Yakov Pasinkov by Ivan Turgenev
It happened in Petersburg, in the winter, on the first day of the
carnival. I had been invited to dinner by one of my schoolfellows, who
enjoyed in his youth the reputation of being as modest as a maiden, and
turned out in the sequel a person by no means over rigid in his
conduct. He is dead now, like most of my schoolfellows. There were to
be present at the dinner, besides me, Konstantin Alexandrovitch Asanov,
and a literary celebrity of those days. The literary celebrity kept us
waiting for him, and finally sent a note that he was not coming, and in
place of him there turned up a little light-haired gentleman, one of
the everlasting uninvited guests with whom Petersburg abounds.
The dinner lasted a long while; our host did not spare the wine, and
by degrees our heads were affected. Everything that each of us kept
hidden in his heart—and who is there that has not something hidden in
his heart?—came to the surface. Our host's face suddenly lost its
modest and reserved expression; his eyes shone with a brazen-faced
impudence, and a vulgar grin curved his lips; the light-haired
gentleman laughed in a feeble way, with a senseless crow; but Asanov
surprised me more than any one. The man had always been conspicuous for
his sense of propriety, but now he began by suddenly rubbing his hand
over his forehead, giving himself airs, boasting of his connections,
and continually alluding to a certain uncle of his, a very important
personage.... I positively should not have known him; he was
unmistakably jeering at us ... he all but avowed his contempt for our
society. Asanov's insolence began to exasperate me.
'Listen,' I said to him; 'if we are such poor creatures to your
thinking, you'd better go and see your illustrious uncle. But possibly
he's not at home to you.'
Asanov made me no reply, and went on passing his hand across his
'What a set of people!' he said again; 'they've never been in any
decent society, never been acquainted with a single decent woman, while
I have here,' he cried, hurriedly pulling a pocket-book out of his
side-pocket and tapping it with his hand, 'a whole pack of letters from
a girl whom you wouldn't find the equal of in the whole world.'
Our host and the light-haired gentleman paid no attention to
Asanov's last words; they were holding each other by their buttons, and
both relating something; but I pricked up my ears.
'Oh, you 're bragging, Mr. nephew of an illustrious personage,' I
said, going up to Asanov; 'you haven't any letters at all.'
'Do you think so?' he retorted, and he looked down loftily at me;
'what's this, then?' He opened the pocket-book, and showed me about a
dozen letters addressed to him.... A familiar handwriting, I
fancied.... I feel the flush of shame mounting to my cheeks ... my
self-love is suffering horribly.... No one likes to own to a mean
action.... But there is nothing for it: when I began my story, I knew I
should have to blush to my ears in the course of it. And so, I am bound
to harden my heart and confess that....
Well, this was what passed: I took advantage of the intoxicated
condition of Asanov, who had carelessly dropped the letters on the
champagne-stained tablecloth (my own head was dizzy enough too), and
hurriedly ran my eyes over one of the letters....
My heart stood still.... Alas! I was myself in love with the girl
who had written to Asanov, and I could have no doubt now that she loved
him. The whole letter, which was in French, expressed tenderness and
'Mon cher ami Constantin!' so it began ... and it ended with the
words: 'be careful as before, and I will be yours or no one's.'
Stunned as by a thunderbolt, I sat for a few instants motionless; at
last I regained my self-possession, jumped up, and rushed out of the
A quarter of an hour later I was back at home in my own lodgings.
* * * * *
The family of the Zlotnitskys was one of the first whose
acquaintance I made on coming to Petersburg from Moscow. It consisted
of a father and mother, two daughters, and a son. The father, a man
already grey, but still vigorous, who had been in the army, held a
fairly important position, spent the morning in a government office,
went to sleep after dinner, and in the evening played cards at his
club.... He was seldom at home, spoke little and unwillingly, looked at
one from under his eyebrows with an expression half surly, half
indifferent, and read nothing except books of travels and geography.
Sometimes he was unwell, and then he would shut himself up in his own
room, and paint little pictures, or tease the old grey parrot, Popka.
His wife, a sickly, consumptive woman, with hollow black eyes and a
sharp nose, did not leave her sofa for days together, and was always
embroidering cushion-covers in canvas. As far as I could observe, she
was rather afraid of her husband, as though she had somehow wronged him
at some time or other. The elder daughter, Varvara, a plump, rosy,
fair-haired girl of eighteen, was always sitting at the window,
watching the people that passed by. The son, who was being educated in
a government school, was only seen at home on Sundays, and he, too, did
not care to waste his words. Even the younger daughter, Sophia, the
girl with whom I was in love, was of a silent disposition. In the
Zlotnitskys' house there reigned a perpetual stillness; it was only
broken by the piercing screams of Popka, but visitors soon got used to
these, and were conscious again of the burden and oppression of the
eternal stillness. Visitors, however, seldom looked in upon the
Zlotnitskys; their house was a dull one. The very furniture, the red
paper with yellow patterns in the drawing-room, the numerous
rush-bottomed chairs in the dining-room, the faded wool-work cushions,
embroidered with figures of girls and dogs, on the sofa, the branching
lamps, and the gloomy-looking portraits on the walls—everything
inspired an involuntary melancholy, about everything there clung a
sense of chill and flatness. On my arrival in Petersburg, I had thought
it my duty to call on the Zlotnitskys. They were relations of my
mother's. I managed with difficulty to sit out an hour with them, and
it was a long while before I went there again. But by degrees I took to
going oftener and oftener. I was drawn there by Sophia, whom I had not
cared for at first, and with whom I finally fell in love.
She was a slender, almost thin, girl of medium height, with a pale
face, thick black hair, and big brown eyes, always half closed. Her
severe and well-defined features, especially her tightly shut lips,
showed determination and strength of will. At home they knew her to be
a girl with a will of her own....
'She's like her eldest sister, like Katerina,' Madame Zlotnitsky
said one day, as she sat alone with me (in her husband's presence she
did not dare to mention the said Katerina). 'You don't know her; she's
in the Caucasus, married. At thirteen, only fancy, she fell in love
with her husband, and announced to us at the time that she would never
marry any one else. We did everything we could—nothing was of any use.
She waited till she was three-and-twenty, and braved her father's
anger, and so married her idol. There is no saying what Sonitchka might
not do! The Lord preserve her from such stubbornness! But I am afraid
for her; she's only sixteen now, and there's no turning her....'
Mr. Zlotnitsky came in, and his wife was instantly silent.
What had captivated me in Sophia was not her strength of will—no;
but with all her dryness, her lack of vivacity and imagination, she had
a special charm of her own, the charm of straightforwardness, genuine
sincerity, and purity of heart. I respected her as much as I loved
her.... It seemed to me that she too looked with friendly eyes on me;
to have my illusions as to her feeling for me shattered, and her love
for another man proved conclusively, was a blow to me.
The unlooked-for discovery I had made astonished me the more as
Asanov was not often at the Zlotnitskys' house, much less so than I,
and had shown no marked preference for Sonitchka. He was a handsome,
dark fellow, with expressive but rather heavy features, with brilliant,
prominent eyes, with a large white forehead, and full red lips under
fine moustaches. He was very discreet, but severe in his behaviour,
confident in his criticisms and utterances, and dignified in his
silence. It was obvious that he thought a great deal of himself. Asanov
rarely laughed, and then with closed teeth, and he never danced. He was
rather loosely and clumsily built. He had at one time served in the
—th regiment, and was spoken of as a capable officer.
'A strange thing!' I ruminated, lying on the sofa; 'how was it I
noticed nothing?' ... 'Be careful as before': those words in Sophia's
letter suddenly recurred to my memory. 'Ah!' I thought: 'that's it!
What a sly little hussy! And I thought her open and sincere.... Wait a
bit, that's all; I'll let you know....'
But at this point, if I can trust my memory, I began weeping
bitterly, and could not get to sleep all night.
* * * * *
Next day at two o'clock I set off to the Zlotnitskys'. The father
was not at home, and his wife was not sitting in her usual place; after
the pancake festival of the preceding day, she had a headache, and had
gone to lie down in her bedroom. Varvara was standing with her shoulder
against the window, looking into the street; Sophia was walking up and
down the room with her arms folded across her bosom; Popka was
'Ah! how do you do?' said Varvara lazily, directly I came into the
room, and she added at once in an undertone, 'There goes a peasant with
a tray on his head.' ... (She had the habit of keeping up a running
commentary on the passers-by to herself.)
'How do you do?' I responded; 'how do you do, Sophia Nikolaevna?
Where is Tatiana Vassilievna?'
'She has gone to lie down,' answered Sophia, still pacing the room.
'We had pancakes,' observed Varvara, without turning round. 'Why
didn't you come? ... Where can that clerk be going?' 'Oh, I hadn't
time.' ('Present arms!' the parrot screeched shrilly.) 'How Popka is
'He always does shriek like that,' observed Sophia.
We were all silent for a time.
'He has gone in at the gate,' said Varvara, and she suddenly got up
on the window-sill and opened the window.
'What are you about?' asked Sophia.
'There's a beggar,' responded Varvara. She bent down, picked up a
five-copeck piece from the window; the remains of a fumigating pastille
still stood in a grey heap of ashes on the copper coin, as she flung it
into the street; then she slammed the window to and jumped heavily down
to the floor....
'I had a very pleasant time yesterday,' I began, seating myself in
an arm-chair. 'I dined with a friend of mine; Konstantin Alexandritch
was there.... (I looked at Sophia; not an eyebrow quivered on her
face.) 'And I must own,' I continued, 'we'd a good deal of wine; we
emptied eight bottles between the four of us.'
'Really!' Sophia articulated serenely, and she shook her head.
'Yes,' I went on, slightly irritated at her composure: 'and do you
know what, Sophia Nikolaevna, it's a true saying, it seems, that in
wine is truth.'
'Konstantin Alexandritch made us laugh. Only fancy, he began all at
once passing his hand over his forehead like this, and saying: “I'm a
fine fellow! I've an uncle a celebrated man!”....'
'Ha, ha!' came Varvara's short, abrupt laugh.
....'Popka! Popka! Popka!' the parrot dinned back at her.
Sophia stood still in front of me, and looked me straight in the
'And you, what did you say?' she asked; 'don't you remember?'
I could not help blushing.
'I don't remember! I expect I was pretty absurd too. It certainly is
dangerous to drink,' I added with significant emphasis; 'one begins
chattering at once, and one's apt to say what no one ought to know.
One's sure to be sorry for it afterwards, but then it's too late.'
'Why, did you let out some secret?' asked Sophia.
'I am not referring to myself.'
Sophia turned away, and began walking up and down the room again. I
stared at her, raging inwardly. 'Upon my word,' I thought, 'she is a
child, a baby, and how she has herself in hand! She's made of stone,
simply. But wait a bit....'
'Sophia Nikolaevna ...' I said aloud.
'What is it?'
'Won't you play me something on the piano? By the way, I've
something I want to say to you,' I added, dropping my voice.
Sophia, without saying a word, walked into the other room; I
followed her. She came to a standstill at the piano.
'What am I to play you?' she inquired.
'What you like ... one of Chopin's nocturnes.'
Sophia began the nocturne. She played rather badly, but with
feeling. Her sister played nothing but polkas and waltzes, and even
that very seldom. She would go sometimes with her indolent step to the
piano, sit down, let her coat slip from her shoulders down to her
elbows (I never saw her without a coat), begin playing a polka very
loud, and without finishing it, begin another, then she would suddenly
heave a sigh, get up, and go back again to the window. A queer creature
was that Varvara!
I sat down near Sophia.
'Sophia Nikolaevna,' I began, watching her intently from one side.
'I ought to tell you a piece of news, news disagreeable to me.'
'News? what is it?'
'I'll tell you.... Up till now I have been mistaken in you,
'How was that?' she rejoined, going on playing, and keeping her eyes
fixed on her fingers.
'I imagined you to be open; I imagined that you were incapable of
hypocrisy, of hiding your feelings, deceiving....'
Sophia bent her face closer over the music.
'I don't understand you.'
'And what's more,' I went on; 'I could never have conceived that
you, at your age, were already quite capable of acting a part in such
Sophia's hands faintly trembled above the keys. 'Why are you saying
this?' she said, still not looking at me; 'I play a part?'
'Yes, you do.' (She smiled ... I was seized with spiteful fury.) ...
'You pretend to be indifferent to a man and ... and you write letters
to him,' I added in a whisper.
Sophia's cheeks grew white, but she did not turn to me: she played
the nocturne through to the end, got up, and closed the piano.
'Where are you going?' I asked her in some perplexity. 'You have no
answer to make me?'
'What answer can I make you? I don't know what you 're talking
about.... And I am not good at pretending....'
She began putting by the music.
The blood rushed to my head. 'No; you know what I am talking about,'
I said, and I too got up from my seat; 'or if you like, I will remind
you directly of some of your expressions in one letter: “be as careful
Sophia gave a faint start.
'I never should have expected this of you,' she said at last.
'I never should have expected,' I retorted, 'that you, Sophia
Nikolaevna, would have deigned to notice a man who ...'
Sophia turned with a rapid movement to me; I instinctively stepped
back a little from her; her eyes, always half closed, were so wide open
that they looked immense, and they glittered wrathfully under her
'Oh! if that's it,' she said, 'let me tell you that I love that man,
and that it's absolutely no consequence to me what you think about him
or about my love for him. And what business is it of yours? ... What
right have you to speak of this? If I have made up my mind ...'
She stopped speaking, and went hurriedly out of the room. I stood
still. I felt all of a sudden so uncomfortable and so ashamed that I
hid my face in my hands. I realised all the impropriety, all the
baseness of my behaviour, and, choked with shame and remorse, I stood
as it were in disgrace. 'Mercy,' I thought, 'what I've done!'
'Anton Nikititch,' I heard the maid-servant saying in the
outer-room, 'get a glass of water, quick, for Sophia Nikolaevna.'
'What's wrong?' answered the man.
'I fancy she's crying....'
I started up and went into the drawing-room for my hat.
'What were you talking about to Sonitchka?' Varvara inquired
indifferently, and after a brief pause she added in an undertone,
'Here's that clerk again.'
I began saying good-bye.
'Why are you going? Stay a little; mamma is coming down directly.'
'No; I can't now,' I said: 'I had better call and see her another
At that instant, to my horror, to my positive horror, Sophia walked
with resolute steps into the drawing-room. Her face was paler than
usual, and her eyelids were a little red. She never even glanced at me.
'Look, Sonia,' observed Varvara; 'there's a clerk keeps continually
passing our house.'
'A spy, perhaps...' Sophia remarked coldly and contemptuously.
This was too much. I went away, and I really don't know how I got
I felt very miserable, wretched and miserable beyond description. In
twenty-four hours two such cruel blows! I had learned that Sophia loved
another man, and I had for ever forfeited her respect. I felt myself so
utterly annihilated and disgraced that I could not even feel indignant
with myself. Lying on the sofa with my face turned to the wall, I was
revelling in the first rush of despairing misery, when I suddenly heard
footsteps in the room. I lifted my head and saw one of my most intimate
friends, Yakov Pasinkov.
I was ready to fly into a rage with any one who had come into my
room that day, but with Pasinkov I could never be angry. Quite the
contrary; in spite of the sorrow devouring me, I was inwardly rejoiced
at his coming, and I nodded to him. He walked twice up and down the
room, as his habit was, clearing his throat, and stretching out his
long limbs; then he stood a minute facing me in silence, and in silence
he seated himself in a corner.
I had known Pasinkov a very long while, almost from childhood. He
had been brought up at the same private school, kept by a German,
Winterkeller, at which I had spent three years. Yakov's father, a poor
major on the retired list, a very honest man, but a little deranged
mentally, had brought him, when a boy of seven, to this German; had
paid for him for a year in advance, and had then left Moscow and been
lost sight of completely.... From time to time there were dark, strange
rumours about him. Eight years later it was known as a positive fact
that he had been drowned in a flood when crossing the Irtish. What had
taken him to Siberia, God knows. Yakov had no other relations; his
mother had long been dead. He was simply left stranded on
Winterkeller's hands. Yakov had, it is true, a distant relation, a
great-aunt; but she was so poor, that she was afraid at first to go to
her nephew, for fear she should have the care of him thrust upon her.
Her fears turned out to be groundless; the kind-hearted German kept
Yakov with him, let him study with his other pupils, fed him (dessert,
however, was not offered him except on Sundays), and rigged him out in
clothes cut out of the cast-off morning-gowns—usually
snuff-coloured—of his mother, an old Livonian lady, still alert and
active in spite of her great age. Owing to all these circumstances, and
owing generally to Yakov's inferior position in the school, his
schoolfellows treated him in rather a casual fashion, looked down upon
him, and used to call him 'mammy's dressing-gown,' the 'nephew of the
mob-cap' (his aunt invariably wore a very peculiar mob-cap with a bunch
of yellow ribbons sticking straight upright, like a globe artichoke,
upon it), and sometimes the 'son of Yermak' (because his father had,
like that hero, been drowned in the Irtish). But in spite of those
nicknames, in spite of his ridiculous garb, and his absolute
destitution, every one was fond of him, and indeed it was impossible
not to be fond of him; a sweeter, nobler nature, I imagine, has never
existed upon earth. He was very good at lessons too.
When I saw him first, he was sixteen years old, and I was only just
thirteen. I was an exceedingly selfish and spoilt boy; I had grown up
in a rather wealthy house, and so, on entering the school, I lost no
time in making friends with a little prince, an object of special
solicitude to Winterkeller, and with two or three other juvenile
aristocrats; while I gave myself great airs with all the rest. Pasinkov
I did not deign to notice at all. I regarded the long, gawky lad, in a
shapeless coat and short trousers, which showed his coarse thread
stockings, as some sort of page-boy, one of the house-serfs—at best, a
person of the working class. Pasinkov was extremely courteous and
gentle to everybody, though he never sought the society of any one. If
he were rudely treated, he was neither humiliated nor sullen; he simply
withdrew and held himself aloof, with a sort of regretful look, as it
were biding his time. This was just how he behaved with me. About two
months passed. One bright summer day I happened to go out of the
playground after a noisy game of leap-frog, and walking into the garden
I saw Pasinkov sitting on a bench under a high lilac-bush. He was
reading. I glanced at the cover of the book as I passed, and read
Schiller's Werke on the back. I stopped short.
'Do you mean to say you know German?' I questioned Pasinkov....
I feel ashamed to this day as I recall all the arrogance there was
in the very sound of my voice.... Pasinkov softly raised his small but
expressive eyes and looked at me.
'Yes,' he answered; 'do you?'
'I should hope so!' I retorted, feeling insulted at the question,
and I was about to go on my way, but something held me back.
'What is it you are reading of Schiller?' I asked, with the same
'At this moment I am reading “Resignation,” a beautiful poem. Would
you like me to read it to you? Come and sit here by me on the bench.'
I hesitated a little, but I sat down. Pasinkov began reading. He
German far better than I did. He had to explain the meaning of
several lines for me. But already I felt no shame at my ignorance and
his superiority to me. From that day, from the very hour of our reading
together in the garden, in the shade of the lilac-bush, I loved
Pasinkov with my whole soul, I attached myself to him and fell
completely under his sway.
I have a vivid recollection of his appearance in those days. He
changed very little, however, later on. He was tall, thin, and rather
awkwardly built, with a long back, narrow shoulders, and a hollow
chest, which made him look rather frail and delicate, although as a
fact he had nothing to complain of on the score of health. His large,
dome-shaped head was carried a little on one side; his soft, flaxen
hair straggled in lank locks about his slender neck. His face was not
handsome, and might even have struck one as absurd, owing to the long,
full, and reddish nose, which seemed almost to overhang his wide,
straight mouth. But his open brow was splendid; and when he smiled, his
little grey eyes gleamed with such mild and affectionate goodness, that
every one felt warmed and cheered at heart at the very sight of him. I
remember his voice too, soft and even, with a peculiar sort of sweet
huskiness in it. He spoke, as a rule, little, and with noticeable
difficulty. But when he warmed up, his words flowed freely,
and—strange to say!—his voice grew still softer, his glance seemed
turned inward and lost its fire, while his whole face faintly glowed.
On his lips the words 'goodness,' 'truth,' 'life,' 'science,' 'love,'
however enthusiastically they were uttered, never rang with a false
note. Without strain, without effort, he stepped into the realm of the
ideal; his pure soul was at any moment ready to stand before the 'holy
shrine of beauty'; it awaited only the welcoming call, the contact of
another soul.... Pasinkov was an idealist, one of the last idealists
whom it has been my lot to come across. Idealists, as we all know, are
all but extinct in these days; there are none of them, at any rate,
among the young people of to day. So much the worse for the young
people of to-day!
About three years I spent with Pasinkov, 'soul in soul,' as the
I was the confidant of his first love. With what grateful sympathy
and intentness I listened to his avowal! The object of his passion was
a niece of Winterkeller's, a fair-haired, pretty little German, with a
chubby, almost childish little face, and confidingly soft blue eyes.
She was very kind and sentimental: she loved Mattison, Uhland, and
Schiller, and repeated their verses very sweetly in her timid, musical
voice. Pasinkov's love was of the most platonic. He only saw his
beloved on Sundays, when she used to come and play at forfeits with the
Winterkeller children, and he had very little conversation with her.
But once, when she said to him, 'mein lieber, lieber Herr Jacob!' he
did not sleep all night from excess of bliss. It never even struck him
at the time that she called all his schoolfellows 'mein lieber.' I
remember, too, his grief and dejection when the news suddenly reached
us that Fraeulein Frederike—that was her name—was going to be married
to Herr Kniftus, the owner of a prosperous butcher's shop, a very
handsome man, and well educated too; and that she was marrying him, not
simply in submission to parental authority, but positively from love.
It was a bitter blow for Pasinkov, and his sufferings were particularly
severe on the day of the young people's first visit. The former
Fraeulein, now Frau, Frederike presented him, once more addressing him
as 'lieber Herr Jacob,' to her husband, who was all splendour from top
to toe; his eyes, his black hair brushed up into a tuft, his forehead
and his teeth, and his coat buttons, and the chain on his waistcoat,
everything, down to the boots on his rather large, turned-out feet,
shone brilliantly. Pasinkov pressed Herr Kniftus's hand, and wished him
(and the wish was sincere, that I am certain) complete and enduring
happiness. This took place in my presence. I remember with what
admiration and sympathy I gazed at Yakov. I thought him a hero!.... And
afterwards, what mournful conversations passed between us. 'Seek
consolation in art,' I said to him. 'Yes,' he answered me; 'and in
poetry.' 'And in friendship,' I added. 'And in friendship,' he
repeated. Oh, happy days!...
It was a grief to me to part from Pasinkov. Just before I left
school, he had, after prolonged efforts and difficulties, after a
correspondence often amusing, succeeded in obtaining his certificates
of birth and baptism and his passport, and had entered the university.
He still went on living at Winterkeller's expense; but instead of
home-made jackets and breeches, he was provided now with ordinary
attire, in return for lessons on various subjects, which he gave the
younger pupils. Pasinkov was unchanged in his behaviour to me up to the
end of my time at the school, though the difference in our ages began
to be more noticeable, and I, I remember, grew jealous of some of his
new student friends. His influence on me was most beneficial. It was a
pity it did not last longer. To give a single instance: as a child I
was in the habit of telling lies.... In Yakov's presence I could not
bring my tongue to utter an untruth. What I particularly loved was
walking alone with him, or pacing by his side up and down the room,
listening while he, not looking at me, read poetry in his soft, intense
voice. It positively seemed to me that we were slowly, gradually,
getting away from the earth, and soaring away to some radiant, glorious
land of mystery.... I remember one night. We were sitting together
under the same lilac-bush; we were fond of that spot. All our
companions were asleep; but we had softly got up, dressed, fumbling in
the dark, and stealthily stepped out 'to dream.' It was fairly warm out
of doors, but a fresh breeze blew now and then and made us huddle
closer together. We talked, we talked a lot, and with much warmth—so
much so, that we positively interrupted each other, though we did not
argue. In the sky gleamed stars innumerable. Yakov raised his eyes, and
pressing my hand he softly cried out:
'Above our heads
The sky with the eternal stars....
Above the stars their Maker....'
A thrill of awe ran through me; I felt cold all over, and sank on
his shoulder.... My heart was full.... Where are those raptures? Alas!
where youth is.
In Petersburg I met Yakov again eight years after. I had only just
been appointed to a position in the service, and some one had got him a
little post in some department. Our meeting was most joyful. I shall
never forget the moment when, sitting alone one day at home, I suddenly
heard his voice in the passage....
How I started; with what throbbing at the heart I leaped up and
flung myself on his neck, without giving him time to take off his fur
overcoat and unfasten his scarf! How greedily I gazed at him through
bright, involuntary tears of tenderness! He had grown a little older
during those seven years; lines, delicate as if they had been traced by
a needle, furrowed his brow here and there, his cheeks were a little
more hollow, and his hair was thinner; but he had hardly more beard,
and his smile was just the same as ever; and his laugh, a soft, inward,
as it were breathless laugh, was the same too....
Mercy on us! what didn't we talk about that day! ... The favourite
poems we read to one another! I began begging him to move and come and
live with me, but he would not consent. He promised, however, to come
every day to see me, and he kept his word.
In soul, too, Pasinkov was unchanged. He showed himself just the
same idealist as I had always known him. However rudely life's chill,
the bitter chill of experience, had closed in about him, the tender
flower that had bloomed so early in my friend's heart had kept all its
pure beauty untouched. There was no trace of sadness even, no trace
even of melancholy in him; he was quiet, as he had always been, but
everlastingly glad at heart.
In Petersburg he lived as in a wilderness, not thinking of the
future, and knowing scarcely any one. I took him to the Zlotnitskys'.
He used to go and see them rather often. Not being self-conscious, he
was not shy, but in their house, as everywhere, he said very little;
they liked him, however. Even the tedious old man, Tatiana
Vassilievna's husband, was friendly to him, and both the silent girls
were soon quite at home with him.
Sometimes he would arrive, bringing with him in the back pocket of
his coat some book that had just come out, and for a long time would
not make up his mind to read, but would keep stretching his neck out on
one side, like a bird, looking about him as though inquiring, 'could
he?' At last he would establish himself in a corner (he always liked
sitting in corners), would pull out a book and set to reading, at first
in a whisper, then louder and louder, occasionally interrupting himself
with brief criticisms or exclamations. I noticed that Varvara was
readier to sit by him and listen than her sister, though she certainly
did not understand much; literature was not in her line. She would sit
opposite Pasinkov, her chin in her hands, staring at him—not into his
eyes, but into his whole face—and would not utter a syllable, but only
heave a noisy, sudden sigh. Sometimes in the evenings we used to play
forfeits, especially on Sundays and holidays. We were joined on these
occasions by two plump, short young ladies, sisters, and distant
relations of the Zlotnitskys, terribly given to giggling, and a few
lads from the military school, very good-natured, quiet fellows.
Pasinkov always used to sit beside Tatiana Vassilievna, and with her,
judge what was to be done to the one who had to pay a forfeit.
Sophia did not like the kisses and such demonstrations, with which
forfeits are often paid, while Varvara used to be cross if she had to
look for anything or guess something. The young ladies giggled
incessantly—laughter seemed to bubble up by some magic in them,—I
sometimes felt positively irritated as I looked at them, but Pasinkov
only smiled and shook his head. Old Zlotnitsky took no part in our
games, and even looked at us rather disapprovingly from the door of his
study. Only once, utterly unexpectedly, he came in to us, and proposed
that whoever had next to pay a forfeit should waltz with him; we, of
course, agreed. It happened to be Tatiana Vassilievna who had to pay
the forfeit. She crimsoned all over, and was confused and abashed like
a girl of fifteen; but her husband at once told Sophia to go to the
piano, while he went up to his wife, and waltzed two rounds with her of
the old-fashioned trois temps waltz. I remember how his bilious,
gloomy face, with its never-smiling eyes, kept appearing and
disappearing as he slowly turned round, his stern expression never
relaxing. He waltzed with a long step and a hop, while his wife
pattered rapidly with her feet, and huddled up with her face close to
his chest, as though she were in terror. He led her to her place, bowed
to her, went back to his room and shut the door. Sophia was just
getting up, but Varvara asked her to go on, went up to Pasinkov, and
holding out her hand, with an awkward smile, said, 'Will you like a
turn?' Pasinkov was surprised, but he jumped up—he was always
distinguished by the most delicate courtesy—and took Varvara by the
waist, but he slipped down at the first step, and leaving hold of his
partner at once, rolled right under the pedestal on which the parrot's
cage was standing.... The cage fell, the parrot was frightened and
shrieked, 'Present arms!' Every one laughed.... Zlotnitsky appeared at
his study door, looked grimly at us, and slammed the door to. From that
time forth, one had only to allude to this incident before Varvara, and
she would go off into peals of laughter at once, and look at Pasinkov,
as though anything cleverer than his behaviour on that occasion it was
impossible to conceive.
Pasinkov was very fond of music. He used often to beg Sophia to play
him something, and to sit on one side listening, and now and then
humming in a thin voice the most pathetic passages. He was particularly
fond of Schubert's Constellation. He used to declare that when he heard
the air played he could always fancy that with the sounds long rays of
azure light came pouring down from on high, straight upon him. To this
day, whenever I look upon a cloudless sky at night, with the softly
quivering stars, I always recall Schubert's melody and Pasinkov.... An
excursion into the country comes back to my mind. We set out, a whole
party of us, in two hired four-wheel carriages, to Pargolovo. I
remember we took the carriages from the Vladimirsky; they were very
old, and painted blue, with round springs, and a wide box-seat, and
bundles of hay inside; the brown, broken-winded horses that drew us
along at a slow trot were each lame in a different leg. We strolled a
long while about the pinewoods round Pargolovo, drank milk out of
earthenware pitchers, and ate wild strawberries and sugar. The weather
was exquisite. Varvara did not care for long walks: she used soon to
get tired; but this time she did not lag behind us. She took off her
hat, her hair came down, her heavy features lighted up, and her cheeks
were flushed. Meeting two peasant girls in the wood, she sat down
suddenly on the ground, called them to her, did not patronise them, but
made them sit down beside her. Sophia looked at them from some distance
with a cold smile, and did not go up to them. She was walking with
Asanov. Zlotnitsky observed that Varvara was a regular hen for sitting.
Varvara got up and walked away. In the course of the walk she several
times went up to Pasinkov, and said to him, 'Yakov Ivanitch, I want to
tell you something,' but what she wanted to tell him—remained unknown.
But it's high time for me to get back to my story.
* * * * *
I was glad to see Pasinkov; but when I recalled what I had done the
day before, I felt unutterably ashamed, and I hurriedly turned away to
the wall again. After a brief pause, Yakov asked me if I were unwell.
'I'm quite well,' I answered through my teeth; 'only my head aches.'
Yakov made no reply, and took up a book. More than an hour passed
by; I was just coming to the point of confessing everything to Yakov
... suddenly there was a ring at the outer bell of my flat.
The door on to the stairs was opened.... I listened.... Asanov was
asking my servant if I were at home.
Pasinkov got up; he did not care for Asanov, and telling me in a
whisper that he would go and lie down on my bed, he went into my
A minute later Asanov entered.
From the very sight of his flushed face, from his brief, cool bow, I
guessed that he had not come to me without some set purpose in his
mind. 'What is going to happen?' I wondered.
'Sir,' he began, quickly seating himself in an armchair, 'I have
come to you for you to settle a matter of doubt for me.'
'And that is?'
'That is: I wish to know whether you are an honest man.'
I flew into a rage. 'What's the meaning of that?' I demanded.
'I'll tell you what's the meaning of it,' he retorted, underlining
as it were each word. 'Yesterday I showed you a pocket-book containing
letters from a certain person to me.... To-day you repeated to that
person, with reproach—with reproach, observe—some expressions from
those letters, without having the slightest right to do so. I should
like to know what explanation you can give of this?'
'And I should like to know what right you have to cross-examine me,'
I answered, trembling with fury and inward shame.
'You chose to boast of your uncle, of your correspondence; I'd
nothing to do with it. You've got all your letters all right, haven't
'The letters are all right; but I was yesterday in a condition in
which you could easily——'
'In short, sir,' I began, speaking intentionally as loud as I could,
'I beg you to leave me alone, do you hear? I don't want to know
anything about it, and I'm not going to give you any explanation. You
can go to that person for explanations!' I felt that my head was
beginning to go round.
Asanov turned upon me a look to which he obviously tried to impart
an air of scornful penetration, pulled his moustaches, and got up
'I know now what to think,' he observed; 'your face is the best
evidence against you. But I must tell you that that's not the way
honourable people behave.... To read a letter on the sly, and then to
go and worry an honourable girl....'
'Will you go to the devil!' I shouted, stamping, 'and send me a
second; I don't mean to talk to you.'
'Kindly refrain from telling me what to do,' Asanov retorted
frigidly; 'but I certainly will send a second to you.'
He went away. I fell on the sofa and hid my face in my hands. Some
one touched me on the shoulder; I moved my hands—before me was
'What's this? is it true?' ... he asked me. 'You read another man's
I had not the strength to answer, but I nodded in assent.
Pasinkov went to the window, and standing with his back to me, said
slowly: 'You read a letter from a girl to Asanov. Who was the girl?'
'Sophia Zlotnitsky,' I answered, as a prisoner on his trial answers
For a long while Pasinkov did not utter a word.
'Nothing but passion could to some extent excuse you,' he began at
last. 'Are you in love then with the younger Zlotnitsky?'
Pasinkov was silent again for a little.
'I thought so. And you went to her to-day and began reproaching
'Yes, yes, yes!...' I articulated desperately. 'Now you can despise
Pasinkov walked a couple of times up and down the room.
'And she loves him?' he queried.
'She loves him....'
Pasinkov looked down, and gazed a long while at the floor without
'Well, it must be set right,' he began, raising his head,' things
can't be left like this.'
And he took up his hat.
'Where are you going?'
I jumped up from the sofa.
'But I won't let you. Good heavens! how can you! what will he
Pasinkov looked at me.
'Why, do you think it better to keep this folly up, to bring ruin on
yourself, and disgrace on the girl?'
'But what are you going to say to Asanov?'
'I'll try and explain things to him, I'll tell him you beg his
'But I don't want to apologise to him!'
'You don't? Why, aren't you in fault?'
I looked at Pasinkov; the calm and severe, though mournful,
expression of his face impressed me; it was new to me. I made no reply,
and sat down on the sofa.
Pasinkov went out.
In what agonies of suspense I waited for his return! With what cruel
slowness the time lingered by! At last he came back—late.
'Well?' I queried in a timid voice.
'Thank goodness!' he answered; 'it's all settled.'
'You have been at Asanov's?'
'Well, and he?—made a great to-do, I suppose?' I articulated with
'No, I can't say that. I expected more ... He ... he's not such a
vulgar fellow as I thought.'
'Well, and have you seen any one else besides?' I asked, after a
'I've been at the Zlotnitskys'.'
'Ah!...' (My heart began to throb. I did not dare look Pasinkov in
the face.) 'Well, and she?'
'Sophia Nikolaevna is a reasonable, kind-hearted girl.... Yes, she
is a kind-hearted girl. She felt awkward at first, but she was soon at
ease. But our whole conversation only lasted five minutes.'
'And you ... told her everything ... about me ... everything?'
'I told her what was necessary.'
'I shall never be able to go and see them again now!' I pronounced
'Why? No, you can go occasionally. On the contrary, you are
absolutely bound to go and see them, so that nothing should be
'Ah, Yakov, you will despise me now!' I cried, hardly keeping back
'Me! Despise you? ...' (His affectionate eyes glowed with love.)
'Despise you ... silly fellow! Don't I see how hard it's been for you,
how you're suffering?'
He held out his hand to me; I fell on his neck and broke into sobs.
After a few days, during which I noticed that Pasinkov was in very
low spirits, I made up my mind at last to go to the Zlotnitskys'. What
I felt, as I stepped into their drawing-room, it would be difficult to
convey in words; I remember that I could hardly distinguish the persons
in the room, and my voice failed me. Sophia was no less ill at ease;
she obviously forced herself to address me, but her eyes avoided mine
as mine did hers, and every movement she made, her whole being,
expressed constraint, mingled ... why conceal the truth? with secret
aversion. I tried, as far as possible, to spare her and myself from
such painful sensations. This meeting was happily our last—before her
marriage. A sudden change in my fortunes carried me off to the other
end of Russia, and I bade a long farewell to Petersburg, to the
Zlotnitsky family, and, what was most grievous of all for me, to dear
Seven years had passed by. I don't think it necessary to relate all
that happened to me during that period. I moved restlessly about over
Russia, and made my way into the remotest wilds, and thank God I did!
The wilds are not so much to be dreaded as some people suppose, and in
the most hidden places, under the fallen twigs and rotting leaves in
the very heart of the forest, spring up flowers of sweet fragrance.
One day in spring, as I was passing on some official duties through
a small town in one of the outlying provinces of Eastern Russia,
through the dim little window of my coach I saw standing before a shop
in the square a man whose face struck me as exceedingly familiar. I
looked attentively at the man, and to my great delight recognised him
as Elisei, Pasinkov's servant.
I at once told the driver to stop, jumped out of the coach, and went
up to Elisei.
'Hullo, friend!' I began, with difficulty concealing my excitement;
'are you here with your master?'
'Yes, I'm with my master,' he responded slowly, and then suddenly
cried out: 'Why, sir, is it you? I didn't know you.'
'Are you here with Yakov Ivanitch?'
'Yes, sir, with him, to be sure ... whom else would I be with?'
'Take me to him quickly.'
'To be sure! to be sure! This way, please, this way ... we're
stopping here at the tavern.' Elisei led me across the square,
incessantly repeating—'Well, now, won't Yakov Ivanitch be pleased!'
This man, of Kalmuck extraction, and hideous, even savage
appearance, but the kindest-hearted creature and by no means a fool,
was passionately devoted to Pasinkov, and had been his servant for ten
'Is Yakov Ivanitch quite well?' I asked him.
Elisei turned his dusky, yellow little face to me.
'Ah, sir, he's in a poor way ... in a poor way, sir! You won't know
his honour.... He's not long for this world, I'm afraid. That's how it
is we've stopped here, or we had been going on to Odessa for his
'Where do you come from?'
'From Siberia, sir.'
'Yes, sir. Yakov Ivanitch was sent to a post out there. It was there
his honour got his wound.'
'Do you mean to say he went into the military service?'
'Oh no, sir. He served in the civil service.'
'What a strange thing!' I thought.
Meanwhile we had reached the tavern, and Elisei ran on in front to
announce me. During the first years of our separation, Pasinkov and I
had written to each other pretty often, but his last letter had reached
me four years before, and since then I had heard nothing of him.
'Please come up, sir!' Elisei shouted to me from the staircase;
'Yakov Ivanitch is very anxious to see you.'
I ran hurriedly up the tottering stairs, went into a dark little
room—and my heart sank.... On a narrow bed, under a fur cloak, pale as
a corpse, lay Pasinkov, and he was stretching out to me a bare, wasted
hand. I rushed up to him and embraced him passionately.
'Yasha!' I cried at last; 'what's wrong with you?'
'Nothing,' he answered in a faint voice; 'I'm a bit feeble. What
chance brought you here?'
I sat down on a chair beside Pasinkov's bed, and, never letting his
hands out of my hands, I began gazing into his face. I recognised the
features I loved; the expression of the eyes and the smile were
unchanged; but what a wreck illness had made of him!
He noticed the impression he was making on me.
'It's three days since I shaved,' he observed; 'and, to be sure,
I've not been combed and brushed, but except for that ... I'm not so
'Tell me, please, Yasha,' I began; 'what's this Elisei's been
telling me ... you were wounded?'
'Ah! yes, it's quite a history,' he replied. 'I'll tell you it
later. Yes, I was wounded, and only fancy what by?—an arrow.'
'Yes, an arrow; only not a mythological one, not Cupid's arrow, but
a real arrow of very flexible wood, with a sharply-pointed tip at one
end.... A very unpleasant sensation is produced by such an arrow,
especially when it sticks in one's lungs.'
'But however did it come about? upon my word!...'
'I'll tell you how it happened. You know there always was a great
deal of the absurd in my life. Do you remember my comical
correspondence about getting my passport? Well, I was wounded in an
absurd fashion too. And if you come to think of it, what
self-respecting person in our enlightened century would permit himself
to be wounded by an arrow? And not accidentally—observe—not at sports
of any sort, but in a battle.'
'But you still don't tell me ...'
'All right, wait a minute,' he interrupted. 'You know that soon
after you left Petersburg I was transferred to Novgorod. I was a good
time at Novgorod, and I must own I was bored there, though even there I
came across one creature....' (He sighed.) ... 'But no matter about
that now; two years ago I got a capital little berth, some way off,
it's true, in the Irkutsk province, but what of that! It seems as
though my father and I were destined from birth to visit Siberia. A
splendid country, Siberia! Rich, fertile—every one will tell you the
same. I liked it very much there. The natives were put under my rule;
they're a harmless lot of people; but as my ill-luck would have it,
they took it into their heads, a dozen of them, not more, to smuggle in
contraband goods. I was sent to arrest them. Arrest them I did, but one
of them, crazy he must have been, thought fit to defend himself, and
treated me to the arrow.... I almost died of it; however, I got all
right again. Now, here I am going to get completely cured.... The
government—God give them all good health!—have provided the cash.'
Pasinkov let his head fall back on the pillow, exhausted, and ceased
speaking. A faint flush suffused his cheeks. He closed his eyes.
'He can't talk much,' Elisei, who had not left the room, murmured in
A silence followed; nothing was heard but the sick man's painful
'But here,' he went on, opening his eyes, 'I've been stopping a
fortnight in this little town.... I caught cold, I suppose. The
district doctor here is attending me—you'll see him; he seems to know
his business. I'm awfully glad it happened so, though, or how should we
have met?' (And he took my hand. His hand, which had just before been
cold as ice, was now burning hot.) 'Tell me something about yourself,'
he began again, throwing the cloak back off his chest. 'You and I
haven't seen each other since God knows when.'
I hastened to carry out his wish, so as not to let him talk, and
started giving an account of myself. He listened to me at first with
great attention, then asked for drink, and then began closing his eyes
again and turning his head restlessly on the pillow. I advised him to
have a little nap, adding that I should not go on further till he was
well again, and that I should establish myself in a room beside him.
'It's very nasty here ...' Pasinkov was beginning, but I stopped his
mouth, and went softly out. Elisei followed me.
'What is it, Elisei? Why, he's dying, isn't he?' I questioned the
Elisei simply made a gesture with his hand, and turned away.
Having dismissed my driver, and rapidly moved my things into the
next room, I went to see whether Pasinkov was asleep. At the door I ran
up against a tall man, very fat and heavily built. His face,
pock-marked and puffy, expressed laziness—and nothing else; his tiny
little eyes seemed, as it were, glued up, and his lips looked polished,
as though he were just awake.
'Allow me to ask,' I questioned him, 'are you not the doctor?'
The fat man looked at me, seeming with an effort to lift his
overhanging forehead with his eyebrows.
'Yes, sir,' he responded at last.
'Do me the favour, Mr. Doctor, won't you, please, to come this way
into my room? Yakov Ivanitch, is, I believe, now asleep. I am a friend
of his and should like to have a little talk with you about his
illness, which makes me very uneasy.'
'Very good,' answered the doctor, with an expression which seemed to
try and say, 'Why talk so much? I'd have come anyway,' and he followed
'Tell me, please,' I began, as soon as he had dropped into a chair,
'is my friend's condition serious? What do you think?'
'Yes,' answered the fat man, tranquilly.
'And...is it very serious?'
'Yes, it's serious.'
'So that he may...even die?'
I confess I looked almost with hatred at the fat man.
'Good heavens!' I began; 'we must take some steps, call a
consultation, or something. You know we can't...Mercy on us!'
'A consultation?—quite possible; why not? It's possible. Call in
The doctor spoke with difficulty, and sighed continually. His
stomach heaved perceptibly when he spoke, as it were emphasising each
'Who is Ivan Efremitch?'
'The parish doctor.'
'Shouldn't we send to the chief town of the province? What do you
think? There are sure to be good doctors there.'
'Well! you might.'
'And who is considered the best doctor there?'
'The best? There was a doctor Kolrabus there ... only I fancy he's
been transferred somewhere else. Though I must own there's no need
really to send.'
'Even the best doctor will be of no use to your friend.'
'Why, is he so bad?'
'Yes, he's run down.' 'In what way precisely is he ill?'
'He received a wound.... The lungs were affected in consequence ...
and then he's taken cold too, and fever was set up ... and so on. And
there's no reserve force; a man can't get on, you know yourself, with
no reserve force.'
We were both silent for a while.
'How about trying homoeopathy?...' said the fat man, with a sidelong
glance at me.
'Homoeopathy? Why, you're an allopath, aren't you?'
'What of that? Do you think I don't understand homoeopathy? I
understand it as well as the other! Why, the chemist here among us
treats people homeopathically, and he has no learned degree whatever.'
'Oh,' I thought, 'it's a bad look-out!...'
'No, doctor,' I observed, 'you had better treat him according to
your usual method.'
'As you please.'
The fat man got up and heaved a sigh.
'You are going to him? 'I asked.
'Yes, I must have a look at him.'
And he went out.
I did not follow him; to see him at the bedside of my poor, sick
friend was more than I could stand. I called my man and gave him orders
to drive at once to the chief town of the province, to inquire there
for the best doctor, and to bring him without fail. There was a slight
noise in the passage. I opened the door quickly.
The doctor was already coming out of Pasinkov's room.
'Well?' I questioned him in a whisper.
'It's all right. I have prescribed a mixture.'
'I have decided, doctor, to send to the chief town. I have no doubt
of your skill, but as you're aware, two heads are better than one.'
'Well, that's very praiseworthy!' responded the fat man, and he
began to descend the staircase. He was obviously tired of me.
I went in to Pasinkov.
'Have you seen the local Aesculapius?' he asked.
'Yes,' I answered.
'What I like about him,' remarked Pasinkov, 'is his astounding
composure. A doctor ought to be phlegmatic, oughtn't he? It's so
encouraging for the patient.'
I did not, of course, try to controvert this.
Towards the evening, Pasinkov, contrary to my expectations, seemed
better. He asked Elisei to set the samovar, announced that he was going
to regale me with tea, and drink a small cup himself, and he was
noticeably more cheerful. I tried, though, not to let him talk, and
seeing that he would not be quiet, I asked him if he would like me to
read him something. 'Just as at Winterkeller's—do you remember?' he
answered. 'If you will, I shall be delighted. What shall we read? Look,
there are my books in the window.'...
I went to the window and took up the first book that my hand chanced
'What is it?' he asked.
'Ah, Lermontov! Excellent! Pushkin is greater, no doubt.... Do you
remember: “Once more the storm-clouds gather close Above me in the
perfect calm” ... or, “For the last time thy image sweet In thought I
dare caress.” Ah! marvellous! marvellous! But Lermontov's fine too.
Well, I'll tell you what, dear boy: you take the book, open it by
chance, and read what you find!'
I opened the book, and was disconcerted; I had chanced upon 'The
Last Will.' I tried to turn over the page, but Pasinkov noticed my
action and said hurriedly: 'No, no, no, read what turned up.'
There was no getting out of it; I read 'The Last Will.'
[Footnote: THE LAST WILL
Alone with thee, brother,
I would wish to be;
On earth, so they tell me,
I have not long to stay,
Soon you will go home:
See that ... But nay! for my fate
To speak the truth, no one
Is very greatly troubled.
But if any one asks ...
Well, whoever may ask,
Tell them that through the breast
I was shot by a bullet;
That I died honourably for the Tsar,
That our doctors are not much good,
And that to my native land
I send a humble greeting.
My father and mother, hardly
Will you find living....
I'll own I should be sorry
That they should grieve for me.]
'Splendid thing!' said Pasinkov, directly I had finished the last
verse. 'Splendid thing!
But, it's queer,' he added, after a brief pause, 'it's queer you
should have chanced just on that.... Queer.'
I began to read another poem, but Pasinkov was not listening to me;
he looked away, and twice he repeated again: 'Queer!'
I let the book drop on my knees.
'“There is a girl, their neighbour,”' he whispered, and turning to
me he asked—'I say, do you remember Sophia Zlotnitsky?'
I turned red.
'I should think I did!'
'She was married, I suppose?...'
'To Asanov, long, long ago. I wrote to you about it.'
* * * * *
But if either of them is living,
Say I am lazy about writing,
That our regiment has been sent forward,
And that they must not expect me home.
There is a girl, their neighbour....
As you remember, it's long
Since we parted.... She will not
Ask for me.... All the same,
You tell her all the truth,
Don't spare her empty heart—
Let her weep a little....
It will not hurt her much!
'To be sure, to be sure, so you did. Did her father forgive her in
'He forgave her; but he would not receive Asanov.'
'Obstinate old fellow! Well, and are they supposed to be happy?'
'I don't know, really...I fancy they 're happy. They live in the
country, in ——province. I've never seen them, though I have been
through their parts.'
'And have they any children?'
'I think so.... By the way, Pasinkov?...' I began questioningly.
He glanced at me.
'Confess—do you remember, you were unwilling to answer my question
at the time—did you tell her I cared for her?'
'I told her everything, the whole truth.... I always told her the
truth. To be hypocritical with her would have been a sin!'
Pasinkov was silent for a while.
'Come, tell me,' he began again: 'did you soon get over caring for
her, or not?'
'Not very soon, but I got over it. What's the good of sighing in
Pasinkov turned over, facing me.
'Well, I, brother,' he began—and his lips were quivering—'am no
match for you there; I've not got over caring for her to this day.'
'What!' I cried in indescribable amazement; 'did you love her?'
'I loved her,' said Pasinkov slowly, and he put both hands behind
his head. 'How I loved her, God only knows. I've never spoken of it to
any one, to any one in the world, and I never meant to ... but there!
“On earth, so they tell me, I have not long to stay.” ... What does it
Pasinkov's unexpected avowal so utterly astonished me that I could
positively say nothing. I could only wonder, 'Is it possible? how was
it I never suspected it?'
'Yes,' he went on, as though speaking to himself, 'I loved her. I
never ceased to love her even when I knew her heart was Asanov's. But
how bitter it was for me to know that! If she had loved you, I should
at least have rejoiced for you; but Asanov.... How did he make her care
for him? It was just his luck! And change her feelings, cease to care,
she could not! A true heart does not change....'
I recalled Asanov's visit after the fatal dinner, Pasinkov's
intervention, and I could not help flinging up my hands in
'You learnt it all from me, poor fellow!' I cried; 'and you
undertook to go and see her then!'
'Yes,' Pasinkov began again; 'that explanation with her ... I shall
never forget it.' It was then I found out, then I realised the meaning
of the word I had chosen for myself long before: resignation. But still
she has remained my constant dream, my ideal.... And he's to be pitied
who lives without an ideal!'
I looked at Pasinkov; his eyes, fastened, as it were, on the
distance, shone with feverish brilliance.
'I loved her,' he went on, 'I loved her, her, calm, true,
unapproachable, incorruptible; when she went away, I was almost mad
with grief.... Since then I have never cared for any one.'...
And suddenly turning, he pressed his face into the pillow, and began
I jumped up, bent over him, and began trying to comfort him....
'It's no matter,' he said, raising his head and shaking back his
hair; 'it's nothing; I felt a little bitter, a little sorry ... for
myself, that is.... But it's all no matter. It's all the fault of those
verses. Read me something else, more cheerful.'
I took up Lermontov and began hurriedly turning over the pages; but,
as fate would have it, I kept coming across poems likely to agitate
Pasinkov again. At last I read him 'The Gifts of Terek.'
'Jingling rhetoric!' said my poor friend, with the tone of a
preceptor; 'but there are fine passages. Since I saw you, brother, I've
tried my hand at poetry, and began one poem—“The Cup of Life”—but it
didn't come off! It's for us, brother, to appreciate, not to create....
But I'm rather tired; I'll sleep a little—what do you say? What a
splendid thing sleep is, come to think of it! All our life's a dream,
and the best thing in it is dreaming too.'
'And poetry?' I queried.
'Poetry's a dream too, but a dream of paradise.'
Pasinkov closed his eyes.
I stood for a little while at his bedside. I did not think he would
get to sleep quickly, but soon his breathing became more even and
prolonged. I went away on tiptoe, turned into my own room, and lay down
on the sofa. For a long while I mused on what Pasinkov had told me,
recalled many things, wondered; at last I too fell asleep....
Some one touched me; I started up; before me stood Elisei.
'Come in to my master,' he said.
I got up at once.
'What's the matter with him?'
'Delirious? And hasn't it ever been so before with him?'
'Yes, he was delirious last night, too; only to-day it is something
I went to Pasinkov's room. He was not lying down, but sitting up in
bed, his whole body bent forward. He was slowly gesticulating with his
hands, smiling and talking, talking all the time in a weak, hollow
voice, like the whispering of rushes. His eyes were wandering. The
gloomy light of a night light, set on the floor, and shaded off by a
book, lay, an unmoving patch on the ceiling; Pasinkov's face seemed
paler than ever in the half darkness.
I went up to him, called him by his name—he did not answer. I began
listening to his whispering: he was talking of Siberia, of its forests.
From time to time there was sense in his ravings.
'What trees!' he whispered; 'right up to the sky. What frost on
them! Silver ... snowdrifts.... And here are little tracks ... that's a
hare's leaping, that's a white weasel... No, it's my father running
with my papers. Here he is!... Here he is! Must go; the moon is
shining. Must go, look for my papers.... Ah! A flower, a crimson
flower—there's Sophia.... Oh, the bells are ringing, the frost is
crackling.... Ah, no; it's the stupid bullfinches hopping in the
bushes, whistling.... See, the redthroats! Cold.... Ah! here's
Asanov.... Oh yes, of course, he's a cannon, a copper cannon, and his
gun-carriage is green. That's how it is he's liked. Is it a star has
fallen? No, it's an arrow flying.... Ah, how quickly, and straight into
my heart!... Who shot it? You, Sonitchka?'
He bent his head and began muttering disconnected words. I glanced
at Elisei; he was standing, his hands clasped behind his back, gazing
ruefully at his master.
'Ah, brother, so you've become a practical person, eh?' he asked
suddenly, turning upon me such a clear, such a fully conscious glance,
that I could not help starting and was about to reply, but he went on
at once: 'But I, brother, have not become a practical person, I
haven't, and that's all about it! A dreamer I was born, a dreamer!
Dreaming, dreaming.... What is dreaming? Sobakevitch's peasant—that's
Almost till morning Pasinkov wandered in delirium; at last he
gradually grew quieter, sank back on the pillow, and dozed off. I went
back into my room. Worn out by the cruel night, I slept soundly.
Elisei again waked me.
'Ah, sir!' he said in a shaking voice, 'I do believe Yakov Ivanitch
I ran in to Pasinkov. He was lying motionless. In the light of the
coming day he looked already a corpse. He recognised me.
'Good-bye,' he whispered; 'greet her for me, I'm dying....'
'Yasha!' I cried; 'nonsense! you are going to live....'
'No, no! I am dying.... Here, take this as a keepsake.' ... (He
pointed to his breast.) ...
'What's this?' he began suddenly; 'look: the sea ... all golden, and
blue isles upon it, marble temples, palm-trees, incense....'
He ceased speaking ... stretched....
Within half an hour he was no more. Elisei flung himself weeping at
his feet. I closed his eyes.
On his neck there was a little silken amulet on a black cord. I took
Three days afterwards he was buried.... One of the noblest hearts
was hidden for ever in the grave. I myself threw the first handful of
earth upon him.
Another year and a half passed by. Business obliged me to visit
Moscow. I took up my quarters in one of the good hotels there. One day,
as I was passing along the corridor, I glanced at the black-board with
the list of visitors staying in the hotel, and almost cried out aloud
with astonishment. Opposite the number 12 stood, distinctly written in
chalk, the name, Sophia Nikolaevna Asanova. Of late I had chanced to
hear a good deal that was bad about her husband. I had learned that he
was addicted to drink and to gambling, had ruined himself, and was
generally misconducting himself. His wife was spoken of with
respect.... In some excitement I went back to my room. The passion,
that had long long ago grown cold, began as it were to stir within my
heart, and it throbbed. I resolved to go and see Sophia Nikolaevna.
'Such a long time has passed since the day we parted,' I thought, 'she
has, most likely, forgotten everything there was between us in those
I sent Elisei, whom I had taken into my service after the death of
Pasinkov, with my visiting-card to her door, and told him to inquire
whether she was at home, and whether I might see her. Elisei quickly
came back and announced that Sophia Nikolaevna was at home and would
I went at once to Sophia Nikolaevna. When I went in, she was
standing in the middle of the room, taking leave of a tall stout
'As you like,' he was saying in a rich, mellow voice; 'he is not a
harmless person, he's a useless person; and every useless person in a
well-ordered society is harmful, harmful, harmful!'
With those words the tall gentleman went out. Sophia Nikolaevna
turned to me.
'How long it is since we met!' she said. 'Sit down, please....'
We sat down. I looked at her.... To see again after long absence the
features of a face once dear, perhaps beloved, to recognise them, and
not recognise them, as though across the old, unforgotten countenance a
new one, like, but strange, were looking out at one; instantaneously,
almost unconsciously, to note the traces time has laid upon it;—all
this is rather melancholy. 'I too must have changed in the same way,'
each is inwardly thinking....
Sophia Nikolaevna did not, however, look much older; though, when I
had seen her last, she was sixteen, and that was nine years ago.
Her features had become still more correct and severe; as of old,
they expressed sincerity of feeling and firmness; but in place of her
former serenity, a sort of secret ache and anxiety could be discerned
in them. Her eyes had grown deeper and darker. She had begun to show a
likeness to her mother....
Sophia Nikolaevna was the first to begin the conversation.
'We are both changed,' she began. 'Where have you been all this
'I've been a rolling stone,' I answered. 'And have you been living
in the country all the while?'
'For the most part I've been in the country. I'm only here now for a
'How are your parents?'
'My mother is dead, but my father is still in Petersburg; my
brother's in the service; Varia lives with him.'
'And your husband?'
'My husband,' she said in a rather hurried voice—'he's just now in
South Russia for the horse fairs. He was always very fond of horses,
you know, and he has started stud stables ... and so, on that account
... he's buying horses now.'
At that instant there walked into the room a little girl of eight
years old, with her hair in a pigtail, with a very keen and lively
little face, and large dark grey eyes. On seeing me, she at once drew
back her little foot, dropped a hasty curtsey, and went up to Sophia
'This is my little daughter; let me introduce her to you,' said
Nikolaevna, putting one finger under the little girl's round chin;
'she would not stop at home—she persuaded me to bring her with me.'
The little girl scanned me with her rapid glance and faintly dropped
'She is a capital little person,' Sophia Nikolaevna went on:
'there's nothing she's afraid of. And she's good at her lessons; I must
say that for her.'
'Comment se nomme monsieur?' the little girl asked in an undertone,
bending over to her mother.
Sophia Nikolaevna mentioned my name.
The little girl glanced at me again.
'What is your name?' I asked her.
'My name is Lidia,' answered the little girl, looking me boldly in
'I expect they spoil you,' I observed.
'Who spoil me?'
'Who? everyone, I expect; your parents to begin with.'
(The little girl looked, without a word, at her mother.) 'I can
fancy Konstantin Alexandritch,' I was going on ...
'Yes, yes,' Sophia Nikolaevna interposed, while her little daughter
kept her attentive eyes fastened upon her; 'my husband, of course—he
is very fond of children....'
A strange expression flitted across Lidia's clever little face.
There was a slight pout about her lips; she hung her head.
'Tell me,' Sophia Nikolaevna added hurriedly; 'you are here on
business, I expect?'
'Yes, I am here on business.... And are you too?'
'Yes.... In my husband's absence, you understand, I'm obliged to
look after business matters.'
'Maman!' Lidia was beginning.
'Quoi, mon enfant?'
'Non—rien.... Je te dirai apres.'
Sophia Nikolaevna smiled and shrugged her shoulders.
'Tell me, please,' Sophia Nikolaevna began again; 'do you remember,
you had a friend ... what was his name? he had such a good-natured face
... he was always reading poetry; such an enthusiastic—'
'Yes, yes, Pasinkov ... where is he now?'
'He is dead.'
'Dead?' repeated Sophia Nikolaevna; 'what a pity!...'
'Have I seen him?' the little girl asked in a hurried whisper.
'No, Lidia, you've never seen him.—What a pity!' repeated Sophia
'You regret him ...' I began; 'what if you had known him, as I knew
him?... But, why did you speak of him, may I ask?'
'Oh, I don't know....' (Sophia Nikolaevna dropped her eyes.)
'Lidia,' she added; 'run away to your nurse.'
'You'll call me when I may come back?' asked the little girl.
The little girl went away. Sophia Nikolaevna turned to me.
'Tell me, please, all you know about Pasinkov.' I began telling her
his story. I sketched in brief words the whole life of my friend;
tried, as far as I was able, to give an idea of his soul; described his
last meeting with me and his end.
'And a man like that,' I cried, as I finished my story—'has left
us, unnoticed, almost unappreciated! But that's no great loss. What is
the use of man's appreciation? What pains me, what wounds me, is that
such a man, with such a loving and devoted heart, is dead without
having once known the bliss of love returned, without having awakened
interest in one woman's heart worthy of him!... Such as I may well know
nothing of such happiness; we don't deserve it; but Pasinkov!... And
yet haven't I met thousands of men in my life, who could not compare
with him in any respect, who were loved? Must one believe that some
faults in a man—conceit, for instance, or frivolity—are essential to
gain a woman's devotion? Or does love fear perfection, the perfection
possible on earth, as something strange and terrible?'
Sophia Nikolaevna heard me to the end, without taking her stern,
searching eyes off me, without moving her lips; only her eyebrows
contracted from time to time.
'What makes you suppose,' she observed after a brief silence, 'that
no woman ever loved your friend?'
'Because I know it, know it for a fact.'
Sophia Nikolaevna seemed about to say something, but she stopped.
She seemed to be struggling with herself.
'You are mistaken,' she began at last; 'I know a woman who loved
your dead friend passionately; she loves him and remembers him to this
day ... and the news of his death will be a fearful blow for her.'
'Who is this woman? may I know?'
'My sister, Varia.'
'Varvara Nikolaevna!' I cried in amazement.
'What? Varvara Nikolaevna?' I repeated, 'that...'
'I will finish your sentence,' Sophia Nikolaevna took me up; 'that
girl you thought so cold, so listless and indifferent, loved your
friend; that is why she has never married and never will marry. Till
this day no one has known of this but me; Varia would die before she
would betray her secret. In our family we know how to suffer in
I looked long and intently at Sophia Nikolaevna, involuntarily
pondering on the bitter significance of her last words.
'You have surprised me,' I observed at last. 'But do you know,
Sophia Nikolaevna, if I were not afraid of recalling disagreeable
memories, I might surprise you too....'
'I don't understand you,' she rejoined slowly, and with some
'You certainly don't understand me,' I said, hastily getting up;
'and so allow me, instead of verbal explanation, to send you something
'But what is it?' she inquired.
'Don't be alarmed, Sophia Nikolaevna, it's nothing to do with me.'
I bowed, and went back to my room, took out the little silken bag I
had taken off Pasinkov, and sent it to Sophia Nikolaevna with the
'This my friend wore always on his breast and died with it on him.
In it is the only note you ever wrote him, quite insignificant in its
contents; you can read it. He wore it because he loved you
passionately; he confessed it to me only the day before his death. Now,
when he is dead, why should you not know that his heart too was yours?'
Elisei returned quickly and brought me back the relic.
'Well?' I queried; 'didn't she send any message?'
I was silent for a little.
'Did she read my note?'
'No doubt she did; the maid took it to her.'
'Unapproachable,' I thought, remembering Pasinkov's last words. 'All
right, you can go,' I said aloud.
Elisei smiled somewhat queerly and did not go.
'There's a girl ...' he began, 'here to see you.'
'Didn't my master say anything to you?'
'No.... What is it?'
'When my master was in Novgorod,' he went on, fingering the
door-post, 'he made acquaintance, so to say, with a girl. So here is
this girl, wants to see you. I met her the other day in the street. I
said to her, “Come along; if the master allows it, I'll let you see
'Ask her in, ask her in, of course. But ... what is she like?'
'An ordinary girl...working class...Russian.'
'Did Yakov Ivanitch care for her?'
'Well, yes ... he was fond of her. And she...when she heard my
master was dead, she was terribly upset. She's a good sort of girl.'
'Ask her in, ask her in.'
Elisei went out and at once came back. He was followed by a girl in
a striped cotton gown, with a dark kerchief on her head, that half hid
her face. On seeing me, she was much taken aback and turned away.
'What's the matter?' Elisei said to her; 'go on, don't be afraid.'
I went up to her and took her by the hand.
'What is your name?' I asked her.
'Masha,' she replied in a soft voice, stealing a glance at me.
She looked about two-or three-and-twenty; she had a round, rather
simple-looking, but pleasant face, soft cheeks, mild blue eyes, and
very pretty and clean little hands. She was tidily dressed.
'You knew Yakov Ivanitch?' I pursued.
'I used to know him,' she said, tugging at the ends of her kerchief,
and the tears stood in her eyes.
I asked her to sit down.
She sat down at once on the edge of a chair, without any affectation
of ceremony. Elisei went out.
'You became acquainted with him in Novgorod?'
'Yes, in Novgorod,' she answered, clasping her hands under her
kerchief. 'I only heard the day before yesterday, from Elisei
Timofeitch, of his death. Yakov Ivanitch, when he went away to Siberia,
promised to write to me, and twice he did write, and then he wrote no
more. I would have followed him out to Siberia, but he didn't wish it.'
'Have you relations in Novgorod?'
'Did you live with them?'
'I used to live with mother and my married sister; but afterwards
mother was cross with me, and my sister was crowded up, too; she has a
lot of children: and so I moved. I always rested my hopes on Yakov
Ivanitch, and longed for nothing but to see him, and he was always good
to me—you can ask Elisei Timofeitch.'
'I have his letters,' she went on. 'Here, look.' She took several
letters out of her pocket, and handed them to me. 'Read them,' she
I opened one letter and recognised Pasinkov's hand.
'Dear Masha!' (he wrote in large, distinct letters) 'you leaned your
little head against my head yesterday, and when I asked why you do so,
you told me—“I want to hear what you are thinking.” I'll tell you what
I was thinking; I was thinking how nice it would be for Masha to learn
to read and write! She could make out this letter ...'
Masha glanced at the letter.
'That he wrote me in Novgorod,' she observed, 'when he was just
going to teach me to read. Look at the others. There's one from
Siberia. Here, read this.'
I read the letters. They were very affectionate, even tender. In one
of them, the first one from Siberia, Pasinkov called Masha his best
friend, promised to send her the money for the journey to Siberia, and
ended with the following words—'I kiss your pretty little hands; the
girls here have not hands like yours; and their heads are no match for
yours, nor their hearts either.... Read the books I gave you, and think
of me, and I'll not forget you. You are the only, only girl that ever
cared for me; and so I want to belong only to you....'
'I see he was very much attached to you,' I said, giving the letters
back to her.
'He was very fond of me,' replied Masha, putting the letters
carefully into her pocket, and the tears flowed slowly down her cheeks.
'I always trusted in him; if the Lord had vouchsafed him long life, he
would not have abandoned me. God grant him His heavenly peace!'...
She wiped her eyes with a corner of her kerchief.
'Where are you living now?' I inquired.
'I'm here now, in Moscow; I came here with my mistress, but now I'm
out of a place. I did go to Yakov Ivanitch's aunt, but she is very poor
herself. Yakov Ivanitch used often to talk of you,' she added, getting
up and bowing; 'he always loved you and thought of you. I met Elisei
Timofeitch the day before yesterday, and wondered whether you wouldn't
be willing to assist me, as I'm out of a place just now....'
'With the greatest pleasure, Maria ... let me ask, what's your name
from your father?'
'Petrovna,' answered Masha, and she cast down her eyes.
'I will do anything for you I can, Maria Petrovna,' I continued; 'I
am only sorry that I am a visitor here, and know few good families.'
'If I could get a situation of some sort ... I can't cut out, but I
can sew, so I'm always doing sewing ... and I can look after children
'Give her money,' I thought; 'but how's one to do it?'
'Listen, Maria Petrovna,' I began, not without faltering; 'you must,
please, excuse me, but you know from Pasinkov's own words what a friend
of his I was ... won't you allow me to offer you—for the immediate
present—a small sum?' ...
Masha glanced at me.
'What?' she asked.
'Aren't you in want of money?' I said.
Masha flushed all over and hung her head.
'What do I want with money?' she murmured; 'better get me a
'I will try to get you a situation, but I can't answer for it for
certain; but you ought not to make any scruple, really ... I'm not like
a stranger to you, you know.... Accept this from me, in memory of our
I turned away, hurriedly pulled a few notes out of my pocket-book,
and handed them to her.
Masha was standing motionless, her head still more downcast.
'Take it,' I persisted.
She slowly raised her eyes to me, looked me in the face mournfully,
slowly drew her pale hand from under her kerchief and held it out to
I laid the notes in her cold fingers. Without a word, she hid the
hand again under her kerchief, and dropped her eyes.
'In future, Maria Petrovna,' I resumed, 'if you should be in want of
anything, please apply directly to me. I will give you my address.'
'I humbly thank you,' she said, and after a short pause she added:
'He did not speak to you of me?'
'I only met him the day before his death, Maria Petrovna. But I'm
not sure ... I believe he did say something.'
Masha passed her hand over her hair, pressed her cheek lightly,
thought a moment, and saying 'Good-bye,' walked out of the room.
I sat at the table and fell into bitter musings. This Masha, her
relations with Pasinkov, his letters, the hidden love of Sophia
Nikolaevna's sister for him.... 'Poor fellow! poor fellow!' I
whispered, with a catching in my breath. I thought of all Pasinkov's
life, his childhood, his youth, Fraeulein Frederike.... 'Well,' I
thought, 'much fate gave to thee! much cause for joy!'
Next day I went again to see Sophia Nikolaevna. I was kept waiting
in the ante-room, and when I entered, Lidia was already seated by her
mother. I understood that Sophia Nikolaevna did not wish to renew the
conversation of the previous day.
We began to talk—I really don't remember what about—about the news
of the town, public affairs.... Lidia often put in her little word, and
looked slily at me. An amusing air of importance had suddenly become
apparent on her mobile little visage.... The clever little girl must
have guessed that her mother had intentionally stationed her at her
I got up and began taking leave. Sophia Nikolaevna conducted me to
'I made you no answer yesterday,' she said, standing still in the
doorway; 'and, indeed, what answer was there to make? Our life is not
in our own hands; but we all have one anchor, from which one can never,
without one's own will, be torn—a sense of duty.'
Without a word I bowed my head in sign of assent, and parted from
the youthful Puritan.
All that evening I stayed at home, but I did not think of her; I
kept thinking and thinking of my dear, never-to-be-forgotten
Pasinkov—the last of the idealists; and emotions, mournful and tender,
pierced with sweet anguish into my soul, rousing echoes on the strings
of a heart not yet quite grown old.... Peace to your ashes, unpractical
man, simple-hearted idealist! and God grant to all practical men—to
whom you were always incomprehensible, and who, perhaps, will laugh
even now over you in the grave—God grant to them to experience even a
hundredth part of those pure delights in which, in spite of fate and
men, your poor and unambitious life was so rich!