made a memory sketch of you after I got home. I
have made many, very many, but now I see you differently.
Why? Olga asked, startled again by his vehemence.
Yesterday I saw the lines of your figure; to-day I see your soul,
he said. Yesterday you were a model; to-day you are an inspiration.
Please, Karl; please, don't; we agreed to end everything, she
It is hard to end everything so suddenly.
Karl, my good friend, I did wrong in coming here, Olga said. Now
that I did come, let us work. Take your colors and brush. We must get
through with it as soon as possible.
You are right, Olga; as soon as possible.
What shall I do first? she asked.
Take off your hat and coat, please.
Karl stepped toward her with outstretched hands as if to help her.
She drew back, with a little gesture of apprehension.
You mustn't touch me, she said.
As she brushed past him Karl caught a whiff of fragrance from her
hair that was intoxicating.
Do you use perfume on your hair? he asked, quite innocently.
Certainly not, she laughed.
Oh, then, it is the natural perfume of your hair. Pardon me; I
stood too close to you.
Olga removed her hat and cloak. She looked up and saw that Karl was
regarding her intently.
You seem to be studying my features, she said.
I know them by heart, each one, he answered. I am thinking of a
pose. You know your husband wished a half length in evening gown.
Yes; I should have preferred a full length in street costume.
I agree with Herman. You must be quick; it is getting dark.
What shall I do?
Your waist; you must take it off; you will find some shawls there
from which to select one for your shoulders. I will go into the
Don't mind; I shall close the door. Oh, it is snowing terribly, he
added as he moved toward the big studio.
Snowing! Oh, Karl, can't we postpone this? I don't feel well
to-day; to-morrow I could come and bring my maid.
Certainly not; your husband would surely want to know why we did no
work to-day. Now I will leave you.
He left the room, closing the studio doors behind him. Olga looked
apprehensively about her. Some mysterious presence seemed to oppress
her. She fumbled with nerveless fingers at the buttons of her waist.
Oh, what folly! she cried to herself. What is the matter with
Resolutely she set to work and drew from her beautiful shoulders and
gleaming, rounded arms the silken waist that covered them. She turned
to get the shawl, and the waist fell to the floor, as she recoiled with
a shriek of terror from an apparition that arose slowly from the depths
of the big arm-chair.
Where there had been no human being an instant before Olga saw a
tall, strange-looking man. He was in conventional afternoon attire,
save that his waistcoat was red, in sharp contrast to the somber black
of his frock coat. His hair was black. His upward pointing eyebrows
were black, and his eyes shone like dull-burning lumps of coal. His
face was like a mask, matching his immaculate linen in whiteness. It
was cynical in its expression and almost sinister as he bowed low, with
his hands folded over his breast, and said in a low, musical voice:
Pardon me, madam, I think you dropped something.
He stooped and picked up the silken waist which had fallen from
Olga's hands. As he held it out to her she drew back in horror.
Olga shrank from this strange being, sensible of his serpent-like
fascination, even while he repelled her. It flashed across her
consciousness that he was something more than human, something
worsethe embodiment of malevolent purposea man devoid of goodthe
He came from behind the chair, and as he moved toward her his every
action heightened the impression she had received. In a situation where
any man might have been confused he was perfectly self-possessed. His
attitude was neither offensive nor ingratiating. He became at once a
part of her surroundings, of her thoughts, yes, of her soul. It was
this influence that she felt herself combating with growing weakness.
I hope you will forgive me, his smooth, suave voice went on,
breaking the stillness almost melodiously, and he bowed again. I
permitted myself to fall asleep.
Still Olga could not find tongue, and she drew yet farther away. The
man, or the devil, watched her as she groped for the shawl, found it
and quickly wound its filmy length around her beautiful shoulders and
arms. An expression of cynical amusement crossed his face.
Excuse me, but I awoke just as you were about to unbutton your
blouse, he said. Propriety should have made me close my eyes,
Oh! Olga cried, shocked into speech.
Oh, I know, madam, he said, with a bow, you think I am
suspicious, and you only came here
To have my portrait painted, Olga said quickly.
Precisely, he acquiesced, with the same cynical expression. Only
yesterday I met a lady at the dentist's, and I observed that she
permitted him to extract a perfectly good and very pretty tooth.
But I Olga began, accepting the defensive position into which
he placed her, when he interrupted her:
Yes, you, I know, speak the truth. I am even at liberty to believe
you, but I cannot.
For an instant Olga recovered her self-possession, and her
indignation sprang into a flame that she should be addressed in this
manner by a man whom she had never seen beforean intruder.
I don't know why I permit a stranger to talk to me in this
fashion, she exclaimed. It amazes me.
The man stepped toward her. Terrified, she turned and fled toward
the door of the studio.
Karl! Karl! she called.
The stranger smiled as the doors were flung open and Karl burst into
the room. The young artist paused, astonished at the presence of the
stranger. He was more amazed when the man cried out in the voice of
Hello, Karl; how do you do?
Why, how do you do? Karl faltered, looking blankly from Olga to
the mysterious visitor. I don't
You don't remember me, the other said. Don't you recall me at
Oh, yes, at Monte Carlo, Karl said with dawning recollection.
It was an eventful day, the stranger said.
Yes, yes, of course, I remember; it was last fall, when I had lost
all my money playing roulette. Some one stood behind me, and it was
you. I was afraid when I turned and saw you, because I fancied I had
seen you a moment before, beside the croupier, grinning at me as my
gold pieces were swept away. But when I had lost everything you offered
me a handful of gold.
Which you refused, but I saw the longing to accept in your eyes.
I did not know you.
But I offered it again and you accepted.
Yes, and in ten minutes I had recouped my losses and won $20,000
besides, Karl cried with growing enthusiasm. I remember indeed. Your
money seemed to possess mystic luck. When you put it in my hands it
glowed, and I thought it was hot. It seemed to burn me.
You were excited, my boy, said the other genially. But you repaid
me and invited me to dine. I could not accept, because I was forced to
leave for Spain that same evening. I promised, however, to call on you
when you needed meand here I am.
He bowed to Karl and Olga, who stood in speechless astonishment at
this strange dialogue. She could understand nothing of this uncanny
stranger; this specter in black and white, who seemed to emit a lurid
radiance as if his red waistcoat were alive.
It was kind of you to come, Karl said. I am glad.
You were not here when I entered, the visitor said, and I took a
seat in that comfortable arm-chair. The warmth of the fire affected me,
and I permitted myself to fall asleep.
He indicated, with a sweeping gesture, the big pulpit-backed
arm-chair. Olga started and cried out:
That chair was empty; I remember quite well, when my husband was
here. There was no one in it, I am absolutely certain.
Karl was so strangely affected by the stranger's presence that he
did not notice Olga's agitation. The other regarded her with his
expression of cynical amusement, bowed gravely and said:
Then I was mistaken, madam.
Won't you sit down? Karl said. Allow me to present you tobut I
can't remember your name.
It does not matter, the other said with an expansive outward
gesture of his restless, eloquent hands. I am a philanthropist,
traveling incognito. You may call me anything you like; call me Dr.
Dr. Millar, Karl repeated, seeming for the first time to have some
doubt as to the character of his guest.
Oh, you may rest assured my social position is beyond question,
the stranger said, as if divining his thought.
[Illustration: CALL ME DR. MILLAR. MY SOCIAL POSITION IS BEYOND
By Permission of Henry W. Savage.]
Karl did not heed the irony of his speech, but presented him to
Olga, who distantly acknowledged his bow. As Karl appeared to succumb
to this strange influence, she felt herself growing indignant. Millar
seemed bent on provoking an outburst, and his astonishing remarks in
another would have seemed vulgar insolence, but in him they possessed a
singular meaning that made both Karl and Olga shiver.
Under different circumstances I should now take my hat and say
good-by, Millar said, after the introduction. But my infinite tact
compels me to force my presence upon you in this most unpleasant
The innuendo stung Olga, and she turned to the artist.
Karl, I can hardly believe it, she exclaimed, indignantly. Think
of itthis man dared to
How long has your husband been dead? Millar interrupted with
I am not a widow, Olga said, surprised that she should reply.
Oh, you are divorced?
I am not.
Then if you feel that I have offended you I should think your
husband would be the proper man to appeal to, he said with the utmost
He seemed like a trainer, prodding tame animals with sharp prongs
out of the lethargy of their caged lives to stir them to viciousness.
Turning to Karl he went on:
However, if you wish it, I am also at your disposal. But do you not
see, madam, that it would be an admission on your part?
He spoke as one who had dared read every secret thought of each.
Bewildered, Karl cried out:
What does all this talk mean? I don't understand anything. You come
in here unannounced; I don't know how nor from where. You make us feel
quite uncomfortable, just as if you had trapped us in some compromising
Yes, yes, that is it, Olga cried, relieved at Karl's outburst.
The stranger looked at them amusedly.
You may be as impolite to me as you wish; I cannot go, he said.
Why? Olga demanded.
My departure now would mean that I leave you because I have
interrupted you. On the other hand, by remaining I prove that I suspect
There is nothing to suspect, Karl declared angrily. I do not want
Then that is settled; let us talk of something else, the visitor
remarked with the most casual inattention to Karl's rage. The weather;
isn't it snowing beautifully? Art; are you preparing anything for the
spring exhibition at the Royal Academy?
Perhaps I may send something, Karl answered sullenly.
Olga's bewilderment gave place to panic. In her mind was formed the
purpose of snatching up her waist and rushing from the room. Before she
could do it the stranger was there, holding the waist out and bowing
Permit me, madam, he said.
With a cry of astonishment Olga snatched at the garment.
Who are you? Where do you come from? she cried.
With his restless, vibrant hands in the air, the stranger said:
I come from nowhere, I go everywhere; I am here.
He touched his forehead with his long, white fingers, and his black
eyes were fixed upon her. Clutching the silken garment she had worn,
Olga rushed into the studio. Millar, man or devil, looked after her and
Karl threw himself moodily into a chair as Olga fled into the outer
studio, and sat there, not looking at his unwelcome visitor. Dr. Millar
seemed to find his dejection amusing. He allowed the silence to remain
undisturbed, while he puffed a cigarette. Then he said, half to
himself, half to Karl:
Full of temperament, that woman, and pretty, too; extremely
Yes, she is pretty, Karl acquiesced, without looking at him.
It's a pity she doesn't love her husband, was the next cynical
remark that fell on Karl's ears.
He wheeled in his seat and looked at the visitor, who went on with
How do I know? It was apparent when she fancied I had insulted her
and turned to you for protection.
Karl angrily slammed down an ash tray he had picked up in his
nervous fingers and began to pace the floor. Millar went on in a light
She does not love her husband. He must be a genius or a very
commonplace man. Marriage always is a failure with such men. Common men
live so low that women are afraid some one may steal into their lives
at night through a cellar window. Geniuswell, genius lives on the top
floor, up toward the clouds, and with so many gloomy steps to climb and
no elevator, it's very uncomfortable for a pretty woman. Her ideal is
one easy flight of stairs to comfortable living rooms on the first
Karl maintained silence, and continued to walk the floor. He looked
at his watch and started toward the door of the reception-room leading
into the hall, which was locked.
This is the second time I have seen madam's shoulders, Millar
remarked, casually, blowing cigarette rings in the air.
What do you mean? Karl demanded, stung to speech by jealousy.
Ah, I saw them first in Paris, at the Louvre, fashioned of
snow-white marble. They were the shoulders of Venus. Am I right, Karl?
I don't know, the artist snapped.
Well, you must take my word for it, then, Millar said lightly. I
have seen both. And since Alcamenes I have known but one sculptor who
could form such wonderful shoulders.
Who? Karl asked, turning to him.
Prosperity, Millar replied, sententiously. Such tender, soft,
exquisite curves are possible only to women who live perfectly. Madam
must be the wife of a millionaire.
Karl fell to pacing the floor again, glancing impatiently at the
door through which Olga had fled.
Is she dressing? asked Millar slyly.
Yes, Karl answered nervously.
Is there a mirror in your studio?
Madam must be very respectable, Millar said in an insinuating
tone; she takes so long to dress.
Your remarks are in very bad taste, Karl cried angrily, walking up
threateningly to his visitor.
Millar stood erect, without changing his expression of ironical
amusement, and said:
Do you wish to offend me?
Yes, Karl snarled.
Then you, too, must be respectable, the visitor said coolly,
adding, as Karl looked at him with wonder: In a situation like this
only a very respectable man could behave with such infernal stupidity.
Karl was about to retort when the studio door opened and Olga
entered. He turned quickly toward her and she went to him without
What time is it? she asked.
Your husband will be here in ten minutes, Millar interposed.
Olga turned toward him and cried accusingly:
Then you were not asleep in that chair when my husband was here.
You heard him say when he would return.
Madam is mistaken. Feminine presentiment always feels the approach
of the husband ten minutes ahead of time. Were it not for those ten
minutes there would be more divorced women, but fewer locked doors.
As he spoke he walked over and unlocked the door leading into the
hall, then turned and looked at them calmly.
Is this never to finish? Olga asked.
I tried to change the subject, but Karl would not let me, Millar
I have not spoken a word, Karl protested.
By your actions, Karl; by the way you jumped up, impatiently
consulted your watch, rushed to the door. Poor chap, he was afraid, he
added to Olga.
Afraid! Karl exclaimed.
Yes, afraid that your husband would come before you finished
dressing. And you were right, Karl.
Why, my dear Olga Karl began impatiently, when the other
Please, please, let us be logical, he urged. Look at the
situation. The husband enters suddenly. 'Well, here I am, back again,
my darling,' he announces. 'Where is the picture? I must see the
picture.' There is none. Karl did not work on the picture. Your husband
is worried; he does not speak, but he is irritated. He wants to speak
and the words stick in his throat. You look at each other, unhappy.
Nothing has happened, but the mischief is done. What mischief?
Appearances. Whatever you say makes matters worse, and a compromising
situation like this is never forgotten by the husband. You go home
together in silence.
Ah, if it were like that, Karl broke in; but we are not alone.
You are here.
Millar shrugged his shoulders.
Ah, that is it; I am here, and with one word I could dispel the
illusion, he acquiesced. But I know myself; I am cursed with a
peculiar, sinister sense of humor, and I am afraid I would not say the
word. Hence, when the husband enters we are all silent. Then I say, 'I
regret to have arrived at such an inopportune moment.' I take my hat
and walk out, leaving you, madam, your husband and Karl.
He seemed to find keen pleasure in the possibility of forcing the
two into a position which would cause them suffering and weaken the
barriers of self-control they had built up around that boy and girl
love that had come back so vividly to both. Had they regarded him as
merely human it is certain that Karl would have kicked this cynical
being out of the studio, with his infernal innuendoes. But there was
something supernormal about him. He dominated both the artist and the
wife, and they were completely under his spell, struggle as they would
to break it. Olga shrank from the cruelty of their tormentor.
If this is a jest it is a cruel one, she cried.
True, madam. But there is another way. If you wish it I can be
quite truthful. Should your husband arrive I can tell him the portrait
has not been touched and ask his pardon.
Pardon for what?
For having seen your shoulders.
This is a trap, Olga cried, turning toward Karl for protection.
What do you want? You overwhelm me with false insinuations. I hardly
know you five minutes, and I imagine I feel your long fingers at my
Other pretty women do not feel them quite so soon, he murmured,
bending toward her.
Enraged at the attitude of the man, Karl stepped toward him.
Stop! I won't allow any more of this, he commanded.
The entrance of Heinrich checked his speech. The old servant said:
The tailor has sent some evening clothes, Monsieur Karl, but they
are not yours.
They are mine, interrupted the stranger.
Yours? Karl said in amazement.
Yes; they were crushed in my trunk, the other said coolly. I told
the tailor to press them and send them here for the evening. I must
dress, as I am invited to the ball of one of the most beautiful women
in the city to-night at the residence of the Duke of Maranese.
But the Duke is not living there any more, Olga interposed. He is
Yes, I know that; I met the Duke in Paris.
He has sold his house to us. We are living there now, and the ball
is given by me, she went on.
The man looked at her, his black eyes seeming to burn through her
own. Shrinking, fearful, fascinated, Olga was held in the spell of
Was I mistaken? Am I not invited? he asked.
Yes, you are invited, she faltered.
She could not resist the subtle influence of the man, even while
every instinct of good made her recoil from him. With a triumphant
smile he bowed and said softly:
Madam, a little while ago you asked me what I wanted. It was your
invitation that I wanted. I thank you.
But my husband, Olga said, already repenting of the advantage she
had given him.
Oh, he will be delighted to see me, the stranger assured her
confidently. He speculates in wheat; I have information that will be
of value to him. The crop has turned out worse than was expected. You
love your husband; you should be happy that the wheat crop is bad.
I am, Olga assented. We want wheat to be bad because the price
will go up.
Your husband will make another fortune, and you will have the new
gown you want.
How do you know I want a new gown? Olga asked, falling in once
more with the devil's humor of the man.
I observe that you have a new hat, and a very pretty one; surely
you want a new gown.
You must be married.
Married! not I, he exclaimed. A wife is like a monocle; it looks
well, but one sees more clearly without it.
Your views seem against marriage; why? Olga asked.
The tone of Millar became suddenly serious as he said:
You want Karl to marry; I want to prevent him from marrying.
Please let's not discuss that, Karl protested.
Pardon me, Karl, but an artist should not marry, he went on. Your
future wife will swear to stand by your side for lifeuntil the
wedding dayand the day after she will be in your way.
Not the true wife, Olga declared.
Ah, but the true wife is always the other fellow's wife, he
Millar had talked so absorbingly that Karl and Olga unconsciously
drew near to each other. They stood in front of the high pulpit back of
the arm-chair, each one resting a hand on the chair back. Although they
were quite unaware of it, their position suggested that of a young
couple, before the altar, about to be joined in wedlock. The cynical
humor of the situation struck Millar, who walked around them, stood in
the chair and leaned over the back, like a preacher in his pulpit.
You are a pessimist, Olga declared, looking up at him.
No, not a pessimist; only practical.
I agree with you, Karl said. A man should stay at home.
Millar leaned down, placing his hands over Karl's and Olga's as they
rested on the back of the chair. Looking at Karl, he said:
Why didn't you stay at home? You ran away to become an artist. You
refused a professional position and ordinary morals; a decent
occupation at so much a week. You wanted to go out and seek the Golden
Fleece of Fame. Now, fight your battle; fight it alone; don't get
As he spoke he lifted the hands of Karl and Olga and placed them
together, holding them clasped in his own. They thrilled at each
other's touch; they looked into each other's eyes, and they hardly
heard the cynical devil's voice as Millar leaned yet farther toward
them and said:
I was thinking what a splendid couple you two would make.
Olga felt herself yielding to the devilish insinuation of Millar.
She made no effort to withdraw her hand from Karl's; she was completely
under his sinister, dominating influence. Karl's will seemed equally
impotent; he could not shake off the mysterious obsession. This man was
more than a mere physical presence; he was a part of their very
selvesthe weaker, sensual impulses against which they had fought, but
which now seemed gaining the mastery. The struggle went on in the soul
of each as Millar's voice fell melodiously on their ears:
The most important thing to you in life is to find your proper
mate. Generations of conventional treatment will try to prevent you
from doing so, by pretending it is impossible. But down in your hearts,
in their depths where truth is not perverted by the veneer of
convention, I know and you know that it is the simplest thing on earth.
Here you are full of talent and longing; here is a woman, beautiful,
Karl made a last struggle against the inevitable consequence of this
demon's urging, drawing Olga away from him.
I beg of you, don't! he cried. When I look at you I fear. Please
don't speak of it. For six years we have lived peacefully.
Say what you will, the soft, even voice persisted, I can read
your eyes and they are telling me. Don't believe him; he lies, he went
on to Olga. He dreams of heryouevery night and you of him, and he
knows it and you know it. Ah, I understand the language of your eyes.
No matter what you say, that little love light in your eyes discredits
you, reveals your inmost thoughts, and I read them through.
Let me speak, Karl pleaded. For six years we have lived quietly
in peace, good friends, nothing else. Olga has not the least interest
in me, and II am quite, quite indifferent.
Any one who thinks Karl capable of a base thought must be base and
contemptible himself, Olga cried.
The two were almost hysterical as they stood beside each other,
warding off the evil that seemed to emanate from the mysterious person
who towered over them from the pulpit-backed chair. Karl held Olga's
right hand in his; his left hand was on her shoulder protectingly.
Millar spoke quickly, leaning far down toward them:
It is not a base thought; it is a beautiful thought, a thought
shedding happiness, warmth and joy upon your otherwise miserable lives.
But happiness, warmth and joy have a price that must be paid. He who
loves wine too well will go to a drunkard's grave, but while he is
drunk with wine angels sing to him.
Whatever the price, his happiness is cheaply bought. The poet sings
his greatest song when he is about to die, and is a poor, weak, human
mortal to live without wine and song and women's lips? A little stump
of a candle shines its brightest ere it goes out forever. It should
teach you that one glow of warmth is worth all this life can give. Life
has no object but to be thrown away. It must end; let us end it well.
Let our raging passions set fire to everything about us, burning,
burning, burning until we ourselves are reduced to ashes. Those who
pretend otherwise are hypocrites and liars.
The two listened spellbound to this amazing sermon of sin. Karl's
arm slipped down to Olga's waist. He felt himself drawing her closer to
Don't be a liar, Millar urged, his eyes still burning into them;
don't be a hypocrite. Be a rascal, but be a pleasant rascal and the
world is yours. Look at me; all the world is mine, and what I have told
you is the honest confession of all the world. We are baptized, not
with water, but with fire. Love yourself; only yourself; wear the
softest garments, sip the sweetest wine, kiss the prettiest lips.
No subtler tempter ever spoke to the hearts of a man and a woman.
Karl was leaning over Olga now; he saw her eyes, her lips, soft, warm,
rose-colored, he felt her arms as she clung to him, while over them
both gloated the sinister figure of Millarthe deviltriumphant,
confident that his work was done.
There was a crashing ring at the doorbell that acted like an
electric shock on the group. Karl and Olga came to their senses, dazed,
trembling, thankful. Millar stepped down from the chair, baffled, and
turned his back upon them.
My husband! Olga gasped.
Mr. Moneybags! Millar sneered contemptuously.
Olga and Karl quickly drew apart. Both were relieved. Olga felt as
if she had stepped back from the brink of a terrible precipice, over
which she had almost fallen. Her face was colorless, and there were
lines of agony across her brow. The two unhappy people stood staring at
each other for a full minute before Heinrich entered and announced
It had been growing dark in the studio during the remarkable
discourse by Millar, but so absorbed had both his listeners been in
their own tremendous emotions that they had paid no heed. Now, as
Herman entered, his first exclamation was:
How dark it is in here. I am sorry I am late.
Heinrich turned on the lights, and the apartment was suddenly
illuminated. Karl and Olga had not yet recovered their self-possession,
but Karl managed to indicate with a wave of his hand his strange
Dr. Millar, he said.
Millar nodded absently and barely replied to Herman's cordial
greeting. He was still enraged at the interruption which had prevented
the success of his infamous plan. Herman turned quickly to Karl and
Well, children, where is the picture? I am anxious to see it, he
There is no picture, was all Karl could say. Olga, filled with
apprehension at she knew not what, was silent.
No picture! Herman exclaimed. What have you been doing all this
It has been dark for an hour, Karl explained.
Yes, but Olga has been here for two hours, Herman said, looking at
There was an instant of silence that threatened to become painfully
embarrassing. Olga was about to speak when Millar unexpectedly stepped
forward, briskly and politely.
My dear Monsieur Hofmann, it was my fault, he explained. I came a
moment after you left. I had not seen Karl in two years. We chatted and
the time flew past. It was an extremely interesting conversation and
madam was so kind as to invite me to the ball this evening.
You will accept, I trust, Herman said with ready hospitality.
Yes, thank you, Millar said. I have come direct from Odessa,
where I have had a talk with the Russian wheat magnate.
Ah, I know; I shall lose money; the wheat crop is bad, Herman said
Oh, isn't that good for us? Olga asked.
No, dear, it is not; I am short on wheat.
What does short on wheat mean? Olga asked.
It means digging a pit for others and falling into it yourself,
Millar remarked cynically. However, he went on, things are not so
bad. I have reliable information that the later crop will be abundant.
Good; I am delighted to learn this, Herman said, very much pleased
with Millar, who now spoke pleasantly and ingratiatingly.
Karl had paid little attention to the colloquy between Herman and
Millar. He tried to speak to Olga, but could not catch her eye. She
seemed to wish to avoid him. She watched her opportunity, however, and
managed to whisper to Millar:
I want to speak with you alone.
Millar brought his subtlety into instant play. Turning to Herman he
By the way, have you seen the sketch of madam Karl made yesterday?
It is atrociously bad.
No; where is it? I would like to see it, Herman cried eagerly.
It is in the studio, Millar said.
You must show it to me, Karl, Herman said, walking toward the
studio door with the young artist. I am sorry you didn't start on the
picture to-day, but I suppose it can't be helped. What in the world
were you talking about all that time?
As they went out talking, Olga followed slowly. As she passed Millar
I will await you here.
Olga went with Karl and her husband. She had hardly left the room
when the door from the hall opened and Mimi entered. As Millar turned
toward her with his ironical bow she drew back, affrighted.
Oh, excuse me, she murmured.
You wish to see the artist? Millar said.
He walked over, took her by the shoulders and coolly pushed her
through the door into the hall.
Wait there, my dear, he said. He is engaged just now.
Then he turned to meet Olga, who entered suddenly, looking
suspiciously around the room.
I thought I heard a woman's voice, she exclaimed.
The scrubwoman; I sent her away, Millar explained.
I wanted to speak with you alone, Olga began, turning toward him
and speaking very earnestly, in order to tell you
That is not true, Millar interrupted her, cynically.
What is not true?
What you wanted to tell me, he said with exasperating suavity.
You really want to talk with me because you regret that my sermon was
interrupted by Mr. Moneybags.
No, no, I simply want to tell you the truth, she protested.
You may want to tell the truthbut you never do. I might believe
you, if you told me you were not telling the truth.
Must I think and speak as you wish? she cried desperately.
No, not yet. What may I do for you, madam?
Please do not come to-night, she implored.
Millar smiled deprecatingly. She went on rapidly, speaking in a low
tone that she might not be overheard by Herman and Karl.
I am myself againa happy, dutiful wife. Your frivolous morals
hurt me. Your words, your thoughts, your sinister influence that seems
to force me against my will, frighten me. I must confess that I had
become interested in your horrible sermon when, thank God, my good
husband rang the bell and put an end to it. He came in at the proper
Yes, as an object-lesson, Millar sneered. I observed you closely.
We three were beginning to understand one another when he came in.
Won't you drop the subject? Olga asked.
Are you afraid of it?
No, she answered coldly; but please don't come to-night.
Millar bowed deeply, as if granting her request, but he replied
I shall come.
And if my husband asks you not to come?
He will ask me to come.
And if I should ask you in the presence of my husband not to come?
I will agree to this, madam, Millar said, looking at her with
amusement. If you do not ask me, in the presence of your husband, to
come to-night I will not come. Is that fair?
Yes, that is more than nice. It is the first really nice thing you
have said, Olga said, greatly relieved.
She wanted to be rid of this terribly sinister influence; to be out
of reach of the being who seemed to compel her thoughts to link her
present with the past. She wished to feel again the sweet, wholesome
purpose that had inspired her yesterday; to go ahead with her unselfish
plans for Karl's future. Now that he had given his promise, she was
eager to be away, and as Karl and Herman entered she suggested to her
husband that it was time to go.
Yes, put on your coat, Herman said, turning to talk to Millar,
whom he found interesting. Karl helped Olga on with her coat, and the
touch of it brought back the feeling that had surged over him when he
had leaned down to kiss her a few minutes before.
Now I see how unworthy is my sketch, he said softly.
Do not look at me like that, Olga protested.
Why not? Karl asked hopelessly. Even when I don't look at you I
see you just the same.
Olga covered her face and turned away from him.
Karl, you shall not do my portrait, she said. Come, Herman, let
us go home, she called to her husband.
Herman and Millar were deep in the discussion of a subject on which
the stranger seemed to be amazingly well informed. The business
instincts of Olga's husband were uppermost, and he did not like to be
drawn away, but he said:
We shall continue this talk this evening, then.
No, I regret to say that I can't come; I have made my apologies to
Madam Hofmann. I had forgotten an engagement with the Russian Consul
for this evening.
Ah, the Russian Consul will be at our house. Olga, dear, add your
entreaties to mine. Persuade Monsieur Millar to come.
In dreadful embarrassment Olga turned to the smiling, cynical mask
of a face that looked at her triumphantly. She could not refuse.
I hope we may have the pleasure of seeing you this evening, she
said, and turned wearily toward the door.
Thank you, madam, the fiend replied. I shall be more than
Karl interrupted to say that he would not reach the house that
evening before 11 o'clock. He explained that he expected an art dealer.
In reality he had just recalled his promise to stop at the house of
Mimi. Herman, suspecting his design, made some jesting allusion to it,
which caused Olga to ask what he meant. He evaded her question, and
Millar, seeing another excellent opportunity to point a moral, declared
that he heard a knock.
He walked over to the door, opened it, and to the amazement of the
others, ushered the embarrassed little model into the room.
The art dealer, he said sarcastically.
Olga felt instantly consumed with jealousy. As she and her husband
walked out Millar said to her:
I will repay you for your invitation, madam. I shall manage to
forget my overcoat, and in five minutes I shall return for it and break
up the chat which you anticipate with such displeasure.
Olga could not deny the insinuation. She did feel jealous of the
pretty model; she did wish that the girl and Karl might not be left
alone, and she felt almost grateful to Millar for his promise. Karl had
ushered Mimi into the studio, and then he bade his guests good-by. Left
alone, he threw himself face downward on the sofa, where Mimi found him
a few minutes later.
[Illustration: THE ART DEALER, HE SAID SARCASTICALLY.Page 70.
By Permission of Henry W. Savage.]
Karl paid no attention to Mimi until she walked over to him and
touched him on the shoulder. Then he sat up impatiently.
Did I not promise to call at your house? he asked. Why did you
Are you ashamed because I came while all those people were here?
Mimi asked, hurt and drawing away from him.
Oh, no, not at all. I promised to call, and I can't understand why
you did not wait, Karl answered.
Mimi timidly leaned down and put her arms around his neck. Then she
Oh, Karl, dear, please don't get married.
Don't! you'll spoil my collar, Karl exclaimed, trying to avoid her
embrace. Mimi began to cry softly.
Before I saw these people I hardly ever thought of your marriage,
she said. But nowKarl, dear, my heart aches. Please don't get
Karl was touched by her grief, in spite of himself. He reached over
and patted her cheek.
There, don't cry, dearie; please don't cry, he said. It makes you
Mimi brightened instantly, and her tears vanished, leaving her face
I am a silly little girl, she said.
Yes, you are, but I like you very much, Karl said, taking her in
his arms. Now, Mimi, suppose we talk over our marriage quietly and
sensibly. You may as well stay, now that you are here. Take off your
hat and your jacket.
He arose and was helping her off with her red woolen jacket. Then he
hugged her and said as he kissed her lips:
I am your best friend, after all, Mimi, and you are my
The door opened suddenly and Millar entered, taking up Karl's speech
My overcoat; it is here somewhere. Your servant gave me yours.
Karl and Mimi drew away from each other, and Millar looked at them,
It's very singular, he said, but each time I enter your studio I
find a lady disrobing. You might think this was a ladies' tailoring
Mimi looked at Karl jealously as he glared at Millar. Then she burst
into tears and ran out of the room. Karl watched her, and as she
slammed the door, he turned to Millar and quietly said:
Thank you very much.
Oh, don't mention it.
I will get your overcoat, and don't let me detain you, said Karl
with significant emphasis.
I broke the hanger; your man is mending it and will bring it here,
Millar said coolly, ignoring the marked impoliteness.
Karl said nothing more, and after a few minutes of silence Millar
I just saw something that touched me deeply. Madam Hofmann clinging
to her husband's arm as if she were begging him to protect her
Protect her? Karl exclaimed angrily. You don't mean to protect
her from me?
Look here, Karl, do you think you are wise to be a fool?
I prefer not to discuss this subject, Karl answered coldly. You
don't seem to understand my position. Why, it is absurd; I have seen
this woman every day for years; met her and her husband; we have been
good friends. That's all, absolutely, and had I thought of anything
else I should laugh at myself. In wealth, position, everything, she is
No woman is above her own heart, Millar replied cynically. Look
at her. She is yours if you want her. Just stretch out your hand, my
boy, and you have your warmth, your happiness, your joy, unspeakable
joy, the most supreme joy possible to a human being, and you are too
lazy to reach out your hand. Why, another man would toil night and day,
risk life and limb for such a woman; yet she drops into your arms
unsoughta found treasure.
Karl laughed bitterly.
A found treasure, he repeated. Perhaps that is why I am
Millar moved over to where the young artist was seated on the couch
and sat beside him. He leaned toward Karl and spoke low and earnestly,
keeping his big, black, glittering eyes fixed on him.
Last fall, on the 6th of SeptemberI shall never forget the
dateI had a singular experience, he said. I put on an old suit of
clothesone I had not worn for some timeand as I picked up the
waistcoat a sovereign dropped out from one of the pockets. It had been
there no one knew how long. I picked it up, saying to myself, as I
turned the gold piece over in my hand, 'I wonder when you got there?'
It slipped through my fingers and rolled into some dark corner.
I searched the room trying to find it, but my sovereign had gone. I
became nervous. Again I searched, with no result. I became angry, took
up the rugs, moved the furniture about, and I called my man to help me.
I grew feverish with the one thought that I must have that sovereign.
Suddenly a suspicion seized me. I sprang to my feet and cried to my
servant, 'You thief, you have found the sovereign and put it back in
your pocket.' He answered disrespectfully. I rushed at him. I saw a
knife blade glimmer in his pocket and I drew a pistolthis
He drew a shining revolver from his hip pocket and laid it on the
table at Karl's elbow.
And with this pistol I nearly killed a man for a found sovereign
which I did not need, he finished quietly.
Karl was profoundly stirred by the story, although he could hardly
I give found money away, he said, laughing uncertainly, and
adding, for luck.
So do I, said Millar quickly, but it slipped through my fingers,
and what slips through our fingers is what we wantwe seek it
breathlesslythat is human nature. You, too, will seek your found
treasure once it slips through your fingers. And then you will find
that worthless thing worth everything. You will find it sweet, dear,
Karl turned away from him, trying not to listen to him.
Kill a man for a found sovereign, he repeated.
That woman will become sweeter, dearer, more precious to you every
day, the malignant one went on, his words searing Karl's soul. You
will realize that she could have given you wings, that she is the
warmth, the colorher glowing passion the inspiration of your work.
All this you will realize when she has slipped through your fingers.
You might have become a mastera giant. Not by loving your art, but by
loving her. Oh, to be kissed by her, to look into her burning eyes and
to kiss her warm, passionate mouth.
Karl covered his face with his hands. Millar picked up the
delicately scented shawl which had covered Olga's bare shoulders.
This has touched her bosom, he cried, twining it around Karl's
head and shoulders, so that its fragrance reached his nostrils.
The boy lost control of himself and caught the drapery, pressing it
to his lips.
Both so beautiful, Millar persisted in his soft, even, melodious
voice. Oh, what you could be to each other. What divine pleasure you
Dropping the shawl, Karl started to his feet.
Be quiet! You are trying to drive me mad, he cried. Do you want
to ruin me? For God's sake, man, be still!
Afraid again, O Puritan, Millar sneered. Why, boy, life is only
worth living when it is thrown away.
Why do you tell me that? Karl demanded. Why do you hover over me?
What do you want? Who sent you?
No one; I am here.
He again touched his forehead significantly and Karl shuddered. I
won't do it; no, no, no! Do you hear? I won't, the boy cried
hysterically. I have been her good friend for yearswe have been good
friends; we will remain good friends. I don't want the found
But if it slips through your fingers, Millar cried. Suppose
another man runs away with her.
Who? Karl demanded.
Myself, Millar replied coolly.
To-night! This very night! Millar cried, laughing satanically and
triumphantly. To-night I shall play with her as I please. Oh, what
joy! What exquisite joy! For ten thousand years no lovelier mistress.
What's that? Karl cried, taking a step toward him.
Mistress, I saidmistress! She will do whatever I wishto-night,
at her home. You will see, when the lights are bright, when the air is
filled with perfumebefore day dawns, you will see.
Stop, stop! Karl cried warningly.
Be there and you will run after your lost sovereign, Millar went
on tauntingly. Every minute you don't know where she is she is
spending with me. A carriage passes you with drawn blinds, and your
heart stands still. Who is in it? She and I. You see a couple turn the
corner with arms lovingly interlocked. Who was that? She and Ialways
she and I. We sit in every carriage. We go around every corner. Always
she and Ialways clinging to each other, always lovingly. The thought
maddens you. You run through the streets. A light is extinguished in
some room, high up in a house. Who is there? She and I. We stand at the
window, arm in arm, looking down into your maddened eyes, and we hold
each other closer, and we laugh at you.
Stop, damn you, stop! Karl cried, beside himself and trying to
shut out the terrible monotony of Millar's voice.
We laugh at you, you fool, the fiend cried again hoarsely. And
her laughter grows warmer and warmer until she laughs as only a woman
can laugh in the midst of delirious joy.
With a maddened scream of rage Karl reached the table with a bound
and snatched up the revolver. But Millar, with a spring as lithe and
agile as a cat, was there beside him, holding the arm with which he
would have shot down the man who was pouring insidious poison into his
earsinto his soul.
Millar smiled as he looked at the helpless boy before him. Karl
released the revolver, and as he replaced it in his pocket, Millar said
You see, Karl, a man may kill a man for a lost sovereign.
Karl's paroxysm of rage and pain over, he threw himself into a chair
and buried his face in his hands. He did not even look up as Millar,
his cynical glance fixed on him, walked out, closing the door softly
behind him. His departure seemed to clear the atmosphere of its
oppressive burden of evil, however, and Karl jumped to his feet. He
made a few turns up and down the studio and then changed his velvet
studio jacket for a greatcoat and plunged out of doors into the storm.
A brisk walk through the snow and gathering darkness revived him and
he turned back to the studio with a clearer brain. His old servant,
Heinrich, met him at the door.
Monsieur, the gentleman has returned and is dressing, the old man
said, in an awe-struck whisper. I think he is the devil, he added
Heinrich had been terrified when Millar, returning to the studio in
Karl's absence, had taken possession, with the utmost coolness, of
Karl's guest-chamber and proceeded to change to the evening clothes
which had been sent to him there from the tailor's. Unwilling to meet
the man again, Karl hurried into his own room and locked the door. He
did not emerge again until long after Millar had completed his dressing
and had left the studio.
Karl tried desperately to drive thoughts of Olga from his mind; but
the terrible flame of passion which had grown from the tiny, buried
spark of boy love that lurked in his heart, under the sinister
suggestion of Millar, tortured him. He could hardly keep himself from
rushing off to Olga's house, in advance of the ball, to beg her not to
proceed with her design of bringing him and Elsa together; to tell her
that he loved her and that in all the world there lived no other woman
for him. Desperately, at last, he remembered his promise to see Mimi,
and he hurried out and made his way afoot to the tattered little
buildings in which she lived, hoping there to find forgetfulness. But,
go where he would, the haunting black eyes, the cynical smile, that
even, persistent voice, the insidious suggestions of Millar, the devil,
followed him and would not be shaken off.
* * * * *
In a state of mind even more desperate than that of Karl, Olga went
home with Herman. Their journey was as silent as their carriage was
silent. Herman was absorbed in contemplation of the information Millar
had given him regarding business affairs in Russia, in which he was
heavily interested. Olga was torn by conflicting emotions. The man had
roused in her the dormant love for Karl which she believed buried
forever. She could not deny to herself now, as she had denied for six
years, that she loved him. She knew now that during those six years it
had been to Karl, not to Herman, that she had turned for sympathy, for
understanding, and the knowledge maddened her.
Deep in her heart Olga exalted duty before every other virtue, and
the duty of a loyal wife before every other duty. She could feel now
the crumbling away of all her principles. She had believed for six
years that she had given to Herman every bit of her love and loyalty,
and now she was forced to the self-confession that she had lived a lie,
even to herself. She loved Karl.
But, away from Millar's influence, she resolved that she would yet
battle with and overcome the terrible impulses he had aroused. She
would make the artist love the beautiful, accomplished girl whom she
herself had selected for his bride. She would make him happy; make them
both happy, even if it meant that she must crush out her own hopes of
happiness in doing so.
That is a very remarkable man, that friend of Karl's, Herman said
after they had driven some time in silence.
Yes; he is very disagreeable, Olga replied.
Oh, I don't think so, Herman protested. To me he seemed very
agreeable. Where does he come from? He seems to have been everywhere
and to know everybody.
And everything, assented Olga wearily. I cannot tell you anything
about him. Karl met him a year ago at Monte Carlo.
I am glad you persuaded him to come to-night, Herman said. He is
going to give me information that will be of great value to me.
Olga was on the point of telling Herman all about the terrible
sermon the stranger had preached to them; of his wicked insinuations
and of her terrible dread, but she checked herself. Herman seemed
fatuously delighted by Millar, and she could not bring herself to talk
to him now. They continued the ride in silence until home was reached.
Herman and Olga occupied one of the finest residences in Park Lane.
It had been built by a wealthy nobleman and completed with a princely
disregard for expenditure. It stood in the center of a considerable
park, surrounded by trees and gardens.
Preparations were already going forward for the ball when Herman and
Olga reached home. Decorators were putting the finishing touches on the
magnificent ballroom. Florists were banking ferns and potted plants
along the stairs and halls. All was bustle and preparation. Herman
delightedly went forward and examined every detail of the work. Olga,
who ordinarily would have taken the same keen interest in the
preparations, turned wearily away and went to her own room. She dined
alone, under the plea of a headache, and did not again appear until the
guests began to arrive in the evening.
You look very beautiful, my dear, Herman said to her when she
entered the drawing-room.
Her mood had changed. Her eyes seemed unnaturally bright. She
herself could not tell what had caused the change. When she reached
home she had looked forward with shuddering aversion to her second
meeting with Millar. Now she was impatient for him to arrive. She
wanted to talk to him; to hear again the soft, persuasive voice, the
insidious harmony of his words that seemed to frame for her the
thoughts she had never dared express.
She was bright, alive, witty, charming in the beauty of her fresh
color, her glorious hair, her splendid figure set off charmingly in an
evening gown of white satin brocade. She stood at the head of the
winding stairway leading to the drawing-room when Millar came.
The man seemed more suggestive of malignant purpose in his evening
clothes than he had been in the afternoon. Immaculate in every detail
of his dress, his very grooming suggested wickedness. He walked slowly
up the stairs, feasting his eyes on Olga as she stood with hand
extended to meet him.
Madam, I am charmed to greet you again, he said. I congratulate
you on the wonderful transformation, and I need not ask in what way it
It may be that I owe it to you, monsieur, Olga replied gayly, her
eyes frankly meeting those of Millar as he looked at her with
admiration he did not attempt to disguise.
I trust we are soon to have the pleasure of seeing Karl again.
He will be herelater, I believe, Olga answered. Meanwhile,
monsieur, I am going to ask you to make yourself agreeable to some of
Madam, I can only make myself disagreeable to them, he replied
cynically. It is not they whom I came to see and entertain.
But you must be entertained now, Olga said. Soon I hope we may
We shall talk, Millar assured her, bowing.
He passed on to greet Herman, and was presented to others in the
rapidly growing throng. Wherever he went Olga heard exclamations
usually of surprise or dismay from her women guests, and the number
that invariably gathered around him at first rapidly diminished. He
seemed bent on making himself disagreeable, as he had promised.
One elderly spinster to whom he was presented greeted him with an
affected lisp, drooping eyes and an inane remark about the terrible
Yes, mademoiselle, your teeth will chatter to-nighton the
To anothera portly lady who affected the airs of a girlhe said
in his most silken tones:
My dear madam, I must tell you of a splendid remedy for getting
I don't want to get thin, the portly one replied indignantly as
she flounced away from him.
Olga waited impatiently for an opportunity to withdraw with Millar
into a secluded place, where she might listen to him while he told her
the things that she did not dare tell herself. The evening had grown
late, however, and Karl had arrived before she could get away from her
Karl had tried to avoid a tête-à-tête with Olga, and she took the
first opportunity of introducing him to Elsa. She rebelled in her soul
now at the thought of their marriage, but her will drove her to the
fulfilment of her purpose, to that extent at least. But it was with a
heart torn with jealousy that she watched Karl and Elsa move off
together, and turned to meet Millar, standing beside her with his
cynical, sinister smile.
Elsa Berg was a brilliant, vivacious girl, rarely beautiful, with
lively blue eyes, chestnut hair and a tall, slender, willowy figure.
The romance and excitement of her meeting with Karl made her seem
doubly beautiful, and she gladdened the artist in him, but he
helplessly confessed to himself that she made no impression on his
heart. His thoughts were with Olga, and he was abstracted, almost to
the point of rudeness, while Elsa tried to talk with him.
Who is that terribly rude person who seems to be frightening every
one? she asked.
He? Oh, that is Dr. Millar, a friend of mine, Karl replied.
Pooh! I don't see why every one seems so afraid of him, Elsa said
with a note of challenge in her tone. I think I shall meet him just to
see if he will make me run.
No, no; don't go near him, Karl begged.
And why not? Has he such a sharp tongue or an evil mind? I can take
care of myself.
I don't really think you ought to meet him, Karl said, but he
spoke without conviction. He suddenly yielded to a curiosity to see
what might come of a meeting between Elsa and Millar.
I don't care; I'm going to hunt him up, she cried, jumping up and
Millar had gone into an anteroom leading out into the beautiful
gardens. A number of the company had assembled there as he entered, and
it was obvious from the instant silence which ensued that he had been
the subject of their discussion. This seemed to gratify his cynical
humor, and he looked the assembled men and womensociety puppetsover
with a cynical grin. Elsa was among them, and toward her Millar bowed
as he said:
I never knew this number of ladies could be so silent. I presume
during my absence you have been discussing me kindly.
The others did not speak, but Elsa turned boldly to Millar.
Don't flatter yourself that I am afraid of you, she said. I would
say to your face what these people only dare think. Indeed, I was just
going to look for you.
It is just as well you are here; they might discuss you and your
approaching betrothal with Karl, Millar said.
Youyou know! Elsa cried in astonishment.
The others seemed tremendously interested at the information Millar
had imparted, and Elsa was embarrassed. She knew the design of her
friend Olga in bringing her and Karl together, but she was not aware
that it was known to any one else. Millar smiled as he replied:
Of course; they would throw you into his arms.
While the others who overheard laughed at this sally and Elsa
blushed furiously, Millar went close to her and said:
I must speak to you alone. I will send these people away. Leave it
Elsa drew away and there was a silence in the room. The others began
to feel uncomfortable as Millar looked slowly from one to the other of
them. One or two essayed conversation, and his cutting, insolent
replies sent them scurrying from the room. In a few moments only he and
Elsa remained in the apartment. From the adjoining ballroom came the
strains of music and the sound of dancing and bright laughter. Millar
looked at Elsa.
Now they are gone, he said.
Are you not surprised that I did not go also? she asked. You
offended me, you know, but I stayed because I want to talk with you.
How charming, Millar said with gentle sarcasm.
Perhaps you know my nicknameSaucy Elsa? said the girl warningly.
Then you should know that your Chesterfieldian manners embarrass
me, Elsa said impatiently as Millar bowed again before her. I have
selected you to deliver a most impudent message to that crowd in there,
because you are so perfectly impolite.
I am entirely at your disposal, mademoiselle.
How can I be impudent, though, when you are so polite to me? she
Shall we end the conversation, then?
Oh, no, not yet, Elsa cried, embarrassed. Then she went on with
determination: When you came in here you said I was the girl they were
going to throw into Karl's arms.
But you did not say that I am the girl who permits herself to be
thrown into Karl's arms. Am I right?
Please sit down, Elsa went on, recovering her self-poise, which
the baffling politeness of Millar had disturbed.
He declined the chair with a gesture, but she insisted.
I feel much more commanding when I stand, and I want every
advantage, she said. I want to set you right, and it will be much
easier when you sit down and I stand.
Smiling, Millar sat down and looked up at her expectantly. Slightly
confused, she went on:
I don't want people making fun of me before my face. I know
everything. Do I make myself clear? You were kind enough to mention the
subject, and I shall delegate to you the mission of explaining the true
facts to those dummies.
She grew quite vehement, and her cheeks flushed. Millar looked at
her admiringly as he said:
Your confidence does me great honor.
As a rule I don't take these people seriously, the girl hurried
on. I have no more interest in them or their opinions than I have in
last week's newspapers. But I want them all to know that they have not
fooled me into marrying Karl. And you all want me to marry himyou all
want to throw me into his arms.
Pardon me Millar interrupted, but she went on, unheeding.
Don't you think I can see through your transparent schemes? But
I'll marry him just the same, if he'll have me. Do you understand? I'll
I do not think you will, Millar said quietly.
I tell you I am going to be Karl's wife, Elsa cried with emphasis.
Now that you have graced me with your confidence, Millar said,
rising, I feel that I may be quite frank with you. This marriage
cannot take place.
He pointed to the chair he had vacated and smiled.
Now, you sit down, because I am going to set you right, he said.
Wonderingly, Elsa obeyed. Millar called a servant who was passing,
You will find a small red leather case in my overcoat pocket. Bring
The servant went out and he continued to Elsa:
I know the reason of this marriage, but youyou don't know the
Or you don't want to know. Hence you are about to consent.
Consent to what? Elsa cried. Don't beat around the bush. This is
what I am trying to avoid. I am about to consent to become the wife of
a man who loves another woman. And, what is more, I intend to go on my
honeymoon with a man who has another woman in his heartwho leaves
with this other woman everything he should bring to his wifelove,
sympathy, enthusiasm, everything. You see, you did not know me.
Millar was unmoved by her vehement declaration. As the servant
re-entered the room and handed him a small, red leather case, he said:
I did not think this subject could excite you to such a degree.
I don't want any one laughing at me, Elsa protested. I want them
all to understand that I know quite well the way I am going, and that I
go that way proudly, fully conscious of itthat I know everything and
yet I consent to be his wife.
Why? Millar asked, opening his little satchel.
BecausebecauseII love him, the girl answered, and began to
Millar smiled wickedly as he took from the case a dainty lace
handkerchief and held it toward Elsa.
Pardon me, I always carry this with me, he said. It is my weeping
bag. In it is everything a woman needs for weeping.
Elsa sobbed and dabbed at her eyes with the handkerchief, not
noticing that the man was amused.
II love him, she declared.
And take this also, Millar said, handing her a little mirror, then
a powder puff and a tiny stick of rouge. Elsa could not help smiling
through her tears at the absurdity of it, as she dabbed and dusted her
tear-stained face, looking at herself in the little mirror, until all
traces of her weeping were removed.
So this is the far-famed Saucy Elsa, Millar said as he watched
No, it isn't, she said rebelliously. When I came here to-night I
was a young, saucy girl. Now I am a nervous old woman. What shall I
Whatever you do, you must not be discouraged. You must
fightattack the enemy. But first of all you must be pretty.
I shall try, Elsa said dolefully.
You must show that woman your teeth. Of course it is hard for a
young girl to fight a woman, Millar went on. You don't possess so
many weapons as a married woman who knows love alreadywhomay I say
Please do, she said, her sauciness returning as she held her hands
before her eyes and looked at him through her fingers.
A woman who knows all about love that you have yet to learn.
I understand, she said.
But don't mind that; listen. There is not much sentiment in me, but
I am a man, and I tell you, little girl, you possess the weapon that
will deal the death blow to the most attractive, the most experienced
woman in the world. That weapon is purity.
Should I listen to all this? Elsa asked.
You should not, Millar replied promptly; but listen just the
same. It may help you. And now, go dance with Karl. You must conquer.
But don't try to be a woman; be a girl. Don't try to be saucy.
I don't care to be saucy, but it is so original, Elsa said
Don't try to be original, Millar said earnestly. Be yourself. Be
modest. Be ashamed of your pure white shoulders. Look at Karl as if you
feared he is trying to steal you away from girlhood land and show you
the way to woman's land. And if any one ever dares to call you saucy
again, tell him you once met a gentleman to whom you wanted to give a
piece of your mind and that you left him with a piece of his mind,
feeling very small indeed yourself, and making him feel as if he were
the biggest rascal in the world.
Elsa turned and went toward the other room, meeting Karl at the door
as Millar withdrew behind a curtain of palms.
Millar had played with devilish ingenuity on the tender
susceptibilities of Elsa. He encouraged her in her love for Karl and
her determination to win him, evidently with the deliberate purpose
that she should repel the boy whose will he had determined to
subordinate to his own. He watched as a cat watches its prey the
meeting between Karl and Elsa after he withdrew quietly into the
sheltering recess behind the palms.
Karl had been searching for her and stopped, barring her way into
So here you are at last, Miss Elsa, he exclaimed.
Yes, Elsa replied, dropping her eyes demurely.
Why are you not in the ballroom?
I wanted to be alone. If any one really wanted me he could find
Her dejection surprised Karl.
You seem sad. Are you worried?
Then what has happened? Karl asked.
He walked toward her, and as he did so Millar emerged from his place
of concealment. Karl looked at him.
Ah, now I understand, he said.
Surely you do not mean to suspect that I am the cause of Miss
Elsa's unhappiness, he said blandly.
Karl ignored him and turned to Elsa, looking at her in frank
You are very pretty to-night, he said, going close to her. It is
because you are yourselfa sweet, pure, natural girl. I like you
better this way, Elsa. I could take you in my arms and hug you.
Oh, Karl! Elsa exclaimed, blushing and hiding her face.
Millar's cynical smile overspread his face, and he turned away, well
satisfied with the progress he was making.
Excuse me, he murmured. I must say good-evening to our hostess,
and he stole quietly out.
The two young people did not notice him. They sat down very close to
each other, Karl leaning forward and looking into the big blue eyes of
the girl. Elsa gave a glance at the disappearing figure of Millar.
I am awfully glad to be alone with you, Elsa, Karl said. You are
the one natural thing in this fetid, artificial atmosphere. Don't you
Yes, as if some hot breeze were blowing through this room. It
You never spoke like that before, Karl said.
His back was toward the ballroom door and he did not see Millar
usher Olga into the room. The man had brought Olga that she might
witness the fulfilment of her plan, and that he might triumph in her
jealousy and further thwart them. Elsa saw them come in and seat
themselves across the room.
There is Olga, she said, and she, too, is jealous. Don't you want
to speak to her?
I have seen her, Karl replied without turning around. I would
rather talk with you. It's far more interesting.
They are talking about us, Elsa said warningly, as she saw Olga
and Millar look toward them.
Oh, what of it? Karl exclaimed impatiently. Let us be glad we are
together. I am just beginning to know you, Elsa.
Why do you look around, then? Elsa said.
Am I looking around? Karl asked. I wasn't aware of it.
But even as he spoke he could not help furtively glancing around to
see what Millar and Olga were doing. He remembered the man's
declaration in the studio that afternoon and he distrusted and feared
him. He was beginning to hate him.
By a sheer effort of will he forced himself to turn to Elsa. He
resolved that he would talk to her; that he would make love to her;
that he would marry her and banish from his heart those hateful
emotions which Millar had aroused. He leaned forward and spoke of love
to the girl in low tones, while Elsa, with color coming and going in
her face, listened and watched the woman she knew for her rival.
Our first love usually is our last loveour last love always is
the first, Karl said.
I don't know, Elsa cried demurely. I have never been in love,
although I was disappointed twice, she added gayly.
Karl was beginning to find his task difficult. His attention
wandered to Olga.
Disappointments; well, yes, who has not been disappointed?
Elsa observed his growing inattention, his efforts to concentrate
his thoughts on their talk, his futile love-making, and she turned from
him coldly. Meanwhile Millar and Olga were having a conversation in
which Olga was being torn on the rack of her jealous emotions.
Millar had brought her into the anteroom to show her Karl making
love to Elsa. Every circumstance favored his design. Olga at first was
disposed to withdraw when she saw them.
Don't you think we should leave the young people together? she
You are too considerate, Millar replied cynically.
They seem to be growing fond of each other, Olga said jealously.
[Illustration: THEY SEEM TO BE GROWING FOND OF EACH OTHER, OLGA
SAID JEALOUSLY.Page 108.
By Permission of Henry W. Savage.]
Yes; do you dislike it?
Shall we leave now?
No; I rather enjoy watching my seed bear fruit.
Olga tried to speak lightly and smile. Millar, watching her closely,
saw her lips twitch, and it was with difficulty that she controlled
They are an interesting couple, he said.
Can't we discuss something besides these two? Olga asked
Yes, certainly, Millar acquiesced. I came here to-night to decide
a wager, he went on.
What was it? Olga asked absently, looking with jealous eyes at
Elsa and Karl.
I made a wager that you would fall in love with me to-night.
Olga was startled by the declaration, but she treated it lightly as
one of Millar's strange sayings.
With whom did you make such a wager? she asked.
With Karl, Millar answered quickly.
Karland what did he say? Olga cried, almost rising from her
I must not tell you now; it might hurt you.
Oh, no, it won't; please tell me now, Olga pleaded, leaning over
the table toward him.
Millar, too, leaned forward, his face almost touching her white
shoulder, his hand touching hers as it rested on the table. It was thus
Karl saw them with one of those furtive glances, and the glist froze
the pretty speech he was trying to make to Elsa. The girl, seeing his
look, jumped to her feet, exclaiming angrily, and so that all three
Take me to the ballroom immediately. I have promised the next
Karl also, his face white with passion, had jumped to his feet.
Elsa, almost in tears, stamped her foot at him.
Why do you stand there? Take me away. Aren't you coming?
She turned and started to the door, Karl following. They passed
Millar and Olga, still seated at the table.
I thought you were in the ballroom, Olga said sweetly to the girl.
Oh, did you?
I hope you are enjoying the dancing.
I hate dancing, but I shall dance every dance to-night, Elsa cried
She looked angrily at Olga, who arose and moved toward her. Karl
stepped between them, giving his arm to Elsa. The two walked together,
leaving Olga looking helplessly into the smiling face of Millar.
Olga looked angrily at the stormy little Elsa as she floundered from
the room into the ballroom, followed by the enraged Karl. Millar smiled
more cynically than ever as he saw the play of emotion on Olga's face.
His ruse had worked admirably. He had at least beaten down Olga's will,
but he had yet to make certain of Karl.
How dared she speak like that? Olga demanded, turning to her cynic
Millar. Karl must love her.
Let us not reach conclusions so hastily, Millar said. First let
me tell you how Karl answered me this afternoon.
When you made the wager? Olga asked quickly.
Yes; when I promised to make you fall in love with me.
What did he say?
He tried to kill me, Millar answered slowly.
The color rushed to Olga's cheeks. Her eyes sparkled as she turned
them toward her tempter. It was delight she felt; mad, unreasoning joy
that Karl's love for her had prompted him to kill another who
threatened to win her from him. Still smiling, Millar went on, taking
the shining revolver from his pocket and showing it to her:
With his own hands, dear lady, Karl tried to kill me with this
little pistol. I took it away from him.
He tried to shoot you? Olga exclaimed.
Yes; and he would have done so. This is nicely loaded for six.
Almost to herself Olga whispered her next words:
This afternoon he wanted to kill you when you only spoke of making
love to me, and nowhe saw you whisper in my ear, hold my hand, touch
my shoulders. Why, he must have fallen in love with
Don't you think it silly to shoot a friend on account of a woman?
Millar interrupted, before she could pronounce Elsa's name.
Oh, he's fond of meperhaps you said something about me, Olga
stumbled on hurriedly. Karl holds me in high regard, but, there is no
doubt of it, these young people are in love.
I fear you regret the success of your matrimonial scheme for Karl
and Elsa, Millar said.
Do you think it will be successful? she asked eagerly.
I don't know, but we may find out easily enough.
Millar took a turn up and down the room, his up-slanting eyebrows
drawn together in deep thought.
This afternoon he tried to shoot me when I told him I would make
you fall in love with me, he said, stopping in front of Olga. That
means love. Don't speak to me of respect or regard, my dear lady. They
fire off cannons in salute out of respect, but when they draw pistols,
that means love. Now, you think Karl loves this little girl. Suppose we
find out who is right. We will make Karl tell us himself.
Olga turned away with a gesture of dissent, but Millar went on
Of course, I understand it interests you only because you planned
this marriage, and after all it is only right that you should feel a
certain amount of pride in the success of your plans. Is it not so?
Yes, that is true.
Very well, then; Karl shall tell us which was realhis attempt to
murder me or this little affair with Elsa.
But howyou don't mean to ask Karl? Olga asked in bewilderment.
You are not going to listen at key-holes?
Oh, madam, no.
Then how can we make him tell us?
It is simple; I have a plan. But you must follow my instructions to
the letter. Don't ask for any reasons; simply do as I say.
Olga looked at him reflectively. She knew instinctively that he had
some new bit of devilish ingenuity, some sinister twist of that
marvelous brain, and she was afraid. But she wanted more than anything
else to be assured that Karl did not love Elsa; that her scheme for
their marriage had failed, and she replied:
Very well, it is agreed.
I saw you once at the opera with a very beautiful cloak that
covered you completely from your neck to your shoe tips. Have you such
a cloak now?
Good. Put this cloak on. Let only your bare neck show above it and
the tips of your shoes beneath. Button it from top to bottom, as if you
felt cold. Then we shall need but the presence of yourself and Karl,
here in this room, to solve the problem.
[Illustration: LET ONLY YOUR BARE NECK SHOW ABOVE YOUR CLOAK, AND
THE TIPS OF YOUR SHOES BENEATH IT.Page 115.
By Permission of Henry W. Savage.]
Olga looked at Millar a moment in silence. There flashed instantly
through her mind the full meaning of his daring suggestion, and at
first she was on the point of indignant refusal. Then she as quickly
resolved to carry out the scheme; to beat the man at his own cunning
game; to find out for herself what Karl really felt.
Unconditionally obey me and we shall know everything, Millar
assured her, observing her hesitation.
This is very mysterious, Olga said slowly. What strange influence
do you possess that compels me to obey your will? Your eyes seem to
have all the wisdom of the world behind them.
You do my eyes poor, scant justice, Millar replied. Now go, dear
madam. If any one expresses astonishment that you wear a cloak indoors,
simply say that you felt cold.
It really is cold, Olga said with a little shiver as they turned
Out this way, Millar said quickly, pointing to the palms and a
door beyond them. Karl is coming.
Olga gathered her skirts up and hurried from the room just as Karl
entered. The young artist caught a glimpse of her dress as she
disappeared behind the palms. He looked at Millar with jealous rage
making his eyes glow.
Who was that? he demanded.
Who? Millar asked, blandly.
Did Olga run away from me?
No one ran from you that I know of, Karl. That is a pretty girl, my
young friend, that little Elsa.
Yes, she is pretty, Karl replied absently, sitting down at a
He was still tortured by the sight of Millar leaning over Olga,
touching her hands, whispering in her ear. He was tormented by the
insinuating words the man had uttered in the afternoon when he swore
that Olga should love him; should be his. He would have liked to take
Millar's throat in his two hands and throttle him.
Keenly aware of the inferno he had raised in Karl, Millar continued
to chat affably, Karl not deigning to answer. Finally Millar said:
You seem annoyed.
Karl lost control of himself and leaped to his feet. He went close
to Millar, staring into his eyes.
I am annoyed. Do you want to know why? he demanded, putting all
the insolence he could command into his tone.
No, Millar replied with a smile.
I want to tell you why, Karl declared.
Please don't, Millar said deprecatingly.
Yes, I will, Karl went on belligerently. I am amazed at the
change which has come over you since this afternoon. Don't imagine that
it is on account of Olgawe won't discuss her at all.
Certainly not; she is out of the question, Millar assented warmly.
Absolutely, Karl went on. I came here this evening determined to
ask Elsa to marry me.
Fine! I am very glad to hear it. I wish you good luck, my boy!
Millar cried with enthusiasm.
You are glad?
Delighted, Millar assured him.
It does not take you long to change your mind, Karl continued,
still with a truculent air. This afternoon you insisted I should not
marry Elsa. To-night you are delighted at the prospect.
Oh, yes; I see the matter now in a different light.
Then it was Olga who ran away as I entered! Karl almost shouted,
glaring at him menacingly.
Ran away? Why should she run away? Millar asked, pretending
Don't act like a cad! Karl cried threateningly.
What do you mean, Karl?
I mean exactly what I say. Don't act like a cad. If you were a
gentleman you would hide your pleasure.
Millar pretended to be shocked at the indignation of the young
artist, which secretly delighted him.
Don't talk that way, Karl, he urged. As you seem to have
penetrated my secret, I suppose I might as wellbut have you made up
your mind to marry Elsa?
And you will not change your mindyou promise?
I will not change my mind.
Well, of course, if that is the case, I can tell you. I
He hesitated as if embarrassed at his own question. Karl cried
And did you succeed?
What of her husband?
Ah, Karl, he is deaf, dumb and blind, Millar cried gleefully.
Stifled with the pain at his heart, Karl turned away.
This afternoon, at my house, you met her for the first time, he
Ah, Karl, she is a clever woman; cleverer than I thought, Millar
said, affecting tremendous enthusiasm. She deceived me this afternoon
about her true character; she has been deceiving all of you. I am sure
of it. Oh, she is grand, fantastic, passionate, daring. Think of it,
Karl, he went on, going close to the boy and leaning over him,
bringing out his words so that every one seemed to penetrate his heart;
think of it, to-night a kiss behind a door in front of which her
husband was standing. Danger fascinates her. And just now, a moment
before you came, we agreed
So it was she? Karl interrupted.
Oh, yes, it was she, Millar admitted. I suggested a wild plan,
Karl; almost too daring for the first day of our acquaintance. Her
honor, position, everything depend upon its success. Of course I did
not dream she would carry it out. I suggested it merely to sound the
depths of her passion. But she loved the idea and insisted upon doing
it this very night. If it fails we are lost.
Karl trembled with apprehension for Olga, whom he believed in the
devilish power of this man.
What is it? he asked.
She will be here in one minute, dressed in an opera cloakand
nothing else. Think of it, Karl; the daring of it. She will walk
through the ballroom on my arm, among all those people, her friends,
her husband, with no one in the secret but we twoand you. Ah, Karl, I
told you she would be mine, Millar concluded with rapturous accents.
With a wild cry Karl sprang at Millar, hurling one word at him:
Karl, be careful, Millar protested, avoiding him.
It's a lie; a damnable, dirty lie! Karl cried, trying blindly to
reach him, to grasp his throat to throttle him.
Millar deftly avoided him and laughed triumphantly.
I have trapped you who tried to trap me, he cried. You love Olga
Yes, I love her, Karl cried loudly. I love her, and yet I will
marry Elsa. Now, I have listened to your infernal lies; I have watched
you gloat over them. Men like you steal a woman's reputation and boast
of it and call it a success. But you shall pay for it, now, this
minute, when I kick you out of the house. Out with you, like a
sneak-thief that you are!
He advanced determinedly on Millar, who quietly faced him.
Remember, Karl, that I have the pistol now, he said coolly.
Out with you, you sneak-thief; I am not afraid of you, Karl cried
He was about to seize Millar by the throat, when he started back in
amazement at what seemed to be the fulfilment of the other's sinister
promise. Olga stepped through the door into the room. She was clothed
from head to foot in a beautiful, shimmering, fur-trimmed cloak.
Above the top button gleamed her bare throat. Her white arms
projected from the short sleeves. The hem of the skirt fell to the tips
of her white satin shoes.
As Olga entered she gave one glance at Karl and then moved away from
him, and stood beside the table at which she and Millar had been
seated. She saw the wild rage stamped on his face, and her woman's
intuition made her know that Millar had told him what she had divined
he meant. The situation frightened her, and she felt on the point of
fleeing from the room or casting aside the cloak; but she resolved to
see the game through.
Karl stared at her, rage giving place to amazement, then to despair.
For full a minute no one spoke. The music floated in softly from the
ballroom, mingled with the hum of voices and laughter. Olga was the
first to break the stillness, but she did not look at him as she spoke.
Karl, this is the first time I have had a chance to talk with you
to-night, she said.
What is that? Karl absently asked.
He had not heard; his mind was confused, bewildered. Millar,
cynically misunderstanding his question, said quickly:
Why, that is an opera cloak.
Olga turned quickly, fearful that the remark might cause an eruption
which she could not control. She cried impulsively, seeking to divert
the threatening train of conversation:
The ball is a great success. Every one is merry; every one dances
as if it were the first affair of the season. The girls are all as
happy as young widows who have just taken off mourning.
I have observed it, Millar agreed with enthusiasm. It is
splendid. But why is Karl so sad amid all this merry-making? he added.
Why are you sad, Karl? Olga asked, turning to him.
I sad? You are silly, Karl cried with forced gayety. I never felt
happier in all my life.
There was a touch of hysteria in his voice that made Olga's heart go
out to him.
I am glad you are having such a good time, she said.
Yes, yes; I feel like a schoolboy, Karl cried wildly; like a
young tiger. I'm mad with joy. I will get drunk to-night. I will drink,
drink drink until the angels in heaven sing to meas you said this
afternoon, he added, turning to Millar.
No, no, Karl, Olga pleaded, thoroughly frightened. Why, you never
drank. Why should you drink to-night?
Because I am doing things to-night I never did before, Karl
replied bitterly. I have never been engaged before; to-night I shall
Good! fine, Karl, Millar exclaimed. She is a splendid girl.
Splendid girl! What do I care what sort of a girl she is? It's not
the girl; it's marriagesomething new. I want to see what it is like.
For a bridegroom you are not very gay, Millar said tauntingly.
Gay! Why should I be gay? I am drinking the last bitter drops of my
bachelor daysbut I'll swallow them, and thenpurity.
Bravo, Karl! Olga said.
Oh, I don't care what any one else thinks about it, Karl sneered
at her. I am doing this to please myself.
Olga was hurt and surprised at his tone. She had never seen him so
completely beside himself before; she had never heard him speak so
bitterly, so vindictively. As she watched him he looked at her, and a
spasm of pain contorted his face. He pointed his finger at her
accusingly, and cried:
Why are you wearing that cloak in the house?
Madam Hofmann may be cold, Millar suggested quietly.
Yes, yes; I am cold, Olga said hurriedly, drawing the cloak around
her more closely.
You are fortunate to have such a beautiful cloak, Millar said,
determined now to keep them at the main point of his game.
Suppose we do not talk about the cloak, Olga said. You and Elsa
seemed to get on nicely to-night, Karl.
Yes, he replied absently.
Really, it was charming to watch such devoted young people, Millar
Karl flashed a look of hatred at him and turned again to Olga.
That cloak is lined with fur, isn't it?
Before she could reply Millar had interrupted in his silken,
Yes, soft, smooth fur.
I did not speak to you, Karl cried at him savagely. Well? he
demanded of Olga.
Soft, smooth fur, Olga replied. It is cold in here.
Nonsense; it is hot. I feel stifling, Karl declared.
I feel chilly, Olga insisted.
Perhaps madam is not dressed warmly enough, Millar insinuated.
You should wear plenty of clothes in the winter time, or you may run
the chance of taking cold.
Olga caught her breath and then she answered:
I love to take chances.
You do, eh? Karl cried.
Yes; what is it to you? she asked tauntingly.
Karl threw his self-control to the winds. With flaming face and a
voice that shook with anger, he cried:
Aren't you two afraid of me?
Olga was afraid and she looked at him apprehensively. Millar smiled
his cynical, sinister smile and answered:
Afraid? I'm not afraid of the husband. Why should I be afraid of a
moralizing, joyless bridegroom?
Karl took a step toward him, when Herman entered the room. All three
were silent and Herman looked at them in surprise.
What is thisa conspiracy? he asked gayly.
Oh, no, merely a conversation, Millar said.
Well, Karl, how are you getting along with Elsa? Herman asked,
taking the boy by the arm and walking off with him.
Olga watched them as they disappeared, going into the ballroom, Karl
evidently reluctant to be taken away. Then she turned to Millar.
What did you tell him about my cloak?
About the cloak? Nothing.
You did not tell him
He stared at me as if he thoughtthought I had on only this
That is exactly what I told him, Millar assured her.
Oh, how could you?
Now don't be shocked, Millar said cynically. You knew it. The
moment you entered the room you realized that I had told him. And what
is more you liked it.
How dare you! Olga gasped, If I had understood
If you had understood, would you have taken off the cloak?
Well, now you understand, why do you not take it off?
Olga raised her head and looked straight into Millar's eyes. She
said not a word, but drew her cloak more closely about her with a
movement that sent a thrill of suspicion and surprise through him.
Madam, you didn't really? he cried in amazement.
Do you think I am a child? she asked. Do you imagine that I did
not understand your suggestion from the very first? You wanted me to
fool Karl. Perhaps I have fooled you. How do you know I am not nude
beneath this cloak?
Madam! Millar cried in wide-eyed amazement.
Now let us see if you will take a chance, Olga said. Give me your
arm, my dear doctor, and we will walk together through the ballroom.
Millar was at a loss for a moment. His imperturbable calm was
broken. Olga had matched her woman's intuition against his cunning and
had won. But his bewilderment gave way to undisguised admiration, and,
bowing as gallantly as a youthful sweetheart, he gave her his arm.
As they were about to leave, however, Karl suddenly barred their
way, coming hurriedly in from the ballroom.
Are you coming in with us, Karl? Olga asked, as they paused.
No, Karl almost shouted; and you are not goingyou stay here.
What do you mean?
I mean what I said. You stay here. And you, too, he added to
He turned and closed the ballroom door. Then he faced them again.
We will settle this thing right here. Take off that cloak.
I will not.
By heavens, I'll tear it off, he cried furiously, rushing at her.
Olga stood unmoved. Millar caught Karl by the arm and stopped him.
Why did you stop him? Olga asked, smiling.
She was perfectly self-possessed now and in command of the
situation. Millar was frankly afraid that she had taken his meaning
literally. Karl was mad with rage and jealousy. Olga was unruffled.
Madam, I was afraid, Millar said.
You will take it off, Karl cried, still held back by Millar. If
you do not, I'll find your husband and he shall have the pleasure.
Olga turned to him sweetly.
Karl, will you help me off with my cloak? she asked.
Karl almost leaped toward her, but when his hands nearly touched her
cloak he drew back, afraid. Slowly he backed away from her, while she
Dr. Millar, will you help me remove my cloak? she asked sweetly.
Millar put out his hands as if to do so, but quickly folded them
over his breast, bowed very low and smiled, cynically shaking his head.
Olga looked first at one and then the other with her tantalizing
smile. The three might have been carved of stone, so still were they
when Herman entered.
Hello, Karl; I lost you when I went to find Elsa, he said. What
are you talking about?
I think we have been discussing cloaks, Millar said.
Oh, I see Olga is wearing one. Isn't it rather warm for that,
Yes, it is, but I felt chilly a while ago, Olga answered. Will
you help me off with it, Herman?
Herman stepped to her side as she loosened the clasps, and lifted
the beautiful fur-lined garment from her shoulders. She stood before
them again in the beauty of her shimmering evening gown, her white arms
and shoulders gleaming, her lips parted in a dazzling smile.
Karl did not speak. He half involuntarily made a step toward Olga,
and she, fearing what he might say, cried lightly:
Now, I have devoted too much time to you two. My guests are
departing. I must go. Come, Herman.
Herman took his wife's arm, and together they returned to the
ballroom. Karl watched them disappear and turned on Millar as if to
attack him. There was such menace in his manner, the frenzied
appearance of his face, that Millar put his hand behind him quickly and
half drew his revolver.
Before either spoke, however, Elsa entered from the ballroom. She
was in her cloak, ready to leave, and said, holding out her hand to
I wanted to say good-by.
Her voice seemed to awaken Karl as from a bad dream. He took her
hand eagerly, stepped forward impulsively as if he would take her in
his arms and kiss her, but Millar interposed himself between them, and
a servant entered at the same moment. Checked in his advance, Karl
I shall take you to your carriage.
The servant announced that Elsa's aunt awaited her. She took Karl's
arm, and Millar directed the servant to follow them.
The sidewalk is very slippery, he said. Take Miss Elsa's other
He was determined not to give the beautiful girl a chance alone with
Karl. In the young artist's present excited state almost anything might
occur to wreck his plans.
As the two went out, followed by the servant, Olga came in
excitedly. She looked around to see that Millar was alone and said:
Your plan worked splendidly.
What are you going to do now? asked Millar anxiously, as Olga sat
at a table and took out writing materials.
I am going to write to him, she answered, addressing an envelope.
But what will you say?
I shall tell him, Olga said wearily, with her hands clasped to her
forehead, never to speak to me again. I never want to see him. He must
leave town immediately. To think he believed me capable of
Ah, it is all over, Olga cried, ignoring him. I never want to see
him again, because
Because you love him?
Oh, no. After what has happened I hate him.
I am very sorry, madam, Millar said contritely.
You need not be, Olga assured him. I am glad it happened. With
all your cynicism you are clever and you have done me a great service.
When I know that this letter is in his hands again I shall be perfectly
happy, she went on, dipping her pen in the ink-well.
You say I have helped you; let me render you one more service,
What can that be? Olga asked.
I have begun this; let me finish it. Let me dictate this letter.
You are excited. You cannot think of things to say. It must be firm,
[Illustration: I HAVE BEGUN THIS, LET ME FINISH IT. LET ME DICTATE
THIS LETTER.Page 136.
By Permission of Henry W. Savage.]
Yes, firm, strong, Olga acquiesced.
Undoubtedly, Millar went on. Let me tell you what to say.
Wearily Olga yielded to his spell. She seemed under hypnotic
influence as she replied:
Very well, I shall write whatever you tell me to say.
Millar stood behind her chair, hovering over her like an evil
spirit. His singular, expressive hands twitched.
Good. I shall try to express your thoughts, he said. Cold,
Yes, it must be so, Olga said.
It is finished forever?
Then write, he ordered.
She settled herself to her task. Leaning over her, Millar suggested
a sinister hypnotist bending a helpless victim to his will. He
dictated, while Olga wrote:
I have found out what I dreaded to learnthat you love me. Your
behavior to-night convinced me. I could not place any other
interpretation on it, and my own heart answered, I cannot, dare not,
see you again. God knows I want to; I long for the happiness that I
might find with you, but I must not. Only the certainty that I am not
to see you impels me to this confession. Good-by forever.
When this was finished Olga dropped her pen and stared at the
letter. Before she could do anything, Millar had taken the sheet of
paper, blotted it, folded it and placed it within the envelope, which
he deposited in his pocket.
What have I written? Olga cried, bewildered.
The last letter, Millar replied, with a smile of triumph. I will
deliver it to Karl, he said.
Olga passed her hands wearily over her eyes, and struggled to clear
her mind of the strange, intricate network of intrigue, insinuation and
suggestion which Millar had woven there. She thought she was rid of his
sinister influence until her fingers wrote, in obedience to his will,
the letter which she would have given anything to have left unwritten.
When she looked up, Millar was putting the letter in his pocket, and
his face wore the evil, cynical smile.
I wrote it, yet I am ashamed of what I have written, she faltered,
speaking with difficulty. I tried to resistyes, I didbut my hands,
my pen, followed your words. You are a very strange man.
I will deliver the letter to Karl, Millar repeated slowly.
You know I did not mean it; you know I did not want to write it,
A woman does not always write what she wants, Millar said lightly,
but she always wants what she writes.
The letter was not for him; it was for me, Olga insisted.
She arose and her hand was extended imploringly, begging Millar to
return the missive to her, when Herman entered. The house had grown
still. The music was hushed, the guests were gone. Only Millar, spirit
of evil, incarnation of the devil, remained.
This is good of you, to stay behind and entertain the hostess,
Herman said cordially.
Madam Hofmann's conversation has been so entertaining that I quite
forgot the time, Millar said, looking at his watch. By Jove! it is
late; I must go immediately.
Won't you have some cognac before you go out? The night is cold,
No, I thank you; I have an important engagement in the morning, and
it is now too late. Madam, I must bid you good-night. I have really
spent a very pleasant evening.
Millar started toward the door. Olga uttered a half-suppressed cry,
and he turned inquiringly.
I left a letter lying here on the table; did you, perhaps, pick it
up? she asked nervously.
She was almost weeping and spoke in a half-hysterical tone. Millar,
without changing countenance, drew the letter from his pocket.
Perhaps this is it, he said, holding it up. If it is of interest
to your husband
He made a movement as if to hand it to Herman. Fear clutched at
Olga's heart and she cried quickly:
No, no, it was not that; it was nothing.
She forced herself to laugh. Millar bowed with impressive politeness
and left the room. Herman bowed the strange guest out, and then noticed
for the first time Olga's weariness and distress.
You look tired, dear, he said tenderly. It has been a long
Yes, I am tired, she said sadly.
Her cheeks were flushed and her eyes bright. As she stood leaning
against the table Herman thought her prettier than he had ever seen her
before. He went up to her, took her hands in his and kissed her.
You seem excited, too, he said. It makes you prettier, and I like
it, my dear, sweet, darling wife.
Olga shrank from his caress so obviously that Herman was hurt. She
withdrew her hands.
Please don't, she said. I am awfully nervous.
Your cheeks are burning, dear, he said, touching them.
Don't, Herman; I wish to be alone for a few minutes; to rest all
alone. Please leave me here.
Very well, it shall be as you wish, Herman replied, adding as he
left the room:
But it would be better if you went to sleep.
A servant entered, and Olga signed to him to extinguish the lights.
In a few moments she was alone, in semi-darkness, the room being
partially lighted by the reflected light from the garden lamps. As she
sat there, the tall, sinister figure of Millar, in his fur overcoat and
his top hat, passed the window.
It would be better if I went to sleep, Olga repeated to herself
Just then the shadow of Millar, as he passed in front of one of the
garden lamps, was thrown against the white wall of the room, and she
could hear distinctly his cynical chuckle. With a cry of horror she
raised herself to her full height, put out her hands to ward off the
evil spell, and shrieked:
No! no! no!
Then she sank fainting on the floor. For a moment the shadow
lingered above her, and faded.
When Karl left the home of Herman and Olga to conduct Elsa and her
aunt to their carriage he did not return. He was deeply ashamed of the
suspicion he had entertained, and humiliated at the trick played upon
his overheated imagination by Millar. He could not bear to face Olga or
Sending the servant back for his overcoat and hat, he plunged along
through the snow, walking briskly. Old Heinrich had gone to bed when he
reached the studio. There remained but a few hours of the night, but
Karl could not bring himself to sleep. He paced restlessly up and down
the studio, his mind tortured by the thoughts so skilfully implanted
there by Millar.
He was not surprised when the door bell rang and it was Millar whom
he admitted. His strange visitor shook the snow from his great fur coat
and laid it aside. Then he walked over to the grate where the fire
burned cheerfully and stood in front of it, rubbing his hands as he
held them out to the blaze.
Karl resumed his restless march up and down the room. Millar watched
him cynically for a few moments.
You seem nervous this morning, Karl, he said.
I am nervous; I'm crazy, Karl answered.
You ought to be very happy, Millar insinuated.
Ought to be happy! I ought to be miserableas I am, but it is all
through your evil machinations. You have made me reveal all that is
evil in me to the woman
To the woman you love?
Yes, to the woman I love and have no right to love; to the woman
whose honor I have held sacred for six years; to the woman I must never
You will see her again, Millar asserted quietly.
How base she must think me, Karl went on wildly. I did not know
myself; I did not dream that I could be so rotten.
You will see her again, Millar repeated. She will come to you of
her own free will here, in this very studio, to-day, and she will tell
you with her lips on yours that she loves you.
Stop! I won't listen to your infernal insinuations. You have ruined
my happiness; you shall not ruin hers. I want you to keep out of her
way. Do you understand? I give you fair warning.
My dear Karl, you don't know what you are saying. I shall not mar
her happiness or yours.
Why did you play that evil trick on me to-night?
Why, you dull, young artist? Because I wanted to show her that you
loved her; that you cared not two straws for that little slip of a girl
to whom you were trying to play devoted. Because I wanted to show her
that her great love is not wasted on an empty-pated ass.
Of course. Her love. She loves you, and has loved you for six
years, and you were blind and did not know it.
It is not true. It must not be so. She is a true, loyal wife to my
Bah! Do you want her to be loyal to that big boor of a husband when
she loves you?
I refuse to listen to you any further. Now, let me tell you this. I
am going away. I shall not see Olga again. I shall close my studio and
return to Paris. And I wish not to see you again. Do you understand? I
am going to bed now. When I awake I want you to be gone. Don't let me
find you here.
You are not hospitable, my dear young friend, Millar said, smiling
and bowing. He seemed genuinely amused at the passionate outburst of
the young artist.
I believe you are the devil! Karl cried.
And you don't find the devil a pleasing personage to look upon,
except when he is decked out by poets in the disguise of Cupid, Millar
Karl abruptly left the room, going into his own room and locking the
door. He threw himself upon the bed and tried to sleep, but for hours
he lay awake, haunted by the sinister shadow of his temptation.
Left alone, Millar sank comfortably back in the big, Gothic
arm-chair before the fire. The red glow of the flames seemed to absorb
him. He was merged in the shadowslight and shadow, as they played
around the big chair, from whence there came his devilish chuckle.
* * * * *
Olga's maid, alarmed at the prolonged absence of her mistress, found
her moaning on the floor, where she had fallen in a swoon after
Millar's departure. The maid helped her mistress to her room and to
As soon as it is daylight go to Monsieur Karl's studio and find out
at what time he will arise. Let no one else know that you go there. And
awaken me as soon as it is possible for me to see him.
Olga meant to get to Karl to intercept the letter which Millar had
tricked her into writing. She meant to tell him to go away; to end
everything between them. But, although she did not know it, she was
blindly obeying the evil will of Millar.
Broad, glaring daylight had come when Heinrich entered the
reception-room of the studio. He divined no presence. There were no
conflicting passions in his old heart. He pottered about, humming an
old song to himself, dusting the vases and paintings, stirring the
slumbering fire, until the door bell rang.
He admitted to the anteroom a beautiful young woman whom he had
never seen before. When he returned to the reception-room to ruminate
on the situation he was confronted by the figure of Millarthe figure
of the devil.
II beg your pardon; I did not know you were here, he said.
I am here, Millar responded cheerfully. Who rang?
A lady, sir.
A real lady?
Oh, yes, sir.
That's odd. What does she want?
She wants to see my master, sir, Mr. Karl.
Heinrich hurried out and ushered in Elsa. The poor little girl had
lost her bravado of the night before. She was ready to humble herself.
She was stricken with the terrible malady. She was in love; she
acknowledged it to herself, and she knew that the man she loved had his
heart elsewhere. But she had resolved to make a fightto win him if
she could, and she had taken this desperate move.
She was startled, though, when she was ushered into the
reception-room and saw Millar there, his hands on his breast, bowing
You seem to be everywhere, she exclaimed. What are you doing
here? Are you Karl's secretary?
Millar was transformed back into his frock coat, his immaculate
trousers, his wine-colored waistcoat. He was again the polished, suave,
affable gentleman of the afternoon, with ingratiating manner, cynical
smile and insinuating words.
No, I am not Karl's servant; only his friend, he said. How are
you feeling to-day?
Oh, very well, thank you. I did not know there was any one in here
or I should have waited outside. But as it is only you I do not mind.
She resented the presence of this man in the place, and she took a
seat, turning her back to him. Millar, not in the least disturbed,
Karl got in very late this morning.
I assume that he did; it was very late when the ball ended.
Still, I think he would be very much pleased to know that you are
here. Will you permit me to acquaint him of the pleasure that awaits
Thank you, no; I will wait for him here. This is an interesting
room. I have never been here before.
I know that, Millar said.
How do you know it? Elsa demanded with spirit.
Oh, Heinrich told me. A lady may come here secretly every day, but
when she comes the first time it cannot be secret, even to Heinrich.
I wish I had not come alone, Elsa declared.
I know that also, said the imperturbable Millar.
How do you know that?
Oh, Heinrich told me there was a real lady waiting.
I am glad at least that Heinrich recognized me as such, Elsa
declared indignantly. He is the only one who has spoken to me as if he
Then he must have thought you the other kind, Millar said
cynically. Heinrich made a mistake.
I think Heinrich is the better judge, Elsa said.
An excellent judge, I grant you, Millar said, laughing. He is the
one man who should have brought you here. You know only two men have
the right to open the door of a bachelor apartment to a young lady.
They are his valet and the clergyman. You may choose which of the two
you would prefer.
Elsa turned on him with eyes that flashed indignation.
I was once left alone with a man who kissed me, and I insulted
him, she said.
I was once alone with a lady who insulted me and I kissed her, the
cynical person replied.
You are horrible! Elsa exclaimed.
Millar saw her distress and rang the bell. When Heinrich entered he
Get a little red leather pocketbook out of my overcoat.
Oh, you need not fear; I shall not cry this morning, Elsa said.
I am not apprehensive, but I thought you were laughing, Millar
said. When girls laugh I fear they are going to cry. Why did you come
I want to have my portrait painted, and I shall come every day,
You mean you want to come every day, and therefore you will have to
have your portrait painted, said the cynic.
You are an expert word juggler, said Elsa.
Do you know that another lady comes here to have her portrait
Yes; that is why I am coming, Elsa declared boldly. I want to see
whose portrait will be better.
That is a bold challenge, my little girl; you were not so brave
Yesterday I was undecided. To-day I have made up my mind to fight.
You gave me good advice.
I have some more advice to give you to-day; we did not finish last
What is it?
It is this. Do not fight. You were not made to fight.
Why not? I am courageous.
Yes, you are courageous, but you are not strong. Don't fight,
because you will batter yourself against an impenetrable wall and
suffer defeat. Do you know where Karl's heart is?
Then let me tell you. He loves Olga. He cannot love any one else.
He has no room in his heart for any other image. Do not make sorrow for
yourself, my child. Forget. Go away. Karl is the man for another
Elsa was courageous. She had set aside her conventional training and
ideas when she came to the studio to see Karlto fight for him. Now
she resolved that Millar should not defeat her again. She looked at him
squarely and said:
In spite of all that you tell me, I shall not give up.
In spite of her resolve to fight she was on the verge of tears. She
sat at a table, shrinking from the sinister figure before her. Millar
inspired her with a nameless terror, and it was almost against her will
that she listened.
Let me tell you what you must do, he said, sitting down in front
of her. Do you know what you should do?
I don't like to have you sit in judgment on me this way, she
protested. You question me as if you were a judge.
No, it is not that, but you answer as if you were a prisoner. Now,
little Elsa, stand up and listen. You know that Karl is in love with
Yes, I know it; it is the only thing I do know.
Then you should give Karl up.
I can't give him up.
You must learn.
How? From whom shall I learn?
Let me see; I think I have here the very person, Millar said.
He walked over and opened the hall door.
Mimi, come in here and wait; it is warmer, he called.
To the amazement of Elsa, the shrinking little model came in,
hesitating on the threshold. She wore a red woolen jersey over her
bodice that fitted her tightly and made her look very slight and
shivering. She looked with wide-open eyes at the beautiful girl and
dropped a courtesy as she sat in the seat Millar drew out for her. Elsa
nodded at her in silence, and Millar, after watching them a few seconds
with a smile of amusement, walked out of the room, whistling softly.
Mimi was the first to break the silence, squirming under Elsa's direct
Madam is waiting for the artist?
Yes, Elsa replied shortly.
So am I, Mimi said, adding, with engaging frankness:
He went on a spree last night. When he does that he always sleeps
Elsa was embarrassed, and there was another interval of silence.
Then Mimi said:
Is madam to have her portrait painted?
I know all those who come here to be painted, Mimi went on. This
is quite like home to me. I am his model. I don't have to pay for my
portraits. Madam has a splendid profile.
Please do not call me madam, Elsa said impatiently. I am miss,
I beg your pardon, Mimi said. I am not madam, either. My name is
My name is Elsa.
Oh, I know; I have heard of you. You are very rich as well as very
beautiful. I know what it means to be rich. Once our family was well
off, and I did not have to work as a model.
I am sorry you have been unfortunate, Elsa said.
But I have heard much of you, the girl went on. She was now
tremendously interested in this beautiful woman whose coming, she
believed, meant that she would no longer be Karl's model. You see, I
know all the things that go on here; I look out for the artist's
laundry and sew his buttons on; and I almost know his thoughts.
And do they interest you?
Oh, yes; but it will not be so any more.
Because he is to be married; because you have come and he will not
Why not? He will still paint. He must have models.
Yes, but it will not be the same, and I will not come any more.
Do you like Monsieur Karl?
Does he paint you now?
Ah, no; nothing but landscapes.
Then you did not come as a model to-day? Elsa asked.
I come always as a model. If the artist does not treat me as such
it is not my fault.
She noticed that Elsa looked offended, and went on hurriedly,
Please, if I offend you I will be quiet. But you seem to be so
nice. If I were you and you were the model I should not be angry with
Elsa was touched by the pathos in Mimi's eyes.
Pardon me; I am very, very sorry if I have hurt you, she cried
impulsively. Let us be friends.
Yes, let's, Mimi cried. You can talk to me about everything. I am
not a bad sort, but I have known him for a long while. I was crying
when I went away yesterday and he felt sorry for me. He came to the
house on his way to the ball last night in his evening clothes, but I
would not see him. It must be finished.
Was he fond of you?
I liked him very much, Mimi replied simply.
Ah, now it is different. If a man wants to have another sweetheart,
what can we do? It is like the railway. The train comes in and goes and
the little station must wait until another train comes.
And you are going to wait for another train? You were fond of him
and can speak like that?
I was fond of him, Mimi said. But I am not silly enough to
believe it will last just because I wanted it to last. I knew when it
started that I should have to give him up some day. I have learned
that. I shall forget himand hope that he and you will be happy.
Mimi's tears came unrestrainedly now, and as she looked for her
handkerchief Elsa picked up Millar's weeping satchel, where he had left
it on the table, and gave it to the model. Mimi dabbed vigorously at
her streaming eyes.
I am glad that I met you here, she said when she could control her
voice. I shall be clever to-day and not see him at all. I will go away
now and never come back. What time is it?
It is 3 o'clock, Elsa said, looking at her watch.
Then I must go. Another artist in the next block expects me to pose
for him, and his laundress comes at 3. He is very clever.
She stood up and looked around the room at the things on the
wallsher own picturesthe place that seemed like home to her. She
sobbed as she started toward the door.
Good-by, miss, she said.
Elsa looked after her as she went out. Then she looked around the
room and was seized with panic.
Mimi! Mimi! she called out.
The model did not return. Elsa seized her hat and fled, just as
Millar entered from the adjoining room. His chuckle of Satanic
amusement reached her as she hurried from the house.
Millar's sardonic face was wreathed in smiles as he looked after the
two young girls, each of whom carried from his hateful presence a
With Mimi it was the fate of a child of the underworldsomething to
which she was pathetically resigned. With her there was no struggle.
She knew that when she ceased to charm she must go her way and find
another man; a master rather than a sweetheart.
Elsa could not have told herself what fear made her fly from the
studio after Mimi, but she feared that she was also doomed to give up
the hope of her heart. It was her first cruel disappointment, but Mimi
had made her see that she was beaten, and, in spite of her earlier
resolution to fight, she saw that fighting would bring only
unhappiness. She hurried to her waiting carriage and was driven home,
where she locked herself in her room to weep alone.
And Millar, the sinister being, ever at hand with his insidiously
evil suggestions, chuckled as he watched them go. He threw himself into
a chair and rang the bell for Heinrich. The old servant entered
rebelliously, but, trained to habits of obedience, he could not give
expression to his feeling of hatred and distrust of his master's
strange visitor. As for Millar, he even seemed to find something
amusing in the old man's obvious aversion.
Bring me tea and brandy, he ordered peremptorily.
Is your master up?
Has any one seen him this morning?
No, sir. Madam Hofmann's maid was here three times.
What for? Millar demanded quickly.
She wished to know when Madam Hofmann might see Mr. Karl. I told
her I had strict orders not to call him before 3 o'clock.
Millar looked at his watch and saw that it was a few minutes after 3
Humph! We shall have another visitor shortly, he muttered. I
think I begin to see the completion of my work. It shall be this
afternoon. Get my tea, he added to Heinrich, and serve it in the
The old man went out. Millar paced slowly up and down the floor,
looking at his watch, until he heard the door bell ring.
The beautiful Olga, he said, stepping softly from the
reception-room into the studio and leaving the way clear for Olga.
She was admitted by Heinrich. She hurried into the room, looked
wildly about her and sank into a seat. For a moment she could not
All night and all day, since Millar's shadow hovered above her
fainting form in her own home, she had been torn by the emotions raised
by the letter. It was a confession she had never meant to make. She
dreaded the thought of Karl ever seeing it. Heinrich waited
Is Mr. Karl at home? she asked.
My maid told me he could not be seen until 3 o'clock. It is now
after 3. May I see him?
If you will wait a few minutes longer, madam, I will tell him that
you are here.
Heinrich started toward the studio.
One moment, Olga called after him. Has any one seen Mr. Karl
Has he received no letter?
Thank God! she exclaimed fervently. Go, Heinrich; tell him I am
in a great hurry and must see him at once.
I am afraid, madam, you will have to wait a few minutes for Mr.
Karl to dress, Heinrich said. Shall I tell Dr. Millar you are here?
Who? Olga cried, springing up in dread.
Dr. Millar; the gentleman who was here yesterday, Heinrich said.
Is he with your master? Olga cried in fright.
Oh, God! am I too late? Tell me, did you see Dr. Millar give a
letter to your master?
He may have done so, madam. I cannot remember.
Olga walked nervously up and down the room, while Heinrich waited,
sympathizing at her distress. The old man was mystified, but he felt
that Millar was to blame for the grief which his young master's
beautiful visitor showed.
It may not be too late, Olga cried to herself. Then she said to
Please tell Dr. Millar to come down. Do not tell him who is here;
simply say a lady wishes to see him at once.
Heinrich withdrew, leaving Olga, with clenched hands and twitching
features, walking up and down the room. It was thus Millar saw her as
he entered, with his cynical smile, at which she shuddered.
You are the lady who wished to see me at once? he asked, with his
most polite bow. I am honored, madam.
Yes, I sent for you, Olga said, not knowing how to begin.
And what may I do for you?
Please tell me quicklyI am tremblingdid you
Yes, dear lady, I delivered your letter.
Olga sank into her chair and covered her face with her hands, while
dry, tearless sobs shook her body. Millar looked at her unmoved, and as
Heinrich entered with the tea tray he turned coolly to the old servant.
Put that tea here, he said, indicating a table near Olga. And the
brandy. Thank you. You may go.
He poured himself a cup of tea and began to sip it, looking the
while at the terrified woman before him.
It was the moment of Millar's complete triumph, and he gloated over
Olga as she sat there, her trembling hands covering her face, much as a
large cat gloats over a mouse, helpless beneath his paws. He lied
deliberately about the letter, which even then reposed in the inside
pocket of his immaculate frock coat. But he reserved it for a final
coup. He knew that Olga, believing Karl was in possession of the
letter, would yield to the inevitable; that she would again confess her
love, even to Karl himself, and that only a miracle of resolution and
faith and strength could save the two young people from the abyss of
dishonor and unhappiness into which he was about to plunge them.
He sipped his tea in silence. Several moments elapsed before Olga
was able to control herself. Then she asked, without looking at Millar,
and her voice was dry with pain:
Diddid Karl read the letter?
Oh, yes, Millar said, with another sip of tea.
Oh, God! too late! she cried.
Millar arose and stood behind Olga's chair, leaning over her and
speaking in a soft, low voice.
After he read the letter he buried his face in his pillow and
wept, he said.
Yes; he wept with joy. I do not like men who weep.
Olga did not heed his flippancy. She looked up at him imploringly.
I did not want him to get that letter, she said. I came to ask
him to give it back to me unopened. I am too late.
It is not you who are too late; it was I who was too early, Millar
Oh, is this life really a serious matter? Olga exclaimed; when
everything can depend upon one's getting here a few moments before or a
few minutes after 3 o'clock?
That is it exactly, Millar said. We should not take it so
Olga looked thoughtfully away from him and said to herself softly:
From joy, Millar repeated after her, in the same soft voice.
I am afraid to speak to him, and yet I must, Olga cried, starting
up. I would like to go far, far away, but I cannot. Something seems to
hold me here. I cannot, cannot go. What will become of me?
You will be very happy and will make Karl very happy, Millar said.
Heinrich entered and took the tea-things.
Mr. Karl will be down in a moment, he said.
Olga clasped her hands tragically and turned an imploring face on
Millar, who started for the studio door.
Good-by, he said. I will leave you to speak to Karl alone.
Please don't go, Olga implored.
I can hardly remain under the circumstances, he said.
He knew that to further his design Karl and Olga should meet quite
alone. He would see to it that even old Heinrich did not interrupt them
until Olga had repeated her confession of love, and the hoax of the
letter had been revealed. Then he would reappear, with the letter, and
they might read it together.
Olga knew that her own frail, feminine heart would give way if she
were left alone to meet Karl. Evil as she believed Millar to be, yet
she dreaded his going now.
I am afraid to be alone with him, she said. Won't you please
But if I stay, how could you speak to Karl about the letter?
Millar asked. And you must say something about it, you know. I would
only be in the way.
Olga weakened and began to pace the floor again.
Well, I shall be quite frank with him, she said. I shall be
honest. I shall ask him for the last time
Karl's voice was heard in his own room, calling to Heinrich.
He is coming, Millar said. I will leave you.
Please don't go very far away, Olga implored.
I shall be here, Millar said, going to a small anteroom adjoining
the studio. If you need me, call.
He stepped within the other room and closed the door softly. Olga
stood, her hands gripping the back of her chair, waiting.
Karl entered the reception-room and stood for an instant looking at
Olga. He showed that he, too, had suffered during the night. His face
was white and drawn. When he saw Olga standing there, a mute statue of
despair, he was filled with pity for her and self-abasement. He stepped
quickly to her side, caught her hands and kissed them passionately.
I ought to go down on my knees and beg your pardon for my conduct
last night, Olga, he said.
She turned to him quickly, yielding her hands to him, leaning toward
him, speaking eagerly.
Speak very low; he is in there, she said, pointing to the anteroom
where Millar was hiding. Let us be brief, Karl. I have been very
foolish, but I could not control myself. After what happened I wanted
to know. I wanted to feel that you loved me as I thought you did, as I
hoped you did, day and night, every minute.
Olga! he exclaimed rapturously.
[Illustration: I WANTED TO FEEL THAT YOU LOVED ME AS I HOPED YOU
By Permission of Henry W. Savage.]
He was not prepared for this. He feared that he had offended her,
and her impulsive declaration swept him from his feet. He watched her
face eagerly, hungrily, as she went on, talking very rapidly, and
making no effort to disengage her hands, which he held clasped to his
Everything has changed since yesterday, Karl. But let us try to
repeat what we said then. Let us shake hands honorably. Let us try to
be strong and keep our promises, as we have kept them so long, Karl. If
I have been bold and frivolous it was only because I wanted to know
what you thought of me; nothing else. But I am afraid I have been
punished too much.
Her passion swept her along, as she was swayed alternately by love
for Karl and the saner impulse to flee from him. But the sweetness of
knowing that she was loved, of feeling her hands clasped in his, after
all her years of self-depression, broke down her resolution.
I fear it is too late, Karl. My strength is gone. My will is lost.
We have gone back six years. Karl, I love you.
The last words she whispered with infinite tenderness, and her head
fell on his breast. Hysterically they clasped each other in their arms
and, half laughing, half sobbing, looked into each other's eyes. Karl
leaned over her, murmuring his love and kissing her eyes and hair.
Be careful; he is in there, Olga warned him finally, again
pointing at the door behind which their evil spirit lurked. Then she
Did my letter surprise you?
Letter? Karl asked, astonished. What letter, dear heart?
Karl, I understand you wish to be discreet, Olga said
reproachfully, but it is my first letter and I am not ashamed. Let us
be honest; I am not afraid. I love you. When I wrote that letter I
hardly knew what I was doing, and I must confess I felt ashamed at
first. But I am no longer ashamed now; I am proud. Sometimes women do
not write what they want, Karl, but they always want what they write.
Karl, I would like to read that letter over again in your arms.
That letter meant much to Olga; it was her only love letter. She had
never written to Karl before, except in the conventional boy and girl
fashion, when she did not know how to express love. Her correspondence
with Herman had always been of the most perfunctory sort. Never before
had she poured out her soul as she did in this letter. Now she wanted
to see what she had written; to read it over with the man for whom it
It was with a shock of pain that she beheld Karl's indifference, and
she was amazed when he added:
I received no letter from you, Olga.
What! how can you say so? Was not a letter delivered to you this
I assure you that I did not receive any letter from you, Karl said
The realization of Millar's trick was like a blow in the face to
Olga. She saw now how he had deliberately lied to her, in order that
she would certainly repeat her confession of love to Karl. In what a
bold, forward, disloyal attitude she had been placed! Her first impulse
was of anger, and she ran toward the anteroom.
Doctor! Dr. Millar! she called wildly.
The door opened noiselessly and Millar stood bowing on the
Mymy letter! Olga stammered.
Madam, I beg a thousand pardons, Millar said suavely. My only
excuse is that some letters are better undelivered.
He drew from the inner pocket of his coat a letter, and with a smile
and a sweeping bow handed it to Karl.
However, I can now make reparation, he said.
Karl took the letter, looking wonderingly from Olga to Millar. He
held it an instant in his hand and was about to open it, when Olga
Karl, tear the letter up.
Karl instantly obeyed her, tearing the envelope into small pieces.
Now burn it, Olga said.
He stepped over to the fireplace and threw the bits of paper on the
glowing coals. They started up in a little flame and were quickly
reduced to ashes.
Olga was terrified at the trick Millar had played upon her and at
its results. She looked in fear from him to Karl.
Who is this man? she asked.
Karl could not answer her. The same question was echoing in his
Who was this man, this personification of evil? Ever there were his
insidious wiles to compromise, cajole, trick and betray them. He could
not tell. He only knew that he loathed him and that he would drive him
Are you going now? he demanded, as Millar stood looking at them
with his evil smile.
Millar took the question in the most natural way, disregarding the
purposely offensive tone in which Karl spoke.
Yes, I am; I must, he said, half regretfully. My train leaves in
half an hour. Again permit me to beg a thousand pardons. Could I have
foreseen the anguish that was to follow my failure to deliver madam's
letter, nothing in the world could have
Karl interrupted him rudely, determined that he should not beguile
them again and that he should not speak of Olga or the letter as a
thing of importance.
You should know that the letter contained only a conventional
message, he said.
Millar looked at Olga, and his smile grew broad as she hung her head
and blushed. Who should know better than he the confession which she
had written and which was now destroyed?
It was quite conventional, I am sure, he said cynically.
You will miss your train, Karl said with studied insolence.
Heinrich, help the doctor on with his coat.
A thousand thanks, the imperturbable Millar said. Madam, good-by.
And once more I beg a thousand pardons.
Neither Olga nor Karl spoke to him as he walked to the door, looked
back at them, bowed low again and chuckled as the door closed after
Olga turned quickly to Karl and held out her hands.
He is gone. I am glad. But, Karl, I would have given a year of my
life if he had delivered my letter to you.
Why? Tell me what you wrote, he asked eagerly.
I wrote all the things I told you a few moments ago, Karl. You know
it all now.
She went over to the grate and looked sadly into the ashes.
My first love letter, she said softly. Oh, Karl, it was my
confession of my love for you. I would like to read it over again with
you, and then we might forget. I don't want to be afraid. I want to be
strong, to be happy. If I only had that letter now.
Karl took her hands in his, and comforted her.
Never mind it, Olga; it has served its purpose. It has taught us
ourselves, our hearts.
It has taught us that we must be strong, brave and loyal, Olga
They stood thus, looking into each other's eyes, sanely, clearly,
each ready to renounce. The door of the studio opened and Millar stood
before them again, holding in his extended hand a letter.
I beg a thousand pardons again, he said. I find I gave Karl an
old tailor's bill instead of madam's letter.
Olga eagerly took the letter, opened it and recognized her own
My letter, Karl! she exclaimed.
Both bent close over the letter, reading it eagerly, while Millar
slipped quietly out of the studioout of their lives. Olga looked up
from their reading.
I am glad that I wrote it, Karl, she said. Now we will burn it.
Together they watched it glow brightly into flame and fall into gray
That is our love begun and ended, Karl, Olga said quietly. It was
wrong, and now we realize it, don't we? And now, dear boy, you are
coming with me.
Where? Karl asked.
I am going to take you to Elsa, Olga answered.
With a feeling of elation, Karl called Heinrich, and was helped into
his overcoat. He bent respectfully and kissed Olga's hand as they
walked out of the studio together.
THE MORAL OF THE DEVIL
BY ELLA WHEELER WILCOX
Copyright, 1908, by American Journal-Examiner.
In every human organization dwell the Twinsthe Angel and
The Angel is the real self; the enduring, immortal self, which goes
on from life to life, from planet to planet, until it has made the
circuit and ended where it beganat the Source.
The Demon is man made; it belongs to the changing, perishable bodies
which are created anew with each incarnation; and it goes down, and
out, into nothingness, with the disintegration of the animal body.
But with each new body, the mortal being usually invents, or adopts,
a new Devil.
A few great souls have passed along through earth without such
demoniacal association; Christ, the latest and greatest of the Masters,
held converse with the Devil once, on the mountain top, when He was
tempted; but that was His only acquaintance with him, because He had
finished His circuit, and was ready to become one with God.
A weak man or woman, with good intentions and desirous of leading a
moral life, but lacking will power, and inclined to be timid,
and fearful, and negative in thought, often adopts a Devil formed by
some selfish and licentious person, who fashions Devils by the
wholesale and sends them out to roam over the earth, seeking an open
door in a weak mind.
When such occurrences are analyzed they are usually called
In every liquor saloon, in every gambling den, in every boldly
vicious and immoral place, about every race track and pool room, Devils
swarm. And the weak, the dissipated, the thoughtless and the
irresponsible minds are the open doors for them to mass through, into
dominion of the human citadel.
In many drawing-rooms of fashion, in brilliant restaurants and
hotels, where the élite congregate; in sensuously decorated studios,
Devils also wait day and night, knowing that they will be entertained,
if not welcomed, by some of the self-indulgent frequenters of these
Many are the devices employed by the Devils of earth to bring about
the desired results.
Drinks, drugs, avarice, money mania, jealousy, love of power, desire
to outshine neighbors, lust, sensuality, gross appetites, gourmandism,
love of praise, personal conceit and egotism, selfishness in every
formall these are webs which the Devils spin about humanity.
Even beautiful, romantic sentiment, memory and imagination, become
aids of the Devil, at times, when coarser and more common methods fail
in the snaring of a refined soul.
Many a good wife, who shrinks with horror at the thought of a vulgar
amour, or of any act which could pain or anger her husband, has been
led into the Devil's net by indulging in retrospective dreams of a
vanished romance and through the stirring of old ashes to see if one
little spark remained.
Letter writing is a favorite pastime of almost all Devils. Once they
get a romantic man or woman, with a pen in hand and an unoccupied
chamber in the heart, and the breed of Devils who hang about the
domestic hearth, hoping to find rooms to let, chuckle in glee.
Wives who have believed themselves happy and satisfied, husbands who
have been unconscious of any lack in their lives, have fallen by the
wayside through an interesting correspondence with some sympathetic
affinity, who was Devil-instructed to lead them into trouble.
After a man or woman falls into the Devil's snare they both call it
Fate, and proclaim their inability to combat the powerful influence of
But destiny is man himself.
The Angel dwells always within him, ready to say, Get thee behind
me, Satan, if the man really wants it said.
The Angel and the Devil both are completely under man's control; the
work of man, here in this sphere and in every other, is to develop the
character which will enable him to get back to the Source.
Unless the man directs the Angel to take the ascendancy, there would
be no growth in wisdom for him were the Angel to interpose. So he
remains silent and lets the Devil do his work, in order that man may
find out for himself the pain and folly of such dominion; and in order
that when he again encounters the Devil, either in this plane of
existence or some other, he may be able to say as Christ said, Get
thee behind me.
Always have there been Devils; always will there be Devils, while
humanity is evolving from the lower to the higher states.
But always is there the Angel, ready to lead the soul to conquest
and victory if the soul will call.
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